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Odd Girl Out
By Ann Bannon. 1957
Una noche en el Orient Express
By Veronica Henry. 2013
Un recado misterioso una promesa hecha a un amigo moribundo una propuesta inesperada un secreto que…
se remonta toda una vida Seis historias cuyo rumbo cambiar en un extraordinario viaje de Londres a Venecia Mientras el tren marcha salen a la luz relaciones confesiones y revelaciones Cuando los pasajeros lleguen a su destino su vida no volver a ser la misma www sumadeletras comVertigo
By Michael Hulse, W. G. Sebald. 2001
The beguiling first novel by W. G. Sebald, one of the most enormously acclaimed European writers of our time. Vertigo,…
W. G. Sebald's first novel, never before translated into English, is perhaps his most amazing and certainly his most alarming. Sebald--the acknowledged master of memory's uncanniness--takes the painful pleasures of unknowability to new intensities in Vertigo. Here in their first flowering are the signature elements of Sebald's hugely acclaimed novels The Emigrants and The Rings of Saturn. An unnamed narrator, beset by nervous ailments, is again our guide on a hair-raising journey through the past and across Europe, amid restless literary ghosts--Kafka, Stendhal, Casanova. In four dizzying sections, the narrator plunges the reader into vertigo, into that "swimming of the head," as Webster's defines it: in other words, into that state so unsettling, so fascinating, and so "stunning and strange," as The New York Times Book Review declared about The Emigrants, that it is "like a dream you want to last forever."Twilight Girl
By Della Martin. 2006
The swaggering butches and dolled-up femmes of this 1961 lesbian pulp novel experience the guilt, thrills, and wonder of forbidden…
love."She knew why they danced with such gay desperation."A budding butch in the Brylcreem era, Lorraine "Lon" Harris fantasizes about a South Pacific island full of women, where everyone will be free and accepting, and she'll never have to wear an eyelet blouse again. Spurned by her high school English teacher, Lon turns to a new friend, the brash, purple-haired Violet, who draws Lon into the lesbian underworld of suburban Los Angeles, to the sordid 28 Percent Club, a private bar where those with "contaminated passions" cling to each other. Here, among the swaggering butches and dolled-up femmes, Lon will discover herself. And here she will first lay eyes on brilliant, lovely Mavis, a black jazz pianist and the girlfriend of wealthy Sassy Gregg, whose heavy bracelets may as well be brass knuckles where Lon is concerned.Spring Fire
By Vin Packer. 1952
Her silky black hair. Her low-cut gown. Her sparkling sorority pin. It's autumn rush in the Tri Epsilon house, and…
the new pledge, Susan Mitchell-"Mitch" to her friends-trembles as the fastest girl on campus, the lovely Leda Taylor, crosses the room toward her for a dance. Will Leda corrupt Mitch? Or will the strong and silent Mitch draw the queen of Tri Ep into the forbidden world of Lesbian Love?Spring Fire was the first lesbian paperback novel and sold an amazing 1.5 million copies when it first appeared in 1952. It launched an entire genre of lesbian novels, as well as the writing career of Vin Packer, one of the pseudonyms of prolific author Marijane Meaker, whose acclaimed memoir, Highsmith: A Romance of the 1950s, told the story of her own forbidden love. Now available after forty years out of print, Spring Fire is both a vital part of lesbian history and a steamy page-turner.The Blacker the Ink
By John Jennings, Craig Fischer, Frances Gateward, Rebecca Wanzo, William Lafi Youmans, Kinohi Nishikawa, Blair Davis, Nancy Goldstein, Daniel F. Yezbick, Sally Mcwilliams, James J. Zeigler, Qiana Whitted, Reynaldo Anderson, Hershini Bhana Young, Robin Means Coleman, Patrick F. Walter, Consuela Francis, Andre Carrington. 2015
When many think of comic books the first thing that comes to mind are caped crusaders and spandex-wearing super-heroes. Perhaps,…
inevitably, these images are of white men (and more rarely, women). It was not until the 1970s that African American superheroes such as Luke Cage, Blade, and others emerged. But as this exciting new collection reveals, these superhero comics are only one small component in a wealth of representations of black characters within comic strips, comic books, and graphic novels over the past century. The Blacker the Ink is the first book to explore not only the diverse range of black characters in comics, but also the multitude of ways that black artists, writers, and publishers have made a mark on the industry. Organized thematically into "panels" in tribute to sequential art published in the funny pages of newspapers, the fifteen original essays take us on a journey that reaches from the African American newspaper comics of the 1930s to the Francophone graphic novels of the 2000s. Even as it demonstrates the wide spectrum of images of African Americans in comics and sequential art, the collection also identifies common character types and themes running through everything from the strip The Boondocks to the graphic novel Nat Turner. Though it does not shy away from examining the legacy of racial stereotypes in comics and racial biases in the industry, The Blacker the Ink also offers inspiring stories of trailblazing African American artists and writers. Whether you are a diehard comic book fan or a casual reader of the funny pages, these essays will give you a new appreciation for how black characters and creators have brought a vibrant splash of color to the world of comics.A Voyage to the Island of the Articoles
By Andre Maurois. 2012
"Dangerous, charming, and funny, this elegant miniature rediscovery will delight even brilliant minds."-Simon Van BooyAndré Maurois' novella, published in the…
same year as Margaret Mead's Coming of Age in Samoa, is about a couple who become shipwrecked on an uncharted South Seas Island and discover a race of literary zealots for whom every subject and feeling needs to be expressed as a form of literary art. As explained by Alberto Manguel, "An Articole will publish not only his Intimate Journal, but also his Journal of My Intimate Journal; and his wife will publish My Husband's Journal of His Intimate Journal."Any Deadly Thing
By Roy Kesey. 2013
Following the critical success of his debut collection, All Over, and of his debut novel, Pacazo, Roy Kesey now brings…
us a new gathering of short stories, Any Deadly Thing. These stories first appeared in magazines including McSweeney's, Subtropics, Ninth Letter and American Short Fiction, and have been widely anthologized; among them are winners of a Pushcart Prize special mention, an Honorable Mention in The Year's Best Fantasy and Horror, and The Missouri Review's Jeffrey E. Smith Editors' Prize in Fiction. With story locales ranging across the Americas to Europe and Asia, Kesey once again makes the full strange world his stage. "Perfect, masterful portraits of an international cross-section of wise, broken souls--hopeful, brutal, funny as hell, and heart-crushing, every last one." -Elizabeth Crane, author of We Only Know So Much "Roy Kesey is one of my favorite contemporary writers, and Any Deadly Thing is another triumph. These stories, reminiscent of William Gass in the remarkable way they combine a virtuoso playfulness and wit with an atmosphere of grimness and grief and heartbreak, range the world over for their brilliantly realized locales, but they share a deeper setting in what Gass calls 'the only holiness we have,' human consciousness. Kesey demonstrates once again that he is a spectacularly deft and empathetic priest of that creed, which is the only one for me." -Michael Griffith, author of TrophyThe Whole
By John Reed. 2005
From John Reed, author of the controversial Orwell parody,Snowball's Chance,comes a subversive satire of modern culture, the complete lack thereof,…
and a lost generation that no one even tried to look for. In the middle of America's heartland, a young boy digs a small hole in the ground. . . which grows into a big hole in the ground. . . which then proceeds to drag the boy, his parents, his dog, and most of their house into a deep void. Then, as abruptly as the hole started growing, it stops. So begins the first in a series of events that takes the beautiful-if-not-brainy Thing on a quest to uncover the truth behind the mysterious Hole. Inspired by visions, signs, and an unlimited supply of pink cocktails served by an ever-lurking "Black Rabbit," Thing and her dogged production crew travel around America, encountering Satanists, an Extraterrestrial/Christian cult group, and a surprisingly helpful phone psychic. Their search for answers could very well decide the fate of the world as they know it. But the more Thing learns about the Hole, her shocking connection to it, and the mind-boggling destiny that awaits her, the more she realizes that human civilization isn't all it's cracked up to be -- and that it's just about time to start over.Women in the Shadows
By Ann Bannon. 2002
Designated the "Queen of Lesbian Pulp" for her landmark novels beginning in 1957, Ann Bannon's work defined lesbian fiction for…
the pre-Stonewall generation. Following the release of Cleis Press's new editions of Beebo Brinker and Odd Girl Out, Women in the Shadows picks up with Beebo's relationship with Laura waning, as both women become caught in the cultural tumult (gay bar raids, heavy drinking, gay rights advocacy) that anticipates by ten years the Stonewall Rebellion of 1969. New introduction explains the book's evolution, including the role Bannon's divorce played in shaping the lesbian protagonist's outrage.Anime Explosion!
By Patrick Drazen. 2002
An updated look at Japanese animation, and the manga that inspired them. New chapters on "Fullmetal Alchemist," manga/anime by CLAMP,…
and Satoshi Kon. It brings fans up to date on Studio Ghibli movies after the Academy Award-winning "Spirited Away," new titles like "Negima" and "Ouran High School Host Club," and breakthrough same-sex stories "Gravitation" and "Mother Mary is Watching."Beebo Brinker
By Ann Bannon. 1962
Ann Bannon was designated the "Queen of Lesbian Pulp" for authoring several landmark novels in the '50s. Unlike many writers…
of the period, however, Bannon broke through the shame and isolation typically portrayed in lesbian pulps, offering instead characters who embraced their sexuality. With Beebo Brinker, Bannon introduces a butch 17-year-old farm girl newly arrived in Beat-era Greenwich Village.Vertigo
By Michael Hulse, W G Sebald. 2001
The beguiling first novel by W. G. Sebald, one of the most enormously acclaimed European writers of our time. Vertigo,…
W. G. Sebald's first novel, never before translated into English, is perhaps his most amazing and certainly his most alarming. Sebald--the acknowledged master of memory's uncanniness--takes the painful pleasures of unknowability to new intensities in Vertigo. Here in their first flowering are the signature elements of Sebald's hugely acclaimed novels The Emigrants and The Rings of Saturn. An unnamed narrator, beset by nervous ailments, is again our guide on a hair-raising journey through the past and across Europe, amid restless literary ghosts--Kafka, Stendhal, Casanova. In four dizzying sections, the narrator plunges the reader into vertigo, into that "swimming of the head," as Webster's defines it: in other words, into that state so unsettling, so fascinating, and so "stunning and strange," as The New York Times Book Review declared about The Emigrants, that it is "like a dream you want to last forever."Journey to a Woman
By Ann Bannon. 1960
Designated the "Queen of Lesbian Pulp" for her series of landmark novels beginning in 1957, Ann Bannon's work defined lesbian…
fiction for the pre-Stonewall generation. Following the release of Cleis Press's new editions of Beebo Brinker and Odd Girl Out, Journey to a Woman finds Laura in love among the lesbian bohemia of Greenwich Village.Mass-Market Fiction and the Crisis of American Liberalism, 1972–2017
By Michael J. Blouin. 2018
Mass-Market Fiction and the Crisis of American Liberalism, 1972–2017 tracks the transformation of liberal thought in the contemporary United States…
through the unique lens of the popular paperback. The book focuses on cultural shifts as they appear in works written by some of the most widely-read authors of the last fifty years: the idea of love within a New Economy (Danielle Steel), the role of government in scientific inquiry (Michael Crichton), entangled political alliances and legacies in the aftermath of the 1960s (Tom Clancy), the restructured corporation (John Grisham), and the blurred line between state and personal empowerment (Dean Koontz). To address the current crisis, this book examines how the changed character of American liberalism has been rendered legible for a mass audience.Voy
By Gabi Mart nez. 2014
Literatura de viajes, nuevo periodismo, autoficción, parodia y metaliteratura en el nuevo libro de Gabi Martínez. «El convencimiento de estar…
donde debes y quieres es una de las grandes experiencias de la vida. Sentí que había llegado a un lugar que de alguna manera buscaba desde hacía mucho. Encontrar un lugar es bueno. Sí, es bueno.» Un joven periodista intenta localizar a Gabi Martínez, el escritor desaparecido en Nueva Zelanda cuando seguía la pista de un ave invisible tan real, o tan imaginaria, como las leyendas que la nombran. El reportero necesita entender qué motivos le llevaron a romper con su vida y desaparecer sin dejar rastro. Como hizo su propio padre, como ocurre con todos aquellos que no creen pertenecer a ningún lugar, los que se marchan mucho antes de emprender un viaje. Pero nunca existe una única versión de la historia. Por eso, la figura del viajero se va componiendo a medida que avanza la investigación, y las voces de su exmujer, alguno de sus amigos, varios guías de sus expediciones, compañeros de viaje o una de sus últimas amantes van perfilando al hombre en esencia, tan mezquino como espléndido, a medida que responden a las preguntas del periodista. No hay sólo una perspectiva, sino tantas como personas compartieron su vida. De la misma manera, Voy no es un único libro sino varios al tiempo. Es ficción, pero también literatura de viajes; es un relato de anhelos, pero también de desengaños; es comedia y a la vez drama. Una obra caleidoscópica que profundiza en el descubrimiento del yo a través de los otros, en la identidad como juego de espejos y en la utopía como final del viaje. Reseñas:«Desnudo literario integral que ve y sube la apuesta autoficcional de Coetzee en Verano.» Daniel Arjona, El Mundo «Un libro que se sale de lo común. Impecable e implacable. Un libro de búsquedas y sueños,de risas y quebrantos, de radical exploración personal a través del espejo que habitan los otros.» Tino Pertierra, La Nueva España «Deslumbrante (e impúdico) cruce entre el making of literario y la autobiografía. Imprescindible.» Jorge de Cominges, escritor «Gabi Martínez es un escritor de viajes introspectivo que encierra un pequeño Homero dentro mucho más revolucionario que en otros escritores. Ha sabido encontrar la manera de renovar la literatura viajera mediante enfoques inusuales, dejándose llevar por la misma osadía -y lucidez- que tuvo su precedente más claro y confeso: Bruce Chatwin, con quien comparte la capacidad de ruptura y de recreación. Literatura en vena.» Adolfo García Ortega, escritor, crítico y traductor, Club Cultura FNAC «Amplía el campo de acción del Verano de Coetzee (...) Me quito el sombrero: debe tenerse libertad y valentía para hacer un libro como éste. Da fuerza.» Mercè Ibarz, escritora «Martínez dista mucho de ser un escritor de viajes al uso y de manual (...). Podemos disfrutar de su originalidad, de un soberbio estilo de escritura y de muchas reflexiones sagaces de quien ha recorrido mundo y sabe de lo que habla. (...) Auténtico e intenso porque también en la vida, como demuestra Gabi en este libro, no debemos conformarnos con hacer turismo en los demás y en nosotros mismos.» Ángeles Prieto, La tormenta en un vaso «Una obra maestra.» La petita llibreriaMaverick Jetpants in The City of Quality: A Novel
By Bill Peters. 2012
". . . Bill Peters belongs in the ranks of serious literary artists."-New York Times Book Review, Editor's Choice"By turns…
funny and moving, this debut richly captures life in a decaying American city."-Publishers Weekly"A complex and inventive debut, innovative with language and delightfully unique."-Largehearted Boy"Maverick Jetpants in the City of Quality is Peters' energetic novelistic response to . . . the universal passage from adolescence to adulthood, the impermanence of friendship and familiar landscapes. . . Readers looking for a story about the slippery transition from silliness to sincerity will find in Maverick Jetpants a style to savor and get lost in."-HTML Giant"There were times, while reading Maverick Jetpants, I thought: This isn't a book. It's a panic attack. In a good way. In the way where everything about it is frantic and urgent."-Necessary Fiction"Peters has done something just this side of insane with this book; he's created a character that speaks in a voice everyone will recognize, even while half the words he says allude to things none of us were part of."-Bookslut"Peters proves himself adept at wordplay through the wildly inventive language of the characters."-The Coffin Factory"One of the most inventive novels published this year."-The Los Angeles Review"Maverick Jetpants in the City of Quality announces the arrival of a powerful and innovative young voice in American fiction."-Literate Man"They aren't necessarily found in a prime spot in every writer's toolbox, but fictional private languages can be evocatively effective when used well. Bill Peters's novel Maverick Jetpants in the City of Quality is one example of this."-Vol. 1 Brooklyn"With all the elements of the best coming-of-age novels, Maverick offers a voice and a story that could connect with someone of just about any age, as long as they have the appreciation for nimble, far out, and witty repartee."-ForeWord Reviews"Full of madcap energy, swagger, and brinksmanship."-Fiona Maazel, author of Last, Last Chance"Do you want laughter, suffering, and friendship, Rochester-style? Do you want to marinate in raucous sadness? I know you do. So be ready, everybody. Here comes the Vomit Cruiser to rescue your sense of humor, and Bill Peters to rescue your heart."-Sam Lipsyte, author of Homeland and Venus DriveRochester, New York, 1999: An arsonist is loose on the streets of a city in decline. Gone are the days of Rioting in the Vomit Cruiser, searching for a possible Tokyo Rocking Horse. In this hilarious, wildly original debut novel, Nathan Gray and best friend Necro live by the code of Joke Royalty, a system of in-jokes known only to a select few. But as the reality of full-time employment, possible spouses, and Neo-Nazis encroaches, their friendship unravels, threatening their dreams of becoming Kodak Park Winjas.Among the gravest Hellstacheries: Necro's strangely vicious drawings and his sudden interest in a group of weapons enthusiasts who may or may not be responsible for the fires erupting through downtown. With no Holy Grail Points left to his name, Nate ventures into Rochester's strangest corners to find out if his best friend is a domestic terrorist Pinning Bow Ties on the Dead or simply Maverick Jetpantsing on with his life-perhaps even beyond The City of Quality.Bill Peters grew up in Rochester, New York, and has received fiction fellowships from the Massachusetts Cultural Council and the University of Massachusetts. He works as a copy editor for the New York Times News Service, the wire service for the New York Times, and lives in Gainesville, Florida. This is his first novel.Representing Acts of Violence in Comics (Routledge Advances in Comics Studies)
By Ian Gordon, Ian Hague, Nina Mickwitz. 2019
This book is part of a nuanced two-volume examination of the ways in which violence in comics is presented in…
different texts, genres, cultures and contexts. Representing Acts of Violence in Comics raises questions about depiction and the act of showing violence, and discusses the ways in which individual moments of violence develop, and are both represented and embodied in comics and graphic novels. Contributors consider the impact of gendered and sexual violence, and examine the ways in which violent acts can be rendered palatable (for example through humour) but also how comics can represent trauma and long lasting repercussions for both perpetrators and victims. This will be a key text and essential reference for scholars and students at all levels in Comics Studies, and Cultural and Media Studies more generally.Contexts of Violence in Comics (Routledge Advances in Comics Studies)
By Ian Gordon, Ian Hague, Nina Mickwitz. 2019
This book is part of a nuanced two-volume examination of the ways in which violence in comics is presented in…
different texts, genres, cultures and contexts. Contexts of Violence in Comics asks the reader to consider the ways in which violence and its representations may be enabled or restricted by the contexts in which they take place. It analyzes how structures and organising principles, be they cultural, historical, legal, political or spatial, might encourage, demand or prevent violence. It deals with the issue of scale: violence in the context of war versus violence in the context of an individual murder, and provides insights into the context of war and peace, ethnic and identity-based violence, as well as examining issues of justice and memory. This will be a key text and essential reference for scholars and students at all levels in Comics Studies, and Cultural and Media Studies more generally.Otaku and the Struggle for Imagination in Japan
By Patrick W. Galbraith. 2019
From computer games to figurines and maid cafes, men called &“otaku&” develop intense fan relationships with &“cute girl&” characters from…
manga, anime, and related media and material in contemporary Japan. While much of the Japanese public considers the forms of character love associated with &“otaku&” to be weird and perverse, the Japanese government has endeavored to incorporate &“otaku&” culture into its branding of &“Cool Japan.&” In Otaku and the Struggle for Imagination in Japan, Patrick W. Galbraith explores the conflicting meanings of &“otaku&” culture and its significance to Japanese popular culture, masculinity, and the nation. Tracing the history of &“otaku&” and &“cute girl&” characters from their origins in the 1970s to his recent fieldwork in Akihabara, Tokyo (&“the Holy Land of Otaku&”), Galbraith contends that the discourse surrounding &“otaku&” reveals tensions around contested notions of gender, sexuality, and ways of imagining the nation that extend far beyond Japan. At the same time, in their relationships with characters and one another, &“otaku&” are imagining and creating alternative social worlds.