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When the Drumming Stops
By Steven Wishnia. 2012
Bass player and rapidly aging punk rocker Underend Vicodini is an unlikely hero. He loves New York City like nobody's…
business but does it still love him despite his lack of affluence and influence? His former band, The Gutter Astronomers, was riding high in the 1980s, releasing albums and touring across the country playing to packed nightclubs filled with eager fans, but the Great Recession finds the band members middle-aged and struggling not to drown in the seas of gentrification and disillusion. When lead singer Mickey gets an offer to reunite the band, he jumps at it. But can the old bandmates overcome their acrimonious break up? Can they get back into it without shredding their lives? Can Underend Vicodini find inner peace and, more importantly, a reasonably priced apartment below 14th Street or in Brooklyn? Steven Wishnia is a New York-based musician and journalist. Born on the Lower East Side, he grew up in Brooklyn, New England, Edinburgh, and Long Island. He has played in numerous bands, including the False Prophets, an eclectic punk group that recorded two albums released by Alternative Tentacles. After the False Prophets broke up in 1987, he earned an MA at New York University's School of Journalism, writing for failing newspapers before working for many years as news editor at High Times. Recipient of two New York City Independent Press Association awards, he currently works as a freelance writer and editor, most often for AlterNet.org and Junior Scholastic, and often performs musically with artist Mac McGill.Being Dead in South Carolina
By Jacob White. 2013
Stories of the modern South, of people who no longer recognize themselves, who have arrived, like the Sunbelt itself, to…
a strange day that seems disconnected from all the old days, the old stories. Yet it's on this day we must always answer for ourselves&emdash;right an overturned car, recover a brother's body, convince a son of our worth and his.Stray Decorum
By George Singleton. 2012
My dog Tapeworm Johnson needed legitimate veterinary attention. It had been two years since she received annual shots. I read…
somewhere that an older dog can overdose on all these vaccinations, and I have found--I share this information with every dog owner I meet--that if you keep your pet away from rabid foxes, raccoons, skunks, bats, and people whose eyes rotate crazy in their sockets, then the chances of your own dog foaming at the mouth diminishes drastically. I also believe that dogs don't need microchips imbedded beneath their shoulder blades if you keep the dog leashed or in the house, or with the truck windows rolled up when you drive around showing the dog farm animals living in pastures. I brought this up to Dr. Page one time, back four years earlier when Tapeworm Johnson was somewhere between eight and nine. Tapeworm showed up at my door one morning, her ribs as visible as anything you'd order down at Clem and Lyda's Barbecue Shack off Scenic Highway 11, her paw pads split open from, I assumed, days traveling from wherever her conscienceless owner dropped her off. Eleven stories, all previously published in journals like The Atlantic, The Oxford American, and The Georgia Review, in which George Singleton brings small-town South Carolina alive. Using everyday situations like a dog needing its annual vaccination and buckets of humorous observations, Singleton pokes and prods his readers into realizing we're all simply restless for a pat on the head.The Care and Feeding of Exotic Pets
By Diana Wagman. 2012
Winnie Parker, mother to an angst-ridden teenage daughter and ex-wife to a successful game show host who left her for…
a twenty-something contestant, begins a normal day in her hum-drum existence by dropping her car off at the repair shop. After accepting what she believes is a ride to pick up her rental car, Winnie realizes too late that she's been kidnapped.What follows is a riveting psychological game of cat and mouse set in the kidnapper's tropically heated house-kept that way for Cookie, a menacing seven-foot long Iguana headquartered in the kitchen. While desperately seeking to escape-which leads to several violent clashes with her increasingly unstable kidnapper-Winnie also tries to understand why she was taken captive. Is her kidnapper merely seeking a ransom or does he have something more sinister in mind? Does he know that Winnie's mother is an Oscar-winning actress? Or did he connect her with Jonathan, her famous ex-husband? When the truth reveals itself, Winnie is not only forced to fight for her life, but must also protect the lives of those she loves from the kidnapper's deranged master plan.An engrossing, darkly humorous, edge-of-your-seat story, The Care and Feeding of Exotic Pets explores the dynamic between kidnapper and kidnapped, bizarre reptile lore, and the absurdity of the celebrity lifestyle.Diana Wagman is the author of the novels Bump, Spontaneous-which won the PEN Center USA Award for Fiction-and Skin Deep. She is also a contributing writer to the Los Angeles Times.Chicago Stories: 40 Dramatic Fictions
By Rob Funderburk, Michael Czyzniejewski. 2012
For everyone who's always wondered what would happen if Roger Ebert had taken Oprah Winfrey to a critics' screening of…
Revenge of The Nerds for their second date..In Chicago Stories: 40 Dramatic Fictions by Michael Czyzniejewski, each story is told in the persona of a famous Chicagoan, from Mrs. O'Leary to Barack Obama.Illustrated by Chicago artist Rob FunderburkUna noche en el Orient Express
By Veronica Henry. 2013
Un recado misterioso una promesa hecha a un amigo moribundo una propuesta inesperada un secreto que…
se remonta toda una vida Seis historias cuyo rumbo cambiar en un extraordinario viaje de Londres a Venecia Mientras el tren marcha salen a la luz relaciones confesiones y revelaciones Cuando los pasajeros lleguen a su destino su vida no volver a ser la misma www sumadeletras comVertigo
By Michael Hulse, W. G. Sebald. 2001
The beguiling first novel by W. G. Sebald, one of the most enormously acclaimed European writers of our time. Vertigo,…
W. G. Sebald's first novel, never before translated into English, is perhaps his most amazing and certainly his most alarming. Sebald--the acknowledged master of memory's uncanniness--takes the painful pleasures of unknowability to new intensities in Vertigo. Here in their first flowering are the signature elements of Sebald's hugely acclaimed novels The Emigrants and The Rings of Saturn. An unnamed narrator, beset by nervous ailments, is again our guide on a hair-raising journey through the past and across Europe, amid restless literary ghosts--Kafka, Stendhal, Casanova. In four dizzying sections, the narrator plunges the reader into vertigo, into that "swimming of the head," as Webster's defines it: in other words, into that state so unsettling, so fascinating, and so "stunning and strange," as The New York Times Book Review declared about The Emigrants, that it is "like a dream you want to last forever."A Voyage to the Island of the Articoles
By Andre Maurois. 2012
"Dangerous, charming, and funny, this elegant miniature rediscovery will delight even brilliant minds."-Simon Van BooyAndré Maurois' novella, published in the…
same year as Margaret Mead's Coming of Age in Samoa, is about a couple who become shipwrecked on an uncharted South Seas Island and discover a race of literary zealots for whom every subject and feeling needs to be expressed as a form of literary art. As explained by Alberto Manguel, "An Articole will publish not only his Intimate Journal, but also his Journal of My Intimate Journal; and his wife will publish My Husband's Journal of His Intimate Journal."Any Deadly Thing
By Roy Kesey. 2013
Following the critical success of his debut collection, All Over, and of his debut novel, Pacazo, Roy Kesey now brings…
us a new gathering of short stories, Any Deadly Thing. These stories first appeared in magazines including McSweeney's, Subtropics, Ninth Letter and American Short Fiction, and have been widely anthologized; among them are winners of a Pushcart Prize special mention, an Honorable Mention in The Year's Best Fantasy and Horror, and The Missouri Review's Jeffrey E. Smith Editors' Prize in Fiction. With story locales ranging across the Americas to Europe and Asia, Kesey once again makes the full strange world his stage. "Perfect, masterful portraits of an international cross-section of wise, broken souls--hopeful, brutal, funny as hell, and heart-crushing, every last one." -Elizabeth Crane, author of We Only Know So Much "Roy Kesey is one of my favorite contemporary writers, and Any Deadly Thing is another triumph. These stories, reminiscent of William Gass in the remarkable way they combine a virtuoso playfulness and wit with an atmosphere of grimness and grief and heartbreak, range the world over for their brilliantly realized locales, but they share a deeper setting in what Gass calls 'the only holiness we have,' human consciousness. Kesey demonstrates once again that he is a spectacularly deft and empathetic priest of that creed, which is the only one for me." -Michael Griffith, author of TrophyThe Legend's Daughter
By David Kranes. 2013
A 15 Bytes 2014 Book Award Winner"In this exceptional collection of stories set mostly in Idaho in the deep backwoods…
along river banks and lonely county roads, Kranes' characters are all thrown out of their comfort zones. And so is the reader. Richly drawn and complex, these stories challenge the intellect. Kranes has managed to somehow dam the river of souls these stories possess. They do not lie still, however, between the covers but rather spin in far-reaching whirlpools of genuine humanity and mortality."-15 Bytes"There's something to be said about a writer whose style is easily recognized, whose voice stands out, whose stories are readily identified. What's remarkable about David Kranes's writing and these stories, though, is that each story stands out on its own merit, while every story is well crafted and conceived. Nothing one-dimensional about his people, nothing one dimensional about his prose, either."-ForeWord Reviews"From rainbow trout jumping in the Salmon River to watering holes on the edge of McCall Lake, each of the ten stories in author and playwright David Kranes's The Legend's Daughter transports the reader to the wilderness of Eastern Idaho. While Kranes renders a common setting in each story, the collection is not simply a detailed portrait of Idaho, but an examination of the lives of restless people seeking to escape from their lives and find peace."-ZYZZYVA"The Legend's Daughter is a story collection of real people struggling with identity, with love, with time, rooted in the rugged and indifferent beauty of Idaho where each character finds his or her mirror in water, in stone, in place. David Kranes shows how our tenacious love of life can transform any situation, large or small, into alchemy. We are all living inside these raw and well-drawn pages."-Terry Tempest Williams, author of When Women Were Birds"These Idaho stories are vintage David Kranes. He, more than any other writer, is the one whose work spurs me to reconsider what fiction can do. He uses language like a knife and the worlds in his stories come off the page at me. We haven't seen this Idaho before. I'm thrilled to have these stories, every one of them provocative, riveting, and robust."-Ron Carlson, author of The Signal"In these times of disconnection, David Kranes lassoes us with the delicate tether of his multiple gifts and brings us home . . . a storyteller and an elegant craftsman."-Mary Sojourner"David Kranes has given us ten stories, entirely various, often splendid, sometimes hilarious or heartbreaking."-William Kittredge, author of The Willow FieldGrind
By Mark Maynard. 2012
Convicts round up wild mustangs, a schizophrenic homeless man wins the jackpot and disappears, a truck driver with a child's…
mind spends his last hours in the embrace of a prostitute's photos-disparate and vivid, Mark Maynard's characters intersect in the new wild west of Reno, Nevada."Throughout the volume's eight tenuously linked tales, lives and fortune are lost, and the city of Reno emerges as a locus of shattered souls. Maynard's debut collection bursts with idiosyncratic characters...packs a strong emotional punch...is strangely entertaining."-Publishers Weekly"In Grind, Maynard reveals a world the Nevada tourism board would rather you didn't see...A debut collection of stories that perfectly captures the seediness, desperation and sense of loss permeating the hot desert world of Reno."-Shelf Awareness"Mark Maynard's Reno is so sleazily appealing, so filled with convict cowboys, wild horses, racing pilots, truckers, snow bums, eco-terrorists, tattoo conventions, pawnshops and jackpots that you emerge from reading Grind dazed by this author's empathy for neglected quarters of humanity. You feel gritty all over-and more alive."-Carolyn Cooke, author of Daughters of the Revolution"The characters in these stories are as beautiful and broken as the desert itself. Mark Maynard explores the stony truths of lost lives with an unflinching eye for detail, an insider's sense of the place and its people, and an honest compassion. The heartbreaks here are real, as are the moments of uncommon grace and hard-won redemption."-Kim Barnes, author of In the Kingdom of Men"Mark Maynard's Grind is chock full of men and women who are desperate with want and full of spirit. Pawnbrokers. Truckers. Casino shills. Prison inmates. They're all here, and they're all gloriously alive. This is prime American fiction-tough, generous, and open-eyed."-Alyson Hagy, author of Boleto"Grind is exactly what I like in a locally based book. Plenty of those characters who make a visit to the environs of Reno both an exciting potential and an illicit affair...This is a Northern Nevada book."-D. Brian Burghart, Reno News & ReviewGrowing Up Amish
By Richard Ammon. 1989
Anna and her family live on a farm, but they don't have tractors or electricity. The "old fashioned" clothing of…
men and women, boys and girls doesn't have zippers or buttons. Anna is Amish, and here is the story of what her life is like day to day. Anna and other Amish children attend their own school, they raise farm animals and do farm chores without modern technology. They wear their distinctive clothing every day and attend long church services every other Sunday. Anna's life is a full and satisfying one. She and her family work hard, but they play, too. There are picnics, excursions, a trip to buy a new horse, school parties, and sports like hockey, volleyball, skating, sledding, baseball, and fishing. There are indoor games, books to read, songs to sing, and good food to eat. Along with Anna's story, this book includes recipes, songs, poems, and games so that the reader will better understand and appreciate the Amish--a group of very special people who only accept from the modern world those things that do not interfere with their way of life.Daddy Played the Blues
By Michael Garland. 2017
*Notable Social Studies Trade Books Selection for Young People 2018* “I was six years old the day we left the…
farm in Mississippi,” remembers Cassie in this richly textured picture book. “Between the boll weevils, the floods, and the landlord, there was no way a family could scratch out a living there anymore.” Packing themselves into an old jalopy—with Daddy, Uncle Vern, and Mama in the front seat and Cassie and her two brothers in the back—they joined the Great Migration from the impoverished Deep South to Chicago, where there was work to be had in the stockyards. Across the kids’ laps lay Daddy’s prized possession, a six-string guitar. Daddy worked hard to put food on the table, but what he really loved was playing the blues. This evocative tale of the African-American odyssey in search of a better life is also a homage to the uniquely American music that developed from African music and American spirituals, work songs, and folk ballads. In the book’s backmatter, Garland relates how he first heard and fell in love with blues music, beginning a lifelong fandom. Portraits and thumbnail biographies of great blues musicians and landmark songs complete this tribute to the great American music and the yearnings that produced it. Fountas & Pinnell Level SVertigo
By Michael Hulse, W G Sebald. 2001
The beguiling first novel by W. G. Sebald, one of the most enormously acclaimed European writers of our time. Vertigo,…
W. G. Sebald's first novel, never before translated into English, is perhaps his most amazing and certainly his most alarming. Sebald--the acknowledged master of memory's uncanniness--takes the painful pleasures of unknowability to new intensities in Vertigo. Here in their first flowering are the signature elements of Sebald's hugely acclaimed novels The Emigrants and The Rings of Saturn. An unnamed narrator, beset by nervous ailments, is again our guide on a hair-raising journey through the past and across Europe, amid restless literary ghosts--Kafka, Stendhal, Casanova. In four dizzying sections, the narrator plunges the reader into vertigo, into that "swimming of the head," as Webster's defines it: in other words, into that state so unsettling, so fascinating, and so "stunning and strange," as The New York Times Book Review declared about The Emigrants, that it is "like a dream you want to last forever."Voy
By Gabi Mart nez. 2014
Literatura de viajes, nuevo periodismo, autoficción, parodia y metaliteratura en el nuevo libro de Gabi Martínez. «El convencimiento de estar…
donde debes y quieres es una de las grandes experiencias de la vida. Sentí que había llegado a un lugar que de alguna manera buscaba desde hacía mucho. Encontrar un lugar es bueno. Sí, es bueno.» Un joven periodista intenta localizar a Gabi Martínez, el escritor desaparecido en Nueva Zelanda cuando seguía la pista de un ave invisible tan real, o tan imaginaria, como las leyendas que la nombran. El reportero necesita entender qué motivos le llevaron a romper con su vida y desaparecer sin dejar rastro. Como hizo su propio padre, como ocurre con todos aquellos que no creen pertenecer a ningún lugar, los que se marchan mucho antes de emprender un viaje. Pero nunca existe una única versión de la historia. Por eso, la figura del viajero se va componiendo a medida que avanza la investigación, y las voces de su exmujer, alguno de sus amigos, varios guías de sus expediciones, compañeros de viaje o una de sus últimas amantes van perfilando al hombre en esencia, tan mezquino como espléndido, a medida que responden a las preguntas del periodista. No hay sólo una perspectiva, sino tantas como personas compartieron su vida. De la misma manera, Voy no es un único libro sino varios al tiempo. Es ficción, pero también literatura de viajes; es un relato de anhelos, pero también de desengaños; es comedia y a la vez drama. Una obra caleidoscópica que profundiza en el descubrimiento del yo a través de los otros, en la identidad como juego de espejos y en la utopía como final del viaje. Reseñas:«Desnudo literario integral que ve y sube la apuesta autoficcional de Coetzee en Verano.» Daniel Arjona, El Mundo «Un libro que se sale de lo común. Impecable e implacable. Un libro de búsquedas y sueños,de risas y quebrantos, de radical exploración personal a través del espejo que habitan los otros.» Tino Pertierra, La Nueva España «Deslumbrante (e impúdico) cruce entre el making of literario y la autobiografía. Imprescindible.» Jorge de Cominges, escritor «Gabi Martínez es un escritor de viajes introspectivo que encierra un pequeño Homero dentro mucho más revolucionario que en otros escritores. Ha sabido encontrar la manera de renovar la literatura viajera mediante enfoques inusuales, dejándose llevar por la misma osadía -y lucidez- que tuvo su precedente más claro y confeso: Bruce Chatwin, con quien comparte la capacidad de ruptura y de recreación. Literatura en vena.» Adolfo García Ortega, escritor, crítico y traductor, Club Cultura FNAC «Amplía el campo de acción del Verano de Coetzee (...) Me quito el sombrero: debe tenerse libertad y valentía para hacer un libro como éste. Da fuerza.» Mercè Ibarz, escritora «Martínez dista mucho de ser un escritor de viajes al uso y de manual (...). Podemos disfrutar de su originalidad, de un soberbio estilo de escritura y de muchas reflexiones sagaces de quien ha recorrido mundo y sabe de lo que habla. (...) Auténtico e intenso porque también en la vida, como demuestra Gabi en este libro, no debemos conformarnos con hacer turismo en los demás y en nosotros mismos.» Ángeles Prieto, La tormenta en un vaso «Una obra maestra.» La petita llibreriaPizza's Past
By Devorah Gurwitz. 2019
Discover which civilization made the first pizza. Was it the Egyptians, Babylonians, Greeks, or Romans? Also discover who made the…
first round, flat bread—considered to be the pizza we all eat today!Tren fantasma a la Estrella de Oriente
By Paul Theroux. 2008
«Theroux es el canon por el que todo escritor de viajes debe juzgarse.»Observer Hace treinta años, Paul Theroux partió de…
Londres en un viaje de ida y vuelta por Asia en tren. Aquel relato -El gran bazar del ferrocarril- se convirtió en punto de referencia y su nombre en el más célebre de entre los autores de libros de viaje de su generación. Theroux vuelve ahora sobre sus pasos, a través del oeste de Europa, la India y Asia, para desvelar la ola de cambios que ha barrido los continentes. Un largo viaje que nos transporta del laberinto de Estambul a las ruinas de Merv o al superpoblado Delhi, de los ashrams de Bangalore a las barridas marginales de Singapur, de los templos de Angkor a la renacida Saigón, de la Ciudad Prohibida de Hue al Barrio Viejo de Hanói, de un inmenso sex shop en Tokio a un balneario en Wakkanai, del parque de los Ciervos en Nara al gulag de Perm... Reseña:«Un libro maravilloso insuflado de la agudeza de la madurez, que consigue aquello que un libro de viajes no puede obviar: logra que el lector desee ponerse en camino.»BooklistCuentos invisibles
By Pedro Sorela. 2002
Pedro Sorela emprende en estas páginas su viaje más largo: la distancia que separa un cuento de su historia. Estos…
cuentos son invisibles porque invisible es el lenguaje de la literatura, que no se puede filmar. También porque tratan de viajes, y el viaje es lo que se encuentra detrás de los ojos, no delante, y -al igual que la literatura- hace posible que de nuestra visión del mundo hagamos una creación. De una represa de aguas milenarias en la cima de los Andes a un motín de blancos en un río chino, de una persecución en Londres al renacimiento de un pobre tipo en Estambul, de una reunión de extravagantes en Helsinki a un Berlín improbable y sin embargo histórico, de un Madrid inédito a un Buenos Aires francés, los cuentos de Pedro Sorela ponen en evidencia el lado mentiroso de los pasaportes. Con humor y un idioma afilado, estos cuentos amplían el arco de una obra definida por la originalidad de la mirada y la sugerencia inherente a su doble condición de literatura y viaje. Reseñas:«Una experiencia humana intensa [...] un periplo abarcador de la existencia humana en el que entran componentes culturales, morales y hasta políticos, éstos no explícitos pero sí intencionados».Santos Sans Villaneva, El Cultural «Los relatos de Sorela prueban que ha viajado lo bastante para, como hubiera dicho Valle-Inclán, no ser arrogante cuando bien podría serlo».Víctor Andresco, El PaísCómo viajar sin ver
By Andrés Neuman. 1977
Un cruce entre la narrativa más actual y la crónica relámpago. Una visión literaria, al vuelo, de la geografía entera…
de la lengua. Reflexionando sobre el escaso tiempo previsto para recorrer cada país con el Premio Alfaguara, el autor se pregunta si hoy nuestros viajes consisten sobre todo en no ver. «¿Estaré por experimentar una hipérbole del turismo contemporáneo?», escribe. Pero el ritmo radical de su periplo está a punto de brindarle una oportunidad única: comparar todas las capitales latinoamericanas en una misma ráfaga. Andrés Neuman nos propone un recorrido vertiginoso por 19 países, interpretados por un ojo poético y político. Los presuntos no-lugares (aeropuertos, hoteles, taxis) quedan así convertidos en poderosos espacios de conflicto. Explorando con agudeza los dilemas de la identidad nacional y las contradicciones de la globalización, Cómo viajar sin ver es un diario innovador y divertido que experimentacon las formas de nuestro tiempo. Y que le toma el pulso a la vida cultural del continente, abordando no solamente a sus clásicos sino también a las nuevas generaciones de creadores. Un libro esencial para cualquier persona interesada en la historia, la actualidad y el futuro de Latinoamérica. Una manera distinta de pensar nuestra cultura cambiante y el sentido del viaje. Críticas:«A partir de ahora, todo viajero curioso que recorra Latinoamérica debería llevar consigo este libro portátil, apasionante y verdadero, de alguien que sabe oír y mirar sin prejuicios, con la lucidez que le proporciona su visión generosa.» Fernando Valls, Ínsula «Una obra estupenda. [...] Una América tan compleja, tan variada [...] que el lector piensa que no hay ficción capaz de competir con una realidad que parece albergarla.»José María Pozuelo Yvancos, ABC «En El viajero del siglo, por el que ha recibido el Premio de la Crítica, Neuman revisitaba la novela del siglo XIX, el viaje de ida; y del resultado de su gira ha nacido una narración del XXI: una antítesis, una cara B.»Ulises Fuentes, La Razón «Un libro de chispazos que no está edificado sobre la frivolidad o la brillantez visual, sino sobre la perspicacia de la mirada. Neuman tiene unas gafas que son sólo suyas, y a través de ellas miramos.»Luisgé Martín, Gente «Los fogonazos de Neuman iluminan Latinoamérica. El escritor radiografía la diversidad del continente.»Paula Corroto, Público «Su aguda percepción se renueva en cada aterrizaje. Aflora la magia viajera del autor, la calidad de un escritor como Andrés Neuman.»Gabriel Cetkovich, Clarín (Argentina) «Un conjunto de instantáneas divertidas, fugaces, conmovidas y conmovedoras, deslumbrantes destellos de una pluma privilegiada.»Guillermo Roz, Periodista Digital «Una virtuosa demostración de escritura al vuelo. Altamente observador, Neuman se concentra en cada instante y captura pequeños detalles que a otros escritores se les habrían escapado [...] Un vertiginoso retrato de Latinoamérica en todas sus miserias y glorias.»Kirkus Reviews (EE. UU.) «No se trata de una literatura de viajes convencional, y sin embargo el libro funciona. Eso es gracias al ojo de Neuman para el absurdo y la ironía. Más importante aún es su talento para lo sucinto. Lugares y personas quedan capturados en una sola, atinada frase [...]. Pese a los kilómetros que recorre, se regocija en la quietud, ya que su gran pasión es la lectura.»Oliver Balch, The Spectator (Reino Unido)Trás-os-montes
By Julio Llamazares. 1998
Literatura de viajes de Julio Llamazares, donde su talento narrativo y su profunda capacidad de observación del paisaje brillan con…
toda su fuerza. «-¿Habrá en el mundo una tierra más pobre que esta?- Sí. Tras-os-Montes, en Portugal.» «Es posible que esta vieja región histórica sea la más atrasada de la Europa civilizada, junto con las zonas más remotas e islas de Grecia y el interior de Cerdeña, Sicilia, Yugoslavia...»Extracto de una guía de viajes de Portugal Y, no obstante, el viajero que protagoniza este viaje portugués va creando, a su lento paso, una narración tan bella, tan hondamente humana, tan transida de comprensión (de los demás, de sí mismo, de la tierra) que el lector transita, en su lectura, por el paisaje más rico: es decir, el del hombre. Llamazares ha escrito un libro de enormes perspectivas, indiferente a los géneros y las clasificaciones. Es novela, si novela es espejo que se pasea al borde del camino. Es libro de viajes, porque las comarcas pasan por sus páginas. Es relato iniciático, porque el viajero va transformándose con su viaje. Y es, sobre todo, gran literatura. Reseñas:«Lo mejor del libro es ese personaje sorprendido por lo que va viendo: ese viajero y su contar calmo y sobrio en el que no es posible medir el tiempo.»El País «El ritmo de su escritura en prosa es deudor de esa ambición de asociar las palabras (y la memoria, que es su fuente) con el ritmo; la música es consustancial con su narrativa, y eso le viene de la poesía.»Juan Cruz, El País «Julio Llamazares es, sin duda, uno de esos escritores que nos reconcilian con el ejercicio de la literatura.»Aurelio Loureiro, Leer «Julio Llamazares sigue siendo un escritor especial, alguien capaz de mirar el mundo de otra manera.»El Correo Gallego «Un escritor de su categoría podría redactar los anuncios por palabras de un periódico y seguiría siendo interesante.»Qué Leer «Llamazares siempre escribe igual cuando viaja, habría que añadir también que siempre escribe bien, sin arrogancia, desprejuiciadamente, con sentido del humor y con cariñosa indulgencia cuando retrata.»Andrés Barba, El Cultural