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Toni Morrison has collected a treasure chest of archival photographs that depict the historical events surrounding school desegregation. These unforgettable…
images serve as the inspiration for Ms. Morrison's text, a fictional account of the dialogue and emotions of the children who lived during the era of separate but equal schooling. Remember is a unique pictorial and narrative journey that introduces children to a watershed period in American history and its relevance to us today. Remember will be published on the 50th anniversary of the groundbreaking Brown v. Board of Education Supreme Court decision ending legal school segregation, handed down on May 17, 1954.Winner of the Coretta Scott King Medal
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Anthologies, Essays, Politics and government
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Published in conjunction with the PEN American Center, Burn This Book is a powerful collection of essays that explore the…
meaning of censorship and the power of literature to inform the way we see the world, and ourselves.As Americans we often take our freedom of speech for granted. When we talk about censorship we talk about China, the former Soviet Union, or the Middle East. But recent political developments—including the passage of the Patriot Act—have shined a spotlight on profound acts of censorship in our own backyard. Burn This Book features a sterling roster of award-winning writers offering their incisive, uncensored views on this most essential topic, including such revered literary heavyweights as Toni Morrison, Salman Rushdie, Orhan Pamuk, David Grossman, and Nadine Gordimer, among others.Both provocative and timely, Burn This Book is certain to inspire strong opinions and ignite spirited, serious dialogue.
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Criticism, Politics and government, General non-fiction
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Objects and Intertexts in Toni Morrison’s “Beloved”: The Case for Reparations is an inspired contribution to the scholarship on one…
of the most influential American novels and novelists. The author positions this contemporary classic as a meditation on historical justice and re-comprehends it as both a formal tragedy— a generic translation of fiction and tragedy or a “novel-tragedy” (Kliger)—and a novel of objects. Its many things—literary, conceptual,linguistic— are viewed as vessels carrying the (hi)story and the political concerns. From this, a third conclusion is drawn: Fadem argues for a view of Beloved as a case for reparations. That status is founded on two outstanding object lessons: the character of Beloved as embodiment of the subject-object relations defining the slave state and the grammatical object “weather” in the sentence “The rest is…” on the novel’s final page. This intertextual reference places Beloved in a comparative link with Hamlet and Oresteia. Fadem’s research is meticulous in engaging the full spectrum of tragedy theory, much critical theory, and a full swathe of scholarship on the novel. Few critics take up the matter of reparations, still fewer the politics of genre, craft, and form. This scholar posits Morrison’s tragedy as constituting a searing critique of modernity, as composed through meaningful intertextualities and as crafted by profound “thingly” objects (Brown). Altogether, Fadem has divined a fascinating singular treatment of Beloved exploring the connections between form and craft together with critical historical and political implications. The book argues, finally, that this novel’s first concern is justice, and its chief aim to serve as a clarion call for material— and not merely symbolic—reparations.