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CELAPublic library services for Canadians with print disabilities

Centre for Equitable Library Access
Public library service for Canadians with print disabilities

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Showing 1 - 3 of 3 items

Does Your Mama Know?: An Anthology of Black Lesbian Coming Out Stories

By Lisa C. Moore. 1997

Electronic braille (Contracted), Braille (Contracted), DAISY text (Direct to player), DAISY text (Zip), ePub (Zip), Word (Zip), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip)
Anthologies, Poetry
Synthetic audio, Automated braille
short stories

The Collected Poems of Anna Seward Volume 1

By Lisa L. Moore. 2016

Braille (Contracted), Electronic braille (Contracted), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Anthologies
Synthetic audio, Automated braille

This critical edition of the poems of Anna Seward (1742-1809) re-establishes one of the most popular and prolific poets of…

the early Romantic period. Her work influenced Charllotte Smith and Mary Robinson and later both Wordsworth and Coleridge. Her reputation was so high that Sir Walter Scott edited the posthumous edition of her poems in 1810. Unlike Scott's, this edition reproduces the poems as they were first published in periodicals and collections during Seward's lifetime, allowing scholars to experience them as eighteenth century readers did. It also includes mire than 200 poems that were excluded from the Scott edition.

The Collected Poems of Anna Seward Volume 2 (The pickering Masters Ser.)

By Lisa L. Moore. 2016

Braille (Contracted), Electronic braille (Contracted), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Anthologies
Synthetic audio, Automated braille

This critical edition of the poems of Anna Seward (1742-1809) re-establishes one of the most popular and prolific poets of…

the early Romantic period. Her work influenced Charllotte Smith and Mary Robinson and later both Wordsworth and Coleridge. Her reputation was so high that Sir Walter Scott edited the posthumous edition of her poems in 1810. Unlike Scott's, this edition reproduces the poems as they were first published in periodicals and collections during Seward's lifetime, allowing scholars to experience them as eighteenth century readers did. It also includes mire than 200 poems that were excluded from the Scott edition.

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