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Nature, Journals and memoirs, Death and bereavement
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In her memoir The Snag, the acclaimed, award-winning author of Shame on Me, Tessa McWatt, takes on personal and collective…
grief, and the solace and inspiration to be found in connecting with nature—and each other.Every day, we hear about and experience griefs, large and small, in our families, friendships, communities, and worldwide. The grief of a loved one passing. The grief of a way of life ceasing to exist. The grief of global pandemic, war, climate collapse.As her mother’s dementia advances and she can no longer live independently, Tessa McWatt confronts personal and political losses, and finds herself wandering in a forest asking, how do we grieve? And what can we learn from nature and those whose communities are rooted in nature about not only how to grieve but also how to live?From the newest seedling to the oldest snag in the forest, there is meaning to be found in every stage of a tree’s life, all of which contribute to a thriving forest community. In this forest thinking, Tessa begins to find answers to her questions about how to live (for each other), how to grieve (radically), and how to die (with love and connection).The Snag is an essential book about living and dancing and singing and praying, even in the face of unimaginable sadness, and in this way, growing together and supporting one another, like the trees in the forest.
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Journals and memoirs, Animals and wildlife, Biography
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In this debut memoir from the bestselling author of The Bear and The Last Neanderthal, Claire Cameron confronts the rare…
genetic mutation that gave her cancer by investigating an equally rare and terrifying event—a predatory bear attack.When Claire Cameron was nine years old, her father, a professor of Old English, told her he was dying. In the years after he was gone, she found a way to overcome her grief among the rivers and lakes of Algonquin Park, a vast Canadian wilderness area. Around that same time, in 1991, a couple was killed by a black bear in a rare predatory attack in the park. Claire was shocked and, never fully sure of what happened, the attack haunted her. Now older, with children of her own, Cameron was diagnosed with the same kind of deadly skin cancer as her father. Caught in a second wave of grief, she was told by her doctor, "the ideal exposure to UV light is none." No longer able to venture into the wilderness as she once had, with long scars on her back, she became obsessed with the bear attack in Algonquin Park again. How could terror rip through such a beautiful place? Could she separate truth from fiction? She headed north to investigate. Seamlessly weaving together nature writing with true crime investigation in this unflinching account of recovery, How to Survive a Bear Attack is at once an intimate portrait of an extraordinary animal, a bracing chronicle of pain, obsession, and love, and a profoundly moving exploration of how we can understand and survive the wildness that lives inside us.
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Politics and government, Journals and memoirs
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"From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the…
heart of an empire that doesn't consider you fully human. On October 25th, 2023, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: "One day, when it's safe, when there's no personal downside to calling a thing what it is, when it's too late to hold anyone accountable, everyone will have always been against this." This tweet was viewed more than ten million times. One Day Everyone Will Have Always Been Against This chronicles the deep fracture that has occurred for Black, brown, Indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in Western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse"
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Asian history, Social issues, Religion, Journals and memoirs
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In this emotional missive from the diaspora, Globe and Mail columnist Marsha Lederman gathers her columns searching for the humanitarian…
middle of the Israel-Palestine conflict.Since 2023, the best-selling and award-winning author and journalist has been reflecting, with deep empathy, on the horrific October 7th attacks on Israeli citizens, rising anti-Semitism, and the brutal violence against civilians in Gaza in her column for the Globe and Mail.As one of the leading Canadian voices on Jewish identity, Lederman’s impassioned work in the Globe has been a lifeline for readers since October 7th, 2023. The work collected in this book captures the pain of so many: Marsha’s prose has a way of cutting through the noise and capturing the humanity behind the headlines. She makes room for the reader to be conflicted, grieving, angry and unsure, and is with them through that process as she, like all of us, grapples with a new reality.As someone who is firmly against Netanyahu and firmly in favour of Palestinian rights, believes in a two-state solution, and is a daughter of Holocaust survivors terrified by the rise in anti-Semitism, Marsha’s writing has captured the full complexity of the experience of reconciling an abhorrence of the violence against Israelis and Palestinians with the trauma and fear of rising prejudice around the world.These columns are a contemporaneous look at the year that followed Oct 7th, 2023, reminding us of the pain and confusion. This collection is a crucial archive capturing, in real time, a period of deep division with care, empathy, and grief.
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Social issues, Journals and memoirs, Canadian authors (Non-fiction)
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We think, maybe, that homelessness is some kind of stable state, like being housed except without housing. Without really considering…
it, most people do imagine that people who are homeless live in, if not one place, at least in one condition, that their days are in some way predictable. But homelessness is, more than anything else, a life of constant displacement. The housing crisis plaguing major urban centres has sent countless people into the streets. In spring 2022, some of them found their way to the yard beside the Anglican church in Toronto's Kensington Market, where Maggie Helwig is the priest. They pitched tents, formed an encampment, and settled in. Known as an outspoken social justice activist, Helwig has spent the last three years getting to know the residents and fighting tooth and nail to allow them to stay, battling various authorities that want to clear the yard and keep the results of the housing crisis out of sight and out of mind. Encampment tells the story of Helwig's life-long activism as preparation for her fight to keep her churchyard open to people needing a home. More importantly, it introduces us to the Artist, to Jeff, and to Robin: their lives, their challenges, their humanity. It confronts our society's callousness in allowing so many to go unhoused and demands, by bringing their stories to the fore, that we begin to respond with compassion and grace
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Anthologies, Essays, Journals and memoirs, Death and bereavement
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Yiyun Li's remarkable, defiant work of radical acceptance as she considers the loss of her son James. "There is no…
good way to say this," Yiyun Li writes at the beginning of this audiobook. "There is no good way to state these facts, which must be acknowledged. My husband and I had two children and lost them both: Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home." There is no good way to say this—because words fall short. It takes only an instant for death to become fact, "a single point in a timeline." Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she can: "doing the things that work," including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death. This is an audiobook for James, but it is not an audiobook about grieving or mourning. As Li writes, "The verb that does not die is to be. Vincent was and is and will always be Vincent. James was and is and will always be James. We were and are and will always be their parents. There is no now and then, now and later, only, now and now and now and now." Things in Nature Merely Grow is a testament to Li's indomitable spirit
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Journals and memoirs, Death and bereavement
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In this breathtaking memoir of stunning emotional force and electrifying honesty, one of Canada's most iconic writers tells her own…
story for the first time."Why do you write?" the organizer of a literary event in Mexico City asks Miriam Toews. Each attempt at an answer from Toews—all unsatisfactory to the organizer—surfaces new layers of grief, guilt, and futility connected to her sister’s suicide more than fifteen years ago. She has been keeping up, she realizes, an internal correspondence with her beloved sibling, attempting to fill a silence she can barely comprehend. As Toews turns to face that silence, we come to see that the question "why I write" is as impossible to answer as deciding whether to live life as a comedy or a tragedy. A masterwork of non-fiction, A Truce That Is Not Peace explores the uneasy pact every creative person makes with memory. Wildly original yet intimately, powerfully precise; momentous, hilarious, wrenching, and joyful—this is Miriam Toews at her dazzling best, remaking her personal world and inventing a brilliant literary form to hold it.
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Journals and memoirs, Disabilities
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A humorous, profound debut memoir about chronic pain, accessibility, and young adulthood, by an acclaimed essayist and cartoonist.In 2021, Gabrielle…
Drolet developed a condition that made her unable to use her hands. It only worsened over time, and as a writer and artist, she had to learn new ways of creating and expressing herself. The experience completely changed her life and her outlook. Look Ma, No Hands explores both the difficulty and the humour of developing chronic and life-altering pain in her twenties. Each chapter looks at a different aspect of her life touched by her disability: how she learned to write when she couldn’t type; how she learned to manage the most mundane daily tasks. She moves cities and as her work as a writer and cartoonist builds has to navigate different byzantine health systems without the privilege or security of having a family doctor, even as she moves into her new apartment and embarks on first dates. And she does all of this with the most wonderful sense of the absurd. Look Ma, No Hands is utterly charming and shares profound reflections on life’s curveballs, and explores how, in Drolet’s words, "you can live a full—even funny—life in a disabled body."
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Journals and memoirs, Food and drink, Essays, Biography
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A moving culinary memoir about the relationship between food and family—and sustenance and survival—from a chef, award-winning Canadian journalist, and…
daughter of a Holocaust survivor.When you’re raised by someone who once survived on potato peels and coffee grounds, you develop a pretty healthy respect for food.Bonny Reichert avoided everything to do with the Holocaust until she found herself, in midlife, suddenly typing those words into an article she was writing. The journalist had grown up hearing stories about her father’s near-starvation and ultimate survival in Auschwitz-Birkenau, but she never imagined she would be able to face this epic legacy head on. Then a chance encounter with a perfect bowl of borscht in Warsaw set Bonny on a journey to unearth her culinary lineage, and she began to dig for the roots of her food obsession, dish by dish. Tracing the defining moments of her life, from her colorful childhood in the restaurant business to the crumbling of her first marriage and the intensity of young motherhood, her decision to become a chef and that life-altering visit to Poland, the author recounts a tale of scarcity and plenty, stepping into the kitchen to connect her past to her future. Whether it's the flaky potato knishes and molasses porridge bread she learned to bake at her Baba Sarah’s elbow, the creamy vichyssoise she taught herself to cook in her tiny student apartment, or the brown butter eggs her father, now 93, still scrambles for her whenever she needs comfort, cuisine is both an anchor and an identity; a source of joy and a signifier of survival.How to Share an Egg is a journey of deep flavors and surprising contrasts. By turns sweet, salty, sour, and bitter, this is one woman's search to find her voice as a writer, chef, mother and daughter. Do the tiny dramas of her own life matter in comparison to everything her father has seen and done? This moving exploration of heritage, inheritance, and self-discovery sets out to find the answer.
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Journals and memoirs
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On October 25, 2023, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet:…
"One day, when it's safe, when there's no personal downside to calling a thing what it is, when it's too late to hold anyone accountable, everyone will have always been against this." This tweet has been viewed more than 10 million times. As an immigrant who came to the West, El Akkad believed that it promised freedom. A place of justice for all. But in the past twenty years, reporting on the War on Terror, Ferguson, climate change, Black Lives Matter protests, and more, and watching the unmitigated slaughter in Gaza, El Akkad has come to the conclusion that much of what the West promises is a lie. That there will always be entire groups of human beings it has never intended to treat as fully human-not just Arabs or Muslims or immigrants, but whoever falls outside the boundaries of privilege. One Day, Everyone Will Have Always Been Against This is a chronicle of that painful realization, a moral grappling with what it means, as a citizen of the U.S., as a father, to carve out some sense of possibility in a time of carnage. This is El Akkad's nonfiction debut, his most raw and vulnerable work to date, a heartsick breakup letter with the West. It is a brilliant articulation of the same breakup we are watching all over the United States, in family rooms, on college campuses, on city streets; the consequences of this rupture are just beginning. This book is for all the people who want something better than what the West has served up. This is the book for our time.
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Essays, Criticism, Journals and memoirs, Anthologies
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A profound and unparalleled literary voice, Zadie Smith returns with a resounding collection of essays.In the past two decades, few…
writers have mastered the craft and art of the essay in the way that Zadie Smith has. Her writing, at once an occasion for personal reckoning and communal reflection, studies the fault lines that divide us and consistently finds grounds for solidarity and compassion.This eagerly awaited new collection brings Smith’s dexterity as an essayist to bear on a range of subjects that have captured her attention in recent years. Organized in five thematic sections—eyeballing, considering, reconsidering, mourning, and confessing—she unspools intimate dialogues with various sources of inspiration. She takes an exhilaratingly close look at artists Toyin Ojih Odutola and Kara Walker. She invites us along to the movies in her review of Tár, a Pulitzer Prize finalist, and to her desk while researching the Tichborne trial and writing her New York Times bestselling novel The Fraud. She asks us to take another look at Flannery O'Connor and to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth, and Toni Morrison. And she shows us once again in Dead and Alive her unrivaled ability to think through, critically and humanely, some of the most urgent preoccupations of our troubled times.With an eye towards the past and the present, Smith examines what it means to identify with our contemporary world and the history that frames it.
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Women biography, Literature biography, Journals and memoirs, Canadian authors (Non-fiction)
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How does one of the greatest storytellers of our time write her own life? The long-awaited memoir from one of…
our most lauded and influential cultural figures."Every writer is at least two beings: the one who lives, and the one who writes. Though everything written must have passed through their minds, or mind, they are not the same."Raised by ruggedly independent, scientifically minded parents—entomologist father, dietician mother—Atwood spent most of each year in the wild forest of northern Quebec. This childhood was unfettered and nomadic, sometimes isolated (on her eighth birthday: "It sounds forlorn. It was forlorn. It gets more forlorn."), but also thrilling and beautiful.From this unconventional start, Atwood unfolds the story of her life, linking seminal moments to the books that have shaped our literary landscape, from the cruel year that spawned Cat’s Eye to the Orwellian 1980s of East Berlin where she wrote The Handmaid’s Tale. In pages bursting with bohemian gatherings, her magical life with the wildly charismatic writer Graeme Gibson and major political turning points, we meet poets, bears, Hollywood actors and larger-than-life characters straight from the pages of an Atwood novel.As we travel with her along the course of her life, more and more is revealed about her writing, the connections between real life and art—and the workings of one of our greatest imaginations.
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Journals and memoirs, Social issues
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"Striking, elegant." – Publishers Weekly, ★ STARRED Review"An activist priest provides sanctuary for an encampment of unhoused people in her…
churchyardThe housing crisis plaguing major urban centres has sent countless people into the streets. In spring 2022, some of them found their way to the yard beside the Anglican church in Toronto’s Kensington Market, where Maggie Helwig is the priest. They pitched tents, formed an encampment, and settled in. Known as an outspoken social justice activist, Helwig has spent the last three years getting to know the residents and fighting tooth and nail to allow them to stay, battling various authorities that want to clear the yard and keep the results of the housing crisis out of sight and out of mind. Encampment tells the story of Helwig’s life-long activism as preparation for her fight to keep her churchyard open to people needing a home. More importantly, it introduces us to the Artist, to Jeff, and to Robin: their lives, their challenges, their humanity. It confronts our society’s callousness in allowing so many to go unhoused and demands, by bringing their stories to the fore, that we begin to respond with compassion and grace.
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Journals and memoirs, Disabilities
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A humorous, profound debut memoir about chronic pain, accessibility, and young adulthood, by an acclaimed essayist and cartoonist.In 2021, Gabrielle…
Drolet developed a condition that made her unable to use her hands. It only worsened over time, and as a writer and artist, she had to learn new ways of creating and expressing herself. The experience completely changed her life and her outlook. Look Ma, No Hands explores both the difficulty and the humour of developing chronic and life-altering pain in her twenties. Each chapter looks at a different aspect of her life touched by her disability: how she learned to write when she couldn&’t type; how she learned to manage the most mundane daily tasks. She moves cities and as her work as a writer and cartoonist builds has to navigate different byzantine health systems without the privilege or security of having a family doctor, even as she moves into her new apartment and embarks on first dates. And she does all of this with the most wonderful sense of the absurd. Look Ma, No Hands is utterly charming and shares profound reflections on life&’s curveballs, and explores how, in Drolet&’s words, &“you can live a full—even funny—life in a disabled body.&”
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Literature biography, Journals and memoirs, Women biography
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“[Swan’s writing offers] not only an enjoyable read, but also the chance to think and reflect on the vast complex…
living entity that is the world." —Nobel Prize-winner Olga TokarczukWhere do we belong if we don’t fit in?A memoir about what it means to defy expectations as a woman, a mother and an artist, for readers of Joan Didion and Gloria Steinem and listeners of the podcast Wiser than MeSusan Swan has never fit inside the boxes that other people have made for her—the daughter box, the wife box, the mother box, the femininity box. Instead, throughout her richly lived, independent decades, she has carved her own path and lived with the consequences.In this revealing and revelatory memoir, Swan shares the key moments of her life. As a child in a small Ontario town, she was defined by her size—attracting ridicule because she was six-foot-two by the age of twelve. She left her marriage to be a single mother and a fiction writer in the edgy, underground art scene of 1970s Toronto. In her forties, she embraced the new freedom of the Aphrodite years. Despite the costs to her relationships, Swan kept searching for the place she fit, living in the literary circles of New York while seeking pleasure and spiritual wisdom in Greece, and culminating in the hard-won experience of true self-acceptance in her seventies.Swan examines the expectations of women of her generation and beyond using the lens of her then-unusual height as a metaphor for the way women are expected not to take up space in the world. Inspiring and thought-provoking, Big Girls Don’t Cry invites us to re-examine what we’ve been taught to believe about ourselves and ask how it could be different.
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Journals and memoirs, Death and bereavement, Nature
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In her memoir The Snag, the acclaimed, award-winning author of Shame on Me, Tessa McWatt, takes on personal and collective…
grief, and the solace and inspiration to be found in connecting with nature—and each other.Every day, we hear about and experience griefs, large and small, in our families, friendships, communities, and worldwide. The grief of a loved one passing. The grief of a way of life ceasing to exist. The grief of global pandemic, war, climate collapse.As her mother&’s dementia advances and she can no longer live independently, Tessa McWatt confronts personal and political losses, and finds herself wandering in a forest asking, how do we grieve? And what can we learn from nature and those whose communities are rooted in nature about not only how to grieve but also how to live?From the newest seedling to the oldest snag in the forest, there is meaning to be found in every stage of a tree&’s life, all of which contribute to a thriving forest community. In this forest thinking, Tessa begins to find answers to her questions about how to live (for each other), how to grieve (radically), and how to die (with love and connection).The Snag is an essential book about living and dancing and singing and praying, even in the face of unimaginable sadness, and in this way, growing together and supporting one another, like the trees in the forest.
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Actors biography, Journals and memoirs, Essays
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Singer-songwriter Neko Case paints a vivid portrait of an extraordinary life—one forged through a poverty-stricken childhood, obsessive desire, bursts of…
comedy, and indispensable friendships—reflecting on the way art, music, and a deep connection to nature helped her become a beloved, Grammy-nominated artist. Neko Case has long been revered as one of music’s most influential artists, whose authenticity, lyrical storytelling, and sly wit have endeared her to a legion of critics, musicians, and lifelong fans. In THE HARDER I FIGHT THE MORE I LOVE YOU, Case brings her trademark candor and precision to a memoir that traces her evolution from an invisible girl “raised by two dogs and a space heater” in rural Washington state to her improbable emergence as an internationally-acclaimed talent. In luminous, sharp-edged prose, Case shows readers what it’s like to be left alone for hours and hours as a child, to take refuge in the woods around her home, and to channel the monotony and loneliness and joy that comes from music, camaraderie, and shared experience into art. THE HARDER I FIGHT THE MORE I LOVE YOU is a rebellious meditation on identity and corruption, and a manifesto on how to make space for ourselves in this world, despite the obstacles we face. New York Times Bestseller
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Journals and memoirs, Death and bereavement
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In this breathtaking memoir of stunning emotional force and electrifying honesty, one of Canada's most iconic writers tells her own…
story for the first time. "Why does Miriam Toews write? A Truce That Is Not Peace answers the question in a hundred ways, all of them original, autobiographical, deeply painful, funny, oblique, confounding—just as those of us who believe her to be one of the greatest living North American writers have come to expect. A Truce That Is Not Peace is the best memoir you will read all year." —Nick Hornby, author of High Fidelity&“Why do you write?&” the organizer of a literary event in Mexico City asks Miriam Toews. Each attempt at an answer from Toews—all unsatisfactory to the organizer—surfaces new layers of grief, guilt, and futility connected to her sister&’s suicide more than fifteen years ago. She has been keeping up, she realizes, an internal correspondence with her beloved sibling, attempting to fill a silence she can barely comprehend. As Toews turns to face that silence, we come to see that the question &“why I write&” is as impossible to answer as deciding whether to live life as a comedy or a tragedy. A masterwork of non-fiction, A Truce That Is Not Peace explores the uneasy pact every creative person makes with memory. Wildly original yet intimately, powerfully precise; momentous, hilarious, wrenching, and joyful—this is Miriam Toews at her dazzling best, remaking her personal world and inventing a brilliant literary form to hold it.
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Journals and memoirs, Asian history, General non-fiction
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In this emotional missive from the diaspora, Globe and Mail columnist Marsha Lederman gathers her columns searching for the humanitarian…
middle of the Israel-Palestine conflict.Since 2023, the best-selling and award-winning author and journalist has been reflecting, with deep empathy, on the horrific October 7th attacks on Israeli citizens, rising anti-Semitism, and the brutal violence against civilians in Gaza in her column for the Globe and Mail.As one of the leading Canadian voices on Jewish identity, Lederman&’s impassioned work in the Globe has been a lifeline for readers since October 7th, 2023. The work collected in this book captures the pain of so many: Marsha&’s prose has a way of cutting through the noise and capturing the humanity behind the headlines. She makes room for the reader to be conflicted, grieving, angry and unsure, and is with them through that process as she, like all of us, grapples with a new reality.As someone who is firmly against Netanyahu and firmly in favour of Palestinian rights, believes in a two-state solution, and is a daughter of Holocaust survivors terrified by the rise in anti-Semitism, Marsha&’s writing has captured the full complexity of the experience of reconciling an abhorrence of the violence against Israelis and Palestinians with the trauma and fear of rising prejudice around the world.These columns are a contemporaneous look at the year that followed Oct 7th, 2023, reminding us of the pain and confusion. This collection is a crucial archive capturing, in real time, a period of deep division with care, empathy, and grief.
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Literature biography, Journals and memoirs, Women biography
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Finalist for the Kirkus Prize A raw and deeply moving memoir from the legendary author of The God of Small…
Things and The Ministry of Utmost Happiness that traces the complex relationship with her mother, Mary Roy, a fierce and formidable force who shaped Arundhati&’s life both as a woman and a writer.Mother Mary Comes to Me, Arundhati Roy&’s first work of memoir, is a soaring account, both intimate and inspirational, of how the author became the person and the writer she is, shaped by circumstance, but above all by her complex relationship to the extraordinary, singular mother she describes as &“my shelter and my storm.&” &“Heart-smashed&” by her mother Mary&’s death in September 2022 yet puzzled and &“more than a little ashamed&” by the intensity of her response, Roy began to write, to make sense of her feelings about the mother she ran from at age eighteen, &“not because I didn&’t love her, but in order to be able to continue to love her.&” And so begins this astonishing, sometimes disturbing, and surprisingly funny memoir of the author&’s journey from her childhood in Kerala, India, where her single mother founded a school, to the writing of her prizewinning novels and essays, through today. With the scale, sweep, and depth of her novels, The God of Small Things and The Ministry of Utmost Happiness, and the passion, political clarity, and warmth of her essays, Mother Mary Comes to Me is an ode to freedom, a tribute to thorny love and savage grace—a memoir like no other.