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DAISY audio (Direct to player), DAISY audio (Zip)
General fiction, Suspense and thrillers, Serious and literary fiction
Human-narrated audio
One of Indigo’s Most Anticipated Canadian Books • One of the CBC’s Canadian Fiction Books to Read in Fall 2024…
Women Talking meets Study for Obedience in this stunning depiction of fresh grief by Fawn Parker, the Scotiabank Giller Prize–longlisted author of What We Both Know.Shortly after her mother’s death, Fawn arrives at the farmhouse. While there, she will stay in her mother’s bedroom in the house that is also occupied by four other women who live by an unusual set of beliefs.Wrestling with longstanding compulsive and harmful behaviours, as well as severe self-doubt, Fawn is confronted with the reality of her mother’s death. It is her responsibility to catalogue the furniture and possessions in the room, then sell or dispose of them. Instead, Fawn becomes fixated on archiving her mother’s writing and documents, searching for signs, and drawing tenuous connections to help her understand more about the enigmatic woman in the pages.I am surrounded by mocking evidence of her inhabitancy of this room. Quickly, it is expiring. Today she was alive. When the day runs out that will no longer be true. Tomorrow I will be able to say that yesterday she was alive, at least. The next day, nothing. She will just be dead. The fact seems to be at its smallest now, growing with time. For now she is many things, and there are many places left to find her.In Hi, It’s Me, Fawn Parker is unafraid to explore the bewildering relationship between the living and the dead. Strikingly original, provocative, and engrossing Hi, It’s Me takes us into the furthest corners of grief, invoking the physicality and painful embodiment of terminal illness with astonishing precision and emotional force. This mesmerizing, devastating novel asks: Why must it be this way?
DAISY audio (Direct to player), DAISY audio (Zip)
General fiction, Multi-cultural fiction, Disabilities fiction, Canadian authors (Fiction)
Human-narrated audio
An engaging YA novel about a girl in treatment for obsessive compulsive disorder that combats the dehumanizing stigma around mental…
illness Sixteen-year-old Mira Durand has just been checked into the secure unit of the Residency Adolescent Treatment Centre for obsessive compulsive and comorbid disorders. Four years of being passed around different psych wards like a hot potato have only worsened her OCD and anorexia. Her brutal, religious compulsions, which she believes keep her mom safe, make her less of a clean freak and more of a freak freak. No wonder her only friend is her journal. At the Residency's Ward 2, Mira discovers that her shrink is a fellow fantasy nerd and that her wardmates have enough of their own high-risk behaviours to tolerate hers. The complex friendships she forms with them (including a first love), the slow trust she builds with her treatment team, and the outside and family visits she earns give her things to look forward to beyond the drudgery of her compulsions. But it takes visiting Gung Gung, her dying maternal grandfather, for her to realize that to truly live, she must fight the cognitive distortions at the heart of her compulsions. Based on the author's personal experience, A Drop in the Ocean is a gritty, humanizing portrait of living with mental illness
DAISY audio (Direct to player), DAISY audio (Zip)
Suspense and thrillers, Canadian fiction, Serious and literary fiction
Human-narrated audio
Une femme s'installe dans un pays nordique, d'où ses ancêtres ont été chassés, afin de s'occuper de son frère récemment…
divorcé et de sa maison. Autour de ce vaste manoir, la campagne est le théâtre d'événements inexplicables affectant les animaux de ferme. Misant sur sa dévotion et sur son obéissance pour se faire accepter des villageois, la jeune femme découvre bientôt que ses gestes ont l'effet inverse. Tandis que la suspicion dont elle fait l'objet se transforme en hostilité, l'héroïne de ce roman déroutant et hypnotique est plongée dans des rapports de force où pouvoir, soumission, histoire et violence s'opposent
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
General fiction, Serious and literary fiction, Suspense and thrillers
Synthetic audio, Automated braille
One of Indigo&’s Most Anticipated Canadian Books • One of the CBC&’s Canadian Fiction Books to Read in Fall 2024…
Women Talking meets Study for Obedience in this stunning depiction of fresh grief by Fawn Parker, the Scotiabank Giller Prize–longlisted author of What We Both Know.Shortly after her mother&’s death, Fawn arrives at the farmhouse. While there, she will stay in her mother&’s bedroom in the house that is also occupied by four other women who live by an unusual set of beliefs.Wrestling with longstanding compulsive and harmful behaviours, as well as severe self-doubt, Fawn is confronted with the reality of her mother&’s death. It is her responsibility to catalogue the furniture and possessions in the room, then sell or dispose of them. Instead, Fawn becomes fixated on archiving her mother&’s writing and documents, searching for signs, and drawing tenuous connections to help her understand more about the enigmatic woman in the pages.I am surrounded by mocking evidence of her inhabitancy of this room. Quickly, it is expiring. Today she was alive. When the day runs out that will no longer be true. Tomorrow I will be able to say that yesterday she was alive, at least. The next day, nothing. She will just be dead. The fact seems to be at its smallest now, growing with time. For now she is many things, and there are many places left to find her.In Hi, It&’s Me, Fawn Parker is unafraid to explore the bewildering relationship between the living and the dead. Strikingly original, provocative, and engrossing Hi, It&’s Me takes us into the furthest corners of grief, invoking the physicality and painful embodiment of terminal illness with astonishing precision and emotional force. This mesmerizing, devastating novel asks: Why must it be this way?