Title search results
Showing 1 - 3 of 3 items
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
General fiction, Canadian authors (Fiction)
Synthetic audio, Automated braille
Roman magistral sur les relations féminines intergénérationnelles et la résistance que l'on retrouve dans les endroits les plus improbables, Nous,…
Jane explore la précarité de l'existence rurale et le droit fondamental à l'avortement. Cherchant à donner un sens à sa vie, Marthe entame une amitié intense avec une femme plus âgée, également originaire de Terre-Neuve. Celle-ci lui raconte une histoire de but, de devoir à accomplir qui porte un nom : Jane. Accompagnée par sa nouvelle amie, Marthe quitte sa vie montréalaise et retourne dans une petite communauté de l'ile pour poursuivre le travail d'un mouvement clandestin du Chicago des années 1960 : les services d'avortement pratiqués par des femmes, toujours appelées Jane. Elle s'engage à perpétuer cet héritage et à protéger ses nouvelles connaissances. Mais la noblesse de la tâche et la réalité de la vie en région éloignée entrent en compétition, et les fractures personnelles au sein du petit groupe commencent à se creuser. Nous, Jane sonde l'importance du travail de soins effectué par les femmes pour les femmes, souligne la complexité des relations dans ces réseaux, et capture magnifiquement l'inévitable conflit intérieur qui accompagne le retour au bercail
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Friendship stories, General fiction, Indigenous peoples fiction
Synthetic audio, Human-transcribed braille
"Part coming-of-age novel, part searing examination of a community finding itself, Small Ceremonies is a tantalizing and heartbreaking debut. 'I…
fear for our friendship, for the day it will end, wondering when that day will be . . .' Tomahawk Shields (a.k.a. Tommy) and Clinton Whiteway are on the cusp of adulthood, imagining a future rife with possibility and greatness. The two friends play for their high school’s poor-performing hockey team, the Tigers, who learn at the start of the new season that the league wants them out. Their annual goal is now more important than ever: to win their first game in years and break the curse. As we follow these two Indigenous boys over the course of a year, we are given a panoptic view of Tommy and Clinton’s Winnipeg, where a university student with grand ambitions chooses to bottle her anger when confronted with numerous micro- (and not so micro-) aggressions; an ex-convict must choose between protecting or exploiting his younger brother as he’s dragged deeper into the city’s criminal underbelly; a lonely rink attendant is haunted by the memory of a past lover and contemplates rekindling this old flame; and an aspiring journalist does everything she can to uncover why the league is threatening to remove the Tigers. These are a sampling of the chorus of voices that depicts a community filled with individuals searching for purpose, leading them all to one fateful and tragic night. Ferociously piercing the heart of an Indigenous city, Kyle Edwards's sparkling debut is a heartbreaking yet humour-flecked portrayal of navigating identity and place, trauma and recovery, and growing up in a land that doesn't love you."--Front flap of jacket
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
General fiction, Serious and literary fiction, Suspense and thrillers
Synthetic audio, Automated braille
One of Indigo&’s Most Anticipated Canadian Books • One of the CBC&’s Canadian Fiction Books to Read in Fall 2024…
Women Talking meets Study for Obedience in this stunning depiction of fresh grief by Fawn Parker, the Scotiabank Giller Prize–longlisted author of What We Both Know.Shortly after her mother&’s death, Fawn arrives at the farmhouse. While there, she will stay in her mother&’s bedroom in the house that is also occupied by four other women who live by an unusual set of beliefs.Wrestling with longstanding compulsive and harmful behaviours, as well as severe self-doubt, Fawn is confronted with the reality of her mother&’s death. It is her responsibility to catalogue the furniture and possessions in the room, then sell or dispose of them. Instead, Fawn becomes fixated on archiving her mother&’s writing and documents, searching for signs, and drawing tenuous connections to help her understand more about the enigmatic woman in the pages.I am surrounded by mocking evidence of her inhabitancy of this room. Quickly, it is expiring. Today she was alive. When the day runs out that will no longer be true. Tomorrow I will be able to say that yesterday she was alive, at least. The next day, nothing. She will just be dead. The fact seems to be at its smallest now, growing with time. For now she is many things, and there are many places left to find her.In Hi, It&’s Me, Fawn Parker is unafraid to explore the bewildering relationship between the living and the dead. Strikingly original, provocative, and engrossing Hi, It&’s Me takes us into the furthest corners of grief, invoking the physicality and painful embodiment of terminal illness with astonishing precision and emotional force. This mesmerizing, devastating novel asks: Why must it be this way?