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Showing 1 - 8 of 8 items
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Poetry
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Written in the devastating aftermath of a partner’s suicide, this unprecedented collection is a restorative memorial act, an exploration of…
queer time, and a powerful expression of nonbinary and trans love in the wake of traumatic loss. “suddenly a brilliant red-tailed star / flew across the sky, a sun reversing time, / I crossed one world to another / I stood with her in the other world” In Your Dazzling Death , Cass Donish courageously summons the poems to witness their own state of “obliteration,” widowed by suicide and isolated as a global pandemic is unfolding. Elegizing their partner, the poet Kelly Caldwell, they insist that the intimate, ongoing conversation with a beloved mysteriously continues after loss. With searing vulnerability and profound perceptiveness, Donish finds a fierce new aesthetic for the disorientation of grief. “Let me paint this / entire country / the colors of your face,” they write, unearthing the wild and shifting scale of mourning. Donish affirms the beauty of their lover’s trans becoming, recalling when they “sounded out / your new potential names / until we found those syllables / that tasted, you said, like honey.” In the sequence “Kelly in Violet,” the centerpiece of this collection, the shattering experience emerges in conversation with the work of Uruguayan poet Marosa di Giorgio, whose words appear in ghostly traces. Your Dazzling Death ritualizes the work of grief and subverts linear time, asserting that the future will forever be informed by a monumental love that is still alive, not only in the past, but in an imagined space of timelessness where love and grief are inevitably intertwined
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Biography, LGBTQ+ biography, Literature biography, Journals and memoirs
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A poet&’s &“dazzlingly propulsive&” memoir of growing up Black and gay in Knoxville, Tennessee (Kaveh Akbar, New York Times–bestselling author…
of Martyr!). Darius Stewart spent his childhood in the Lonsdale projects of Knoxville, where he grew up navigating school, friendship, and his own family life in a context that often felt perilous. As we learn about his life in Tennessee—and eventually in Texas and Iowa, where he studies to become a poet—he details the obstacles to his most crucial desires: hiding his earliest attraction to boys in his neighborhood, predatory stalkers, doomed affairs, his struggles with alcohol addiction, and his eventual diagnosis with HIV. Through a mix of straightforward memoir, brilliantly surreal reveries, and moments of startling imagery and insight, Stewart&’s explorations of love, illness, chemical dependency, desire, family, joy, shame, loneliness, and beauty coalesce into a wrenching, musical whole. Be Not Afraid of My Body stands as a compelling testament to growing up Black and gay in America, and to the drive in all of us to collect the fragments of our own experience and transform them into a story that does justice to all the multitudes we contain. &“A memorable portrait of Black gay life, from poverty and adversity to accomplishment and poetry.&” —Kirkus Reviews &“A mammoth creation . . . Just unbelievably rich art right here.&” —Kiese Laymon, New York Times–bestselling author of Heavy
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Poetry
Synthetic audio, Automated braille
Written in the devastating aftermath of a partner&’s suicide, this unprecedented collection is a restorative memorial act, an exploration of…
queer time, and a powerful expression of nonbinary and trans love in the wake of traumatic loss.&“suddenly a brilliant red-tailed star / flew across the sky, a sun reversing time, / I crossed one world to another / I stood with her in the other world&”In Your Dazzling Death, Cass Donish courageously summons the poems to witness their own state of &“obliteration,&” widowed by suicide and isolated as a global pandemic is unfolding. Elegizing their partner, the poet Kelly Caldwell, they insist that the intimate, ongoing conversation with a beloved mysteriously continues after loss.With searing vulnerability and profound perceptiveness, Donish finds a fierce new aesthetic for the disorientation of grief. &“Let me paint this / entire country / the colors of your face,&” they write, unearthing the wild and shifting scale of mourning. Donish affirms the beauty of their lover&’s trans becoming, recalling when they &“sounded out / your new potential names / until we found those syllables / that tasted, you said, like honey.&” In the sequence &“Kelly in Violet,&” the centerpiece of this collection, the shattering experience emerges in conversation with the work of Uruguayan poet Marosa di Giorgio, whose words appear in ghostly traces.Your Dazzling Death ritualizes the work of grief and subverts linear time, asserting that the future will forever be informed by a monumental love that is still alive, not only in the past, but in an imagined space of timelessness where love and grief are inevitably intertwined.
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Poetry
Synthetic audio, Automated braille
An arresting study of memory, perception, and the human condition, from the Pulitzer Prize winner Carl Phillips. Carl Phillips’s Scattered…
Snows, to the North is a collection about distortion and revelation, about knowing and the unreliability of a knowing that’s based on human memory. If the poet’s last few books have concerned themselves with power, this one focuses on vulnerability: the usefulness of embracing it and of releasing ourselves from the need to understand our past. If we remember a thing, did it happen? If we believe it didn’t, does that make our belief true? In Scattered Snows, to the North, Phillips looks though the window of the past in order to understand the essential sameness of the human condition—“Tears / were tears,” mistakes were made and regretted or not regretted, and it mattered until it didn’t, the way people live until they don’t. And there was also joy. And beauty. “Yet the world’s still / so beautiful . . . Sometimes // it is . . .” And it was enough. And it still can be.
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Poetry
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“A once-in-a-generation debut.”—Angel Nafis “This self-assured, dazzling debut has a story to tell.”—Aricka Foreman Following the tradition of Nikky Finney,…
Krista Franklin, and Morgan Parker, Brittany Rogers’s Good Dress documents the extravagant beauty and audacity of Black Detroit, Black womanhood, community, class, luxury, materialism, and matrilineage. A nontraditional coming of age, this collection witnesses a speaker coming into her own autonomy and selfhood as a young adult, reflecting on formative experiences. With care and incandescent energy, the poems engage with memory, time, interiority, and community. They also nudge tenderly toward curiosity: What does it mean to belong to a person, to a city? Can intimacy and romance be found outside the heteronormative confines of partnership? And in what ways can the pursuit of pleasure be an anchor that returns us to ourselves?
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Literature biography, LGBTQ+ biography
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Randy Shilts was the preeminent LGBTQ+ reporter of his generation. He was the first openly gay reporter assigned to a…
gay beat at a mainstream paper and one of the nation's most influential chroniclers of gay history, politics, and culture. Shilts wrote three seminal works on the community: The Mayor of Castro Street, on the life, assassination, and legacy of Harvey Milk; And the Band Played On, detailing the failure of politics as usual during the early AIDS epidemic; and Conduct Unbecoming, a history of the US military's mistreatment of LGBTQ servicemembers. Yet the intimate life story of Randy Shilts has been left unwritten. When the Band Played On tells that story, recognizing his legacy as a trailblazing figure in gay activism, journalism, and public policy. Author Michael G. Lee conducted interviews with Shilts's family, friends, college professors, colleagues, informants, lovers, and critics. The resulting narrative tells the tale of a singularly gifted voice, a talented yet insecure young man whose coming of age became intricately linked to the historic peaks and devastating perils of modern gay liberation. When the Band Played On is the authoritative account of Randy Shilts's trailblazing life, as well as his legacy of shaping the history-making events he covered.
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LGBTQ+ biography, Literature biography, Criticism
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A no-holds-barred biography of the great poet and sexual rebel, who could “give the dead a voice, make them sing”…
(Hilton Als, The New Yorker). Thom Gunn was not a confessional poet, and he withheld much, but inseparable from his rigorous, formal poetry was a ravenous, acute experience of life and death. Raised in Kent, England, and educated at Cambridge, Gunn found a home in San Francisco, where he documented the city’s queerness, the hippie mentality (and drug use) of the sixties, and the tragedy and catastrophic impact of the AIDS crisis in the eighties and beyond. As Jeremy Lybarger wrote in The New Republic, the author of Moly and The Man with Night Sweats was “an agile poet who renovated tradition to accommodate the rude litter of modernity.” Thom Gunn: A Cool Queer Life chronicles, for the first time, the largely undocumented life of this revolutionary poet. Michael Nott, a coeditor of The Letters of Thom Gunn, draws on letters, diaries, notebooks, interviews, and Gunn’s poetry to create a portrait as vital as the man himself. Nott writes with insight and intimacy about the great sweep of Gunn’s life: his traditional childhood in England; his mother’s suicide; the mind-opening education he received at Cambridge, reading Shakespeare and John Donne; his decades in San Francisco and with his life partner, Mike Kitay; and his visceral experience of sex, drugs, and loss. Thom Gunn: A Cool Queer Life is a long-awaited, landmark study of one of England and America’s most innovative poets.
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Journals and memoirs, Poetry
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“It is a confusing thing to be born between generations where the one above thinks nothing is traumaand the one…
below thinks everything is trauma.”From acclaimed novelist and television writer Zoe Whittall comes a memoir in prose poetry that reconfirms her celebrated honesty, emotional acuity, and wit. Riving and probing a period of six years marked by abandoned love, the pain of a lost pregnancy, and pandemic isolation, No Credit River is a reckoning with the creative instinct itself.Open and exacting, this is a unique examination of anxiety in complex times, and a contribution to contemporary autofiction as formally inventive as it is full of heart.