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Sonnets from a Cell
By Bradley Peters. 2023
*Winner 2024 Raymond Souster Award* Longlisted 2024 Gerald Lampert Award* Winner 2023 Alcuin Award* Poems for and about the incarcerated.…
Moving from riots to mall parkades to church, the poems in Bradley Peters' debut Sonnets from a Cell mix inmate speech, prison psychology, skateboard slang and contemporary lyricism in a way that is tough and tender, that is accountable both to Peters' own days "caught between the past and nothing" and to the structures that sentence so many "to lose." Written behind doors our culture too often keeps closed, this is poetry reaching out for moments of longing, wild joy and grace. Drawing on his own experiences as a teenager and young adult in and out of the Canadian prison system, Peters has written both a personal reckoning and a damning and eloquent account of our violence- and enforcement-obsessed capitalist and patriarchal cultures.
Hors jeu: Chronique culturelle et féministe sur l'industrie du sport professionnel
By Florence-Agathe Dubé-Moreau. 2023
De plus en plus de femmes sont visibles dans le sport professionnel masculin. De spectatrices, cheerleaders ou conjointes d'athlètes, elles…
atteignent désormais les rangs de coachs, d'arbitres et même de directrices d'équipe. Est-ce un mirage?? Qu'en est-il exactement?? À partir d'une posture d'exception, celle de partenaire d'un joueur célèbre, mais aussi d'intellectuelle engagée parachutée sur un terrain de football à Kansas City, Florence-Agathe Dubé-Moreau déconstruit un à un les mythes entourant les femmes dans l'industrie. Haut lieu de reproduction des pires stéréotypes de classe, de race et de genre? Bien sûr. Lieu de résistance où se conjuguent justice sociale et égalité des genres? Rien d'impossible
Une abeille suffit: carnet d'observation d'un jardin urbain (Collection Chemins de traverse)
By Geneviève Boudreau. 2024

Haven
By Mishka Lavigne. 2023
Havre won the 2019 Governor General’s Literary Award for Drama (French).The play has also been translated into German and Spanish.First…
produced in French by La Troupe du Jour, Saskatoon, in 2018First produced in English by United Players of Vancouver in January 2022
Grocery-store clerk Beth has had a hell of a week. A hell of a life, actually, full of people squashing…
her soul. And after pushing back at life—stabbing a steak to her boss’s desk and lighting a magazine rack on fire, for instance—freshly unemployed Beth regroups at her mom’s suburban home. Just when Beth starts to think she’s to blame for systemic limits, the gift of a bird feeder sparks a relationship with a talking Crow who reconnects her with her true power.This sly chamber piece from new voice Caleigh Crow turns post-capitalism ennui on its head with a righteous fury. It unearths the subtle (and not so subtle) ways we gaslight the marginalized, especially Indigenous women, people living with mental-health afflictions, and anyone struggling to make ends meet in low-income service jobs. There Is Violence captures the vivacity and humour of one truly remarkable woman not meant for this earth, and brings her to her own glorious transcendence.
I Forgive You
By Scott Jones, Robert Chafe. 2024

The Green Line | خطّ التماس
By Makram Ayache. 2024
A poetic, heartbreaking story of intergenerational queer history in Lebanon, The Green Line weaves together civil war Beirut with a…
contemporary nightclub, following one family’s journey to discover their past.In the present day, Rami, a twentysomething queer Lebanese Canadian, has returned to the Lebanese mountains to bury his father. To cope with the weight of his grief, Rami, carrying a necklace in the shape of a phoenix left to him by his father, finds himself in a queer Beirut nightclub, where he catches the attention of a powerful drag queen named Fifi, who just so happens to be dressed as a phoenix.In 1978, in the midst of the Lebanese Civil War, Naseeb is attempting to get himself and his sister Mona out of Beirut and into the safety of the mountains. Mona, however, is secretly in love with her classmate, a woman named Yara, and refuses to leave the city. When Naseeb becomes swept up with the descending political culture of the war around him, he creates a rift between himself and Mona greater than the line that divides the country itself.