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Canadian non-fiction, Poetry
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*Winner 2024 Raymond Souster Award* Longlisted 2024 Gerald Lampert Award* Winner 2023 Alcuin Award* Poems for and about the incarcerated.…
Moving from riots to mall parkades to church, the poems in Bradley Peters' debut Sonnets from a Cell mix inmate speech, prison psychology, skateboard slang and contemporary lyricism in a way that is tough and tender, that is accountable both to Peters' own days "caught between the past and nothing" and to the structures that sentence so many "to lose." Written behind doors our culture too often keeps closed, this is poetry reaching out for moments of longing, wild joy and grace. Drawing on his own experiences as a teenager and young adult in and out of the Canadian prison system, Peters has written both a personal reckoning and a damning and eloquent account of our violence- and enforcement-obsessed capitalist and patriarchal cultures.
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Drama, Award winning non-fiction
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Marie est autrice. Son dernier roman a soulevé l'ire de ses modèles féministes et l'a laissée vidée, incapable d'écrire. Après…
plusieurs fausses couches, suivant des conseils obtenus par télémédecine, elle conserve ses fœtus au congélateur afin de les soumettre à des tests, pendant que Perceval, son chum, coécrit des poèmes avec l'algorithme qu'il a créé et que son amie Claire, ancienne comédienne, gravit les échelons de la vente de Tupperware. Par une sinistre nuit de novembre, alors que la pluie fouette les vitres et que retentissent les cris stridents d'une imprimante 3D, Marie accouche d'une idée funeste qui va tout faire basculer. S'inspirant librement de la vie de Mary Shelley et de son Frankenstein, Sarah Berthiaume sonde les abysses de la création et de la procréation dans une comédie gothique, féministe et dystopique qui dissèque nos propres monstruosités
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Canadian non-fiction, Drama
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Havre won the 2019 Governor General’s Literary Award for Drama (French).The play has also been translated into German and Spanish.First…
produced in French by La Troupe du Jour, Saskatoon, in 2018First produced in English by United Players of Vancouver in January 2022
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Poetry
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Brandi Bird's frank, transcendent poetry explores the concepts of health, language, place, and memory in this long-anticipated debut collection. Brandi…
Bird’s long-anticipated debut poetry collection, The All + Flesh, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird’s work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the “I” of the self, a tradition of movement that has been lost for many who don’t speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird’s poems seek to delve into and reflect their cultural lineages—specifically Saulteaux, Cree, and Métis—and how these transformative identities shape the person they are today. I am made of centuries & carbohydrates the development of my molars the hunger the teeth grew has been with me since childhood I can’t escape the mouths of others
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Poetry
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Marked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities…
of Winnipeg, Manitoba. Firmly grounded in the local, the arresting poems in Chimwemwe Undi’s debut collection, Scientific Marvel, are preoccupied with Winnipeg in the way a Winnipegger is preoccupied with Winnipeg, the way a poet might be preoccupied with herself: through history and immigration; race and gender; anxieties and observation. Marked by rhythmic drive, humour and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba, and the west. Taking its title from a beauty school in downtown Winnipeg that closed in 2017 after nearly 100 years of operation, Scientific Marvel approaches the prairies from the point of view of a person who is often erased from the prairies’ idea of itself. “I mean my country the way / my country means my country / and what else is there to say? / I am bad and brown / and trying. Nothing here / belongs to me or could / or ever will.” This is poetry that touches on challenging topics—from queerness and colonialism to racism, climate rage, and decolonization, while never straying far from specific lived experience, the so-called ‘smaller’ questions: about self, art, dance parties and pop culture, relationships and love.
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Canadian non-fiction, Drama
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Grocery-store clerk Beth has had a hell of a week. A hell of a life, actually, full of people squashing…
her soul. And after pushing back at life—stabbing a steak to her boss’s desk and lighting a magazine rack on fire, for instance—freshly unemployed Beth regroups at her mom’s suburban home. Just when Beth starts to think she’s to blame for systemic limits, the gift of a bird feeder sparks a relationship with a talking Crow who reconnects her with her true power.This sly chamber piece from new voice Caleigh Crow turns post-capitalism ennui on its head with a righteous fury. It unearths the subtle (and not so subtle) ways we gaslight the marginalized, especially Indigenous women, people living with mental-health afflictions, and anyone struggling to make ends meet in low-income service jobs. There Is Violence captures the vivacity and humour of one truly remarkable woman not meant for this earth, and brings her to her own glorious transcendence.
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Canadian non-fiction, Drama
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First produced by Artistic Fraud at Arts and Culture Centre, St. John’s, in August 2022
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Canadian non-fiction, Drama
Synthetic audio, Automated braille
A poetic, heartbreaking story of intergenerational queer history in Lebanon, The Green Line weaves together civil war Beirut with a…
contemporary nightclub, following one family’s journey to discover their past.In the present day, Rami, a twentysomething queer Lebanese Canadian, has returned to the Lebanese mountains to bury his father. To cope with the weight of his grief, Rami, carrying a necklace in the shape of a phoenix left to him by his father, finds himself in a queer Beirut nightclub, where he catches the attention of a powerful drag queen named Fifi, who just so happens to be dressed as a phoenix.In 1978, in the midst of the Lebanese Civil War, Naseeb is attempting to get himself and his sister Mona out of Beirut and into the safety of the mountains. Mona, however, is secretly in love with her classmate, a woman named Yara, and refuses to leave the city. When Naseeb becomes swept up with the descending political culture of the war around him, he creates a rift between himself and Mona greater than the line that divides the country itself.
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Poetry
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Winner 2023 Alcuin AwardLonglisted 2024 Raymond Souster and Gerald Lampert AwardsPoems for and about the incarcerated. Moving from riots to…
mall parkades to church, the poems in Bradley Peters' debut Sonnets from a Cell mix inmate speech, prison psychology, skateboard slang and contemporary lyricism in a way that is tough and tender, that is accountable both to Peters' own days "caught between the past and nothing" and to the structures that sentence so many "to lose." Written behind doors our culture too often keeps closed, this is poetry reaching out for moments of longing, wild joy and grace. Drawing on his own experiences as a teenager and young adult in and out of the Canadian prison system, Peters has written both a personal reckoning and a damning and eloquent account of our violence- and enforcement-obsessed capitalist and patriarchal cultures.