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CELA has restarted production and distribution of embossed braille, printbraille and reloading of Envoy Connect devices. There may be delays in receiving your materials due to rotating strikes by Canada Post workers.
CELA has restarted production and distribution of embossed braille, printbraille and reloading of Envoy Connect devices. There may be delays in receiving your materials due to rotating strikes by Canada Post workers.
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By Fawn Parker. 2024
One of Indigo’s Most Anticipated Canadian Books • One of the CBC’s Canadian Fiction Books to Read in Fall 2024…
Women Talking meets Study for Obedience in this stunning depiction of fresh grief by Fawn Parker, the Scotiabank Giller Prize–longlisted author of What We Both Know.Shortly after her mother’s death, Fawn arrives at the farmhouse. While there, she will stay in her mother’s bedroom in the house that is also occupied by four other women who live by an unusual set of beliefs.Wrestling with longstanding compulsive and harmful behaviours, as well as severe self-doubt, Fawn is confronted with the reality of her mother’s death. It is her responsibility to catalogue the furniture and possessions in the room, then sell or dispose of them. Instead, Fawn becomes fixated on archiving her mother’s writing and documents, searching for signs, and drawing tenuous connections to help her understand more about the enigmatic woman in the pages.I am surrounded by mocking evidence of her inhabitancy of this room. Quickly, it is expiring. Today she was alive. When the day runs out that will no longer be true. Tomorrow I will be able to say that yesterday she was alive, at least. The next day, nothing. She will just be dead. The fact seems to be at its smallest now, growing with time. For now she is many things, and there are many places left to find her.In Hi, It’s Me, Fawn Parker is unafraid to explore the bewildering relationship between the living and the dead. Strikingly original, provocative, and engrossing Hi, It’s Me takes us into the furthest corners of grief, invoking the physicality and painful embodiment of terminal illness with astonishing precision and emotional force. This mesmerizing, devastating novel asks: Why must it be this way?By Sarah Bernstein. 2025
Une femme s'installe dans un pays nordique, d'où ses ancêtres ont été chassés, afin de s'occuper de son frère récemment…
divorcé et de sa maison. Autour de ce vaste manoir, la campagne est le théâtre d'événements inexplicables affectant les animaux de ferme. Misant sur sa dévotion et sur son obéissance pour se faire accepter des villageois, la jeune femme découvre bientôt que ses gestes ont l'effet inverse. Tandis que la suspicion dont elle fait l'objet se transforme en hostilité, l'héroïne de ce roman déroutant et hypnotique est plongée dans des rapports de force où pouvoir, soumission, histoire et violence s'opposentBy Fawn Parker. 2024
One of Indigo&’s Most Anticipated Canadian Books • One of the CBC&’s Canadian Fiction Books to Read in Fall 2024…
Women Talking meets Study for Obedience in this stunning depiction of fresh grief by Fawn Parker, the Scotiabank Giller Prize–longlisted author of What We Both Know.Shortly after her mother&’s death, Fawn arrives at the farmhouse. While there, she will stay in her mother&’s bedroom in the house that is also occupied by four other women who live by an unusual set of beliefs.Wrestling with longstanding compulsive and harmful behaviours, as well as severe self-doubt, Fawn is confronted with the reality of her mother&’s death. It is her responsibility to catalogue the furniture and possessions in the room, then sell or dispose of them. Instead, Fawn becomes fixated on archiving her mother&’s writing and documents, searching for signs, and drawing tenuous connections to help her understand more about the enigmatic woman in the pages.I am surrounded by mocking evidence of her inhabitancy of this room. Quickly, it is expiring. Today she was alive. When the day runs out that will no longer be true. Tomorrow I will be able to say that yesterday she was alive, at least. The next day, nothing. She will just be dead. The fact seems to be at its smallest now, growing with time. For now she is many things, and there are many places left to find her.In Hi, It&’s Me, Fawn Parker is unafraid to explore the bewildering relationship between the living and the dead. Strikingly original, provocative, and engrossing Hi, It&’s Me takes us into the furthest corners of grief, invoking the physicality and painful embodiment of terminal illness with astonishing precision and emotional force. This mesmerizing, devastating novel asks: Why must it be this way?By Deborah Ellis. 2024
What can you do when the adult world lets you down? Suspended from school and prone to rages, twelve-year-old Kate…
finds her own way to get on with her life, despite the messed-up adults around her. Her gran, for one, is stubborn and aloof — not unlike Kate herself, who has no friends, and who’s been expelled for “behavioral issues,” like the meltdowns she has had ever since her mom dumped her with her grandmother three years ago. Kate dreams that one day her mother will return for her. When that happens, they’ll need money, so Kate sets out to make some. Gran nixes her idea to sell psychiatric advice like Lucy in Peanuts (“You’re not a psychiatrist. You’ll get sued.”), so Kate decides to open a philosophy booth to provide answers to life’s big and small questions. She soon learns that adults have plenty of problems and secrets of their own, including Gran. When she finds that her grandmother has been lying to her about her mother, the two have a huge fight, and Gran says she can’t wait for Kate to finish high school so she’ll be rid of her at last. Kate decides to take matters into her own hands and discovers that to get what she wants, she may have to reach out to some unexpected people, and find a way to lay down her own anger. Key Text Features quotations dialogue literary references signs Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.6.2 Determine a theme or central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments. CCSS.ELA-LITERACY.RL.6.5 Analyze how a particular sentence, chapter, scene, or stanza fits into the overall structure of a text and contributes to the development of the theme, setting, or plot.