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Title search results
Showing 1 - 6 of 6 items
DAISY audio (Direct to player), DAISY audio (Zip)
General fiction, Suspense and thrillers, Serious and literary fiction
Human-narrated audio
One of Indigo’s Most Anticipated Canadian Books • One of the CBC’s Canadian Fiction Books to Read in Fall 2024…
Women Talking meets Study for Obedience in this stunning depiction of fresh grief by Fawn Parker, the Scotiabank Giller Prize–longlisted author of What We Both Know.Shortly after her mother’s death, Fawn arrives at the farmhouse. While there, she will stay in her mother’s bedroom in the house that is also occupied by four other women who live by an unusual set of beliefs.Wrestling with longstanding compulsive and harmful behaviours, as well as severe self-doubt, Fawn is confronted with the reality of her mother’s death. It is her responsibility to catalogue the furniture and possessions in the room, then sell or dispose of them. Instead, Fawn becomes fixated on archiving her mother’s writing and documents, searching for signs, and drawing tenuous connections to help her understand more about the enigmatic woman in the pages.I am surrounded by mocking evidence of her inhabitancy of this room. Quickly, it is expiring. Today she was alive. When the day runs out that will no longer be true. Tomorrow I will be able to say that yesterday she was alive, at least. The next day, nothing. She will just be dead. The fact seems to be at its smallest now, growing with time. For now she is many things, and there are many places left to find her.In Hi, It’s Me, Fawn Parker is unafraid to explore the bewildering relationship between the living and the dead. Strikingly original, provocative, and engrossing Hi, It’s Me takes us into the furthest corners of grief, invoking the physicality and painful embodiment of terminal illness with astonishing precision and emotional force. This mesmerizing, devastating novel asks: Why must it be this way?
DAISY audio (Direct to player), DAISY audio (Zip)
General fiction, Serious and literary fiction, Indigenous peoples fiction
Human-narrated audio
From the author of the nationally bestselling Strangers saga comes a heartrending story of two Michif sisters who must face…
their past trauma when their mother is called out for false claims to Indigenous identity.June and her sister, lyn, are NDNs—real ones.Lyn has her pottery artwork, her precocious kid, Willow, and the uncertain terrain of her midlife to keep her mind, heart and hands busy. June, a Métis Studies professor, yearns to uproot from Vancouver and move. With her loving partner, Sigh, and their faithful pup, June decides to buy a house in the last place on earth she imagined she’d end up: back home in Winnipeg with her family.But then into lyn and June’s busy lives a bomb drops: their estranged and very white mother, Renee, is called out as a "pretendian." Under the name (get this) Raven Bearclaw, Renee had topped the charts in the Canadian art world for winning awards and recognition for her Indigenous-style work.The news is quickly picked up by the media and sparks an enraged online backlash. As the sisters are pulled into the painful tangle of lies their mother has told and the hurt she has caused, searing memories from their unresolved childhood trauma, which still manages to spill into their well curated adult worlds, come rippling to the surface.In prose so powerful it could strike a match, real ones is written with the same signature wit and heart on display in The Break, The Strangers and The Circle. An energetic, probing and ultimately hopeful story, real ones pays homage to the long-fought, hard-won battles of Michif (Métis) people to regain ownership of their identity and the right to say who is and isn’t Métis.
DAISY audio (Direct to player), DAISY audio (Zip)
Family stories, General fiction
Human-narrated audio
A new, heartwarming middle-grade story from the critically acclaimed author Heather Smith featuring Tig, a young girl struggling to find…
peace within herself and in her new family. For fans of Rebecca Stead, Wendy Mass and Lynda Mullaly Hunt.After months of living without electricity or parents, Tig and Peter are forced to move in with their Uncle Scott and his partner, Manny. The transition from down-and-out to picture-perfect isn't easy, especially in pristine Wensleydale with the idyllic couple and their beautiful home.Tig, with Peter's support, decides to make their new life messy, starting with daily arguments and her plans to become a competitive cheese racer. She'll run circles around her new guardians, outrun a wheel of cheese, and leave the past buried in her dust. But things don't always go as planned, and Tig must decide what to truly leave behind in order to move forward.
DAISY audio (Direct to player), DAISY audio (Zip)
General fiction, Multi-cultural fiction, Disabilities fiction, Canadian authors (Fiction)
Human-narrated audio
An engaging YA novel about a girl in treatment for obsessive compulsive disorder that combats the dehumanizing stigma around mental…
illness Sixteen-year-old Mira Durand has just been checked into the secure unit of the Residency Adolescent Treatment Centre for obsessive compulsive and comorbid disorders. Four years of being passed around different psych wards like a hot potato have only worsened her OCD and anorexia. Her brutal, religious compulsions, which she believes keep her mom safe, make her less of a clean freak and more of a freak freak. No wonder her only friend is her journal. At the Residency's Ward 2, Mira discovers that her shrink is a fellow fantasy nerd and that her wardmates have enough of their own high-risk behaviours to tolerate hers. The complex friendships she forms with them (including a first love), the slow trust she builds with her treatment team, and the outside and family visits she earns give her things to look forward to beyond the drudgery of her compulsions. But it takes visiting Gung Gung, her dying maternal grandfather, for her to realize that to truly live, she must fight the cognitive distortions at the heart of her compulsions. Based on the author's personal experience, A Drop in the Ocean is a gritty, humanizing portrait of living with mental illness
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Friendship stories, General fiction, Indigenous peoples fiction
Synthetic audio, Human-transcribed braille
"Part coming-of-age novel, part searing examination of a community finding itself, Small Ceremonies is a tantalizing and heartbreaking debut. 'I…
fear for our friendship, for the day it will end, wondering when that day will be . . .' Tomahawk Shields (a.k.a. Tommy) and Clinton Whiteway are on the cusp of adulthood, imagining a future rife with possibility and greatness. The two friends play for their high school’s poor-performing hockey team, the Tigers, who learn at the start of the new season that the league wants them out. Their annual goal is now more important than ever: to win their first game in years and break the curse. As we follow these two Indigenous boys over the course of a year, we are given a panoptic view of Tommy and Clinton’s Winnipeg, where a university student with grand ambitions chooses to bottle her anger when confronted with numerous micro- (and not so micro-) aggressions; an ex-convict must choose between protecting or exploiting his younger brother as he’s dragged deeper into the city’s criminal underbelly; a lonely rink attendant is haunted by the memory of a past lover and contemplates rekindling this old flame; and an aspiring journalist does everything she can to uncover why the league is threatening to remove the Tigers. These are a sampling of the chorus of voices that depicts a community filled with individuals searching for purpose, leading them all to one fateful and tragic night. Ferociously piercing the heart of an Indigenous city, Kyle Edwards's sparkling debut is a heartbreaking yet humour-flecked portrayal of navigating identity and place, trauma and recovery, and growing up in a land that doesn't love you."--Front flap of jacket
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
General fiction, Serious and literary fiction, Suspense and thrillers
Synthetic audio, Automated braille
One of Indigo&’s Most Anticipated Canadian Books • One of the CBC&’s Canadian Fiction Books to Read in Fall 2024…
Women Talking meets Study for Obedience in this stunning depiction of fresh grief by Fawn Parker, the Scotiabank Giller Prize–longlisted author of What We Both Know.Shortly after her mother&’s death, Fawn arrives at the farmhouse. While there, she will stay in her mother&’s bedroom in the house that is also occupied by four other women who live by an unusual set of beliefs.Wrestling with longstanding compulsive and harmful behaviours, as well as severe self-doubt, Fawn is confronted with the reality of her mother&’s death. It is her responsibility to catalogue the furniture and possessions in the room, then sell or dispose of them. Instead, Fawn becomes fixated on archiving her mother&’s writing and documents, searching for signs, and drawing tenuous connections to help her understand more about the enigmatic woman in the pages.I am surrounded by mocking evidence of her inhabitancy of this room. Quickly, it is expiring. Today she was alive. When the day runs out that will no longer be true. Tomorrow I will be able to say that yesterday she was alive, at least. The next day, nothing. She will just be dead. The fact seems to be at its smallest now, growing with time. For now she is many things, and there are many places left to find her.In Hi, It&’s Me, Fawn Parker is unafraid to explore the bewildering relationship between the living and the dead. Strikingly original, provocative, and engrossing Hi, It&’s Me takes us into the furthest corners of grief, invoking the physicality and painful embodiment of terminal illness with astonishing precision and emotional force. This mesmerizing, devastating novel asks: Why must it be this way?