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CELA has restarted production and distribution of embossed braille, printbraille and reloading of Envoy Connect devices. There may be delays in receiving your materials due to rotating strikes by Canada Post workers.
CELA has restarted production and distribution of embossed braille, printbraille and reloading of Envoy Connect devices. There may be delays in receiving your materials due to rotating strikes by Canada Post workers.
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By Fawn Parker. 2024
One of Indigo’s Most Anticipated Canadian Books • One of the CBC’s Canadian Fiction Books to Read in Fall 2024…
Women Talking meets Study for Obedience in this stunning depiction of fresh grief by Fawn Parker, the Scotiabank Giller Prize–longlisted author of What We Both Know.Shortly after her mother’s death, Fawn arrives at the farmhouse. While there, she will stay in her mother’s bedroom in the house that is also occupied by four other women who live by an unusual set of beliefs.Wrestling with longstanding compulsive and harmful behaviours, as well as severe self-doubt, Fawn is confronted with the reality of her mother’s death. It is her responsibility to catalogue the furniture and possessions in the room, then sell or dispose of them. Instead, Fawn becomes fixated on archiving her mother’s writing and documents, searching for signs, and drawing tenuous connections to help her understand more about the enigmatic woman in the pages.I am surrounded by mocking evidence of her inhabitancy of this room. Quickly, it is expiring. Today she was alive. When the day runs out that will no longer be true. Tomorrow I will be able to say that yesterday she was alive, at least. The next day, nothing. She will just be dead. The fact seems to be at its smallest now, growing with time. For now she is many things, and there are many places left to find her.In Hi, It’s Me, Fawn Parker is unafraid to explore the bewildering relationship between the living and the dead. Strikingly original, provocative, and engrossing Hi, It’s Me takes us into the furthest corners of grief, invoking the physicality and painful embodiment of terminal illness with astonishing precision and emotional force. This mesmerizing, devastating novel asks: Why must it be this way?By Sarah Bernstein. 2025
Une femme s'installe dans un pays nordique, d'où ses ancêtres ont été chassés, afin de s'occuper de son frère récemment…
divorcé et de sa maison. Autour de ce vaste manoir, la campagne est le théâtre d'événements inexplicables affectant les animaux de ferme. Misant sur sa dévotion et sur son obéissance pour se faire accepter des villageois, la jeune femme découvre bientôt que ses gestes ont l'effet inverse. Tandis que la suspicion dont elle fait l'objet se transforme en hostilité, l'héroïne de ce roman déroutant et hypnotique est plongée dans des rapports de force où pouvoir, soumission, histoire et violence s'opposentBy Fawn Parker. 2024
One of Indigo&’s Most Anticipated Canadian Books • One of the CBC&’s Canadian Fiction Books to Read in Fall 2024…
Women Talking meets Study for Obedience in this stunning depiction of fresh grief by Fawn Parker, the Scotiabank Giller Prize–longlisted author of What We Both Know.Shortly after her mother&’s death, Fawn arrives at the farmhouse. While there, she will stay in her mother&’s bedroom in the house that is also occupied by four other women who live by an unusual set of beliefs.Wrestling with longstanding compulsive and harmful behaviours, as well as severe self-doubt, Fawn is confronted with the reality of her mother&’s death. It is her responsibility to catalogue the furniture and possessions in the room, then sell or dispose of them. Instead, Fawn becomes fixated on archiving her mother&’s writing and documents, searching for signs, and drawing tenuous connections to help her understand more about the enigmatic woman in the pages.I am surrounded by mocking evidence of her inhabitancy of this room. Quickly, it is expiring. Today she was alive. When the day runs out that will no longer be true. Tomorrow I will be able to say that yesterday she was alive, at least. The next day, nothing. She will just be dead. The fact seems to be at its smallest now, growing with time. For now she is many things, and there are many places left to find her.In Hi, It&’s Me, Fawn Parker is unafraid to explore the bewildering relationship between the living and the dead. Strikingly original, provocative, and engrossing Hi, It&’s Me takes us into the furthest corners of grief, invoking the physicality and painful embodiment of terminal illness with astonishing precision and emotional force. This mesmerizing, devastating novel asks: Why must it be this way?