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Articles 1 à 4 sur 4
April is a young mother raising her daughter in an intergenerational house of unspoken secrets and loud arguments. Her only…
refuge is to hide away in a locked bathroom, her ears plugged into an ambient soundscape, and a mantra on her lips: dead inside. That is, until one day, as she finds herself spiraling toward the volcanic rage she calls the white hot , a voice inside her tells her to just walk away. She wanders to a bus station and asks for a ticket to the furthest destination; she tells the clerk to make it one-way. That ticket takes her from her Philly home to the threshold of a wilderness and the beginning of a nameless quest—an accidental journey that shakes her awake, almost kills her, and brings her to the brink of an impossible choice. The White Hot takes the form of a letter from mother to daughter about a moment of abandonment that would stretch from ten days to ten years—an explanation, but not an apology. Hudes narrates April’s story—spiritual and sexy, fierce and funny—with delicate lyricism and tough love. Just as April finds in her painful and absurd sojourn the key to freeing herself and her family from a cage of generational trauma, so Hudes turns April’s stumbling pursuit of herself into an unforgettable short epic of self-discovery
Lion is about an unlikely parent, more legend than presence in his daughter's life. He is a charismatic, dashing bon-vivant,…
a polo player, race car driver, cocaine addict, ex-con, pilot, and sky-diver. Born in the aftershocks of Argentina's greatest earthquake, he is like a minor god who comes down to earth in a grand manner, falling in all the ways there are to fall. Lion is a double portrait told in a perpetual present tense that moves back and forth between present-day Los Angeles, where the narrator lives with her family and works as an actress, and the past of her peripatetic childhood, spent shuttling between her mother in England, boarding school, and her father and his successive wives in Buenos Aires and Lima. Sonya Walger's stunning autobiographical debut is an emotionally acute palimpsest of a novel about a father and daughter, in which the drama and incident, love and tragedy that make up his life make up hers as well. The legend of his life and her distinctive and imaginatively charged telling of it make for an engrossing and unforgettable family saga
&“A breathtaking novel, dreamlike and courageous, brimming with glamour and disastrous scarcities.&” —Susie BoytLion is the story of a father…
and a daughter. The father is the unlikeliest of fathers. He is a charismatic bon vivant, a polo player, race-car driver, cocaine addict, ex-con, pilot, and skydiver. He is like a minor god who comes down to earth in a grand manner, falling in all the ways there are to fall. Lion moves back and forth between present-day Los Angeles, where the daughter lives and works as an actress, and the past of her peripatetic childhood in England, Argentina, and Peru. "It is hard to compete with adrenalin when you are a child," she writes, now a mother herself to young children whose settled upbringing prompts her to consider her unconventional youth and the source of its chaos.Sonya Walger's stunning autobiographical debut is an emotionally acute palimpsest of a novel, full of drama and incident, love and tragedy. The legend of the father's life and her distinctive and imaginatively charged telling of it make for an engrossing and unforgettable family saga.
The story of a runaway mother&’s ten days of freedom—and the pain, desire, longing, and wonder we find on the…
messy road to enlightenment—from Pulitzer Prize winner Quiara Alegría Hudes.A KIRKUS REVIEWS BEST BOOK OF THE YEARApril is a young mother raising her daughter in an intergenerational house of unspoken secrets and loud arguments. Her only refuge is to hide away in a locked bathroom, her ears plugged into an ambient soundscape, and a mantra on her lips: dead inside. That is, until one day, as she finds herself spiraling toward the volcanic rage she calls the white hot, a voice inside her tells her to just . . . walk away. She wanders to a bus station and asks for a ticket to the furthest destination; she tells the clerk to make it one-way. That ticket takes her from her Philly home to the threshold of a wilderness and the beginning of a nameless quest—an accidental journey that shakes her awake, almost kills her, and brings her to the brink of an impossible choice.The White Hot takes the form of a letter from mother to daughter about a moment of abandonment that would stretch from ten days to ten years—an explanation, but not an apology. Hudes narrates April&’s story—spiritual and sexy, fierce and funny—with delicate lyricism and tough love. Just as April finds in her painful and absurd sojourn the key to freeing herself and her family from a cage of generational trauma, so Hudes turns April&’s stumbling pursuit of herself into an unforgettable short epic of self-discovery.