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Named one of the most anticipated books of 2024 by the BBC, the Observer , Irish Times , the Guardian…
, and The Millions . In 2020, Olivia Laing began to restore an eighteenth century walled garden in Suffolk, an overgrown Eden of unusual plants. The work brought to light a crucial question for our age: Who gets to live in paradise, and how can we share it while there's still time? Moving between real and imagined gardens, from Milton's Paradise Lost to John Clare's enclosure elegies, from a wartime sanctuary in Italy to a grotesque aristocratic pleasure ground funded by slavery, Laing interrogates the sometimes shocking cost of making paradise on earth. But the story of the garden doesn't always enact larger patterns of privilege and exclusion. It's also a place of rebel outposts and communal dreams. From the improbable queer utopia conjured by Derek Jarman on the beach at Dungeness to the fertile vision of a common Eden propagated by William Morris, new modes of living can and have been attempted amidst the flower beds, experiments that could prove vital in the coming era of climate change. The result is a humming, glowing tapestry, a beautiful and exacting account of the abundant pleasures and possibilities of gardens: not as a place to hide from the world but as a site of encounter and discovery, bee-loud and pollen-laden
No matter where we live, "we are all ocean people," Helen Scales emphatically observes in her bracing yet hopeful exploration…
of the future of the ocean. Beginning with its fascinating deep history, Scales shows how the prehistoric ocean ecology was already working in ways similar to the ocean of today. In elegant, evocative prose, she takes listeners into the realms of animals that epitomize today's increasingly challenging conditions. Ocean life everywhere is on the move as seas warm, and warm waters are an existential threat to emperor penguins, whose mating grounds in Antarctica are collapsing. Shark populations—critical to balanced ecosystems—have shrunk by 71 percent since the 1970s, largely the result of massive and oft-unregulated industrial fishing. Orcas—the apex predators—have also drastically declined, victims of toxic chemicals and plastics with long half-lives that disrupt the immune system and the ability to breed. Offering innovative ideas for protecting coastlines and cleaning the toxic seas, Scales insists we need more ethical and sustainable fisheries and must prevent the other existential threat of deep-sea mining, which could significantly alter life on earth. Inspiring us all to maintain a sense of awe and wonder at the majesty beneath the waves, she urges us to fight for the better future that still exists for the Anthropocene ocean
A captivating exploration of how underwater animals tap into sound to survive, and a clarion call for humans to address…
the ways we invade these critical soundscapes—from an award-winning science writer “ Sing Like Fish is that rare book that makes you see the world differently.”—Mark Kurlansky, New York Times bestselling author of Salt and Cod LONGLISTED FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN NONFICTION For centuries, humans ignored sound in the “silent world” of the ocean, assuming that what we couldn’t perceive, didn’t exist. But we couldn’t have been more wrong. Marine scientists now have the technology to record and study the complex interplay of the myriad sounds in the sea. Finally, we can trace how sounds travel with the currents, bounce from the seafloor and surface, bend with the temperature and even saltiness; how sounds help marine life survive; and how human noise can transform entire marine ecosystems. In Sing Like Fish , award-winning science journalist Amorina Kingdon synthesizes historical discoveries with the latest scientific research in a clear and compelling portrait of this sonic undersea world. From plainfin midshipman fish, whose swim-bladder drumming is loud enough to keep houseboat-dwellers awake, to the syntax of whalesong; from the deafening crackle of snapping shrimp, to the seismic resonance of underwater earthquakes and volcanoes; sound plays a vital role in feeding, mating, parenting, navigating, and warning—even in animals that we never suspected of acoustic ability. Meanwhile, we jump in our motorboats and cruise ships, oblivious to the impact below us. Our lifestyle is fueled by oil in growling tankers and furnished by goods that travel in massive container ships. Our seas echo with human-made sound, but we are just learning of the repercussions of anthropogenic noise on the marine world’s delicate acoustic ecosystems—masking mating calls, chasing animals from their food, and even wounding creatures, from plankton to lobsters. With intimate and artful prose, Sing Like Fish tells a uniquely complete story of ocean animals’ submerged sounds, envisions a quieter future, and offers a profound new understanding of the world below the surface
A captivating exploration of how underwater animals tap into sound to survive, and a clarion call for humans to address…
the ways we invade these critical soundscapes—from an award-winning science writer&“Sing Like Fish is that rare book that makes you see the world differently.&”—Mark Kurlansky, New York Times bestselling author of Salt and CodFor centuries, humans ignored sound in the &“silent world&” of the ocean, assuming that what we couldn&’t perceive, didn&’t exist. But we couldn&’t have been more wrong. Marine scientists now have the technology to record and study the complex interplay of the myriad sounds in the sea. Finally, we can trace how sounds travel with the currents, bounce from the seafloor and surface, bend with the temperature and even saltiness; how sounds help marine life survive; and how human noise can transform entire marine ecosystems. In Sing Like Fish, award-winning science journalist Amorina Kingdon synthesizes historical discoveries with the latest scientific research in a clear and compelling portrait of this sonic undersea world. From plainfin midshipman fish, whose swim-bladder drumming is loud enough to keep houseboat-dwellers awake, to the syntax of whalesong; from the deafening crackle of snapping shrimp, to the seismic resonance of underwater earthquakes and volcanoes; sound plays a vital role in feeding, mating, parenting, navigating, and warning—even in animals that we never suspected of acoustic ability. Meanwhile, we jump in our motorboats and cruise ships, oblivious to the impact below us. Our lifestyle is fueled by oil in growling tankers and furnished by goods that travel in massive container ships. Our seas echo with human-made sound, but we are just learning of the repercussions of anthropogenic noise on the marine world&’s delicate acoustic ecosystems—masking mating calls, chasing animals from their food, and even wounding creatures, from plankton to lobsters. With intimate and artful prose, Sing Like Fish tells a uniquely complete story of ocean animals&’ submerged sounds, envisions a quieter future, and offers a profound new understanding of the world below the surface.
Finalist for the 2024 Kirkus Prize for Nonfiction Finalist for the 2024 Wainwright Prize for Nature Writing A #1 Sunday…
Times (UK) Bestseller • A New York Times Book Review Editors' Choice • A Kirkus Reviews "Best Book of the 21st Century (So Far)" • A New Yorker Best Book of 2024 • A Chicago Public Library Must-Read Book of 2024 • An Oprah Daily "Most Thought-Provoking Book" of 2024 "An impassioned and wide-ranging work." —A.O. Scott, New York Times Book Review Inspired by the restoration of her own garden, "imaginative and empathetic critic" (NPR) Olivia Laing embarks on an exhilarating investigation of paradise. In 2020, Olivia Laing began to restore an eighteenth-century walled garden in Suffolk, an overgrown Eden of unusual plants. The work brought to light a crucial question for our age: Who gets to live in paradise, and how can we share it while there’s still time? Moving between real and imagined gardens, from Milton’s Paradise Lost to John Clare’s enclosure elegies, from a wartime sanctuary in Italy to a grotesque aristocratic pleasure ground funded by slavery, Laing interrogates the sometimes shocking cost of making paradise on earth. But the story of the garden doesn’t always enact larger patterns of privilege and exclusion. It’s also a place of rebel outposts and communal dreams. From the improbable queer utopia conjured by Derek Jarman on the beach at Dungeness to the fertile vision of a common Eden propagated by William Morris, new modes of living can and have been attempted amidst the flower beds, experiments that could prove vital in the coming era of climate change. The result is a humming, glowing tapestry, a beautiful and exacting account of the abundant pleasures and possibilities of gardens: not as a place to hide from the world but as a site of encounter and discovery, bee-loud and pollen-laden.