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DAISY audio (Direct to player), DAISY audio (Zip)
Humourous fiction, Ghost and horror stories, Serious and literary fiction
Human-narrated audio
With biting wit, Aurora Stewart de Peña satirizes the creative industry she’s spent years in. From the people who brought…
you the invention of advertising comes Julius Julius, a rambling architectural wonder, outpost of the very first ad man of ancient Pompeii, built on the backs of generations of creative survivors who just want to lie on the floor of a conference room and cry about the lumber account without being sexually harassed.Welcome to the world’s oldest advertising agency, where ghosts control the board room AC, an ancient executive assistant runs a cave full of thousand year old billboards, and there are bones in the walls.In a trio of voices from different time periods, we move through the mythical Agency, interrogating the process of stoking desire for a living. We meet the Senior Brand Anthropologist, who’s being surprised by dirty bars of Irish Spring she can’t remember buying, the Creative Director, whose ascent involved an ad campaign starring his dead best friend, and the Account Supervisor, whose only crime is not being a genius. (But the Fisherman Jack Tuna Campaign was her idea, despite what it says on the awards submissions.) Stewart de Peña’s debut novel reveals the cracks in the veneer of the creative industries, and the crisis of consciousness underneath in a novel full of compassion, humour, and blonde sausage dogs.
DAISY audio (Direct to player), DAISY audio (Zip)
Serious and literary fiction, Multi-cultural fiction
Human-narrated audio
As this spare and luminous novel begins, we meet Miriam, Helen and Maggie—three friends who, years ago when they were…
school children, survived capture by the Lord's Resistance Army in northern Uganda. Now, as the women go about their new lives in the city, shopping, caring for their children, planning and thinking about what the future might hold, we come to understand how deeply their past haunts the present. In graceful yet unflinching prose, Otoniya Okot Bitek weaves vivid folk tales with taut realism, revealing flashes of life before the war that ravaged Uganda, unspooling the terrible events that led to abductions of children from supposedly safe schools, and tracing perilous journeys home again. Facing endless treks across the ravaged countryside and through narrow mountain passes, gun battles and constant brutality, many girls did not survive. Those who did make it back home, some carrying small children of their own, bore the unspoken weight of their experiences within families and communities that often wished to forget and move on. In We, the Kindling, Okot Bitek insistently refuses to turn away or to spectacularize tragedy, shaping a chorus of women's voices into a hauntingly beautiful novel, suffused with care and humanity.
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Ghost and horror stories, Serious and literary fiction
Synthetic audio, Automated braille
With biting wit, Aurora Stewart de Peña satirizes the creative industry she&’s spent years in. From the people who brought…
you the invention of advertising comes Julius Julius, a rambling architectural wonder, outpost of the very first ad man of ancient Pompeii, built on the backs of generations of creative survivors who just want to lie on the floor of a conference room and cry about the lumber account without being sexually harassed.Welcome to the world&’s oldest advertising agency, where ghosts control the board room AC, an ancient executive assistant runs a cave full of thousand year old billboards, and there are bones in the walls.In a trio of voices from different time periods, we move through the mythical Agency, interrogating the process of stoking desire for a living. We meet the Senior Brand Anthropologist, who&’s being surprised by dirty bars of Irish Spring she can&’t remember buying, the Creative Director, whose ascent involved an ad campaign starring his dead best friend, and the Account Supervisor, whose only crime is not being a genius. (But the Fisherman Jack Tuna Campaign was her idea, despite what it says on the awards submissions.) Stewart de Peña&’s debut novel reveals the cracks in the veneer of the creative industries, and the crisis of consciousness underneath in a novel full of compassion, humour, and blonde sausage dogs.
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Multi-cultural fiction, Serious and literary fiction
Synthetic audio, Automated braille
As this spare and luminous novel begins, we meet Miriam, Helen and Maggie—three friends who, years ago when they were…
school children, survived capture by the Lord's Resistance Army in northern Uganda. Now, as the women go about their new lives in the city, shopping, caring for their children, planning and thinking about what the future might hold, we come to understand how deeply their past haunts the present. In graceful yet unflinching prose, Otoniya Okot Bitek weaves vivid folk tales with taut realism, revealing flashes of life before the war that ravaged Uganda, unspooling the terrible events that led to abductions of children from supposedly safe schools, and tracing perilous journeys home again. Facing endless treks across the ravaged countryside and through narrow mountain passes, gun battles and constant brutality, many girls did not survive. Those who did make it back home, some carrying small children of their own, bore the unspoken weight of their experiences within families and communities that often wished to forget and move on. In We, the Kindling, Okot Bitek insistently refuses to turn away or to spectacularize tragedy, shaping a chorus of women's voices into a hauntingly beautiful novel, suffused with care and humanity.