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DAISY audio (Direct to player), DAISY audio (Zip)
Adventure stories, Science fiction, LGBTQ+ fiction
Human-narrated audio
War machines and AI gods run amok in The Archive Undying , national bestseller Emma Mieko Candon's bold entry into…
the world of mecha fiction. WHEN AN AI DIES, ITS CITY DIES WITH IT WHEN A CITY FALLS, IT LEAVES A CORPSE BEHIND WHEN THAT CORPSE RUNS OFF, ONLY DEVOTION CAN BRING IT BACK When the robotic god of Khuon Mo went mad, it destroyed everything it touched. It killed its priests, its city, and all its wondrous works. But in its final death throes, the god brought one thing back to life: its favorite child, Sunai. For the seventeen years since, Sunai has walked the land like a ghost, unable to die, unable to age, and unable to forget the horrors he's seen. He's run as far as he can from the wreckage of his faith, drowning himself in drink, drugs, and men. But when Sunai wakes up in the bed of the one man he never should have slept with, he finds himself on a path straight back into the world of gods and machines. The Archive Undying is the first volume of Emma Mieko Candon's Downworld Sequence, a sci-fi series where AI deities and brutal police states clash, wielding giant robots steered by pilot-priests with corrupted bodies. Come get in the robot. A Macmillan Audio production from Tor.com
DAISY audio (Direct to player), DAISY audio (Zip)
LGBTQ+ fiction, Science fiction
Human-narrated audio
Dept. of Speculation meets Black Mirror in this lyrical, speculative debut about a queer mother raising her daughter in an…
unjust surveillance state In a United States not so unlike our own, the Department of Balance has adopted a radical new form of law enforcement: rather than incarceration, wrongdoers are given a second (and sometimes, third, fourth, and fifth) shadow as a reminder of their crime-and a warning to those they encounter. Within the Department, corruption and prejudice run rampant, giving rise to an underclass of so-called Shadesters who are disenfranchised, publicly shamed, and deprived of civil rights protections. Kris is a Shadester and a new mother to a baby born with a second shadow of her own. Grieving the loss of her wife and thoroughly unprepared for the reality of raising a child alone, Kris teeters on the edge of collapse, fumbling in a daze of alcohol, shame, and self-loathing. Yet as the kid grows, Kris finds her footing, raising a child whose irrepressible spark cannot be dampened by the harsh realities of the world. She can't forget her wife, but with time, she can make a new life for herself and the kid, supported by a community of fellow misfits who defy the Department to lift one another up in solidarity and hope. With a first-person register reminiscent of the fierce self-disclosure of Sheila Heti and the poetic precision of Ocean Vuong, I Keep My Exoskeletons to Myself is a bold debut novel that examines the long shadow of grief, the hard work of parenting, and the power of queer resistance
DAISY audio (Direct to player), DAISY audio (Zip)
Women sleuths, Suspense and thrillers, Mysteries and crime stories, LGBTQ+ fiction
Human-narrated audio
"Polly Stewart's The Good Ones is a fantastic achievement. A classic Southern Gothic tale told through the prism of modern-day…
sensibilities. Not to be missed."-S. A. Cosby, New York Times bestselling author of Razorblade Tears "A riveting, unflinching exploration of adolescent female friendships, small-town pressures to conform, and the true crime lover's tendency to conflate empathy and voyeurism, The Good Ones drew me in from the first lines and still hasn't released me, days after finishing."-Katie Gutierrez, nationally bestselling author of More Than You'll Ever Know An engrossing work of literary suspense that illuminates the push and pull of female friendship and the costs of being good when the rules for women begin to chafe. The last time Nicola Bennett saw Lauren Ballard she was scraping a key along the side of a new cherry-red Chevy Silverado. That was the night before her friend mysteriously vanished from her home, leaving a bloodstained washcloth and signs of a struggle-as well as her grieving husband and young daughter-behind. Now, nearly twenty years later, Nicola, newly unemployed and still haunted by the disappearance of her childhood friend, is returning to her Appalachian hometown. For Nicola, Tyndall County has remained frozen in time. Everywhere she turns she's reminded of Lauren. Yet shockingly, her former friends and neighbors have all moved on. Drawn to stories of missing girls, Nicola obsessively searches the internet, hoping to discover a clue to Lauren's ultimate fate. Driven by a desperate need to know what happened to her friend, Nicola takes a job in her hometown, determined to uncover any bit of information, any small clue, that can help. Deep down she knows the answers are tucked in the hollows and valleys of this small Blue Ridge county. As secrets come to light and the truth begins to unravel, will Nicola finally find release and break free of the past-or lose herself completely to unanswered questions from her adolescence?
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Science fiction
Synthetic audio, Automated braille
War machines and AI gods run amok in The Archive Undying, national bestseller Emma Mieko Candon's bold entry into the…
world of mecha fiction.WHEN AN AI DIES, ITS CITY DIES WITH IT WHEN A CITY FALLS, IT LEAVES A CORPSE BEHIND WHEN THAT CORPSE RUNS OFF, ONLY DEVOTION CAN BRING IT BACK When the robotic god of Khuon Mo went mad, it destroyed everything it touched. It killed its priests, its city, and all its wondrous works. But in its final death throes, the god brought one thing back to life: its favorite child, Sunai. For the seventeen years since, Sunai has walked the land like a ghost, unable to die, unable to age, and unable to forget the horrors he's seen. He's run as far as he can from the wreckage of his faith, drowning himself in drink, drugs, and men. But when Sunai wakes up in the bed of the one man he never should have slept with, he finds himself on a path straight back into the world of gods and machines. The Archive Undying is the first volume of Emma Mieko Candon's Downworld Sequence, a sci-fi series where AI deities and brutal police states clash, wielding giant robots steered by pilot-priests with corrupted bodies. Come get in the robot.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Science fiction, LGBTQ+ fiction
Synthetic audio, Automated braille
Dept. of Speculation meets Black Mirror in this lyrical, speculative debut about a queer mother raising her daughter in an…
unjust surveillance stateIn a United States not so unlike our own, the Department of Balance has adopted a radical new form of law enforcement: rather than incarceration, wrongdoers are given a second (and sometimes, third, fourth, and fifth) shadow as a reminder of their crime—and a warning to those they encounter. Within the Department, corruption and prejudice run rampant, giving rise to an underclass of so-called Shadesters who are disenfranchised, publicly shamed, and deprived of civil rights protections.Kris is a Shadester and a new mother to a baby born with a second shadow of her own. Grieving the loss of her wife and thoroughly unprepared for the reality of raising a child alone, Kris teeters on the edge of collapse, fumbling in a daze of alcohol, shame, and self-loathing. Yet as the kid grows, Kris finds her footing, raising a child whose irrepressible spark cannot be dampened by the harsh realities of the world. She can&’t forget her wife, but with time, she can make a new life for herself and the kid, supported by a community of fellow misfits who defy the Department to lift one another up in solidarity and hope.With a first-person register reminiscent of the fierce self-disclosure of Sheila Heti and the poetic precision of Ocean Vuong, I Keep My Exoskeletons to Myself is a bold debut novel that examines the long shadow of grief, the hard work of parenting, and the power of queer resistance.
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Women sleuths, Suspense and thrillers
Synthetic audio, Automated braille
“Polly Stewart's The Good Ones is a fantastic achievement. A classic Southern Gothic tale told through the prism of modern-day sensibilities. Not…
to be missed.”—S. A. Cosby, New York Times bestselling author of Razorblade Tears“A riveting, unflinching exploration of adolescent female friendships, small-town pressures to conform, and the true crime lover’s tendency to conflate empathy and voyeurism, The Good Ones drew me in from the first lines and still hasn’t released me, days after finishing.”—Katie Gutierrez, nationally bestselling author of More Than You’ll Ever KnowAn engrossing work of literary suspense that illuminates the push and pull of female friendship and the costs of being good when the rules for women begin to chafe.The last time Nicola Bennett saw Lauren Ballard she was scraping a key along the side of a new cherry-red Chevy Silverado. That was the night before her friend mysteriously vanished from her home, leaving a bloodstained washcloth and signs of a struggle—as well as her grieving husband and young daughter—behind.Now, nearly twenty years later, Nicola, newly unemployed and still haunted by the disappearance of her childhood friend, is returning to her Appalachian hometown. For Nicola, Tyndall County has remained frozen in time. Everywhere she turns she’s reminded of Lauren. Yet shockingly, her former friends and neighbors have all moved on. Drawn to stories of missing girls, Nicola obsessively searches the internet, hoping to discover a clue to Lauren’s ultimate fate.Driven by a desperate need to know what happened to her friend, Nicola takes a job in her hometown, determined to uncover any bit of information, any small clue, that can help. Deep down she knows the answers are tucked in the hollows and valleys of this small Blue Ridge county. As secrets come to light and the truth begins to unravel, will Nicola finally find release and break free of the past—or lose herself completely to unanswered questions from her adolescence?
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Science fiction
Synthetic audio, Automated braille
In Lambda Award finalist Chana Porter&’s highly anticipated new novel, an aspiring chef, a cyberthief, and a kitchen maid each…
break free of a society that wants to constrain them. In the quaint religious town of Seagate, abstaining from food brings one closer to God. But Beatrice Bolano is hungry. She craves the forbidden: butter, flambé, marzipan. As Seagate takes increasingly extreme measures to regulate every calorie its citizens consume, Beatrice must make a choice: give up her secret passion for cooking or leave the only community she has known. Elsewhere, Reiko Rimando has left her modest roots for a college tech scholarship in the big city. A flawless student, she is set up for success...until her school pulls her funding, leaving her to face either a mountain of debt or a humiliating return home. But Reiko is done being at the mercy of the system. She forges a third path—outside of the law. With the guidance of a mysterious cookbook written by a kitchen maid centuries ago, Beatrice and Reiko each grasp for a life of freedom—something more easily imagined than achieved in a world dominated by catastrophic corporate greed. A startling fable of the entwined perils of capitalism, body politics, and the stigmas women face for appetites of every kind, Chana Porter&’s profound new novel explores the reclamation of pleasure as a revolutionary act.