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From the New York Times-bestselling author of Cutting for Stone comes a stunning and magisterial epic of love, faith, and…
medicine, set in Kerala, South India, following three generations of a family seeking the answers to a strange secret. The Covenant of Water is the long-awaited new novel by Abraham Verghese, the author of the major word-of-mouth bestseller Cutting for Stone, which has sold over 1.5 million copies in the United States alone and remained on the New York Times bestseller list for over two years. Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time. From this unforgettable new beginning, the young girl—and future matriarch, known as Big Ammachi—will witness unthinkable changes over the span of her extraordinary life, full of joy and triumph as well as hardship and loss, her faith and love the only constants. A shimmering evocation of a bygone India and of the passage of time itself, The Covenant of Water is a hymn to progress in medicine and to human understanding, and a humbling testament to the difficulties undergone by past generations for the sake of those alive today. It is one of the most masterful literary novels published in recent years. New York Times Bestseller
&“Brave and nuanced…an act of tremendous compassion and a literary triumph.&” —The New York Times&“Immensely emotional and unforgettably haunting.&” —Wall…
Street JournalAcclaimed author Jonathan Rosen&’s haunting investigation of the forces that led his closest childhood friend, Michael Laudor, from the heights of brilliant promise to the forensic psychiatric hospital where he has lived since killing the woman he loved. A story about friendship, love, and the price of self-delusion, The Best Minds explores the ways in which we understand—and fail to understand—mental illness.When the Rosens moved to New Rochelle in 1973, Jonathan Rosen and Michael Laudor became inseparable. Both children of college professors, the boys were best friends and keen competitors, and, when they both got into Yale University, seemed set to join the American meritocratic elite.Michael blazed through college in three years, graduating summa cum laude and landing a top-flight consulting job. But all wasn&’t as it seemed. One day, Jonathan received the call: Michael had suffered a serious psychotic break and was in the locked ward of a psychiatric hospital.Diagnosed with paranoid schizophrenia, Michael was still in the hospital when he learned he'd been accepted to Yale Law School, and still battling delusions when he decided to trade his halfway house for the top law school in the country. He not only managed to graduate, but after his extraordinary story was featured in The New York Times, sold a memoir for a large sum. Ron Howard bought film rights, completing the dream for Michael and his tirelessly supportive girlfriend Carrie. But then Michael, in the grip of an unshakeable paranoid fantasy, stabbed Carrie to death with a kitchen knife and became a front-page story of an entirely different sort.The Best Minds is Jonathan Rosen's brilliant and heartbreaking account of an American tragedy. It is a story about the bonds of family, friendship, and community; the promise of intellectual achievement; and the lure of utopian solutions. Tender, funny, and harrowing by turns, at times almost unbearably sad, The Best Minds is an extreme version of a story that is tragically familiar to all too many. In the hands of a writer of Jonathan Rosen's gifts and dedication, its significance will echo widely.
A fearless, powerfully written on-the-ground account of a nation careening into violent autocracy—told through harrowing stories of the Philippines&’ state-sanctioned…
killings of its citizens—from a journalist of international renown&“Tragic, elegant, vital . . . Evangelista risked her life to tell this story.&”—Tara Westover, #1 New York Times bestselling author of Educated&“My job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don&’t wait very long.&”Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte.Some People Need Killing is Evangelista&’s meticulously reported and deeply human chronicle of the Philippines&’ drug war. For six years, Evangelista chronicled the killings carried out by police and vigilantes in the name of Duterte&’s war on drugs—a war that has led to the slaughter of thousands—immersing herself in the world of killers and survivors and capturing the atmosphere of fear created when an elected president decides that some lives are worth less than others.The book takes its title from a vigilante whose words seemed to reflect the psychological accommodation that most of the country had made: &“I&’m really not a bad guy,&” he said. &“I&’m not all bad. Some people need killing.&”A profound act of witness and a tour de force of literary journalism, Some People Need Killing is also a brilliant dissection of the grammar of violence and an important investigation of the human impulses to dominate and resist.
ONE OF THE NEW YORK TIMES'S 100 NOTABLE BOOKS OF 2023, BET'S FAVORITE MEMOIRS OF 2023, AND ELECTRIC LITERATURE'S FAVORITE…
BOOKS OF 2023 "A brilliant and brilliantly different" (Kiese Laymon), wrenching and redemptive coming-of-age memoir about the difficulty of growing up in a hazardous home and the glory of finding salvation in geek culture. Stranded within an ever-shifting family&’s desperate but volatile attempts to love, saddled with a mercurial mother mired in crack addiction, and demeaned daily for his perceived weakness, Joseph Earl Thomas grew up feeling he was under constant threat. Roaches fell from the ceiling, colonizing bowls of noodles and cereal boxes. Fists and palms pounded down at school and at home, leaving welts that ached long after they disappeared. An inescapable hunger gnawed at his frequently empty stomach, and requests for food were often met with indifference if not open hostility. Deemed too unlike the other boys to ever gain the acceptance he so desperately desired, he began to escape into fantasy and virtual worlds, wells of happiness in a childhood assailed on all sides. In a series of exacting and fierce vignettes, Thomas guides readers through the unceasing cruelty that defined his circumstances, laying bare the depths of his loneliness and illuminating the vital reprieve geek culture offered him. With remarkable tenderness and devastating clarity, he explores how lessons of toxic masculinity were drilled into his body and the way the cycle of violence permeated the very fabric of his environment. Even in the depths of isolation, there were unexpected moments of joy carved out, from summers where he was freed from the injurious structures of his surroundings to the first glimpses of kinship he caught on his journey to becoming a Pokémon master. SINK follows Thomas's coming-of-age towards an understanding of what it means to lose the desire to fit in—with his immediate peers, turbulent family, or the world—and how good it feels to build community, love, and salvation on your own terms.
A Most Anticipated Book of 2023 from: Dallas Morning News * Today.com * Good Housekeeping * Time * The Rumpus *…
The Week * Salon * Seattle Times * Electric Literature * Bookpage * The Millions * Elle.com * Washington Post * Book Riot * Lit Hub * NPR's Here & Now * Ms. Magazine * Town & Country * New York Times * USA Today * Sunset From the bestselling author of ALL YOU CAN EVER KNOW comes a searing memoir of family, class and grief—a daughter’s search to understand the lives her adoptive parents led, the life she forged as an adult, and the lives she’s lost.In this country, unless you attain extraordinary wealth, you will likely be unable to help your loved ones in all the ways you’d hoped. You will learn to live with the specific, hollow guilt of those who leave hardship behind, yet are unable to bring anyone else with them. Nicole Chung couldn’t hightail it out of her overwhelmingly white Oregon hometown fast enough. As a scholarship student at a private university on the East Coast, no longer the only Korean she knew, she found community and a path to the life she'd long wanted. But the middle class world she begins to raise a family in – where there are big homes, college funds, nice vacations – looks very different from the middle class world she thought she grew up in, where paychecks have to stretch to the end of the week, health insurance is often lacking, and there are no safety nets.When her father dies at only sixty-seven, killed by diabetes and kidney disease, Nicole feels deep grief as well as rage, knowing that years of precarity and lack of access to healthcare contributed to his early death. And then the unthinkable happens – less than a year later, her beloved mother is diagnosed with cancer, and the physical distance between them becomes insurmountable as COVID-19 descends upon the world. Exploring the enduring strength of family bonds in the face of hardship and tragedy, A Living Remedy examines what it takes to reconcile the distance between one life, one home, and another – and sheds needed light on some of the most persistent and grievous inequalities in American society.
The bestselling, prizewinning author of How to Live and At the Existentialist Café explores 700 years of writers, thinkers, scientists…
and artists, all trying to understand what it means to be truly human. If you are reading this, it&’s likely you already have some affinity with humanism, even if you don&’t think of yourself in those terms. You may be drawn to literature and the humanities. You may prefer to base your moral choices on fellow-feeling and responsibility to others rather than on religious commandments. Or you may simply believe that individual lives are more important than grand political visions or dogmas.If any of these apply, you are part of a long tradition of humanist thought, and you share that tradition with many extraordinary individuals through history who have put rational enquiry, cultural richness, freedom of thought and a sense of hope at the heart of their lives.Humanly Possible introduces us to some of these people, as it asks what humanism is and why it has flourished for so long, despite opposition from fanatics, mystics and tyrants. It is a book brimming with ideas, personalities and experiments in living – from the literary enthusiasts of the fourteenth century to the secular campaigners of our own time, from Erasmus to Esperanto, from anatomists to agnostics, from Christine de Pizan to Bertrand Russell, and from Voltaire to Zora Neale Hurston. It takes us on an irresistible journey, and joyfully celebrates open-mindedness, optimism, freedom and the power of the here and now—humanist values which have helped steer us through dark times in the past, and which are just as urgently needed in our world today. The bestselling, prizewinning author of How to Live and At the Existentialist Café explores 700 years of writers, thinkers, scientists and artists, all trying to understand what it means to be truly human.
A New York Times Notable Book of 2023A Best Book of the Year: The New Yorker, L.A. Times, Boston Globe,…
NPR, The Guardian Author Pick, and TodayLonglisted for 2024 Joyce Carol Oates Prize&“A heart-rending book, but also a beautiful celebration of &‘the glorious pleasure of erecting something new,&’ be it a work of art or a human connection.&”—The Wall Street JournalFrom &“one of the finest and bravest novelists at work today,&” (Vulture) award-winning writer Idra Novey has conjured a novel of &“astonishing and singular&” honesty (Rumaan Alam) with two determined, unforgettable female voices.Set in the Allegheny Mountains of Appalachia, Take What You Need traces the parallel lives of Jean and her beloved but estranged stepdaughter, Leah, who&’s sought a clean break from her rural childhood. In Leah&’s urban life with her young family, she&’s revealed little about Jean, how much she misses her stepmother&’s hard-won insights and joyful lack of inhibition. But with Jean&’s death, Leah must return to sort through what&’s been left behind. What Leah discovers is staggering: Jean has filled her ramshackle house with giant sculptures she&’s welded from scraps of the area&’s industrial history. There&’s also a young man now living in the house who played an unknown role in Jean&’s last years and in her art. With great verve and humor, Idra Novey zeros in on the joys and difficulty of family, the ease with which we let distance mute conflict, and the power we can draw from creative pursuits.Take What You Need explores the continuing mystery of the people we love most with passionate and resonance, this novel illuminating can be built from what others have discarded—art, unexpected friendship, a new contentment of self. This is Idra Novey at her very best.
A rich, wide-ranging portrait of the divisions among Israelis today, at a critical juncture in their country&’s history, by a…
veteran New York Times correspondent who has spent decades working in Israel&“A wondrous tale told through the agonizing and uplifting stories of Israel&’s many tribes — Jewish and Arab, religious and secular, new immigrants and veterans, soldiers and settlers.&”—Martin Indyk, author of Master of the Game, and former U.S. ambassador to IsraelDespite Israel's determined staying power in a hostile environment, its military might, and the innovation it fosters in businesses globally, the country is more divided than ever. The old guard—socialist secular elites and idealists—are a dying breed, and the state&’s democratic foundations are being challenged. A dynamic and exuberant country of nine million, Israel is now largely comprised of native-born Hebrew speakers, and yet any permanent sense of security and normalcy is elusive.In The Land of Hope and Fear, we meet Israelis: Jews and Arabs, religious and secular, Eastern and Western, liberals and zealots—plagued by perennial conflict and existential threats, citizens who remain deeply polarized politically, socially, and ideologically, even as they undergo generational change and redefine what it is to be an Israeli. Who are these people and to what do they aspire?In moving narratives and with on-the-ground reporting, Isabel Kershner reveals the core of what holds Israel together and the forces that threaten its future through the lens of real people: a son of Zionist pioneers, cynical about what is to come and his people&’s status in it; a woman in her nineties whose life in a kibbutz has disintegrated; a brilliant poet caught up in the political maelstrom; an Arab gallery owner archiving a lost Palestinian landscape; and a descendant of the Russian aliyah; representing millions of culturally and religiously different Jews, laying bare the question Who is an Israeli? The Land of Hope and Fear decodes Israel today at its seventy-fifth anniversary, examining the ways in which the country has both exceeded and failed the ideals and expectations of its founders.
&“A masterpiece of supernatural horror.&”—The Washington Post&“An enchanting, shattering, once-in-a-lifetime reading experience.&”—The New York Times (Editors&’ Choice)ONE OF TIME AND THE…
ATLANTIC&’S TEN BEST NOVELS OF THE YEAR • ONE OF THE NEW YORK TIMES&’S TEN BEST HORROR BOOKS OF THE YEAR • LONGLISTED FOR THE DUBLIN LITERARY AWARD • GOOD MORNING AMERICA BUZZ PICK A woman&’s mysterious death puts her husband and son on a collision course with her demonic family in the first novel to be translated into English by the International Booker Prize–shortlisted author of The Dangers of Smoking in Bed—&“the most exciting discovery I&’ve made in fiction for some time&” (Kazuo Ishiguro).A BEST BOOK OF THE YEAR: The New York Times Book Review, NPR, The Washington Post, Esquire, Publishers Weekly, BookPage, Book Riot, PopSugar, The New York Public Library, Chicago Public Library, Polygon, Tordotcom, Lit Hub, Electric Lit, Commonweal, CrimeReads&“A magnificent accomplishment.&”—Alan Moore, author of Watchmen &“A masterpiece of literary horror.&”—Publishers Weekly, starred review &“One of Latin America&’s most exciting authors.&”—Silvia Moreno-GarciaA young father and son set out on a road trip, devastated by the death of the wife and mother they both loved. United in grief, the pair travel to her ancestral home, where they must confront the terrifying legacy she has bequeathed: a family called the Order that commits unspeakable acts in search of immortality.For Gaspar, the son, this maniacal cult is his destiny. As the Order tries to pull him into their evil, he and his father take flight, attempting to outrun a powerful clan that will do anything to ensure its own survival. But how far will Gaspar&’s father go to protect his child? And can anyone escape their fate?Moving back and forth in time, from London in the swinging 1960s to the brutal years of Argentina&’s military dictatorship and its turbulent aftermath, Our Share of Night is a novel like no other: a family story, a ghost story, a story of the occult and the supernatural, a book about the complexities of love and longing with queer subplots and themes. This is the masterwork of one of Latin America&’s most original novelists, &“a mesmerizing writer,&” says Dave Eggers, &“who demands to be read.&”
Longlisted for the National Book Award · Shortlisted for the Apollo Book of the Year Award · A New York…
Times Notable Book of the YearThe never-before-told story of an obscure little street at the lower tip of Manhattan and the remarkable artists who got their start there. For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art.Now, for the first time, Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip’s eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip’s obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city’s maritime industry; and, in the artists’s own time, a development battleground for Jane Jacobs and Robert Moses. The Slip’s history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city’s many former lives.An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work.
A NEW YORK TIMES NOTABLE BOOK OF THE YEAR • A "brilliant...essential and surprisingly thrilling book about motherhood" (The New York Times)…
and the early postpartum days, following a woman struggling with maternal fear and its looming madness and showing how difficult and fragile those days can be—and how vital love is to pull anyone out from the dark&“A radical novel...I&’m obsessed with this book.&” —Jessamine Chan, New York Times bestselling author of The School for Good MothersThere is the before and the after. Withering in the maternal prison of her apartment, a new mother finds herself spiraling into a state of complete disaffection. As a translator, she is usually happy to spend her days as the invisible interpreter. But now home alone with her newborn, she is ill at ease with this state of perpetual giving, carrying, feeding. The instinct to keep her baby safe conflicts with the intrusive thoughts of causing the baby harm, and she struggles to reclaim her identity just as it seems to dissolve from underneath her.Feeling isolated from her supportive but ineffectual husband, she strikes up a tentative friendship with her ailing upstairs neighbour, Peter, who hushes the baby with his oxygen tank in tow. But they are both running out of time; something is soon to crack. Joyful early days of her pregnancy mingle with the anxious arrival of the baby, and culminate in a painful confrontation – mostly, between our narrator and herself. Striking and emotive, The Nursery documents the slow process of staggering back towards the simple pleasures of life and reentering the world after post-partum depression.
A New York Times Notable Book of 2023 Shortlisted for the 2023 Moore Prize The astonishing story of immigrants lured to the…
United States from India and trapped in forced labor—an "eye-opening" "must-read" told by the visionary labor leader who engineered their escape and set them on a path to citizenship (The New York Times Book Review). In late 2006, Saket Soni, a twenty-eight-year-old Indian-born community organizer, received an anonymous phone call from an Indian migrant worker in Mississippi. He was one of five hundred men trapped in squalid Gulf Coast &“man camps,&” surrounded by barbed wire, watched by guards, crammed into cold trailers with putrid toilets, forced to eat moldy bread and frozen rice. Recruiters had promised them good jobs and green cards. The men had scraped up $20,000 each for this &“opportunity&” to rebuild hurricane-wrecked oil rigs, leaving their families in impossible debt. During a series of clandestine meetings, Soni and the workers devised a bold plan. In The Great Escape, Soni traces the workers&’ extraordinary escape, their march on foot to Washington, DC, and their twenty-three-day hunger strike to bring attention to their cause. Along the way, ICE agents try to deport the men, company officials work to discredit them, and politicians avert their eyes. But none of this shakes the workers&’ determination to win their dignity and keep their promises to their families. Weaving a deeply personal journey with a riveting tale of twenty-first-century forced labor, Soni takes us into the lives of the immigrant workers the United States increasingly relies on to rebuild after climate disasters. The Great Escape is the gripping story of one of the largest human trafficking cases in modern American history—and the workers&’ heroic journey for justice.
LONGLISTED FOR THE 2022 BOOKER PRIZE A Guardian Best Book of the Year Lit Hub: Most Anticipated Books of 2023…
"Words can be an incantation; the right verse can summon desire and a depth of feeling... A good phrase can unleash something inside a person; it can unearth and provoke. [In] 'After Sappho', long-listed for the 2022 Booker Prize in fiction, the verses of the sixth-century BCE Greek poet do all this and so much more." —Adriana E. Ramírez, Boston Globe An exhilarating debut from a radiant new voice, After Sappho reimagines the intertwined lives of feminists at the turn of the twentieth century. “The first thing we did was change our names. We were going to be Sappho,” so begins this intrepid debut novel, centuries after the Greek poet penned her lyric verse. Ignited by the same muse, a myriad of women break from their small, predetermined lives for seemingly disparate paths: in 1892, Rina Faccio trades her needlepoint for a pen; in 1902, Romaine Brooks sails for Capri with nothing but her clotted paintbrushes; and in 1923, Virginia Woolf writes: “I want to make life fuller and fuller.” Writing in cascading vignettes, Selby Wynn Schwartz spins an invigorating tale of women whose narratives converge and splinter as they forge queer identities and claim the right to their own lives. A luminous meditation on creativity, education, and identity, After Sappho announces a writer as ingenious as the trailblazers of our past. “This book is splendid: Impish, irate, deep, courageous. . . . Brava!”—Lucy Ellmann, author of Ducks, Newburyport
A New York Times Notable Book As late as 1999, women who succeeded in science were called &“exceptional&” as if…
it were unusual for them to be so bright. They were exceptional, not because they could succeed at science but because of all they accomplished despite the hurdles. &“Gripping…one puts down the book inspired by the women&’s grit, tenacity, and brilliance.&” —Science &“Riveting.&” —Siddhartha Mukherjee, author of The GeneIn 1963, a female student was attending a lecture given by Nobel Prize winner James Watson, then tenured at Harvard. At nineteen, she was struggling to define her future. She had given herself just ten years to fulfill her professional ambitions before starting the family she was expected to have. For women at that time, a future on the usual path of academic science was unimaginable—but during that lecture, young Nancy Hopkins fell in love with the promise of genetics. Confidently believing science to be a pure meritocracy, she embarked on a career. In 1999, Hopkins, now a noted molecular geneticist and cancer researcher at MIT, divorced and childless, found herself underpaid and denied the credit and resources given to men of lesser rank. Galvanized by the flagrant favoritism, Hopkins led a group of sixteen women on the faculty in a campaign that prompted MIT to make the historic admission that it had long discriminated against its female scientists. The sixteen women were a formidable group: their work has advanced our understanding of everything from cancer to geology, from fossil fuels to the inner workings of the human brain. And their work to highlight what they called &“21st-century discrimination&”—a subtle, stubborn, often unconscious bias—set off a national reckoning with the pervasive sexism in science. From the Pulitzer Prize–winning journalist who broke the story, The Exceptions chronicles groundbreaking science and a history-making fight for equal opportunity. It is the &“excellent and infuriating&” (The New York Times) story of how this group of determined, brilliant women used the power of the collective and the tools of science to inspire ongoing radical change. And it offers an intimate look at the passion that drives discovery, and a rare glimpse into the competitive, hierarchical world of elite science—and the women who dared to challenge it.
#1 NATIONAL BESTSELLERWINNER OF THE BAILLIE GIFFORD PRIZE FOR NONFICTION • FINALIST FOR THE HILARY WESTON WRITERS' TRUST PRIZE FOR…
NONFICTION • FINALIST FOR THE NATIONAL BOOK AWARD IN NONFICTION • ONE OF THE NEW YORK TIMES&’ TOP TEN BOOKS OF THE YEAR • A stunning account of the colossal wildfire at Fort McMurray, and a panoramic exploration of the rapidly changing relationship between fire and humankind from the award-winning, best-selling author of The Tiger and The Golden Spruce.Named a Best Book of the Year by The Guardian • TIME • The Globe and Mail • The New Yorker • Financial Times • CBC • Smithsonian • Air Mail Weekly • Slate • NPR • Toronto Star • The Washington Post • The Times • Orion MagazineIn May 2016, Fort McMurray, the hub of Canada's petroleum industry and America's biggest foreign supplier, was overrun by wildfire. The multi-billion-dollar disaster melted vehicles, turned entire neighborhoods into firebombs, and drove 88,000 people from their homes in a single afternoon. Through the lens of this apocalyptic conflagration—the wildfire equivalent of Hurricane Katrina—John Vaillant warns that this was not a unique event but a shocking preview of what we must prepare for in a hotter, more flammable world. For hundreds of millennia, fire has been a partner in our evolution, shaping culture, civilization, and, very likely, our brains. Fire has enabled us to cook our food, defend and heat our homes, and power the machines that drive our titanic economy. Yet this volatile energy source has always threatened to elude our control, and in our new age of intensifying climate change, we are seeing its destructive power unleashed in previously unimaginable ways. With masterly prose and a cinematic eye, Vaillant takes us on a riveting journey through the intertwined histories of North America's oil industry and the birth of climate science, to the unprecedented devastation wrought by modern forest fires, and into lives forever changed by these disasters. John Vaillant's urgent work is a book for—and from—our new century of fire, which has only just begun.
NATIONAL BESTSELLER • Blue skies, empty land—and enough wide-open space to hide a horrifying secret. A woman with a past,…
a mysterious trunk, a town on the edge of nowhere, and an &“absorbing, powerful&” (BuzzFeed) new vision of the American West, from the award-winning author of The Changeling.&“Propulsive . . . LaValle combines chills with deep insights into our country&’s divides.&”—Los Angeles TimesONE OF BOOKPAGE'S TEN BEST BOOKS OF THE YEAR A BEST BOOK OF THE YEAR: The New York Times Book Review, Time, NPR, Chicago Tribune, Los Angeles Times, The Washington Post, Esquire, Vulture, Paste, Tordotcom, Polygon, Chicago Public Library, Kirkus Reviews, Library JournalAdelaide Henry carries an enormous steamer trunk with her wherever she goes. It&’s locked at all times. Because when the trunk opens, people around Adelaide start to disappear.The year is 1915, and Adelaide is in trouble. Her secret sin killed her parents, forcing her to flee California in a hellfire rush and make her way to Montana as a homesteader. Dragging the trunk with her at every stop, she will become one of the &“lone women&” taking advantage of the government&’s offer of free land for those who can tame it—except that Adelaide isn&’t alone. And the secret she&’s tried so desperately to lock away might be the only thing that will help her survive the harsh territory.Crafted by a modern master of magical suspense, Lone Women blends shimmering prose, an unforgettable cast of adventurers who find horror and sisterhood in a brutal landscape, and a portrait of early-twentieth-century America like you&’ve never seen. And at its heart is the gripping story of a woman desperate to bury her past—or redeem it.
A multigenerational saga of a family and a community in Tulsa&’s Greenwood district, known as &“Black Wall Street,&” that in…
one century survived the 1921 Tulsa Race Massacre, urban renewal, and gentrification&“The scope, the elegance, and the power of Victor Luckerson&’s tale is simply breathtaking and empowering.&”—Carol Anderson, author of White RageWhen Ed Goodwin moved with his parents to Greenwood, Tulsa, in 1914, his family joined a growing community on the cusp of becoming a national center of black life. But, just seven years later, on May 31, 1921, the teenaged Ed hid in a bathtub as a white mob descended on his neighborhood, laying waste to thirty-five blocks and murdering as many as three hundred people. The Tulsa Race Massacre was one of the most brutal acts of racist violence in U.S. history, a ruthless attempt to smother a spark of black independence.But that was never the whole story of Greenwood. The Goodwins and their neighbors soon rebuilt it into &“a Mecca,&” in Ed&’s words, where nightlife thrived, small businesses flourished, and an underworld economy lived comfortably alongside public storefronts. Prosperity and poverty intermixed, and icons from W.E.B. Du Bois to Muhammad Ali ambled down Greenwood Avenue, alongside maids, doctors, and every occupation in between. Ed grew into a prominent businessman and bought a newspaper called the Oklahoma Eagle to chronicle Greenwood&’s resurgence and battles against white bigotry. He and his wife, Jeanne, raised an ambitious family, and their son Jim, an attorney, embodied their hopes for the Civil Rights Movement in his work. But by the 1970s, urban renewal policies had nearly emptied the neighborhood, even as Jim and his neighbors tried to hold on to it. Today, while new high-rises and encroaching gentrification risk wiping out Greenwood&’s legacy for good, the family newspaper remains, and Ed&’s granddaughter Regina represents the neighborhood in the Oklahoma state legislature, working alongside a new generation of local activists.In Built from the Fire, journalist Victor Luckerson moves beyond the mythology of Black Wall Street to tell the story of an aspirant black neighborhood that, like so many others, has long been buffeted by racist government policies. Through the eyes of dozens of race massacre survivors and their descendants, Luckerson delivers an honest, moving portrait of this potent national symbol of success and solidarity—and weaves an epic tale about a neighborhood that refused, more than once, to be erased.
#1 NATIONAL BESTELLERShortlisted for the 2024 Women's Prize for Non-Fiction Shortlisted for the 2024 Writers&’ PrizeFinalist for the 2024 National Book…
Critics Circle Award for CriticismA New York Times Notable Book of 2023Vulture&’s #1 Book of 2023A Guardian Best Ideas Book of 2023Named a Best Book of the Year by The Globe and Mail • TIME • Esquire • Slate • Harpers&’ Bazaar • The Times • The New Republic • Toronto Star • CBC • The Boston Globe • Electric Lit What if you woke up one morning and found you'd acquired another self—a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you'd devoted your life to fighting against?Not long ago, Naomi Klein had just such an experience—she was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were similar enough to her own that many people confused her for the other. For a vertiginous moment, she lost her bearings. And then she got interested, in a reality that seems to be warping and doubling like a digital hall of mirrors. It&’s happening in our politics as New Age wellness entrepreneurs turned anti-vaxxers find common cause with fire-breathing far right propagandists (all in the name of protecting &“the children&”). It&’s happening in our culture as AI gobbles up music, paintings, fiction and everything in between and spits out imitations that threaten to overtake the originals. And it&’s happening to many of us as individuals as we create digital doubles of ourselves, filtered and curated just so for all the other duplicates to see. An award-winning journalist, bestselling author, public intellectual and activist, Naomi Klein writes books that orient us in our time. She has offered essential accounts of what branding, austerity, and climate profiteering have done to our societies and souls. Now, as liberal democracies teeter on the edge, Klein takes aim at absurdist authoritarianism, using a keen sense of the ridiculous to face the doubles that haunt us. Part tragicomic memoir, part chilling reportage and cobweb-clearing analysis, Doppelganger invites readers on a wild ride, smashing through the mirror world, charting a path beyond despair towards true solidarity.
A NEW YORK TIMES TOP TEN BOOK OF THE YEAR • FINALIST FOR THE NATIONAL BOOK AWARD IN FICTION • A READ…
WITH JENNA BOOK CLUB PICK • NATIONAL BESTSELLER • Two top women gladiators fight for their freedom within a depraved private prison system not so far-removed from America&’s own in this explosive, hotly-anticipated debut novel from the New York Times bestselling author of Friday Black • LONGLISTED FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCEA Best Book of the Year: The New York Times, The Washington Post, NPR, Elle, Esquire, Chicago Tribune, Lit Hub, Kirkus Reviews&“Like Orwell&’s 1984 and Atwood&’s The Handmaid&’s Tale, Adjei-Brenyah&’s book presents a dystopian vision so…illuminating that it should permanently shift our understanding of who we are and what we&’re capable of doing.&” —The Washington Post &“This book will change you!...A masterpiece.&” —Jenna Bush Hager, The Today Show&’s #ReadWithJennaShe felt their eyes, all those executioners…Loretta Thurwar and Hamara &“Hurricane Staxxx&” Stacker are the stars of the Chain-Gang All-Stars, the cornerstone of CAPE, or Criminal Action Penal Entertainment, a highly popular, highly controversial profit-raising program in America&’s increasingly dominant private prison industry. It&’s the return of the gladiators, and prisoners are competing for the ultimate prize: their freedom. In CAPE, prisoners travel as Links in Chain-Gangs, competing in death matches before packed arenas with righteous protestors at the gates. Thurwar and Staxxx, both teammates and lovers, are the fan favorites. And if all goes well, Thurwar will be free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares to leave her fellow Links, Thurwar considers how she might help preserve their humanity, in defiance of these so-called games. But CAPE&’s corporate owners will stop at nothing to protect their status quo, and the obstacles they lay in Thurwar&’s path have devastating consequences. Moving from the Links in the field to the protestors, to the CAPE employees and beyond, Chain-Gang All-Stars is a kaleidoscopic, excoriating look at the American prison system&’s unholy alliance of systemic racism, unchecked capitalism, and mass incarceration, and a clear-eyed reckoning with what freedom in this country really means from a &“new and necessary American voice&” (Tommy Orange, The New York Times Book Review).
"The five marriages that Carmela Ciuraru explores in Lives of the Wives provide such delightfully gossipy pleasure that we have to remind…
ourselves that these were real people whose often stormy relationships must surely have been less fun to experience than they are for us to read about."—Francine Prose, author of The VixenA witty, provocative look inside the tumultuous marriages of five writers, illuminating the creative process as well as the role of money, power, and fame in these complex and fascinating relationships."With an ego the size of a small nation, the literary lion is powerful on the page, but a helpless kitten in daily life—dependent on his wife to fold an umbrella, answer the phone, or lick a stamp."The history of wives is largely one of silence, resilience, and forbearance. Toss in celebrity, male privilege, ruthless ambition, narcissism, misogyny, infidelity, alcoholism, and a mood disorder or two, and it's easy to understand why the marriages of so many famous writers have been stormy, short-lived, and mutually destructive. "It's been my experience," as the critic and novelist Elizabeth Hardwick once wrote, "that nobody holds a man's brutality to his wife against him." Literary wives are a unique breed, requiring a particular kind of fortitude.Author Carmela Ciuraru shares the stories of five literary marriages, exposing the misery behind closed doors. The legendary British theatre critic Kenneth Tynan encouraged his American wife, Elaine Dundy, to write, then watched in a jealous rage as she became a bestselling author and critical success. In the early years of their marriage, Roald Dahl enjoyed basking in the glow of his glamorous movie star wife, Patricia Neal, until he detested her for being the breadwinner, and being more famous than he was. Elizabeth Jane Howard had to divorce Kingsley Amis to escape his suffocating needs and devote herself to her own writing. ("I really couldn't write very much when I was married to him," she once recalled, "because I had a very large household to keep up and Kingsley wasn't one to boil an egg, if you know what I mean.") Surprisingly, the most traditional partnership in Lives of the Wives is a lesbian couple, Una Troubridge and Radclyffe Hall, both of whom were socially and politically conservative and unapologetic snobs.As this erudite and entertaining work shows, each marriage is a unique story, filled with struggles and triumphs and the negotiation of power. The Italian novelists Elsa Morante and Alberto Moravia were never sexually compatible, and it was Morante who often behaved abusively toward her cool, detached husband, even as he unwaveringly admired his wife's talents and championed her work. Theirs was an unhappy union, yet it fueled them creatively and enabled both to become two of Italy's most important postwar writers.These are stories of vulnerability, loneliness, infidelity, envy, sorrow, abandonment, heartbreak, and forgiveness. Above all, Lives of the Wives honors the women who have played the role of muses, agents, editors, proofreaders, housekeepers, gatekeepers, amaneunses, confidantes, and cheerleaders to literary trailblazers throughout history. In revisiting the lives of famous writers, it is time in our #MeToo era to highlight the achievements of their wives—and the price these women paid for recognition and freedom. Lives of the Wives is an insightful, humorous, and poignant exploration of the intersection of life and art and creativity and love.