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Showing 1 - 15 of 15 items
Admired by George Washington, ridiculed by Thomas Jefferson, published in London, and read far and wide, Phillis Wheatley led one…
of the most extraordinary American lives. Seized in West Africa and forced into slavery as a child, she was sold to a merchant family in Boston, where she became a noted poet at a young age. Mastering the Bible, Greek and Latin translations, and the works of Pope and Milton, she composed elegies for local elites, celebrated political events, praised warriors, and used her verse to variously lampoon, question, and assert the injustice of her enslaved condition: "Can I then but pray / Others may never feel tyrannic sway?" By doing so, she added her voice to a vibrant, multisided conversation about race, slavery, and discontent with British rule; before and after her emancipation, her verses shook up racial etiquette and used familiar forms to create bold new meanings. She demonstrated a complex but crucial fact of the times: that the American Revolution both strengthened and limited Black slavery. In this new biography, the historian David Waldstreicher offers the fullest account to date of Wheatley's life and works, correcting myths, reconstructing intimate friendships, and deepening our understanding of her verse and the revolutionary era. Throughout The Odyssey of Phillis Wheatley, he demonstrates the continued vitality and resonance of a woman who wrote, in a founding gesture of American literature, "Thy Power, O Liberty, makes strong the weak / And (wond'rous instinct) Ethiopians speak."
This is the story of the marriage behind some of the most famous literary works of the 20th century —and…
a probing consideration of what it means to be a wife and a writer in the modern world "Simply, a masterpiece...Funder not only re-makes the art of biography, she resurrects a woman in full." —Geraldine Brooks, winner of the Pulitzer Prize, author of Horse At the end of summer 2017, Anna Funder found herself at a moment of peak overload. Family obligations and household responsibilities were crushing her soul and taking her away from her writing deadlines. She needed help, and George Orwell came to her rescue. "I’ve always loved Orwell," Funder writes, "his self-deprecating humour, his laser vision about how power works, and who it works on." So after rereading and savoring books Orwell had written, she devoured six major biographies tracing his life and work. But then she read about his forgotten wife, and it was a revelation. Eileen O’Shaughnessy married Orwell in 1936. O’Shaughnessy was a writer herself, and her literary brilliance not only shaped Orwell’s work, but her practical common sense saved his life. But why and how, Funder wondered, was she written out of their story? Using newly discovered letters from Eileen to her best friend, Funder re-creates the Orwells’ marriage, through the Spanish Civil War and the Second World War in London. As she peeks behind the curtain of Orwell’s private life she is led to question what it takes to be a writer—and what it is to be a wife. A breathtakingly intimate view of one of the most important literary marriages of the twentieth century, Wifedom speaks to our present moment as much as it illuminates the past. Genre-bending and utterly original, it is an ode to the unsung work of women everywhere. *Includes a downloadable PDF of photographs and notes from the book
A stirring account of how music bears witness to history and carries forward the memory of the wartime past In…
1785, when the great German poet Friedrich Schiller penned his immortal "Ode to Joy," he crystallized the deepest hopes and dreams of the European Enlightenment for a new era of peace and freedom, a time when millions would be embraced as equals. Beethoven’s Ninth Symphony then gave wing to Schiller’s words, but barely a century later these same words were claimed by Nazi propagandists and twisted by a barbarism so complete that it ruptured, as one philosopher put it, "the deep layer of solidarity among all who wear a human face." When it comes to how societies remember these increasingly distant dreams and catastrophes, we often think of history books, archives, documentaries, or memorials carved from stone. But in Time’s Echo, the award-winning critic and cultural historian Jeremy Eichler makes a passionate and revelatory case for the power of music as culture’s memory, an art form uniquely capable of carrying forward meaning from the past. With a critic’s ear, a scholar’s erudition, and a novelist’s eye for detail, Eichler shows how four towering composers—Richard Strauss, Arnold Schoenberg, Dmitri Shostakovich, and Benjamin Britten—lived through the era of the Second World War and the Holocaust and later transformed their experiences into deeply moving, transcendent works of music, scores that echo lost time. Summoning the supporting testimony of writers, poets, philosophers, musicians, and everyday citizens, Eichler reveals how the essence of an entire epoch has been inscribed in these sounds and stories. Along the way, he visits key locations central to the music’s creation, from the ruins of Coventry Cathedral to the site of the Babi Yar ravine in Kyiv. As the living memory of the Second World War fades, Time’s Echo proposes new ways of listening to history, and learning to hear between its notes the resonances of what another era has written, heard, dreamed, hoped, and mourned. A lyrical narrative full of insight and compassion, this book deepens how we think about the legacies of war, the presence of the past, and the renewed promise of art for our lives today
A poet's account of one of the world's most urgent humanitarian crises, and a harrowing tale of a family's escape…
from genocide One by one, Tahir Hamut Izgil's friends disappeared. The Chinese government's brutal persecution of the Uyghur people had continued for years, but in 2017 it assumed a terrifying new scale. The Uyghurs, a predominantly Muslim minority group in western China, were experiencing an echo of the worst horrors of the twentieth century, amplified by China's establishment of an all-seeing high-tech surveillance state. Over a million people have vanished into China’s internment camps for Muslim minorities. Tahir, a prominent poet and intellectual, had been no stranger to persecution. After he attempted to travel abroad in 1996, police tortured him until he confessed to fabricated charges and sent him to a re-education through labor camp. But even having endured three years in the camp, he could never have predicted the Chinese government’s radical solution to the Uyghur question two decades later. Was the first sign when Tahir was interrogated for hours after a phone call with a fellow poet in the Netherlands? Or when his old friend was sentenced to life in prison simply for calling for Uyghurs' legal rights to be enforced? Perhaps it was when the police seized Uyghurs’ radios and installed jamming equipment to cut them off from the outside world. Once Tahir noticed that the park near his home was nearly empty because so many neighbors had been arrested, he knew the police would be coming for him any day. One night, after Tahir’s daughters were asleep, he placed by his door a sturdy pair of shoes, a sweater, and a coat so that he could stay warm if the police came for him in the middle of the night. It was clear to Tahir and his wife that fleeing the country was the family's only hope. Waiting to Be Arrested at Night is the story of the political, social, and cultural destruction of Tahir Hamut Izgil's homeland. Among leading Uyghur intellectuals and writers, he is the only one known to have escaped China since the mass internments began. His book is a call for the world to awaken to the unfolding catastrophe, and a tribute to his friends and fellow Uyghurs whose voices have been silenced
The author of the New York Times bestseller Her Again: Becoming Meryl Streep returns with a lively history of the…
Academy Awards, focusing on the brutal battles, the starry rivalries, and the colorful behind-the-scenes drama. America does not have royalty. It has the Academy Awards. For nine decades, perfectly coiffed starlets, debonair leading men, and producers with gold in their eyes have chased the elusive Oscar. What began as an industry banquet in 1929 has now exploded into a hallowed ceremony, complete with red carpets, envelopes, and little gold men. But don't be fooled by the pomp: the Oscars, more than anything, are a battlefield, where the history of Hollywood—and of America itself—unfolds in dramas large and small. The road to the Oscars may be golden, but it's paved in blood, sweat, and broken hearts. In Oscar Wars, Michael Schulman chronicles the remarkable, sprawling history of the Academy Awards and the personal dramas—some iconic, others never-before-revealed—that have played out on the stage and off camera. Unlike other books on the subject, each chapter takes a deep dive into a particular year, conflict, or even category that tells a larger story of cultural change, from Louis B. Mayer to Moonlight. Schulman examines how the red carpet runs through contested turf, and the victors aren't always as clear as the names drawn from envelopes. Caught in the crossfire are people: their thwarted ambitions, their artistic epiphanies, their messy collaborations, their dreams fulfilled or dashed. Featuring a star-studded cast of some of the most powerful Hollywood players of today and yesterday, as well as outsiders who stormed the palace gates, this captivating history is a collection of revelatory tales, each representing a turning point for the Academy, for the movies, or for the culture at large
NATIONAL BESTSELLER • A NEW YORK TIMES MOST ANTICIPATED BOOK • A timely, passionate, provocative, blisteringly smart interrogation of how…
we make and experience art in the age of cancel culture, and of the link between genius and monstrosity. Can we love the work of controversial classic and contemporary artists but dislike the artist? "A lively, personal exploration of how one might think about the art of those who do bad things" — Vanity Fair " Monsters leaves us with Dederer’s passionate commitment to the artists whose work most matters to her, and a framework to address these questions about the artists who matter most to us." — The Washington Post "[Dederer] breaks new ground, making a complex cultural conversation feel brand new." —Ada Calhoun, author of Also a Poet From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, Monsters is "part memoir, part treatise, and all treat" ( The New York Times ). This unflinching, deeply personal book expands on Claire Dederer’s instantly viral Paris Review essay, "What Do We Do with the Art of Monstrous Men?" Can we love the work of artists such as Hemingway, Sylvia Plath, Miles Davis, Polanski, or Picasso? Should we? Dederer explores the audience's relationship with artists from Michael Jackson to Virginia Woolf, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? Is male monstrosity the same as female monstrosity? And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. Does genius deserve special dispensation? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss? Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art
"The five marriages that Carmela Ciuraru explores in Lives of the Wives provide such delightfully gossipy pleasure that we have…
to remind ourselves that these were real people whose often stormy relationships must surely have been less fun to experience than they are for us to read about."—Francine Prose, author of The Vixen A witty, provocative look inside the tumultuous marriages of five writers, illuminating the creative process as well as the role of money, power, and fame in these complex and fascinating relationships. "With an ego the size of a small nation, the literary lion is powerful on the page, but a helpless kitten in daily life—dependent on his wife to fold an umbrella, answer the phone, or lick a stamp." The history of wives is largely one of silence, resilience, and forbearance. Toss in celebrity, male privilege, ruthless ambition, narcissism, misogyny, infidelity, alcoholism, and a mood disorder or two, and it's easy to understand why the marriages of so many famous writers have been stormy, short-lived, and mutually destructive. "It's been my experience," as the critic and novelist Elizabeth Hardwick once wrote, "that nobody holds a man's brutality to his wife against him." Literary wives are a unique breed, requiring a particular kind of fortitude. Author Carmela Ciuraru shares the stories of five literary marriages, exposing the misery behind closed doors. The legendary British theatre critic Kenneth Tynan encouraged his American wife, Elaine Dundy, to write, then watched in a jealous rage as she became a bestselling author and critical success. In the early years of their marriage, Roald Dahl enjoyed basking in the glow of his glamorous movie star wife, Patricia Neal, until he detested her for being the breadwinner, and being more famous than he was. Elizabeth Jane Howard had to divorce Kingsley Amis to escape his suffocating needs and devote herself to her own writing. ("I really couldn't write very much when I was married to him," she once recalled, "because I had a very large household to keep up and Kingsley wasn't one to boil an egg, if you know what I mean.") Surprisingly, the most traditional partnership in Lives of the Wives is a lesbian couple, Una Troubridge and Radclyffe Hall, both of whom were socially and politically conservative and unapologetic snobs. As this erudite and entertaining work shows, each marriage is a unique story, filled with struggles and triumphs and the negotiation of power. The Italian novelists Elsa Morante and Alberto Moravia were never sexually compatible, and it was Morante who often behaved abusively toward her cool, detached husband, even as he unwaveringly admired his wife's talents and championed her work. Theirs was an unhappy union, yet it fueled them creatively and enabled both to become two of Italy's most important postwar writers. These are stories of vulnerability, loneliness, infidelity, envy, sorrow, abandonment, heartbreak, and forgiveness. Above all, Lives of the Wives honors the women who have played the role of muses, agents, editors, proofreaders, housekeepers, gatekeepers, amaneunses, confidantes, and cheerleaders to literary trailblazers throughout history. In revisiting the lives of famous writers, it is time in our #MeToo era to highlight the achievements of their wives—and the price these women paid for recognition and freedom. Lives of the Wives is an insightful, humorous, and poignant exploration of the intersection of life and art and creativity and love
The New York Times Book Review Editors' Choice • A poet, a physicist, and a philosopher explored the greatest enigmas…
in the universe—the nature of free will, the strange fabric of the cosmos, the true limits of the mind—and each in their own way uncovered a revelatory truth about our place in the world "[A] mind-expanding book. . . . Elegantly written." — The New York Times "A remarkable synthesis of the thoughts, ideas, and discoveries of three of the greatest minds that our species has produced." —John Banville, The Wall Street Journal Argentine poet Jorge Luis Borges was madly in love when his life was shattered by painful heartbreak. But the breakdown that followed illuminated an incontrovertible truth—that love is necessarily imbued with loss, that the one doesn’t exist without the other. German physicist Werner Heisenberg was fighting with the scientific establishment on the meaning of the quantum realm’s absurdity when he had his own epiphany—that there is no such thing as a complete, perfect description of reality. Prussian philosopher Immanuel Kant pushed the assumptions of human reason to their mind-bending conclusions, but emerged with an idea that crowned a towering philosophical system—that the human mind has fundamental limits, and those limits undergird both our greatest achievements as well as our missteps. Through fiction, science, and philosophy, the work of these three thinkers coalesced around the powerful, haunting fact that there is an irreconcilable difference between reality "out there" and reality as we experience it. Out of this profound truth comes a multitude of galvanizing ideas: the notion of selfhood, free will, and purpose in human life; the roots of morality, aesthetics, and reason; and the origins and nature of the cosmos itself. As each of these thinkers shows, every one of us has a fundamentally incomplete picture of the world. But this is to be expected. Only as mortal, finite beings are we able to experience the world in all its richness and breathtaking majesty. We are stranded in a gulf of vast extremes, between the astronomical and the quantum, an abyss of freedom and absolute determinism, and it is in that center where we must make our home. A soaring and lucid reflection on the lives and work of Borges, Heisenberg, and Kant, The Rigor of Angels movingly demonstrates that the mysteries of our place in the world may always loom over us—not as a threat, but as a reminder of our humble humanity
A wild, humane, and hilarious meditation on post-privacy America—from the acclaimed author of Thrown "At 25, [Reality] Winner—yoga teacher, beloved…
sister, AR-15 owner—was sentenced to five years in prison for leaking classified documents about a Russian election attack. Howley deftly analyzes the brutal, surreal conditions that underlie this drama and the way that they implicate all of us." —Glamour Who are you? You are data about data. You are a map of connections—a culmination of everything you have ever posted, searched, emailed, liked, and followed. In this groundbreaking work of narrative nonfiction, Kerry Howley investigates the curious implications of living in the age of the indelible. Bottoms Up and the Devil Laughs tells the true story of intelligence specialist Reality Winner, a lone young woman who stuffs a state secret under her skirt and trusts the wrong people to help. After printing five pages of dangerous information she was never supposed to see, Winner finds herself at the mercy of forces more invasive than she could have possibly imagined. Following Winner’s unlikely journey from rural Texas to a federal courtroom, Howley maps a hidden world, drawing in John Walker Lindh, Lady Gaga, Edward Snowden, a rescue dog named Outlaw Babyface Nelson, and a mother who will do whatever it takes to get her daughter out of jail. Howley’s subjects face a challenge new to history: they are imprisoned by their past selves, trapped for as long as the Internet endures. A soap opera set in the deep state, Bottoms Up and the Devil Laughs is a free fall into a world where everything is recorded and nothing is sacred, from a singular writer unafraid to ask essential questions about the strangeness of modern life
'An exhilarating, shape-shifting exploration of the perilous boundaries between art and life' JENNY OFFILL'An incredible book, the best work of…
criticism I have read in a very long time' NICK HORNBY'Wise and bold and full of the kind of gravitas that might even rub off' LISA TADDEOA passionate, provocative and blisteringly smart interrogation of how we experience art in the age of #MeToo, and whether we can separate an artist's work from their biography.What do we do with the art of monstrous men? Can we love the work of Roman Polanski and Michael Jackson, Hemingway and Picasso? Should we love it? Does genius deserve special dispensation? What makes women artists monstrous? And what should we do with beauty, and with our unruly feelings about it?Claire Dederer explores these questions and our relationships with the artists whose behaviour disrupts our ability to understand the work on its own terms. She interrogates her own responses and behaviour, and she pushes the fan, and the reader, to do the same. Morally wise, deeply considered and sharply written, Monsters gets to the heart of one of our most pressing conversations.'A blisteringly erudite and entertaining read . . . It's a book that deserves to be widely read and will provoke many conversations' NATHAN FILER'Fascinating . . . Dederer poses so many topical questions, plays with so many pertinent ideas, that I'm still thinking about this book long after I finished it' CLAIRE FULLER
A fearless, powerfully written on-the-ground account of a nation careening into violent autocracy—told through harrowing stories of the Philippines&’ state-sanctioned…
killings of its citizens—from a journalist of international renown&“Tragic, elegant, vital . . . Evangelista risked her life to tell this story.&”—Tara Westover, #1 New York Times bestselling author of Educated&“My job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don&’t wait very long.&”Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte.Some People Need Killing is Evangelista&’s meticulously reported and deeply human chronicle of the Philippines&’ drug war. For six years, Evangelista chronicled the killings carried out by police and vigilantes in the name of Duterte&’s war on drugs—a war that has led to the slaughter of thousands—immersing herself in the world of killers and survivors and capturing the atmosphere of fear created when an elected president decides that some lives are worth less than others.The book takes its title from a vigilante whose words seemed to reflect the psychological accommodation that most of the country had made: &“I&’m really not a bad guy,&” he said. &“I&’m not all bad. Some people need killing.&”A profound act of witness and a tour de force of literary journalism, Some People Need Killing is also a brilliant dissection of the grammar of violence and an important investigation of the human impulses to dominate and resist.
"The five marriages that Carmela Ciuraru explores in Lives of the Wives provide such delightfully gossipy pleasure that we have to remind…
ourselves that these were real people whose often stormy relationships must surely have been less fun to experience than they are for us to read about."—Francine Prose, author of The VixenA witty, provocative look inside the tumultuous marriages of five writers, illuminating the creative process as well as the role of money, power, and fame in these complex and fascinating relationships."With an ego the size of a small nation, the literary lion is powerful on the page, but a helpless kitten in daily life—dependent on his wife to fold an umbrella, answer the phone, or lick a stamp."The history of wives is largely one of silence, resilience, and forbearance. Toss in celebrity, male privilege, ruthless ambition, narcissism, misogyny, infidelity, alcoholism, and a mood disorder or two, and it's easy to understand why the marriages of so many famous writers have been stormy, short-lived, and mutually destructive. "It's been my experience," as the critic and novelist Elizabeth Hardwick once wrote, "that nobody holds a man's brutality to his wife against him." Literary wives are a unique breed, requiring a particular kind of fortitude.Author Carmela Ciuraru shares the stories of five literary marriages, exposing the misery behind closed doors. The legendary British theatre critic Kenneth Tynan encouraged his American wife, Elaine Dundy, to write, then watched in a jealous rage as she became a bestselling author and critical success. In the early years of their marriage, Roald Dahl enjoyed basking in the glow of his glamorous movie star wife, Patricia Neal, until he detested her for being the breadwinner, and being more famous than he was. Elizabeth Jane Howard had to divorce Kingsley Amis to escape his suffocating needs and devote herself to her own writing. ("I really couldn't write very much when I was married to him," she once recalled, "because I had a very large household to keep up and Kingsley wasn't one to boil an egg, if you know what I mean.") Surprisingly, the most traditional partnership in Lives of the Wives is a lesbian couple, Una Troubridge and Radclyffe Hall, both of whom were socially and politically conservative and unapologetic snobs.As this erudite and entertaining work shows, each marriage is a unique story, filled with struggles and triumphs and the negotiation of power. The Italian novelists Elsa Morante and Alberto Moravia were never sexually compatible, and it was Morante who often behaved abusively toward her cool, detached husband, even as he unwaveringly admired his wife's talents and championed her work. Theirs was an unhappy union, yet it fueled them creatively and enabled both to become two of Italy's most important postwar writers.These are stories of vulnerability, loneliness, infidelity, envy, sorrow, abandonment, heartbreak, and forgiveness. Above all, Lives of the Wives honors the women who have played the role of muses, agents, editors, proofreaders, housekeepers, gatekeepers, amaneunses, confidantes, and cheerleaders to literary trailblazers throughout history. In revisiting the lives of famous writers, it is time in our #MeToo era to highlight the achievements of their wives—and the price these women paid for recognition and freedom. Lives of the Wives is an insightful, humorous, and poignant exploration of the intersection of life and art and creativity and love.
Winner of the National Book Critics Circle John Leonard Prize, awarded to the best first book of the yearNamed one…
of the best books of the year by: THE NEW YORK TIMES • THE WASHINGTON POST • THE ECONOMIST • TIMEA poet's account of one of the world's most urgent humanitarian crises, and a harrowing tale of a family's escape from genocideOne by one, Tahir Hamut Izgil's friends disappeared. The Chinese government's brutal persecution of the Uyghur people had continued for years, but in 2017 it assumed a terrifying new scale. The Uyghurs, a predominantly Muslim minority group in western China, were experiencing an echo of the worst horrors of the twentieth century, amplified by China's establishment of an all-seeing high-tech surveillance state. Over a million people have vanished into China&’s internment camps for Muslim minorities.Tahir, a prominent poet and intellectual, had been no stranger to persecution. After he attempted to travel abroad in 1996, police tortured him until he confessed to fabricated charges and sent him to a re-education through labor camp. But even having endured three years in the camp, he could never have predicted the Chinese government&’s radical solution to the Uyghur question two decades later. Was the first sign when Tahir was interrogated for hours after a phone call with a fellow poet in the Netherlands? Or when his old friend was sentenced to life in prison simply for calling for Uyghurs' legal rights to be enforced? Perhaps it was when the police seized Uyghurs&’ radios and installed jamming equipment to cut them off from the outside world.Once Tahir noticed that the park near his home was nearly empty because so many neighbors had been arrested, he knew the police would be coming for him any day. One night, after Tahir&’s daughters were asleep, he placed by his door a sturdy pair of shoes, a sweater, and a coat so that he could stay warm if the police came for him in the middle of the night. It was clear to Tahir and his wife that fleeing the country was the family's only hope. Waiting to Be Arrested at Night is the story of the political, social, and cultural destruction of Tahir Hamut Izgil's homeland. Among leading Uyghur intellectuals and writers, he is the only one known to have escaped China since the mass internments began. His book is a call for the world to awaken to the unfolding catastrophe, and a tribute to his friends and fellow Uyghurs whose voices have been silenced.
A NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • A NEW YORK TIMES TOP TEN BOOK OF THE YEAR • A…
VANITY FAIR BEST BOOK OF THE YEAR&“Riveting and darkly funny and in all senses of the word, unclassifiable.&” – The New York TimesA wild, humane, and hilarious meditation on post-privacy America—from the acclaimed author of ThrownWho are you? You are data about data. You are a map of connections—a culmination of everything you have ever posted, searched, emailed, liked, and followed. In this groundbreaking work of narrative nonfiction, Kerry Howley investigates the curious implications of living in the age of the indelible. Bottoms Up and the Devil Laughs tells the true story of intelligence specialist Reality Winner, a lone young woman who stuffs a state secret under her skirt and trusts the wrong people to help. After printing five pages of dangerous information she was never supposed to see, Winner finds herself at the mercy of forces more invasive than she could have possibly imagined.Following Winner&’s unlikely journey from rural Texas to a federal courtroom, Howley maps a hidden world, drawing in John Walker Lindh, Lady Gaga, Edward Snowden, a rescue dog named Outlaw Babyface Nelson, and a mother who will do whatever it takes to get her daughter out of jail. Howley&’s subjects face a challenge new to history: they are imprisoned by their past selves, trapped for as long as the Internet endures. A soap opera set in the deep state, Bottoms Up and the Devil Laughs is a free fall into a world where everything is recorded and nothing is sacred, from a singular writer unafraid to ask essential questions about the strangeness of modern life.
A NEW YORK TIMES AND NEW YORKER BEST BOOK OF THE YEAR • A poet, a physicist, and a philosopher explored…
the greatest enigmas in the universe—the nature of free will, the strange fabric of the cosmos, the true limits of the mind—and each in their own way uncovered a revelatory truth about our place in the world&“[A] mind-expanding book. . . . Elegantly written.&” —The New York Times&“A remarkable synthesis of the thoughts, ideas, and discoveries of three of the greatest minds that our species has produced.&” —John Banville, The Wall Street JournalArgentine poet Jorge Luis Borges was madly in love when his life was shattered by painful heartbreak. But the breakdown that followed illuminated an incontrovertible truth—that love is necessarily imbued with loss, that the one doesn&’t exist without the other. German physicist Werner Heisenberg was fighting with the scientific establishment on the meaning of the quantum realm&’s absurdity when he had his own epiphany—that there is no such thing as a complete, perfect description of reality. Prussian philosopher Immanuel Kant pushed the assumptions of human reason to their mind-bending conclusions, but emerged with an idea that crowned a towering philosophical system—that the human mind has fundamental limits, and those limits undergird both our greatest achievements as well as our missteps.Through fiction, science, and philosophy, the work of these three thinkers coalesced around the powerful, haunting fact that there is an irreconcilable difference between reality &“out there&” and reality as we experience it. Out of this profound truth comes a multitude of galvanizing ideas: the notion of selfhood, free will, and purpose in human life; the roots of morality, aesthetics, and reason; and the origins and nature of the cosmos itself. As each of these thinkers shows, every one of us has an incomplete picture of the world. But it's only as mortal, finite beings are we able to experience the world in its richness and breathtaking majesty. A soaring and lucid reflection on the lives and work of Borges, Heisenberg, and Kant, The Rigor of Angels movingly demonstrates that the mysteries of our place in the world may always loom over us—not as a threat, but as a reminder of our humble humanity.