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Biography, LGBTQ+ biography, Actors biography, Canadian authors (Non-fiction)
Human-narrated audio
The Oscar-nominated star who captivated the world with his performance in Juno finally shares his truth. "Can I kiss you?"…
It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. A previously unfathomable experience. Here he was on the precipice of discovering himself as a queer person, as a trans person. Getting closer to his desires, his dreams, himself, without the repression he'd carried for so long. But for Elliot, two steps forward had always come with one step back. With Juno's massive success, Elliot became one of the world's most beloved actors. His dreams were coming true, but the pressure to perform suffocated him. He was forced to play the part of the glossy young starlet, a role that made his skin crawl, on and off set. The career that had been an escape out of his reality and into a world of imagination was suddenly a nightmare. As he navigated criticism and abuse from some of the most powerful people in Hollywood, a past that snapped at his heels, and a society dead set on forcing him into a binary, Elliot often stayed silent, unsure of what to do, until enough was enough. Full of behind the scenes details and intimate interrogations on sex, love, trauma, and Hollywood, Pageboy is the story of a life pushed to the brink. But at its core, this beautifully written, winding journey of what it means to untangle ourselves from the expectations of others is an ode to stepping into who we truly are with defiance, strength, and joy.
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Asian history, Religion, Social issues
Human-narrated audio
An urgent, wide-ranging portrait of the divisions among Israelis today, and the external threats to their country, at a critical…
juncture in its history. • Through moving narratives and on-the-ground reporting, a veteran New York Times correspondent who has spent decades working in Israel reveals what holds the country together. "A wondrous tale told through the agonizing and uplifting stories of Israel’s many tribes — Jewish and Arab, religious and secular, new immigrants and veterans, soldiers and settlers."—Martin Indyk, author of Master of the Game, and former U.S. ambassador to Israel "For anyone trying to understand the reality of Israel today." —Dennis Ross, former U.S. envoy to the Middle East and the author of Doomed to Succeed Despite Israel's determined staying power in a hostile environment, its military might, and the innovation it fosters in businesses globally, the country is more divided than ever. The old guard—socialist secular elites and idealists—are a dying breed, and the state’s democratic foundations are being challenged. A dynamic and exuberant country of nine million, Israel is now largely comprised of native-born Hebrew speakers, and yet any permanent sense of security and normalcy is elusive. In The Land of Hope and Fear , we meet Israelis: Jews and Arabs, religious and secular, Eastern and Western, liberals and zealots—plagued by perennial conflict and existential threats, citizens who remain deeply polarized politically, socially, and ideologically, even as they undergo generational change and redefine what it is to be an Israeli. Who are these people and to what do they aspire? In moving narratives and with on-the-ground reporting, Isabel Kershner reveals the core of what holds Israel together and the forces that threaten its future through the lens of real people: a son of Zionist pioneers, cynical about what is to come and his people’s status in it; a woman in her nineties whose life in a kibbutz has disintegrated; a brilliant poet caught up in the political maelstrom; an Arab gallery owner archiving a lost Palestinian landscape; and a descendant of the Russian aliyah; representing millions of culturally and religiously different Jews, laying bare the question Who is an Israeli? The Land of Hope and Fear decodes Israel today at its seventy-fifth anniversary, examining the ways in which the country has both exceeded and failed the ideals and expectations of its founders
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Actors biography, Criticism, Arts and entertainment
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NATIONAL BESTSELLER • A NEW YORK TIMES MOST ANTICIPATED BOOK • A timely, passionate, provocative, blisteringly smart interrogation of how…
we make and experience art in the age of cancel culture, and of the link between genius and monstrosity. Can we love the work of controversial classic and contemporary artists but dislike the artist? "A lively, personal exploration of how one might think about the art of those who do bad things" — Vanity Fair " Monsters leaves us with Dederer’s passionate commitment to the artists whose work most matters to her, and a framework to address these questions about the artists who matter most to us." — The Washington Post "[Dederer] breaks new ground, making a complex cultural conversation feel brand new." —Ada Calhoun, author of Also a Poet From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, Monsters is "part memoir, part treatise, and all treat" ( The New York Times ). This unflinching, deeply personal book expands on Claire Dederer’s instantly viral Paris Review essay, "What Do We Do with the Art of Monstrous Men?" Can we love the work of artists such as Hemingway, Sylvia Plath, Miles Davis, Polanski, or Picasso? Should we? Dederer explores the audience's relationship with artists from Michael Jackson to Virginia Woolf, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? Is male monstrosity the same as female monstrosity? And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. Does genius deserve special dispensation? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss? Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art
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Politics and government, Biography, Asian history
Human-narrated audio
New York Times Book Review Editors’ Choice • A "journalistic masterpiece" ( The New Yorker ) about a nation careening…
into violent autocracy—told through harrowing stories of the Philippines’ state-sanctioned killings of its citizens—from a reporter of international renown "Tragic, elegant, vital . . . Evangelista risked her life to tell this story."—Tara Westover, #1 New York Times bestselling author of Educated A BEST BOOK OF THE YEAR: The New Yorker, The New York Times Book Review, Time "My job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don’t wait very long." Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte. Some People Need Killing is Evangelista’s meticulously reported and deeply human chronicle of the Philippines’ drug war. For six years, Evangelista chronicled the killings carried out by police and vigilantes in the name of Duterte’s war on drugs—a war that has led to the slaughter of thousands—immersing herself in the world of killers and survivors and capturing the atmosphere of fear created when an elected president decides that some lives are worth less than others. The book takes its title from a vigilante whose words seemed to reflect the psychological accommodation that most of the country had made: "I’m really not a bad guy," he said. "I’m not all bad. Some people need killing." A profound act of witness and a tour de force of literary journalism, Some People Need Killing is also a brilliant dissection of the grammar of violence and an important investigation of the human impulses to dominate and resist
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Journals and memoirs, Literature biography, Canadian non-fiction, Asian history
Human-narrated audio
A poet's account of one of the world's most urgent humanitarian crises, and a harrowing tale of a family's escape…
from genocide One by one, Tahir Hamut Izgil's friends disappeared. The Chinese government's brutal persecution of the Uyghur people had continued for years, but in 2017 it assumed a terrifying new scale. The Uyghurs, a predominantly Muslim minority group in western China, were experiencing an echo of the worst horrors of the twentieth century, amplified by China's establishment of an all-seeing high-tech surveillance state. Over a million people have vanished into China’s internment camps for Muslim minorities. Tahir, a prominent poet and intellectual, had been no stranger to persecution. After he attempted to travel abroad in 1996, police tortured him until he confessed to fabricated charges and sent him to a re-education through labor camp. But even having endured three years in the camp, he could never have predicted the Chinese government’s radical solution to the Uyghur question two decades later. Was the first sign when Tahir was interrogated for hours after a phone call with a fellow poet in the Netherlands? Or when his old friend was sentenced to life in prison simply for calling for Uyghurs' legal rights to be enforced? Perhaps it was when the police seized Uyghurs’ radios and installed jamming equipment to cut them off from the outside world. Once Tahir noticed that the park near his home was nearly empty because so many neighbors had been arrested, he knew the police would be coming for him any day. One night, after Tahir’s daughters were asleep, he placed by his door a sturdy pair of shoes, a sweater, and a coat so that he could stay warm if the police came for him in the middle of the night. It was clear to Tahir and his wife that fleeing the country was the family's only hope. Waiting to Be Arrested at Night is the story of the political, social, and cultural destruction of Tahir Hamut Izgil's homeland. Among leading Uyghur intellectuals and writers, he is the only one known to have escaped China since the mass internments began. His book is a call for the world to awaken to the unfolding catastrophe, and a tribute to his friends and fellow Uyghurs whose voices have been silenced
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Actors biography, Business and economics, True crime
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The instant New York Times bestseller • A New York Times Notable Book • Named a Best Book of the Year…
by The Economist • Nominated for the Financial Times and Schroders Business Book of the Year Award"Addicted to Succession? Well, here's the real thing." - The Hollywood Reporter&“Jaw-dropping . . . an epic tale of toxic wealth and greed populated by connivers and manipulators.&” —The New York Times Book Review, Editors&’ ChoiceThe shocking inside story of the struggle for power and control at Paramount Global, the multibillion-dollar entertainment empire controlled by the Redstone family, and the dysfunction, misconduct, and deceit that threatened the future of the company, from the Pulitzer Prize–winning journalists who first broke the newsIn 2016, the fate of Paramount Global&’s entertainment empire hung precariously in the balance. Its founder and head, ninety-three-year-old Sumner M. Redstone, was facing a very public lawsuit brought by a former romantic companion, Manuela Herzer, which placed Sumner&’s deteriorating health and questionable judgment under a harsh light.As an all-powerful media mogul, Sumner had been a demanding boss, and an even more demanding father. When his daughter, Shari, took control of the business, she faced the hostility of boards who for years had heard Sumner disparage her. Les Moonves, the CEO of CBS, schemed with his allies on the board to strip Shari of power. But while he publicly battled Shari, news began to leak of Moonves&’s involvement in multiple instances of sexual misconduct, and he began working behind the scenes to try to make the stories disappear.Unscripted is an explosive and unvarnished look at the usually secret inner workings of two public companies, their boards of directors, and a wealthy, dysfunctional family in the throes of seismic changes. From the Pulitzer Prize– winning journalists James B. Stewart and Rachel Abrams, Unscripted lays bare the battle for power at any price—and the carnage that ensued.
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Actors biography, LGBTQ+ biography, Biography
Synthetic audio, Automated braille
The Oscar-nominated star who captivated the world with his performance in Juno finally shares his truth.“Can I kiss you?” It…
was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. A previously unfathomable experience. Here he was on the precipice of discovering himself as a queer person, as a trans person. Getting closer to his desires, his dreams, himself, without the repression he’d carried for so long. But for Elliot, two steps forward had always come with one step back. With Juno’s massive success, Elliot became one of the world’s most beloved actors. His dreams were coming true, but the pressure to perform suffocated him. He was forced to play the part of the glossy young starlet, a role that made his skin crawl, on and off set. The career that had been an escape out of his reality and into a world of imagination was suddenly a nightmare. As he navigated criticism and abuse from some of the most powerful people in Hollywood, a past that snapped at his heels, and a society dead set on forcing him into a binary, Elliot often stayed silent, unsure of what to do, until enough was enough. Full of behind the scenes details and intimate interrogations on sex, love, trauma, and Hollywood, Pageboy is the story of a life pushed to the brink. But at its core, this beautifully written, winding journey of what it means to untangle ourselves from the expectations of others is an ode to stepping into who we truly are with defiance, strength, and joy.
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Asian history, General non-fiction
Synthetic audio, Automated braille
A rich, wide-ranging portrait of the divisions among Israelis today, at a critical juncture in their country&’s history, by a…
veteran New York Times correspondent who has spent decades working in Israel&“A wondrous tale told through the agonizing and uplifting stories of Israel&’s many tribes — Jewish and Arab, religious and secular, new immigrants and veterans, soldiers and settlers.&”—Martin Indyk, author of Master of the Game, and former U.S. ambassador to IsraelDespite Israel's determined staying power in a hostile environment, its military might, and the innovation it fosters in businesses globally, the country is more divided than ever. The old guard—socialist secular elites and idealists—are a dying breed, and the state&’s democratic foundations are being challenged. A dynamic and exuberant country of nine million, Israel is now largely comprised of native-born Hebrew speakers, and yet any permanent sense of security and normalcy is elusive.In The Land of Hope and Fear, we meet Israelis: Jews and Arabs, religious and secular, Eastern and Western, liberals and zealots—plagued by perennial conflict and existential threats, citizens who remain deeply polarized politically, socially, and ideologically, even as they undergo generational change and redefine what it is to be an Israeli. Who are these people and to what do they aspire?In moving narratives and with on-the-ground reporting, Isabel Kershner reveals the core of what holds Israel together and the forces that threaten its future through the lens of real people: a son of Zionist pioneers, cynical about what is to come and his people&’s status in it; a woman in her nineties whose life in a kibbutz has disintegrated; a brilliant poet caught up in the political maelstrom; an Arab gallery owner archiving a lost Palestinian landscape; and a descendant of the Russian aliyah; representing millions of culturally and religiously different Jews, laying bare the question Who is an Israeli? The Land of Hope and Fear decodes Israel today at its seventy-fifth anniversary, examining the ways in which the country has both exceeded and failed the ideals and expectations of its founders.
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Literature biography, Asian history, Politics and government
Synthetic audio, Automated braille
A fearless, powerfully written on-the-ground account of a nation careening into violent autocracy—told through harrowing stories of the Philippines&’ state-sanctioned…
killings of its citizens—from a journalist of international renown&“Tragic, elegant, vital . . . Evangelista risked her life to tell this story.&”—Tara Westover, #1 New York Times bestselling author of Educated&“My job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don&’t wait very long.&”Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte.Some People Need Killing is Evangelista&’s meticulously reported and deeply human chronicle of the Philippines&’ drug war. For six years, Evangelista chronicled the killings carried out by police and vigilantes in the name of Duterte&’s war on drugs—a war that has led to the slaughter of thousands—immersing herself in the world of killers and survivors and capturing the atmosphere of fear created when an elected president decides that some lives are worth less than others.The book takes its title from a vigilante whose words seemed to reflect the psychological accommodation that most of the country had made: &“I&’m really not a bad guy,&” he said. &“I&’m not all bad. Some people need killing.&”A profound act of witness and a tour de force of literary journalism, Some People Need Killing is also a brilliant dissection of the grammar of violence and an important investigation of the human impulses to dominate and resist.
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Literature biography, Journals and memoirs, Asian history
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Winner of the National Book Critics Circle John Leonard Prize, awarded to the best first book of the yearNamed one…
of the best books of the year by: THE NEW YORK TIMES • THE WASHINGTON POST • THE ECONOMIST • TIMEA poet's account of one of the world's most urgent humanitarian crises, and a harrowing tale of a family's escape from genocideOne by one, Tahir Hamut Izgil's friends disappeared. The Chinese government's brutal persecution of the Uyghur people had continued for years, but in 2017 it assumed a terrifying new scale. The Uyghurs, a predominantly Muslim minority group in western China, were experiencing an echo of the worst horrors of the twentieth century, amplified by China's establishment of an all-seeing high-tech surveillance state. Over a million people have vanished into China&’s internment camps for Muslim minorities.Tahir, a prominent poet and intellectual, had been no stranger to persecution. After he attempted to travel abroad in 1996, police tortured him until he confessed to fabricated charges and sent him to a re-education through labor camp. But even having endured three years in the camp, he could never have predicted the Chinese government&’s radical solution to the Uyghur question two decades later. Was the first sign when Tahir was interrogated for hours after a phone call with a fellow poet in the Netherlands? Or when his old friend was sentenced to life in prison simply for calling for Uyghurs' legal rights to be enforced? Perhaps it was when the police seized Uyghurs&’ radios and installed jamming equipment to cut them off from the outside world.Once Tahir noticed that the park near his home was nearly empty because so many neighbors had been arrested, he knew the police would be coming for him any day. One night, after Tahir&’s daughters were asleep, he placed by his door a sturdy pair of shoes, a sweater, and a coat so that he could stay warm if the police came for him in the middle of the night. It was clear to Tahir and his wife that fleeing the country was the family's only hope. Waiting to Be Arrested at Night is the story of the political, social, and cultural destruction of Tahir Hamut Izgil's homeland. Among leading Uyghur intellectuals and writers, he is the only one known to have escaped China since the mass internments began. His book is a call for the world to awaken to the unfolding catastrophe, and a tribute to his friends and fellow Uyghurs whose voices have been silenced.