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Showing 1 - 20 of 30 items
Admired by George Washington, ridiculed by Thomas Jefferson, published in London, and read far and wide, Phillis Wheatley led one…
of the most extraordinary American lives. Seized in West Africa and forced into slavery as a child, she was sold to a merchant family in Boston, where she became a noted poet at a young age. Mastering the Bible, Greek and Latin translations, and the works of Pope and Milton, she composed elegies for local elites, celebrated political events, praised warriors, and used her verse to variously lampoon, question, and assert the injustice of her enslaved condition: "Can I then but pray / Others may never feel tyrannic sway?" By doing so, she added her voice to a vibrant, multisided conversation about race, slavery, and discontent with British rule; before and after her emancipation, her verses shook up racial etiquette and used familiar forms to create bold new meanings. She demonstrated a complex but crucial fact of the times: that the American Revolution both strengthened and limited Black slavery. In this new biography, the historian David Waldstreicher offers the fullest account to date of Wheatley's life and works, correcting myths, reconstructing intimate friendships, and deepening our understanding of her verse and the revolutionary era. Throughout The Odyssey of Phillis Wheatley, he demonstrates the continued vitality and resonance of a woman who wrote, in a founding gesture of American literature, "Thy Power, O Liberty, makes strong the weak / And (wond'rous instinct) Ethiopians speak."
This program is narrated by Dion Graham. Dion has n arrated more than 300 audiobooks and is on AudioFile 's…
list of Golden Voice Narrators, as well as in Audible's Narrator Hall of Fame. He's also won multiple Earphones and Audie Awards. " King is a major achievement. With eloquence, compassion, and grace, Jonathan Eig offers a stirringly contemporary and complex portrait of a fully human—and humane—King . . . A resounding triumph." —Peniel E. Joseph, author of The Sword and the Shield "Eig has pulled off a kind of miracle. Here is the King we know, think we know and ought to know. Here is the leader, the preacher, the orator, the husband, the father, the martyr, the human being—not with melodramatic halo in place, but in all his heroic, tragic Glory. Hallelujah!" —Ken Burns Named a most anticipated book of 2023 by The Washington Post , The Millions , and Literary Hub The first full biography in decades, King mixes revelatory and exhaustive new research with brisk and accessible storytelling to forge the definitive life for our times. Vividly written and exhaustively researched, Jonathan Eig's King: A Life is the first major biography in decades of the civil rights icon Martin Luther King Jr.—and the first to include recently declassified FBI files. In this revelatory new portrait of the preacher and activist who shook the world, the bestselling biographer gives us an intimate view of the courageous and often emotionally troubled human being who demanded peaceful protest for his movement but was rarely at peace with himself. He casts fresh light on the King family's origins as well as MLK's complex relationships with his wife, father, and fellow activists. King reveals a minister wrestling with his own human frailties and dark moods, a citizen hunted by his own government, and a man determined to fight for justice even if it proved to be a fight to the death. As he follows MLK from the classroom to the pulpit to the streets of Birmingham, Selma, and Memphis, Eig dramatically re-creates the journey of a man who recast American race relations and became our only modern-day founding father—as well as the nation's most mourned martyr. In this landmark biography, Eig gives us an MLK for our times: a deep thinker, a brilliant strategist, and a committed radical who led one of history's greatest movements, and whose demands for racial and economic justice remain as urgent today as they were in his lifetime. A Macmillan Audio production from Farrar, Straus and Giroux
One of The Millions’ "Most Anticipated Books of 2023"A dazzlingly inventive, deeply moving, intellectually bracing exploration of pain and beauty,…
private memory and public monument, art and complexity in contemporary Black life."I wanted to write about silences and terror and acts that hover over generations, over centuries. I began by writing about my mother and grandmother." —from "Note 18" in Ordinary NotesA singular achievement, Ordinary Notes explores with immense care profound questions about loss, and the shapes of Black life that emerge in the wake. In a series of 248 brief and urgent notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past—public ones alongside others that are poignantly personal—with present-day realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. Through the striking images and words in these pages, themes and tones echo: sometimes about life, art, language, beauty, memory; sometimes about history, photography, and literature—but always attending, with exquisite care, to the ordinary-extraordinary dimensions of Black life. At the heart of Ordinary Notes is the indelible presence of the author’s mother, Ida Wright Sharpe. "I learned to see in my mother’s house," writes Sharpe. "I learned how not to see in my mother’s house . . . My mother gifted me a love of beauty, a love of words." Using these and other gifts and ways of seeing, Sharpe steadily summons a chorus of voices and experiences to become present on the page. She articulates and follows an aesthetic of "beauty as a method," collects entries from a community of thinkers towards a "Dictionary of Untranslatable Blackness," and rigorously examines sites of memory and memorial. And in the process, she forges a new literary form, as multivalent as the ways of Black being it traces.
This is the story of the marriage behind some of the most famous literary works of the 20th century —and…
a probing consideration of what it means to be a wife and a writer in the modern world "Simply, a masterpiece...Funder not only re-makes the art of biography, she resurrects a woman in full." —Geraldine Brooks, winner of the Pulitzer Prize, author of Horse At the end of summer 2017, Anna Funder found herself at a moment of peak overload. Family obligations and household responsibilities were crushing her soul and taking her away from her writing deadlines. She needed help, and George Orwell came to her rescue. "I’ve always loved Orwell," Funder writes, "his self-deprecating humour, his laser vision about how power works, and who it works on." So after rereading and savoring books Orwell had written, she devoured six major biographies tracing his life and work. But then she read about his forgotten wife, and it was a revelation. Eileen O’Shaughnessy married Orwell in 1936. O’Shaughnessy was a writer herself, and her literary brilliance not only shaped Orwell’s work, but her practical common sense saved his life. But why and how, Funder wondered, was she written out of their story? Using newly discovered letters from Eileen to her best friend, Funder re-creates the Orwells’ marriage, through the Spanish Civil War and the Second World War in London. As she peeks behind the curtain of Orwell’s private life she is led to question what it takes to be a writer—and what it is to be a wife. A breathtakingly intimate view of one of the most important literary marriages of the twentieth century, Wifedom speaks to our present moment as much as it illuminates the past. Genre-bending and utterly original, it is an ode to the unsung work of women everywhere. *Includes a downloadable PDF of photographs and notes from the book
The Oscar-nominated star who captivated the world with his performance in Juno finally shares his truth. "Can I kiss you?"…
It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. A previously unfathomable experience. Here he was on the precipice of discovering himself as a queer person, as a trans person. Getting closer to his desires, his dreams, himself, without the repression he'd carried for so long. But for Elliot, two steps forward had always come with one step back. With Juno's massive success, Elliot became one of the world's most beloved actors. His dreams were coming true, but the pressure to perform suffocated him. He was forced to play the part of the glossy young starlet, a role that made his skin crawl, on and off set. The career that had been an escape out of his reality and into a world of imagination was suddenly a nightmare. As he navigated criticism and abuse from some of the most powerful people in Hollywood, a past that snapped at his heels, and a society dead set on forcing him into a binary, Elliot often stayed silent, unsure of what to do, until enough was enough. Full of behind the scenes details and intimate interrogations on sex, love, trauma, and Hollywood, Pageboy is the story of a life pushed to the brink. But at its core, this beautifully written, winding journey of what it means to untangle ourselves from the expectations of others is an ode to stepping into who we truly are with defiance, strength, and joy.
From the award-winning, bestselling author of No Logo , The Shock Doctrine , and This Changes Everything , a revelatory…
analysis of the collapsed meanings, blurred identities, and uncertain realities of the mirror world. "If ever a book was necessary, it’s this one." —Bill McKibben "Thoughtful and honest . . . Incisive . . . Klein moves her reader toward the truer grounds of solidarity in these times." —Judith Butler Over the past twenty-five years, Naomi Klein has charted and documented our politics and culture with a series of trenchant bestselling books laying bare the effects of branding, austerity, and climate profiteering on our societies and souls. With Doppelganger , Klein takes a more personal turn, braiding together elements of tragicomic memoir, chilling political reportage, and cobweb-clearing cultural analysis, as she dives deep into what she calls the Mirror World—our destabilized present rife with doubles and confusion, where far right movements playact solidarity with the working class, AI-generated content blurs the line between genuine and spurious, New Age wellness entrepreneurs turned anti-vaxxers further scramble our familiar political allegiances, and so many of us project our own carefully curated digital doubles out into the social media sphere. Klein begins this richly nuanced intellectual adventure story by grappling with her own doppelganger—a fellow author and public intellectual whose views are antithetical to Klein’s own, but whose name and public persona are sufficiently similar that many people have confused the two over the years. From there, she turns her gaze both inward to our psychic landscapes—drawing on the work of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks, to name a few—and outward, to our intersecting economic, environmental, medical, and political crises. Ultimately seeking to escape the Mirror World and chart a path beyond confusion and despair, Klein delivers a revelatory treatment of the way many of us think and feel now
A poet's account of one of the world's most urgent humanitarian crises, and a harrowing tale of a family's escape…
from genocide One by one, Tahir Hamut Izgil's friends disappeared. The Chinese government's brutal persecution of the Uyghur people had continued for years, but in 2017 it assumed a terrifying new scale. The Uyghurs, a predominantly Muslim minority group in western China, were experiencing an echo of the worst horrors of the twentieth century, amplified by China's establishment of an all-seeing high-tech surveillance state. Over a million people have vanished into China’s internment camps for Muslim minorities. Tahir, a prominent poet and intellectual, had been no stranger to persecution. After he attempted to travel abroad in 1996, police tortured him until he confessed to fabricated charges and sent him to a re-education through labor camp. But even having endured three years in the camp, he could never have predicted the Chinese government’s radical solution to the Uyghur question two decades later. Was the first sign when Tahir was interrogated for hours after a phone call with a fellow poet in the Netherlands? Or when his old friend was sentenced to life in prison simply for calling for Uyghurs' legal rights to be enforced? Perhaps it was when the police seized Uyghurs’ radios and installed jamming equipment to cut them off from the outside world. Once Tahir noticed that the park near his home was nearly empty because so many neighbors had been arrested, he knew the police would be coming for him any day. One night, after Tahir’s daughters were asleep, he placed by his door a sturdy pair of shoes, a sweater, and a coat so that he could stay warm if the police came for him in the middle of the night. It was clear to Tahir and his wife that fleeing the country was the family's only hope. Waiting to Be Arrested at Night is the story of the political, social, and cultural destruction of Tahir Hamut Izgil's homeland. Among leading Uyghur intellectuals and writers, he is the only one known to have escaped China since the mass internments began. His book is a call for the world to awaken to the unfolding catastrophe, and a tribute to his friends and fellow Uyghurs whose voices have been silenced
A new audiobook by the Pulitzer Prize – winning writer about the twenty-first-century Latino experience and identity. "Latino" is the…
most open-ended and loosely defined of the major race categories in the United States. Our Migrant Souls: A Meditation on Race and the Meanings and Myths of "Latino" assembles the Pulitzer Prize winner Héctor Tobar's personal experiences as the son of Guatemalan immigrants and the stories told to him by his Latinx students to offer a spirited rebuke to racist ideas about Latino people. Our Migrant Souls decodes the meaning of "Latino" as a racial and ethnic identity in the modern United States, and seeks to give voice to the angst and anger of young Latino people who have seen latinidad transformed into hateful tropes about "illegals" and have faced insults, harassment, and division based on white insecurities and economic exploitation. Investigating topics that include the US-Mexico border "wall," Frida Kahlo, urban segregation, gangs, queer Latino utopias, and the emergence of the cartel genre in TV and film, Tobar journeys across the country to expose something truer about the meaning of "Latino" in the twenty-first century. A Macmillan Audio production from Farrar, Straus and Giroux
Named a Best Book of the Year by: Time * Harper's Bazaar * Esquire * Booklist * USA Today *…
Elle * Good Housekeeping * Time From the bestselling author of ALL YOU CAN EVER KNOW comes a searing memoir of family, class and grief—a daughter's search to understand the lives her adoptive parents led, the life she forged as an adult, and the lives she's lost. In this country, unless you attain extraordinary wealth, you will likely be unable to help your loved ones in all the ways you'd hoped. You will learn to live with the specific, hollow guilt of those who leave hardship behind, yet are unable to bring anyone else with them. Nicole Chung couldn't hightail it out of her overwhelmingly white Oregon hometown fast enough. As a scholarship student at a private university on the East Coast, no longer the only Korean she knew, she found community and a path to the life she'd long wanted. But the middle class world she begins to raise a family in – where there are big homes, college funds, nice vacations – looks very different from the middle class world she thought she grew up in, where paychecks have to stretch to the end of the week, health insurance is often lacking, and there are no safety nets. When her father dies at only sixty-seven, killed by diabetes and kidney disease, Nicole feels deep grief as well as rage, knowing that years of precarity and lack of access to healthcare contributed to his early death. And then the unthinkable happens – less than a year later, her beloved mother is diagnosed with cancer, and the physical distance between them becomes insurmountable as COVID-19 descends upon the world. Exploring the enduring strength of family bonds in the face of hardship and tragedy, A Living Remedy examines what it takes to reconcile the distance between one life, one home, and another – and sheds needed light on some of the most persistent and grievous inequalities in American society
New York Times Book Review Editors’ Choice • A "journalistic masterpiece" ( The New Yorker ) about a nation careening…
into violent autocracy—told through harrowing stories of the Philippines’ state-sanctioned killings of its citizens—from a reporter of international renown "Tragic, elegant, vital . . . Evangelista risked her life to tell this story."—Tara Westover, #1 New York Times bestselling author of Educated A BEST BOOK OF THE YEAR: The New Yorker, The New York Times Book Review, Time "My job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don’t wait very long." Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte. Some People Need Killing is Evangelista’s meticulously reported and deeply human chronicle of the Philippines’ drug war. For six years, Evangelista chronicled the killings carried out by police and vigilantes in the name of Duterte’s war on drugs—a war that has led to the slaughter of thousands—immersing herself in the world of killers and survivors and capturing the atmosphere of fear created when an elected president decides that some lives are worth less than others. The book takes its title from a vigilante whose words seemed to reflect the psychological accommodation that most of the country had made: "I’m really not a bad guy," he said. "I’m not all bad. Some people need killing." A profound act of witness and a tour de force of literary journalism, Some People Need Killing is also a brilliant dissection of the grammar of violence and an important investigation of the human impulses to dominate and resist
The astonishing story of immigrants lured to the United States from India and trapped in forced labor—an "eye-opening" "must-read" told…
by the visionary labor leader who engineered their escape and set them on a path to citizenship ( The New York Times Book Review ). In late 2006, Saket Soni, a 28-year-old, Indian-born community organizer received an anonymous phone call from an Indian migrant worker inside a Mississippi labor camp. He and 500 other men were living in squalor in Gulf Coast "man camps," surrounded by barbed wire, watched by armed guards, crammed into cold trailers with putrid portable toilets, forced to eat moldy bread and frozen rice. Worse, lured by the promise of good work and green cards, the men had desperately scraped together up to $20,000 each to apply for this "opportunity" to rebuild oil rigs after Hurricane Katrina, putting their families into impossible debt. During a series of clandestine meetings, Soni and the workers devise a bold plan. In The Great Escape, Soni traces the workers' extraordinary escape, their march on foot to Washington DC, and their 23-day-hunger strike to bring attention to their cause. Along the way, ICE agents try to deport the men, company officials work to discredit them, and politicians avert their eyes. But none of this shakes the workers' determination to win their dignity and keep their promises to their families. Weaving a deeply personal journey with a riveting tale of 21st-century forced labor, Soni takes us into the hidden lives of the foreign workers the US increasingly relies on for cheap skilled labor to rebuild after climate disasters. The Great Escape is the astonishing story of one of the largest human trafficking cases in modern American history—and the workers' heroic journey for justice
"The five marriages that Carmela Ciuraru explores in Lives of the Wives provide such delightfully gossipy pleasure that we have…
to remind ourselves that these were real people whose often stormy relationships must surely have been less fun to experience than they are for us to read about."—Francine Prose, author of The Vixen A witty, provocative look inside the tumultuous marriages of five writers, illuminating the creative process as well as the role of money, power, and fame in these complex and fascinating relationships. "With an ego the size of a small nation, the literary lion is powerful on the page, but a helpless kitten in daily life—dependent on his wife to fold an umbrella, answer the phone, or lick a stamp." The history of wives is largely one of silence, resilience, and forbearance. Toss in celebrity, male privilege, ruthless ambition, narcissism, misogyny, infidelity, alcoholism, and a mood disorder or two, and it's easy to understand why the marriages of so many famous writers have been stormy, short-lived, and mutually destructive. "It's been my experience," as the critic and novelist Elizabeth Hardwick once wrote, "that nobody holds a man's brutality to his wife against him." Literary wives are a unique breed, requiring a particular kind of fortitude. Author Carmela Ciuraru shares the stories of five literary marriages, exposing the misery behind closed doors. The legendary British theatre critic Kenneth Tynan encouraged his American wife, Elaine Dundy, to write, then watched in a jealous rage as she became a bestselling author and critical success. In the early years of their marriage, Roald Dahl enjoyed basking in the glow of his glamorous movie star wife, Patricia Neal, until he detested her for being the breadwinner, and being more famous than he was. Elizabeth Jane Howard had to divorce Kingsley Amis to escape his suffocating needs and devote herself to her own writing. ("I really couldn't write very much when I was married to him," she once recalled, "because I had a very large household to keep up and Kingsley wasn't one to boil an egg, if you know what I mean.") Surprisingly, the most traditional partnership in Lives of the Wives is a lesbian couple, Una Troubridge and Radclyffe Hall, both of whom were socially and politically conservative and unapologetic snobs. As this erudite and entertaining work shows, each marriage is a unique story, filled with struggles and triumphs and the negotiation of power. The Italian novelists Elsa Morante and Alberto Moravia were never sexually compatible, and it was Morante who often behaved abusively toward her cool, detached husband, even as he unwaveringly admired his wife's talents and championed her work. Theirs was an unhappy union, yet it fueled them creatively and enabled both to become two of Italy's most important postwar writers. These are stories of vulnerability, loneliness, infidelity, envy, sorrow, abandonment, heartbreak, and forgiveness. Above all, Lives of the Wives honors the women who have played the role of muses, agents, editors, proofreaders, housekeepers, gatekeepers, amaneunses, confidantes, and cheerleaders to literary trailblazers throughout history. In revisiting the lives of famous writers, it is time in our #MeToo era to highlight the achievements of their wives—and the price these women paid for recognition and freedom. Lives of the Wives is an insightful, humorous, and poignant exploration of the intersection of life and art and creativity and love
The New York Times Book Review Editors' Choice • A poet, a physicist, and a philosopher explored the greatest enigmas…
in the universe—the nature of free will, the strange fabric of the cosmos, the true limits of the mind—and each in their own way uncovered a revelatory truth about our place in the world "[A] mind-expanding book. . . . Elegantly written." — The New York Times "A remarkable synthesis of the thoughts, ideas, and discoveries of three of the greatest minds that our species has produced." —John Banville, The Wall Street Journal Argentine poet Jorge Luis Borges was madly in love when his life was shattered by painful heartbreak. But the breakdown that followed illuminated an incontrovertible truth—that love is necessarily imbued with loss, that the one doesn’t exist without the other. German physicist Werner Heisenberg was fighting with the scientific establishment on the meaning of the quantum realm’s absurdity when he had his own epiphany—that there is no such thing as a complete, perfect description of reality. Prussian philosopher Immanuel Kant pushed the assumptions of human reason to their mind-bending conclusions, but emerged with an idea that crowned a towering philosophical system—that the human mind has fundamental limits, and those limits undergird both our greatest achievements as well as our missteps. Through fiction, science, and philosophy, the work of these three thinkers coalesced around the powerful, haunting fact that there is an irreconcilable difference between reality "out there" and reality as we experience it. Out of this profound truth comes a multitude of galvanizing ideas: the notion of selfhood, free will, and purpose in human life; the roots of morality, aesthetics, and reason; and the origins and nature of the cosmos itself. As each of these thinkers shows, every one of us has a fundamentally incomplete picture of the world. But this is to be expected. Only as mortal, finite beings are we able to experience the world in all its richness and breathtaking majesty. We are stranded in a gulf of vast extremes, between the astronomical and the quantum, an abyss of freedom and absolute determinism, and it is in that center where we must make our home. A soaring and lucid reflection on the lives and work of Borges, Heisenberg, and Kant, The Rigor of Angels movingly demonstrates that the mysteries of our place in the world may always loom over us—not as a threat, but as a reminder of our humble humanity
A "rich hybrid of memoir and history" ( The New Yorker ) of the literary art form that has transformed…
the cultural landscape, by one of its influential practitioners, an award-winning poet, professor, and slam champion "Bennett…transport[s] us back to the city blocks, bars, cafes and stages these artists traversed and inhabited…an instructive text for young poets, artists or creative entrepreneurs trying to find a way to carve out a space for themselves…Shines with a refreshing dynamism." — The New York Times In 2009, when he was twenty years old, Joshua Bennett was invited to perform a spoken word poem for Barack and Michelle Obama, at the same White House "Poetry Jam" where Lin-Manuel Miranda declaimed the opening bars of a work-in-progress that would soon revolutionize American theater. That meeting is but one among many in the trajectory of Bennett's young life, as he rode the cresting wave of spoken word through the 2010s. In this book, he goes back to its roots, considering the Black Arts movement and the prominence of poetry and song in Black education; the origins of the famed Nuyorican Poets Cafe in the Lower East Side living room of the visionary Miguel Algarín, who hosted verse gatherings with legendary figures like Ntozake Shange and Miguel Piñero; the rapid growth of the "slam" format that was pioneered at the Get Me High Lounge in Chicago; the perfect storm of spoken word's rise during the explosion of social media; and Bennett's own journey alongside his older sister, whose work to promote the form helped shape spaces online and elsewhere dedicated to literature and the pursuit of human freedom. A celebration of voices outside the dominant cultural narrative, who boldly embraced an array of styles and forms and redefined what—and whom—the mainstream would include, Bennett's book illuminates the profound influence spoken word has had everywhere melodious words are heard, from Broadway to academia, from the podiums of political protest to cafés, schools, and rooms full of strangers all across the world
One of The Millions&’ &“Most Anticipated Books of 2023One of The New York Times&’ &“19 Works of Nonfiction to Read…
This Spring&”A dazzlingly inventive, deeply moving, intellectually bracing exploration of pain and beauty, private memory and public monument, art and complexity in contemporary Black life.&“I wanted to write about silences and terror and acts that hover over generations, over centuries. I began by writing about my mother and grandmother.&” —from &“Note 18&” in Ordinary NotesA singular achievement, Ordinary Notes explores with immense care profound questions about loss, and the shapes of Black life that emerge in the wake. In a series of 248 brief and urgent notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past—public ones alongside others that are poignantly personal—with present-day realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. Through the striking images and words in these pages, themes and tones echo: sometimes about life, art, language, beauty, memory; sometimes about history, photography, and literature—but always attending, with exquisite care, to the ordinary-extraordinary dimensions of Black life. At the heart of Ordinary Notes is the indelible presence of the author&’s mother, Ida Wright Sharpe. &“I learned to see in my mother&’s house,&” writes Sharpe. &“I learned how not to see in my mother&’s house . . . My mother gifted me a love of beauty, a love of words.&” Using these and other gifts and ways of seeing, Sharpe steadily summons a chorus of voices and experiences to become present on the page. She articulates and follows an aesthetic of "beauty as a method,&” collects entries from a community of thinkers towards a &“Dictionary of Untranslatable Blackness,&” and rigorously examines sites of memory and memorial. And in the process, she forges a new literary form, as multivalent as the ways of Black being it traces.
The Oscar-nominated star who captivated the world with his performance in Juno finally shares his truth.“Can I kiss you?” It…
was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. A previously unfathomable experience. Here he was on the precipice of discovering himself as a queer person, as a trans person. Getting closer to his desires, his dreams, himself, without the repression he’d carried for so long. But for Elliot, two steps forward had always come with one step back. With Juno’s massive success, Elliot became one of the world’s most beloved actors. His dreams were coming true, but the pressure to perform suffocated him. He was forced to play the part of the glossy young starlet, a role that made his skin crawl, on and off set. The career that had been an escape out of his reality and into a world of imagination was suddenly a nightmare. As he navigated criticism and abuse from some of the most powerful people in Hollywood, a past that snapped at his heels, and a society dead set on forcing him into a binary, Elliot often stayed silent, unsure of what to do, until enough was enough. Full of behind the scenes details and intimate interrogations on sex, love, trauma, and Hollywood, Pageboy is the story of a life pushed to the brink. But at its core, this beautifully written, winding journey of what it means to untangle ourselves from the expectations of others is an ode to stepping into who we truly are with defiance, strength, and joy.
A fearless, powerfully written on-the-ground account of a nation careening into violent autocracy—told through harrowing stories of the Philippines&’ state-sanctioned…
killings of its citizens—from a journalist of international renown&“Tragic, elegant, vital . . . Evangelista risked her life to tell this story.&”—Tara Westover, #1 New York Times bestselling author of Educated&“My job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don&’t wait very long.&”Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte.Some People Need Killing is Evangelista&’s meticulously reported and deeply human chronicle of the Philippines&’ drug war. For six years, Evangelista chronicled the killings carried out by police and vigilantes in the name of Duterte&’s war on drugs—a war that has led to the slaughter of thousands—immersing herself in the world of killers and survivors and capturing the atmosphere of fear created when an elected president decides that some lives are worth less than others.The book takes its title from a vigilante whose words seemed to reflect the psychological accommodation that most of the country had made: &“I&’m really not a bad guy,&” he said. &“I&’m not all bad. Some people need killing.&”A profound act of witness and a tour de force of literary journalism, Some People Need Killing is also a brilliant dissection of the grammar of violence and an important investigation of the human impulses to dominate and resist.
ONE OF THE NEW YORK TIMES'S 100 NOTABLE BOOKS OF 2023, BET'S FAVORITE MEMOIRS OF 2023, AND ELECTRIC LITERATURE'S FAVORITE…
BOOKS OF 2023 "A brilliant and brilliantly different" (Kiese Laymon), wrenching and redemptive coming-of-age memoir about the difficulty of growing up in a hazardous home and the glory of finding salvation in geek culture. Stranded within an ever-shifting family&’s desperate but volatile attempts to love, saddled with a mercurial mother mired in crack addiction, and demeaned daily for his perceived weakness, Joseph Earl Thomas grew up feeling he was under constant threat. Roaches fell from the ceiling, colonizing bowls of noodles and cereal boxes. Fists and palms pounded down at school and at home, leaving welts that ached long after they disappeared. An inescapable hunger gnawed at his frequently empty stomach, and requests for food were often met with indifference if not open hostility. Deemed too unlike the other boys to ever gain the acceptance he so desperately desired, he began to escape into fantasy and virtual worlds, wells of happiness in a childhood assailed on all sides. In a series of exacting and fierce vignettes, Thomas guides readers through the unceasing cruelty that defined his circumstances, laying bare the depths of his loneliness and illuminating the vital reprieve geek culture offered him. With remarkable tenderness and devastating clarity, he explores how lessons of toxic masculinity were drilled into his body and the way the cycle of violence permeated the very fabric of his environment. Even in the depths of isolation, there were unexpected moments of joy carved out, from summers where he was freed from the injurious structures of his surroundings to the first glimpses of kinship he caught on his journey to becoming a Pokémon master. SINK follows Thomas's coming-of-age towards an understanding of what it means to lose the desire to fit in—with his immediate peers, turbulent family, or the world—and how good it feels to build community, love, and salvation on your own terms.
A Most Anticipated Book of 2023 from: Dallas Morning News * Today.com * Good Housekeeping * Time * The Rumpus *…
The Week * Salon * Seattle Times * Electric Literature * Bookpage * The Millions * Elle.com * Washington Post * Book Riot * Lit Hub * NPR's Here & Now * Ms. Magazine * Town & Country * New York Times * USA Today * Sunset From the bestselling author of ALL YOU CAN EVER KNOW comes a searing memoir of family, class and grief—a daughter’s search to understand the lives her adoptive parents led, the life she forged as an adult, and the lives she’s lost.In this country, unless you attain extraordinary wealth, you will likely be unable to help your loved ones in all the ways you’d hoped. You will learn to live with the specific, hollow guilt of those who leave hardship behind, yet are unable to bring anyone else with them. Nicole Chung couldn’t hightail it out of her overwhelmingly white Oregon hometown fast enough. As a scholarship student at a private university on the East Coast, no longer the only Korean she knew, she found community and a path to the life she'd long wanted. But the middle class world she begins to raise a family in – where there are big homes, college funds, nice vacations – looks very different from the middle class world she thought she grew up in, where paychecks have to stretch to the end of the week, health insurance is often lacking, and there are no safety nets.When her father dies at only sixty-seven, killed by diabetes and kidney disease, Nicole feels deep grief as well as rage, knowing that years of precarity and lack of access to healthcare contributed to his early death. And then the unthinkable happens – less than a year later, her beloved mother is diagnosed with cancer, and the physical distance between them becomes insurmountable as COVID-19 descends upon the world. Exploring the enduring strength of family bonds in the face of hardship and tragedy, A Living Remedy examines what it takes to reconcile the distance between one life, one home, and another – and sheds needed light on some of the most persistent and grievous inequalities in American society.
The bestselling, prizewinning author of How to Live and At the Existentialist Café explores 700 years of writers, thinkers, scientists…
and artists, all trying to understand what it means to be truly human. If you are reading this, it&’s likely you already have some affinity with humanism, even if you don&’t think of yourself in those terms. You may be drawn to literature and the humanities. You may prefer to base your moral choices on fellow-feeling and responsibility to others rather than on religious commandments. Or you may simply believe that individual lives are more important than grand political visions or dogmas.If any of these apply, you are part of a long tradition of humanist thought, and you share that tradition with many extraordinary individuals through history who have put rational enquiry, cultural richness, freedom of thought and a sense of hope at the heart of their lives.Humanly Possible introduces us to some of these people, as it asks what humanism is and why it has flourished for so long, despite opposition from fanatics, mystics and tyrants. It is a book brimming with ideas, personalities and experiments in living – from the literary enthusiasts of the fourteenth century to the secular campaigners of our own time, from Erasmus to Esperanto, from anatomists to agnostics, from Christine de Pizan to Bertrand Russell, and from Voltaire to Zora Neale Hurston. It takes us on an irresistible journey, and joyfully celebrates open-mindedness, optimism, freedom and the power of the here and now—humanist values which have helped steer us through dark times in the past, and which are just as urgently needed in our world today. The bestselling, prizewinning author of How to Live and At the Existentialist Café explores 700 years of writers, thinkers, scientists and artists, all trying to understand what it means to be truly human.