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DAISY audio (CD), DAISY audio (Direct to player), DAISY audio (Zip)
Serious and literary fiction, Family stories, General fiction
Human-narrated audio
Gorgeous and compelling, The Afterpains is a heartbreaking portrait of two families trying to cope with grief, isolation, and living…
far from one's homeland—told in the voices of four distinct narrators.Nearly twenty years after the death of her infant daughter, Rosy is still reeling from all that she's lost. Desperate to repair the connections to the family she does have—her husband, Desmond, and her eighteen-year-old son, Eddie—she's determined to lay her grief to rest by the twentieth anniversary of her daughter’s death.At the same time, Isaura dreads what may be coming for her teenage daughter, Mivi. For centuries in her homeland of Honduras, the young women in Isaura's family have been subjected to a curse of teenage motherhood and the untimely death of the men they loved. But even after moving thousands of miles away from Pespire to Toronto, Isaura fears that her daughter will not be spared.Soon, Rosy and Isaura, essentially strangers, become connected in a way neither of them could predict. As they try to look to their future and their children’s, they struggle to put the past behind them—all while Eddie and Mivi contend with the weight of their mothers’ pain and guilt.Tender and compassionate, The Afterpains is a moving debut novel on motherhood, grief, identity, and belonging.
DAISY audio (CD), DAISY audio (Direct to player), DAISY audio (Zip)
Multi-cultural fiction, Family stories
Human-narrated audio
Inspired by the work of Souvankham Thammavongsa, Catherine Hernandez and Wayson Choy, this unforgettable novel follows the reunification of Filipino…
caregiver families over one Canadian winter—and the mysterious progress of Monolith, who appears and disappears in their lives. When five-year-old Monolith is taken from the Philippines to live with his mother in Canada, he immediately lashes out. Unable or unwilling to speak, he attacks her and destroys his new home.Everyone wants to know why—and everyone has a theory. But unlike the solid certainty his name suggests, the answer isn’t so simple.From a cliffside town in the Tagaytay highlands of the Philippines, to the Filipino communities in the desert of Osoyoos, the Arctic world of Iqaluit, the suburbs of southern Ontario, Sarnia's Chemical Valley, Montréal’s Côte-des-Neiges, and Toronto’s Little Manila, Austria-Bonifacio takes readers into the kaleidoscope of the Filipino diaspora, uncovering the displacement, estrangement, resilience and healing that happen behind closed doors.As each chapter unfolds, truths are revealed in humorous, joyful, devastating and surprising ways: through an incisive caregiver's instruction manual, a custody battle over texts and e-mails, a disarmingly direct self-help guide, a series of desperate résumés, a kundiman songbook, and more.Monolith appears again and again, as a misbehaving boy in a store, the subject of town gossip, a face in a fundraising campaign, a client in questionable care, a dying man’s beacon of hope—and an unlikely new friend.Compellingly readable, incisive and resonant, Jennilee Austria-Bonifacio’s stunning debut opens a window into the homes and hearts of the Filipino-Canadian community.
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
General fiction, Family stories, Serious and literary fiction
Synthetic audio, Automated braille
Gorgeous and compelling, The Afterpains is a heartbreaking portrait of two families trying to cope with grief, isolation, and living…
far from one's homeland—told in the voices of four distinct narrators.Nearly twenty years after the death of her infant daughter, Rosy is still reeling from all that she's lost. Desperate to repair the connections to the family she does have—her husband, Desmond, and her eighteen-year-old son, Eddie—she's determined to lay her grief to rest by the twentieth anniversary of her daughter&’s death.At the same time, Isaura dreads what may be coming for her teenage daughter, Mivi. For centuries in her homeland of Honduras, the young women in Isaura's family have been subjected to a curse of teenage motherhood and the untimely death of the men they loved. But even after moving thousands of miles away from Pespire to Toronto, Isaura fears that her daughter will not be spared.Soon, Rosy and Isaura, essentially strangers, become connected in a way neither of them could predict. As they try to look to their future and their children&’s, they struggle to put the past behind them—all while Eddie and Mivi contend with the weight of their mothers&’ pain and guilt.Tender and compassionate, The Afterpains is a moving debut novel on motherhood, grief, identity, and belonging.
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
LGBTQ+ fictionJournals and memoirs, Biography
Synthetic audio, Automated braille
&“Maurice Vellekoop's beautiful graphic memoir feels painfully honest. It's about art and life and families and belief, about who we…
are and what forms us, the magic and the hurt, and it evokes times that are well-lost while reminding us of the battles still being fought every day. Most of all, I think, it's about love.&” —Neil GaimanFor fans of Fun Home by Alison Bechdel, I&’m So Glad We Had This Time Together is an epic graphic memoir about a queer illustrator surviving his intensely Christian childhood in 1970s Toronto.Meet little Maurice Vellekoop, the youngest of four children raised by Dutch immigrants in the 1970s in a blue-collar suburb of Toronto. Despite their working-class milieu, the Vellekoops are devoted to art, music, and film, and they instill a deep reverence for the arts in young Maurice—except for literature. He&’d much rather watch Cher and Carol Burnett on TV than read a book. He also loves playing with his girlfriends&’ Barbie dolls and helping his Mum in her hair salon, which she runs out of the basement of their house. In short, he is really, really gay. Which is a huge problem, because the family is part of the Christian Reformed Church, a strict Calvinist sect. They go to church twice on Sunday, and they send their kids to a private Christian school, catechism classes, and the Calvinist Cadet Corps. Needless to say, the church is intolerant of homosexuality. Though she loves her son deeply, Maurice&’s mother, Ann, cannot accept him, setting the course for a long estrangement. Vellekoop struggles through all of this until he graduates from high school and is accepted into the Ontario College of Art in the early 1980s. Here he finds a welcoming community of bohemians, including a brilliant, flamboyantly gay professor who encourages him to come out. But just as he&’s dipping his toes into the waters of gay sex and love, a series of romantic disasters, followed by a violent attack, sets him back severely. And then the shadow of the AIDS era descends. Maurice reacts by retreating to the safety of childhood obsessions, and seeks to satisfy his emotional needs with film- and theatre-going, music, boozy self-medication, and prolific art-making. When these tactics inevitably fail, Vellekoop at last embarks on a journey towards his heart&’s true desire. In psychotherapy, the spiderweb of family, faith, guilt, sexuality, mental health, the intergenerational fallout of World War II, King Ludwig II of Bavaria, French Formula Hairspray, and much more at last begins to untangle. But it&’s going to be a long, messy, and occasionally hilarious process. I&’m So Glad We Had This Time Together is an enthralling portrait of what it means to be true to yourself, to learn to forgive, and to be an artist.