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Death and bereavement, Journals and memoirs, Family and relationships
Human-narrated audio
In his poignant memoir, Charles Foran presents a portrait of his gruff-but-fond father wrestling with the end of life as…
Charlie acts as witness, solace, and would-be guide while facing his own mortality. What story can we tell ourselves and those we love, this radiant book asks, to withstand the inevitable mutability of time and self? A powerful meditation on fathers and sons, love and loss, and what it means to be alive "just once, no more."Dave Foran was a formidable man of few words, from a different era than his sensitive, literary son, Charlie. As a younger person, Dave had lived alone for months in the bush, overcome snow blindness, hauled a dead body across a frozen lake on a dogsled, dodged bullets in a bar, and gone toe-to-toe with a bear. Some aspects of his life were rollicking while others were more restrained: A decent father and a devoted husband, Dave was also emotionally distant, prone to laconic cynicism and a changeable mood. As Charlie writes: "He struggled most days of his life with wounds he could not readily identify, let alone heal."The year Charlie turned 55, his 83-year-old father began a slow, final decline, and Charlie surprised himself by wanting to write about their relationship. On the surface, his motiavation was to reassure his father that he was loved. But there was also a deeper desire at work. "Late into the middle of my own lifespan," Charlie writes, "sadness took hold of my being . . . I wanted to say so frankly, never mind how uncomfortable it made me."In spare, haunting prose, Just Once, No More pulls on these delicate threads—unravelling a fascinating personal story and revealing its poignant universality.
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Death and bereavement, Biography, Self help
Human-narrated audio
For readers of Crying in H Mart and Wintering, an unforgettable memoir about a family secret revealed by a DNA…
test, the lessons learned in its aftermath, and the indelible power of love. Three months after Kyo Maclear’s father dies in December 2018, she gets the results of a DNA test showing that she and the father who raised her are not biologically related. Suddenly Maclear becomes a detective in her own life, unravelling a family mystery piece by piece, and assembling the story of her biological father. Along the way, larger questions arise: what exactly is kinship? And what does it mean to be a family? Thoughtful in its reflections on race and lineage, unflinching in its insights on grief and loyalty, Unearthing is a captivating and propulsive story of inheritance that goes beyond heredity. What gets planted, and what gets buried? What role does storytelling play in unearthing the past and making sense of a life? Can the humble act of tending a garden provide common ground for an inquisitive daughter and her complicated mother? As it seeks to answer these questions, Unearthing bursts with the very love it seeks to understand
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European history, History
Human-narrated audio
From the #1 New York Times bestselling author of Killers of the Flower Moon , a page-turning story of shipwreck,…
survival, and savagery, culminating in a court martial that reveals a shocking truth. The powerful narrative reveals the deeper meaning of the events on The Wager , showing that it was not only the captain and crew who ended up on trial, but the very idea of empire. "A tour de force of narrative nonfiction." — The Wall Street Journal On January 28, 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty’s Ship the Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While the Wager had been chasing a Spanish treasure-filled galleon known as "the prize of all the oceans," it had wrecked on a desolate island off the coast of Patagonia. The men, after being marooned for months and facing starvation, built the flimsy craft and sailed for more than a hundred days, traversing nearly 3,000 miles of storm-wracked seas. They were greeted as heroes. But then ... six months later, another, even more decrepit craft landed on the coast of Chile. This boat contained just three castaways, and they told a very different story. The thirty sailors who landed in Brazil were not heroes – they were mutineers. The first group responded with countercharges of their own, of a tyrannical and murderous senior officer and his henchmen. It became clear that while stranded on the island the crew had fallen into anarchy, with warring factions fighting for dominion over the barren wilderness. As accusations of treachery and murder flew, the Admiralty convened a court martial to determine who was telling the truth. The stakes were life-and-death—for whomever the court found guilty could hang. The Wager is a grand tale of human behavior at the extremes told by one of our greatest nonfiction writers. Grann’s recreation of the hidden world on a British warship rivals the work of Patrick O’Brian, his portrayal of the castaways’ desperate straits stands up to the classics of survival writing such as The Endurance , and his account of the court martial has the savvy of a Scott Turow thriller. As always with Grann’s work, the incredible twists of the narrative hold the reader spellbound
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European history, History
Synthetic audio, Automated braille
#1 NEW YORK TIMES BESTSELLER • From the author of Killers of the Flower Moon, a page-turning story of shipwreck,…
survival, and savagery, culminating in a court martial that reveals a shocking truth. The powerful narrative reveals the deeper meaning of the events on The Wager, showing that it was not only the captain and crew who ended up on trial, but the very idea of empire.A Best Book of the Year: The New York Times, The Wall Street Journal, The New Yorker, TIME, Smithsonian, NPR, Vulture, Kirkus Reviews&“Riveting...Reads like a thriller, tackling a multilayered history—and imperialism—with gusto.&” —Time "A tour de force of narrative nonfiction.&” —The Wall Street JournalOn January 28, 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty&’s Ship the Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While the Wager had been chasing a Spanish treasure-filled galleon known as &“the prize of all the oceans,&” it had wrecked on a desolate island off the coast of Patagonia. The men, after being marooned for months and facing starvation, built the flimsy craft and sailed for more than a hundred days, traversing nearly 3,000 miles of storm-wracked seas. They were greeted as heroes.But then ... six months later, another, even more decrepit craft landed on the coast of Chile. This boat contained just three castaways, and they told a very different story. The thirty sailors who landed in Brazil were not heroes – they were mutineers. The first group responded with countercharges of their own, of a tyrannical and murderous senior officer and his henchmen. It became clear that while stranded on the island the crew had fallen into anarchy, with warring factions fighting for dominion over the barren wilderness. As accusations of treachery and murder flew, the Admiralty convened a court martial to determine who was telling the truth. The stakes were life-and-death—for whomever the court found guilty could hang.The Wager is a grand tale of human behavior at the extremes told by one of our greatest nonfiction writers. Grann&’s recreation of the hidden world on a British warship rivals the work of Patrick O&’Brian, his portrayal of the castaways&’ desperate straits stands up to the classics of survival writing such as The Endurance, and his account of the court martial has the savvy of a Scott Turow thriller. As always with Grann&’s work, the incredible twists of the narrative hold the reader spellbound.
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Journals and memoirs, Women biography, Death and bereavement, Psychology
Synthetic audio, Automated braille
THE GLOBE AND MAIL: BOOKS TO READ IN FALL 2023Martha Baillie’s richly layered response to her mother’s passing, her father's…
life, and her sister’s suicide is an exploration of how the body, the rooms we inhabit, and our languages offer the psyche a home, if only for a time. Three essays, three deaths. The first is the death of the author’s mother, a protracted disappearance, leaving space for thoughtfulness and ritual: the washing of her body, the making of a death mask. The second considers the author’s father, his remoteness, his charm, a lacuna at the centre of the family even before his death, earlier than her mother’s. And then, the shocking death of the author’s sister, a visual artist and writer living with a diagnosis of schizophrenia, who writes three reasons to die on her bedroom wall and then takes her life."Martha Baillie’s novels are thrillingly, joyously singular, that rare combination of sui generis and just plain generous. That There Is No Blue, her memoir, is all of those things too, is no surprise; still, she has gone somewhere extraordinary. This triptych of essays, which exquisitely unfolds the “disobedient tale” of the lives and deaths of her mother, her father, and her sister, is a meditation on the mystery and wonder of grief and art making and home and memory itself. It made me think of kintsugi, the Japanese art of repair, in which the mending is not hidden but featured and beautifully illuminated. Baillie’s variety of attention, carved out of language, is tenderness, is love." – Maud Casey, author of City of Incurable Women"This is a stunning memoir, intense and meticulous in its observations of family life. Baillie subtly interrogates and conveys the devastating mistranslations that take place in childhood, the antagonism and porousness of siblings, and the tragedy of schizophrenia as it unfolds. I couldn’t put it down." – Dr. Lisa Appignanesi, author of Mad, Bad and Sad and Everyday Madness"Exquisite." – Souvankham Thammavongsa, author of How to Pronounce Knife"I am grateful for this profound meditation on family and loss.” – Charlie Kaufman, filmmaker"This strange, unsettling memoir of outer life and inner life and their bizarre twining captures the author’s identity by way of her mother’s death, her sister’s failing battle with mental illness, and the mysterious figure of her father. It combines anguished guilt, deep tenderness, and bemused affection in highly evocative, often disturbing prose. Its brave honesty is amplified by a persistent lyricism; its undercurrent of fear is uplifted by a surprising, resilient hopefulness. It is both a plea for exoneration and an act of exoneration, an authentic meditation on the terrible difficulty of being human." – Andrew Solomon, author of The Noonday Demon
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Journals and memoirs, Death and bereavement, Family and relationships
Synthetic audio, Automated braille
In his poignant memoir, Charles Foran presents a portrait of his gruff-but-fond father wrestling with the end of life as…
Charlie acts as witness, solace, and would-be guide while facing his own mortality. What story can we tell ourselves and those we love, this radiant book asks, to withstand the inevitable mutability of time and self? A powerful meditation on fathers and sons, love and loss, and what it means to be alive "just once, no more."Dave Foran was a formidable man of few words, from a different era than his sensitive, literary son, Charlie. As a younger person, Dave had lived alone for months in the bush, overcome snow blindness, hauled a dead body across a frozen lake on a dogsled, dodged bullets in a bar, and gone toe-to-toe with a bear. Some aspects of his life were rollicking while others were more restrained: A decent father and a devoted husband, Dave was also emotionally distant, prone to laconic cynicism and a changeable mood. As Charlie writes: &“He struggled most days of his life with wounds he could not readily identify, let alone heal."The year Charlie turned 55, his 83-year-old father began a slow, final decline, and Charlie surprised himself by wanting to write about their relationship. On the surface, his motiavation was to reassure his father that he was loved. But there was also a deeper desire at work. &“Late into the middle of my own lifespan,&” Charlie writes, &“sadness took hold of my being . . . I wanted to say so frankly, never mind how uncomfortable it made me.&”In spare, haunting prose, Just Once, No More pulls on these delicate threads—unravelling a fascinating personal story and revealing its poignant universality.
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Biography, Health and medicine, Death and bereavement
Synthetic audio, Automated braille
WINNER OF THE 2023 GOVERNOR GENERAL'S LITERARY AWARD FOR NONFICTIONFor readers of Crying in H Mart and Wintering, an unforgettable…
memoir about a family secret revealed by a DNA test, the lessons learned in its aftermath, and the indelible power of love.Three months after Kyo Maclear&’s father dies in December 2018, she gets the results of a DNA test showing that she and the father who raised her are not biologically related. Suddenly Maclear becomes a detective in her own life, unravelling a family mystery piece by piece, and assembling the story of her biological father. Along the way, larger questions arise: what exactly is kinship? And what does it mean to be a family? Thoughtful in its reflections on race and lineage, unflinching in its insights on grief and loyalty, Unearthing is a captivating and propulsive story of inheritance that goes beyond heredity. What gets planted, and what gets buried? What role does storytelling play in unearthing the past and making sense of a life? Can the humble act of tending a garden provide common ground for an inquisitive daughter and her complicated mother? As it seeks to answer these questions, Unearthing bursts with the very love it seeks to understand.