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Finalist, 2023 Sheila A. Egoff Children's Literature Prize – BC and Yukon Book PrizesA beautifully illustrated collection of inspiring life…
stories of fifty extraordinary historical women from BC and the Yukon. This fascinating, informative, and charming book introduces young readers to a diverse group of women who changed the face of history in unexpected ways and defied the expectations and gender norms of their times. Through charming illustrations and concise biographies, Her Courage Rises features social activists and politicians, artists and writers, scientists and healers, pioneers and prospectors, athletes and entrepreneurs, teachers and cultural tradition keepers. These women represented all ages, walks of life, and backgrounds. Some, like Cougar Annie and shipwreck heroine Minnie Paterson, became legendary in popular culture, long after their deaths. Others, like politician Rosemary Brown, artist Emily Carr, and Olympic sprinter Barbara Howard, achieved fame during their lives. Still others, including photographer and cultural teacher Elizabeth Quocksister, artist and cultural consultant Florence Edenshaw, land claims activist and translator Jane Constance Cook (Ga’axsta’las), and language champion Barbara Touchie, made great strides in preserving and promoting Indigenous rights and cultures. And many, like environmentalist Ruth Masters, water diviner Evelyn Penrose, and Doukhobor pioneer Anna Markova, are less well-known but still made important contributions to their communities and our wider collective history. Her Courage Rises is full of inspirational female role models and insights into the trailblazing women who made history in BC and the Yukon.
A is for Acholi is a sweeping collection exploring diaspora, the marginalization of the Acholi people, the dusty streets of…
Nairobi and the cold grey of Vancouver. Playfully upending English and scholarly notation Otoniya J. Okot Bitek rearranges the alphabet, hides poems in footnotes and slips stories into superscripts.
HARROWINGS takes place mainly in the rural and reconnects with a history of Black intellectual and artistic history in relation…
to agriculture. The poems include pulses of memoir from the poet’s childhood growing up in the country on a farm. These experiences connect to her volunteer work during the recent pandemic, on a local “prison farm” – an agricultural enterprise whose leadership includes people who were formerly incarcerated. Considering movements organizing for food security, and related, resurgent practices, HARROWINGS addresses the work of cultivation. Underlying references include almanacs and Anglo idioms, drawing upon tabular information, weather, and the workings of the sun, moon, and points of stars as may be practical in relation to a localized, growing year. The poems refuse the romance of husbandry, cultivation, and predictive customs. Understanding “the farm” as a tract of colonial advance – tropes of charming and white, tradition and supremacy, are confronted in a study of biome, water, soil, and seed. With love, despite episodic and chronic illness, duress, and dissociative relationships to time – the poetry advances by way of practical tasks such as watering, weeding, and sowing toward abolitionist futures.