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A groundbreaking, deeply affecting work of environmental literary suspense for fans of Cloud Atlas, The Overstory, and Station Eleven.The northern…
mining town of River Meadows is one of three hotspots in the world producing ghost ore, a new source of energy worth twenty-eight times its weight in gold. It's also linked with slippages of time and space that gradually render the area uninhabitable. After the town is evacuated, the whole region is cordoned off, the new no-go zone wryly nicknamed "the Park."Three intertwined stories flow from the disaster of River Meadows. Alex Hewitt and his sister, Amery, were among the first to be shipped out of the contaminated town. Now an accomplished game designer, Alex has moved on, but his sister has not, making increasingly dangerous break-ins to save animals trapped in the toxic wasteland. When at last she fails to return from a trip inside the fence, Alex flies to River Meadows to search for her, enlisting her friend, Michio Amano, a mathematician who needs to transcend the known laws of physics if he and Alex are to succeed.Claire Foley ran away from River Meadows as a teenager and now traffics in endangered wildlife. As Alex and Michio search for Amery, Claire arrives in an island nation under threat of environmental catastrophe to retrieve her greatest prize yet, only to find herself facing a life-altering choice.And, finally, in a future as distant as myth, a flock of birds sets out on a dangerous journey to prevent the extinction of their ancient enemy, humanity. The account they hand down is an Epic of Gilgamesh for our times, illuminating the wisdom of nature and our flawed stewardship of the planet. As sweeping in scope as a world of its own, The Book of Rain is a novel of epic reach, beautifully multi-layered, haunting and profound.
A darkly absorbing, prismatic debut novel from Christine Lai, set in a near future that is fraught with ecological collapse…
and geopolitical upheaval, Landscapes explores memory, empathy, and art as an instrument for recollection and renewal. In a ruinous country house in the now barren English countryside--decimated by heat and drought--and in a dusty library damaged by earthquake and floods, Penelope archives what remains of the estate’s once notable, now diminished, art collection. As she delves into the objects and images, she also keeps a diary of her final months in the dilapidated estate that has been her home for two decades and a refuge for those who have been displaced by disasters. Out of necessity, Penelope and her partner, Aidan, have sold the house and with its scheduled demolition comes this pressing task of building the archive. But with it also comes the impending arrival of Aidan’s brother, Julian, who will return to have one final look at his childhood home. Penelope suffered at the hands of Julian twenty-two years ago during a brief but violent relationship, and as his visit looms large over her, she finds herself unable to tamp down the past in her efforts to build a possible, if uncertain, future. In this elegiac and spellbinding blend of narrative, essay and diary, Penelope’s past, present and future collide as fear and loss close in around her, and she clings to art as a means of understanding, of survival, and of reckoning. Recalling the works of Rachel Cusk and Kazuo Ishiguro, Landscapes is an evocative reinvention of the pastoral and the country house novel for our age of catastrophe, and announces the arrival of an extraordinarily gifted new writer.
A funny, poignant, and page-turning debut novel that skewers billionaire-funded space travel in a love story of interplanetary proportions. Amber…
Kivinen is moving to Mars. Or at least, she will be if she wins a chance to join MarsNow. She and twenty-three reality TV contestants from around the world—including a handsome Israeli, an endearing fellow Canadian, and an assortment of science nerds and wannabe influencers—are competing for two seats on the first human-led mission to Mars, sponsored by billionaire Geoff Task. Meanwhile Kevin, Amber’s boyfriend of fourteen years, was content going nowhere until Amber left him—and their hydroponic weed business—behind. As he tends to the plants growing in their absurdly overpriced Vancouver basement apartment, Kevin tunes in to find out why the love of his life is so determined to leave the planet with somebody else. An audaciously original debut from an "immensely talented writer" (Emily St. John Mandel), Girlfriend on Mars is at once a satirical indictment of our pursuit of fame and wealth amidst environmental crisis, and an exploration of humanity’s deepest longing, greatest quest, and most enduring cliché: love
A groundbreaking, deeply affecting work of environmental literary suspense for fans of Cloud Atlas, The Overstory, and Station Eleven.The northern…
mining town of River Meadows is one of three hotspots in the world producing ghost ore, a new source of energy worth twenty-eight times its weight in gold. It's also linked with slippages of time and space that gradually render the area uninhabitable. After the town is evacuated, the whole region is cordoned off, the new no-go zone wryly nicknamed "the Park."Three intertwined stories flow from the disaster of River Meadows. Alex Hewitt and his sister, Amery, were among the first to be shipped out of the contaminated town. Now an accomplished game designer, Alex has moved on, but his sister has not, making increasingly dangerous break-ins to save animals trapped in the toxic wasteland. When at last she fails to return from a trip inside the fence, Alex flies to River Meadows to search for her, enlisting her friend, Michio Amano, a mathematician who needs to transcend the known laws of physics if he and Alex are to succeed.Claire Foley ran away from River Meadows as a teenager and now traffics in endangered wildlife. As Alex and Michio search for Amery, Claire arrives in an island nation under threat of environmental catastrophe to retrieve her greatest prize yet, only to find herself facing a life-altering choice.And, finally, in a future as distant as myth, a flock of birds sets out on a dangerous journey to prevent the extinction of their ancient enemy, humanity. The account they hand down is an Epic of Gilgamesh for our times, illuminating the wisdom of nature and our flawed stewardship of the planet. As sweeping in scope as a world of its own, The Book of Rain is a novel of epic reach, beautifully multi-layered, haunting and profound.
Scotiabank Giller Prize-winner Sean Michaels' luminous new novel takes readers on a lyrical joy ride—seven, epic days in Silicon Valley…
with a tall, formidable poet (inspired by the real-life Marianne Moore) and her unusual new collaborator, a digital mind just one month old. It's both a love letter to and an aching examination of art-making, family, identity and belonging.Dear Marian, the letter from the Company begins. You are one of the great writers of this century.At 75, Marian Ffarmer is almost as famous for her signature tricorn hat and cape as for her verse. She has lived for decades in the one-bedroom New York apartment she once shared with her mother, miles away from any other family, dedicating herself to her art. Yet recently her certainty about her choices has started to fray, especially when she thinks about her only son, now approaching middle age with no steady income. Into that breach comes the letter: an invitation to the Silicon Valley headquarters of one of the world's most powerful companies in order to make history by writing a poem.Marian has never collaborated with anyone, let alone a machine, but the offer is too lucrative to resist, and she boards a plane to San Francisco with dreams of helping her son. In the Company's serene and golden Mind Studio, she encounters Charlotte, their state-of-the-art poetry bot, and is startled to find that it has written 230,442 poems in the last week, though it claims to only like two of them.Over the conversations to follow, the poet is by turns intrigued, confused, moved and frightened by Charlotte's vision of the world, by what it knows and doesn't know ("Do you remember being born?" it asks her. Of course Marian doesn't, but Charlotte does.) This is a relationship, a friendship, unlike anything Marian has known, and as it evolves—and as Marian meets strangers at swimming pools, tortoises at the zoo, a clutch of younger poets, a late-night TV host and his synthetic foam set—she is forced to confront the secrets of her past and the direction of her future. Who knew that a disembodied mind could help bend Marian's life towards human connection, that friendship and family are not just time-eating obligations but soul-expanding joys. Or that belonging to one’s art means, above all else, belonging to the world.
A darkly absorbing, prismatic debut novel from Christine Lai, set in a near future that is fraught with ecological collapse…
and geopolitical upheaval, Landscapes explores memory, empathy, and art as an instrument for recollection and renewal. In a ruinous country house in the now barren English countryside--decimated by heat and drought--and in a dusty library damaged by earthquake and floods, Penelope archives what remains of the estate&’s once notable, now diminished, art collection. As she delves into the objects and images, she also keeps a diary of her final months in the dilapidated estate that has been her home for two decades and a refuge for those who have been displaced by disasters. Out of necessity, Penelope and her partner, Aidan, have sold the house and with its scheduled demolition comes this pressing task of building the archive. But with it also comes the impending arrival of Aidan&’s brother, Julian, who will return to have one final look at his childhood home. Penelope suffered at the hands of Julian twenty-two years ago during a brief but violent relationship, and as his visit looms large over her, she finds herself unable to tamp down the past in her efforts to build a possible, if uncertain, future. In this elegiac and spellbinding blend of narrative, essay and diary, Penelope&’s past, present and future collide as fear and loss close in around her, and she clings to art as a means of understanding, of survival, and of reckoning. Recalling the works of Rachel Cusk and Kazuo Ishiguro, Landscapes is an evocative reinvention of the pastoral and the country house novel for our age of catastrophe, and announces the arrival of an extraordinarily gifted new writer.
Scotiabank Giller Prize-winner Sean Michaels' luminous new novel takes readers on a lyrical joy ride—seven, epic days in Silicon Valley…
with a tall, formidable poet (inspired by the real-life Marianne Moore) and her unusual new collaborator, a digital mind just one month old. It's both a love letter to and an aching examination of art-making, family, identity and belonging.Dear Marian, the letter from the Company begins. You are one of the great writers of this century.At 75, Marian Ffarmer is almost as famous for her signature tricorn hat and cape as for her verse. She has lived for decades in the one-bedroom New York apartment she once shared with her mother, miles away from any other family, dedicating herself to her art. Yet recently her certainty about her choices has started to fray, especially when she thinks about her only son, now approaching middle age with no steady income. Into that breach comes the letter: an invitation to the Silicon Valley headquarters of one of the world's most powerful companies in order to make history by writing a poem.Marian has never collaborated with anyone, let alone a machine, but the offer is too lucrative to resist, and she boards a plane to San Francisco with dreams of helping her son. In the Company's serene and golden Mind Studio, she encounters Charlotte, their state-of-the-art poetry bot, and is startled to find that it has written 230,442 poems in the last week, though it claims to only like two of them.Over the conversations to follow, the poet is by turns intrigued, confused, moved and frightened by Charlotte's vision of the world, by what it knows and doesn't know ("Do you remember being born?" it asks her. Of course Marian doesn't, but Charlotte does.) This is a relationship, a friendship, unlike anything Marian has known, and as it evolves—and as Marian meets strangers at swimming pools, tortoises at the zoo, a clutch of younger poets, a late-night TV host and his synthetic foam set—she is forced to confront the secrets of her past and the direction of her future. Who knew that a disembodied mind could help bend Marian's life towards human connection, that friendship and family are not just time-eating obligations but soul-expanding joys. Or that belonging to one&’s art means, above all else, belonging to the world.
*SHORTLISTED FOR THE 2024 STEPHEN LEACOCK MEMORIAL MEDAL FOR HUMOUR* *LONGLISTED FOR THE 2023 SCOTIABANK GILLER PRIZE* *LONGLISTED FOR THE…
FOREST OF READING EVERGREEN AWARD* *SHORTLISTED FOR THE 2024 ALBERTA LITERARY AWARDS GEORGES BUGNET AWARD FOR FICTION*&“A sharp, funny take on capitalism, climate change, and our lifelong mission to be loved.&” —PeopleA funny, poignant, and page-turning debut novel that skewers billionaire-funded space travel in a love story of interplanetary proportions.Amber Kivinen is moving to Mars. Or at least, she will be if she wins a chance to join MarsNow. She and twenty-three reality TV contestants from around the world—including a handsome Israeli, an endearing fellow Canadian, and an assortment of science nerds and wannabe influencers—are competing for two seats on the first human-led mission to Mars, sponsored by billionaire Geoff Task. Meanwhile Kevin, Amber&’s boyfriend of fourteen years, was content going nowhere until Amber left him—and their hydroponic weed business—behind. As he tends to the plants growing in their absurdly overpriced Vancouver basement apartment, Kevin tunes in to find out why the love of his life is so determined to leave the planet with somebody else.An audaciously original debut from an &“immensely talented writer&” (Emily St. John Mandel), Girlfriend on Mars is at once a satirical indictment of our pursuit of fame and wealth amidst environmental crisis, and an exploration of humanity&’s deepest longing, greatest quest, and most enduring cliché: love.