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Showing 1 - 5 of 5 items
The acclaimed, award-winning author of The Resisters takes measure of the fifty years since the opening of China and its…
unexpected effects on the lives of ordinary people. It is a unique book that only Jen could write—a story collection accruing the power of a novel as it proceeds—a work that Cynthia Ozick has called &“an art beyond art. It is life itself.&” Beginning with a cheery letter penned by a Chinese girl in heaven to &“poor Mr. Nixon&” in hell, Gish Jen embarks on a fictional journey through U.S.-China relations, capturing the excitement of a world on the brink of tectonic change. Opal Chen reunites with her Chinese sisters after forty years; newly cosmopolitan Lulu Koo wonders why Americans &“like to walk around in the woods with the mosquitoes&”; Hong Kong parents go to extreme lengths to reestablish contact with their &“number-one daughter&” in New York; and Betty Koo, brought up on &“no politics, just make money,&” finds she must reassess her mother&’s philosophy. With their profound compassion and equally profound humor, these eleven linked stories trace the intimate ways in which humans make and are made by history, capturing an extraordinary era in an extraordinary way. Delightful, provocative, and powerful, Thank You, Mr. Nixon furnishes yet more proof of Gish Jen&’s eminent place among American storytellers
Longlisted for the 2022 Scotiabank Giller Prize When a mudslide strands a train, Baxter, a queer Black sleeping car porter,…
must contend with the perils of white passengers, ghosts, and his secret love affair The Sleeping Car Porter brings to life an important part of Black history in North America, from the perspective of a queer man living in a culture that renders him invisible in two ways. Affecting, imaginative, and visceral enough that you’ll feel the rocking of the train, The Sleeping Car Porter is a stunning accomplishment. Baxter’s name isn’t George. But it’s 1929, and Baxter is lucky enough, as a Black man, to have a job as a sleeping car porter on a train that crisscrosses the country. So when the passengers call him George, he has to just smile and nod and act invisible. What he really wants is to go to dentistry school, but he’ll have to save up a lot of nickel and dime tips to get there, so he puts up with “George.” On this particular trip out west, the passengers are more unruly than usual, especially when the train is stalled for two extra days; their secrets start to leak out and blur with the sleep-deprivation hallucinations Baxter is having. When he finds a naughty postcard of two queer men, Baxter’s memories and longings are reawakened; keeping it puts his job in peril, but he can’t part with the postcard or his thoughts of Edwin Drew, Porter Instructor. "Suzette Mayr’s The Sleeping Car Porter offers a richly detailed account of a particular occupation and time—train porter on a Canadian passenger train in 1929—and unforcedly allows it to illuminate the societal strictures imposed on black men at the time—and today. Baxter is a secretly-queer and sleep-deprived porter saving up for dental school, working a system that periodically assigns unexplained demerits, and once a certain threshold is reached, the porter loses his job. Thus, success is impossible, the best one can do is to fail slowly. As Baxter takes a cross-continental run, the boarding passengers have more secrets than an Agatha Christie cast, creating a powder keg on train tracks. The Sleeping Car Porter is an engaging and illuminating novel about the costs of work, service, and secrets." – Keith Mosman, Powell's Books "I thought The Sleeping Car Porter was fantastic! It strikes a balance between being about the struggles of being black and gay at that time while not being too heavy handed with it. I enjoyed his constant mental math on how many demerits he might receive for each infraction. The reader really gets a sense of the conflict that Baxter is going through. I really liked reading a book from the perspective of a porter." – Hunter Gillum, Beaverdale Books
The acclaimed, award-winning author of The Resisters takes measure of the fifty years since the opening of China and its…
unexpected effects on the lives of ordinary people. It is a unique book that only Jen could write—a story collection accruing the power of a novel as it proceeds—a work that Cynthia Ozick has called &“an art beyond art. It is life itself.&”Beginning with a cheery letter penned by a Chinese girl in heaven to &“poor Mr. Nixon&” in hell, Gish Jen embarks on a fictional journey through U.S.-China relations, capturing the excitement of a world on the brink of tectonic change. Opal Chen reunites with her Chinese sisters after forty years; newly cosmopolitan Lulu Koo wonders why Americans &“like to walk around in the woods with the mosquitoes&”; Hong Kong parents go to extreme lengths to reestablish contact with their &“number-one daughter&” in New York; and Betty Koo, brought up on &“no politics, just make money,&” finds she must reassess her mother&’s philosophy. With their profound compassion and equally profound humor, these eleven linked stories trace the intimate ways in which humans make and are made by history, capturing an extraordinary era in an extraordinary way. Delightful, provocative, and powerful, Thank You, Mr. Nixon furnishes yet more proof of Gish Jen&’s eminent place among American storytellers.
Longlisted for the PEN/Robert W. Bingham Prize for Debut Short Story Collection, Aspen Words Literary Prize, and the Andrew Carnegie…
Medal for Fiction. Finalist for the 2023 Carol Shields Prize for Fiction. A Ms. Magazine, Bustle, Publishers Weekly, Chicago Review of Books, Debutiful, and ALTA Journal Best Book of September An Orion Best Book of Fall In nine stories that span the globe, What We Fed to the Manticore takes readers inside the minds of a full cast of animal narrators to understand the triumphs, heartbreaks, and complexities of the creatures that share our world. Through nine emotionally vivid stories, all narrated from animal perspectives, Talia Lakshmi Kolluri’s debut collection explores themes of environmentalism, conservation, identity, belonging, loss, and family with resounding heart and deep tenderness. In Kolluri’s pages, a faithful hound mourns the loss of the endangered rhino he swore to protect. Vultures seek meaning as they attend to the antelope that perished in Central Asia. A beloved donkey’s loyalty to a zookeeper in Gaza is put to the ultimate test. And a wounded pigeon in Delhi finds an unlikely friend. In striking, immersive detail against the backdrop of an ever-changing international landscape, What We Fed to the Manticore speaks to the fears and joys of the creatures we share our world with, and ultimately places the reader under the rich canopy of the tree of life.
Finalist for the Story Prize Longlisted for the Carol Shields Prize for Fiction A BookPage and Kirkus Reviews Best Book…
of the Year A masterful collection of interconnected stories from the "genius enchantress" (Karen Russell) author of Ship Fever, winner of the National Book Award.In Natural History, Andrea Barrett completes the beautiful arc of intertwined lives of a family of scientists, teachers, and innovators that she has been weaving through multiple books since her National Book Award–winning collection, Ship Fever. The six exquisite stories in Natural History are set largely in a small community in central New York state and portray some of her most beloved characters, spanning the decades between the Civil War to the present day. In “Henrietta and Her Moths,” a woman tends to an insect nursery as her sister’s life follows a different path. In “Open House,” a young man grapples with a choice between a thrilling life spent discovering fossils and a desire to remain close to home. And in the magnificent title novella, “Natural History,” Barrett deepens the connection between her characters, bringing us through to the present day and providing an unforgettable capstone.Told with Barrett’s characteristic elegance, passion for science, and wonderful eye for the natural world, the psychologically astute and moving stories gathered in this collection evoke the ways women’s lives and expectations—in families, in work, and in love—have shifted across a century and more. Building upon one another, these tales brilliantly culminate to reveal how the smallest events of the past can have large reverberations across the generations, and how potent, wondrous, and strange the relationship between history and memory can be.