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Coutumes et cultures, Journaux personnels et mémoires, Sociologie
Audio avec voix humaine
An extraordinary account of survival in Syria's most notorious military prisons that is written with "brutal clarity — and yet,…
there is a poetic quality to the telling." — Frances Itani, award-winning author of Deafening and Remembering the Bones Jamal Saeed arrived as a refugee in Canada in 2016. In his native Syria, as a young man, his writing pushed both social and political norms. For this reason, as well as his opposition to the regimes of the al-Assads, he was imprisoned on three occasions for a total of 12 years. In each instance, he was held without formal charge and without judicial process. My Road from Damascus not only tells the story of Saeed's severe years in Syria's most notorious military prisons but also his life during the country's dramatic changes. Saeed chronicles modern Syria from the 1950s right up to his escape to Canada in 2016, recounting its descent from a country of potential to a pawn of cynical and corrupt powers. He paints a picture of village life, his youthful love affairs, his rebellion as a young Marxist, and his evolution into a free thinker, living in hiding as a teenager for 30 months while being hunted by the secret police. He recalls his brutal prison years, his final release, and his family's harrowing escape to Canada. While many prison memoirs focus on the cruelty of incarceration, My Road from Damascus offers a tapestry of Saeed's whole life. It looks squarely at brutality but also at beauty and poetry, hope and love
Braille (abrégé), Braille électronique (abrégé), DAISY Audio (Téléchargement Direct), DAISY Audio (Zip), DAISY texte (Téléchargement direct), DAISY texte (Zip), Word (Zip), ePub (Zip)
Peuples autochtones au Canada, Peuples autochtones (biographies), Peuples autochtones (histoire), Sociologie
Audio avec voix de synthèse, Braille automatisé
Unbroken is an extraordinary work of memoir and investigative journalism focusing on missing and murdered Indigenous women and girls, written…
by an award-winning Gitxsan journalist who survived life on the streets against all odds. As a Gitxsan teenager navigating life on the streets, Angela Sterritt wrote in her journal to help her survive and find her place in the world. Now an acclaimed journalist, she writes for major news outlets to push for justice and to light a path for Indigenous women, girls, and survivors. In her brilliant debut, Sterritt shares her memoir alongside investigative reporting into cases of missing and murdered Indigenous women in Canada, showing how colonialism and racism led to a society where Sterritt struggled to survive as a young person, and where the lives of Indigenous women and girls are ignored and devalued. Growing up, Sterritt was steeped in the stories of her ancestors: grandparents who carried bentwood boxes of berries, hunted and trapped, and later fought for rights and title to that land. But as a vulnerable young woman, kicked out of the family home and living on the street, Sterritt inhabited places that, today, are infamous for being communities where women have gone missing or been murdered: Vancouver's Downtown Eastside, and, later on, Northern BC's Highway of Tears. Sterritt faced darkness: she experienced violence from partners and strangers and saw friends and community members die or go missing. But she navigated the street, group homes, and SROs to finally find her place in journalism and academic excellence at university, relying entirely on her own strength, resilience, and creativity along with the support of her ancestors and community to find her way. "She could have been me," Sterritt acknowledges today, and her empathy for victims, survivors, and families drives her present-day investigations into the lives of missing and murdered Indigenous women. In the end, Sterritt steps into a place of power, demanding accountability from the media and the public, exposing racism, and showing that there is much work to do on the path towards understanding the truth. But most importantly, she proves that the strength and brilliance of Indigenous women is unbroken, and that together, they can build lives of joy and abundance.
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Journaux personnels et mémoires, Essais, Anthologies, Critiques , Sociologie
Audio avec voix de synthèse, Braille automatisé
A journalist and folklorist explores the truths that underlie the stories we imagine—and reveals the magic in the everyday. “I’ve…
always felt that the term fairy tale doesn’t quite capture the essence of these stories,” writes Emily Urquhart. “I prefer the term wonder tale, which is Irish in origin, for its suggestion of awe coupled with narrative. In a way, this is most of our stories.” In this startlingly original essay collection, Urquhart reveals the truths that underlie our imaginings: what we see in our heads when we read, how the sight of a ghost can heal, how the entrance to the underworld can be glimpsed in an oil painting or a winter storm—or the onset of a loved one’s dementia. In essays on death and dying, pregnancy and prenatal genetics, radioactivity, chimeras, cottagers, and plague, Ordinary Wonder Tales reveals the essential truth: if you let yourself look closely, there is magic in the everyday.