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DAISY audio (CD), DAISY audio (Direct to player), DAISY audio (Zip)
United States history, Journals and memoirs, Indigenous peoples biography, Indigenous peoples
Human-narrated audio
A daughter returns home to the Navajo reservation to retrace her mother&’s life in a memoir that is both a…
narrative and an archive of one family&’s troubled history &“An honest, intimate, and heart-wrenching memoir that explores the fractured family, the damaging effects of alcoholism and poverty, and what it means to seek healing from the legacies of trauma.&”—Kali Fajardo-Anstine, author of the National Book Award finalist Sabrina & Corina When Danielle Geller&’s mother dies of alcohol withdrawal during an attempt to get sober, Geller returns to Florida and finds her mother&’s life packed into eight suitcases. Most were filled with clothes, except for the last one, which contained diaries, photos, and letters, a few undeveloped disposable cameras, dried sage, jewelry, and the bandana her mother wore on days she skipped a hair wash. Geller, an archivist and a writer, uses these pieces of her mother&’s life to try and understand her mother&’s relationship to home, and their shared need to leave it. Geller embarks on a journey where she confronts her family's history and the decisions that she herself had been forced to make while growing up, a journey that will end at her mother's home: the Navajo reservation. Dog Flowers is an arresting memoir that examines mothers and mothering, sisters and caretaking, and colonized bodies. Exploring loss and inheritance, beauty and balance, Danielle Geller pays homage to our pasts, traditions, and heritage, to the families we are given and the families we choose
DAISY audio (CD), DAISY audio (Direct to player), DAISY audio (Zip)
Indigenous peoples biography
Human-narrated audio
Mamaskatch, Darrel J. McLeod’s 2018 memoir of growing up Cree in Northern Alberta, was a publishing sensation - winning the…
Governor General’s Award for Nonfiction, shortlisted for many other major prizes, and translated into French and German editions. In Peyakow, McLeod continues the poignant story of his impoverished youth, beset by constant fears of being dragged down by the self-destruction and deaths of those closest to him as he battles the bullying of White classmates, copes with the trauma of physical and sexual abuse, and endures painful separation from his family and culture. With steely determination, he triumphs: now, elementary teacher; now, school principal; now, head of an Indigenous delegation to the UN in Geneva; now, executive in the Government of Canada - and now, a celebrated author. Brutally frank but buoyed throughout by McLeod’s unquenchable spirit, Peyakow - a title borrowed from the Cree word for “one who walks alone” - is an inspiring account of triumph against unimaginable odds. McLeod’s perspective as someone whose career path has crossed both sides of the Indigenous/White chasm resonates with particular force in today’s Canada.
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Journals and memoirs, Indigenous peoples biography, Women biography, Literature biography
Synthetic audio, Human-transcribed braille
Captivating and deeply moving, this story basket of memories tells one Indigenous woman’s journey of overcoming adversity and colonial trauma…
to find strength through creative works and traditional perspectives of healing, transformation, and resurgence.
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Indigenous peoples biography, Journals and memoirs, Indigenous peoples
Synthetic audio, Automated braille
A daughter returns home to the Navajo reservation to retrace her mother&’s life in a memoir that is both a…
narrative and an archive of one family&’s troubled history &“An honest, intimate, and heart-wrenching memoir that explores the fractured family, the damaging effects of alcoholism and poverty, and what it means to seek healing from the legacies of trauma.&”—Kali Fajardo-Anstine, author of the National Book Award finalist Sabrina & Corina When Danielle Geller&’s mother dies of alcohol withdrawal during an attempt to get sober, Geller returns to Florida and finds her mother&’s life packed into eight suitcases. Most were filled with clothes, except for the last one, which contained diaries, photos, and letters, a few undeveloped disposable cameras, dried sage, jewelry, and the bandana her mother wore on days she skipped a hair wash. Geller, an archivist and a writer, uses these pieces of her mother&’s life to try and understand her mother&’s relationship to home, and their shared need to leave it. Geller embarks on a journey where she confronts her family's history and the decisions that she herself had been forced to make while growing up, a journey that will end at her mother's home: the Navajo reservation. Dog Flowers is an arresting, photo-lingual memoir that masterfully weaves together images and text to examine mothers and mothering, sisters and caretaking, and colonized bodies. Exploring loss and inheritance, beauty and balance, Danielle Geller pays homage to our pasts, traditions, and heritage, to the families we are given and the families we choose.
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Indigenous peoples biography, Journals and memoirs, General non-fiction
Synthetic audio, Automated braille
From Griffin Poetry Prize winner Jordan Abel comes a groundbreaking, deeply personal, and devastating autobiographical meditation that attempts to address…
the complicated legacies of Canada's residential school system and contemporary Indigenous existence.As a Nisga'a writer, Jordan Abel often finds himself in a position where he is asked to explain his relationship to Nisga'a language, Nisga'a community, and Nisga'a cultural knowledge. However, as an intergenerational survivor of residential school--both of his grandparents attended the same residential school--his relationship to his own Indigenous identity is complicated to say the least.NISHGA explores those complications and is invested in understanding how the colonial violence originating at the Coqualeetza Indian Residential School impacted his grandparents' generation, then his father's generation, and ultimately his own. The project is rooted in a desire to illuminate the realities of intergenerational survivors of residential school, but sheds light on Indigenous experiences that may not seem to be immediately (or inherently) Indigenous. Drawing on autobiography and a series of interconnected documents (including pieces of memoir, transcriptions of talks, and photography), NISHGA is a book about confronting difficult truths and it is about how both Indigenous and non-Indigenous peoples engage with a history of colonial violence that is quite often rendered invisible.
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Business and economics, Environment, Politics and government
Synthetic audio, Automated braille
What is land? A resource to be exploited? A commodity to be traded? A home to cherish? In Guatemala, a…
country still reeling from thirty-six years of US-backed state repression and genocides, dominant Canadian mining interests cash in on the transformation of land into “property,” while those responsible act with near-total impunity. Editors Catherine Nolin and Grahame Russell draw on over thirty years of community-based research and direct community support work in Guatemala to expose the ruthless state machinery that benefits the Canadian mining industry—a staggeringly profitable juggernaut of exploitation, sanctioned and supported every step of the way by the Canadian government. This edited collection calls on Canadians to hold our government and companies fully to account for their role in enabling and profiting from violence in Guatemala. The text stands apart in featuring a series of unflinching testimonios (testimonies) authored by Indigenous community leaders in Guatemala, as well as wide-ranging contributions from investigative journalists, scholars, lawyers, activists, and documentarians on the ground. As resources are ripped from the earth and communities and environments ripped apart, the act of standing in solidarity and bearing witness—rather than extracting knowledge—becomes more radical than ever.