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Littérature générale (romans), Famille (récits), Oeuvres littéraires (romans)
Audio avec voix humaine
"Heart-breaking and heart-healing—The Book of Form and Emptiness is a triumph." —Matt Haig, New York Times bestselling author of The…
Midnight Library. A brilliantly inventive new novel about loss, growing up, and our relationship with things, by the Booker Prize-finalist author of A Tale for the Time Being. One year after the death of his beloved musician father, thirteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house—a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous. At first, Benny tries to ignore them, but soon the voices follow him outside the house, onto the street and at school, driving him at last to seek refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers. There, Benny discovers a strange new world. He falls in love with a mesmerizing street artist with a smug pet ferret, who uses the library as her performance space. He meets a homeless philosopher-poet, who encourages him to ask important questions and find his own voice amongst the many. And he meets his very own Book—a talking thing—who narrates Benny’s life and teaches him to listen to the things that truly matter. With its blend of sympathetic characters, riveting plot, and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions, The Book of Form and Emptiness is classic Ruth Ozeki—bold, wise, poignant, playful, humane and heartbreaking.
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Littérature générale (romans), Oeuvres littéraires (romans), Sensations (romans à)
Audio avec voix de synthèse, Braille automatisé
A queer psychological thriller from a beguiling, fresh new voice.Victoria is unraveling. Her best friend is missing, and she's the…
only one who seems to care: there are clues all over Cambridge, but Deb is nowhere to be found--and the harder Victoria looks, the less she sees.Victoria is raised in a crumbling house in England by her working-class aunt and uncle, until her academic brilliance gains her entrance to Cambridge. There, she meets her first true friend, Deb, a spacey aristocrat, and the girls create their own tiny bubble within Cambridge's strict class system. Until Deb disappears. In her search for her friend, Victoria finds an unlikely ally--a police officer named Julie. They travel the countryside, visiting sites of suicides, murders, and accidents. But eventually, Julie's emotional demands overwhelm Victoria, and she retreats into a lonely life of academia, always teetering on the edge of emotional collapse. Wandering through a miasma of sexism, isolation, physical and mental health issues, Victoria's story is haunted by the spectre of her mother, whose own assault and subsequent pregnancy represent a break in her contract with the world.
Braille (abrégé), Braille électronique (abrégé), DAISY Audio (CD), DAISY Audio (Téléchargement Direct), DAISY Audio (Zip), DAISY texte (Téléchargement direct), DAISY texte (Zip), Word (Zip), ePub (Zip)
Littérature générale (romans), Oeuvres littéraires (romans), Nouvelles
Audio avec voix de synthèse, Braille automatisé
Thirteen glittering and darkly funny stories of people testing boundaries, from two-time Scotiabank Giller Prize finalist Alix Ohlin. Alix Ohlin…
delivers a masterclass in the short story with We Want What We Want, populated by bad parents, burned potential, and inescapable old flames. In the mordantly funny “Money, Geography, Youth,” Vanessa arrives home after volunteering in Ghana, only to discover that her father is engaged to her childhood best friend. In the subversive “The Brooks Brothers Guru,” Amanda drives to Upstate New York to rescue her cousin from a cult, only to discover well-dressed men living together in a beautiful abode, drinking cocktails, and exchanging Classical knowledge. In “The Universal Particular,” Tamar welcomes her husband’s young relative into her suburban home, only to find her life knocked askew in ways she doesn’t quite understand. Each story in We Want What We Want is diamond-sharp — sparkling with humour, pain, and beauty.