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Pandemic survival: it's why you're alive
By Jane Drake, Ann Love, Samantha Swenson, Sue Tate. 2013
History is full of gruesome pandemics, and surviving those pandemics has shaped our society and way of life. Every person…
today is alive because of an ancestor who survived -- and surviving our current and future pandemics, like SARS, AIDS, and bird flu will determine our future. This book presents in-depth information about past and current illnesses; the evolution of medicine and its pioneers; cures and treatments; strange rituals and superstitions; and what we're doing to prevent future pandemics. Grades 4-7. 2013.L'islam: des réponses aux questions actuelles (En question. livre VII)
By Jean-René Milot. 2004
La "guerre sainte" (djihad) est-elle un précepte du Coran? En quoi la Loi islamique (shari'a) est-elle différente de ce qu'on…
entend habituellement par loi en contexte occidental? Qu'est-ce qu'une fatwa et qui peut en émettre une? Comment la communauté musulmane est-elle structurée et qui peut parler au nom de l'Islam et des musulmans? Y a-t-il vraiment un "choc des cultures" entre l'Islam et l'Occident? Voilà autant de questions auxquelles vous obtiendrez des réponses claires et précises. Des textes accessibles présentés de façon plus dynamique que dans les ouvrages dits savants. Pour les lecteurs d'école secondaires. 2004.Ramadan: the holy month of fasting (Orca origins)
By Ausma Zehanat Khan. 2018
Throughout the month of Ramadan, Muslims fast during the day and break the fast together as a family each night.…
Ramadan provides the opportunity to focus on positive thoughts and actions. It is a time to become more grateful for the blessings people often take for granted and be reminded of the importance of helping others. This book examines the origins and traditions of the Muslim holy month of Ramadan. Grades 3-6. 2018.Ox bells and fireflies: a memoir
By Ernest Buckler. 1968
Le traitement naturel des céphalées et des migraines (Collection Santé naturelle.)
By Mario Chaput. 2005
Older Sister. Not Necessarily Related.: A Memoir
By Jenny Heijun Wills. 2019
Winner of the 2019 Hilary Weston Writers' Trust Prize for NonfictionA beautiful and haunting memoir of kinship and culture rediscovered.Jenny…
Heijun Wills was born in Korea and adopted as an infant into a white family in small-town Canada. In her late twenties, she reconnected with her first family and returned to Seoul where she spent four months getting to know other adoptees, as well as her Korean mother, father, siblings, and extended family. At the guesthouse for transnational adoptees where she lived, alliances were troubled by violence and fraught with the trauma of separation and of cultural illiteracy. Unsurprisingly, heartbreakingly, Wills found that her nascent relationships with her family were similarly fraught. Ten years later, Wills sustains close ties with her Korean family. Her Korean parents and her younger sister attended her wedding in Montreal, and that same sister now lives in Canada. Remarkably, meeting Jenny caused her birth parents to reunite after having been estranged since her adoption. Little by little, Jenny Heijun Wills is learning and relearning her stories and those of her biological kin, piecing together a fragmented life into something resembling a whole.Delving into gender, class, racial, and ethnic complexities, as well as into the complex relationships between Korean women--sisters, mothers and daughters, grandmothers and grandchildren, aunts and nieces--Older Sister. Not Necessarily Related. describes in visceral, lyrical prose the painful ripple effects that follow a child's removal from a family, and the rewards that can flow from both struggle and forgiveness.Nobody Ever Talks About Anything But the End: A Memoir
By Liz Levine. 2020
A genuinely moving, funny, and inventive account of loss and grief, mental illness and suicide, from film and TV producer…
Liz Levine (Story of a Girl), written in the aftermath of the deaths of her sister and best friend.I feel like I might be a terrible person to be laughing in these moments. But it turns out, I’m not alone. In November of 2016, Liz Levine’s younger sister, Tamara, reached a breaking point after years of living with mental illness. In the dark hours before dawn, she sent a final message to her family then killed herself. In Nobody Ever Talks About Anything But the End, Liz weaves the story of what happened to Tamara with another significant death—that of Liz’s childhood love, Judson, to cancer. She writes about her relationship with Judson, Tamara’s struggles, the conflicts that arise in a family of challenging personalities, and how death casts a long shadow. This memorable account of life and loss is haunting yet filled with dark humor—Tamara emails her family when Trump is elected to check if she’s imagining things again, Liz discovers a banana has been indicted as a whistleblower in an alleged family conspiracy, and a little niece declares Tamara’s funeral the “most fun ever!” With honesty, Liz exposes the raw truths about grief and mourning that we often shy away from—and almost never share with others. And she reveals how, in the midst of death, life—with all its messy complications—must also be celebrated.The Art of Leaving: A Memoir
By Ayelet Tsabari. 2019
WINNER OF THE CANADIAN JEWISH LITERARY AWARD FOR MEMOIRFINALIST FOR THE HILARY WESTON WRITERS' TRUST PRIZE FOR NONFICTIONAn unforgettable memoir…
about a young woman who tries to outrun loss, but eventually finds a way home. Ayelet Tsabari was 21 years old the first time she left Tel Aviv with no plans to return. Restless after two turbulent mandatory years in the Israel Defense Forces, Tsabari longed to get away. It was not the never-ending conflict that drove her, but the grief that had shaken the foundations of her home. The loss of Tsabari’s beloved father in years past had left her alienated and exiled within her own large Yemeni family and at odds with her Mizrahi identity. By leaving, she would be free to reinvent herself and to rewrite her own story. For nearly a decade, Tsabari travelled, through India, Europe, the US and Canada, as though her life might go stagnant without perpetual motion. She moved fast and often because—as in the Intifada—it was safer to keep going than to stand still. Soon the act of leaving—jobs, friends and relationships—came to feel most like home. But a series of dramatic events forced Tsabari to examine her choices and her feelings of longing and displacement. By periodically returning to Israel, Tsabari began to examine her Jewish-Yemeni background and the Mizrahi identity she had once rejected, as well as unearthing a family history that had been untold for years. What she found resonated deeply with her own immigrant experience and struggles with new motherhood.Beautifully written, frank and poignant, The Art of Leaving is a courageous coming-of-age story that reflects on identity and belonging and that explores themes of family and home—both inherited and chosen.What Kids Did: Stories of Kindness and Invention In the Time of COVID-19
By Erin Silver. 2020
In the spring of 2020, the Covid-19 virus changed the world and made daily life much more challenging. We had…
to stay apart, away from work, school, and our normal routines. But, all around the world, kids came up with creative and thoughtful ways to help others. From making 3-D printed medical equipment to food bank fundraising to a neighbourhood joke stand, to creating a semi-automatic hand-washing machine, kids made a difference in their communities. Let's celebrate and take inspiration from their stories.Before I was a critic I was a human being / (Essais series #no. 7)
By Amy Fung. 2019
Fung takes a closer examination at Canada's mythologies of multiculturalism, settler colonialism, and identity through the lens of a national…
art critic. Following the tangents of a foreign-born perspective and the complexities and complicities in participating in ongoing acts of colonial violence, the book as a whole takes the form of a very long land acknowledgement. Taken individually, each piece roots itself in the learning and unlearning process of a first generation settler immigrant as she unfurls each region's sense of place and identity. 2019.La loi de la jungle: l'agressivité chez les plantes, les animaux, les humains
By Jean-Marie Pelt. 2003
"Compétition pour la lumière dans la forêt où les arbres les plus chétifs meurent étouffés par les plus forts ;…
conquête massive de territoires par de redoutables envahisseurs ; déploiement d'armes chimiques sophistiquées : les plantes ont mille manières de se faire la guerre. Mais nul ne dirige ces entreprises belliqueuses, car les plantes sont un monde sans chef. Les animaux s'affrontent pour la nourriture, le territoire, le partenaire sexuel, la protection des petits. Mais, à travers l'évolution, la nature a inventé d'habiles stratagèmes visant à réguler leur agressivité ; on les voit se mettre en place et se perfectionner chez les poissons, les oiseaux et même les loups. Ils échouent malheureusement chez les rats... et chez les humains. En effet, nous sommes loin de nos cousins les Bonobos, ces grands singes qui, fidèles au slogan de mai 1968, font l'amour mais pas la guerre. Les humains ont tenté de tout temps de maîtriser leur agressivité qui menace si dramatiquement notre espèce, mobilisant à cette fin les philosophies, les religions, la psychologie, la sociologie. Force est de constater qu'ils n'y sont point parvenus. Y parviendront-ils et comment ? Peut-être en s'inspirant des modèles que nous offre la nature... " -- 4e de couvOccuper les distances: essai (L'écritoire)
By Esther Laforce. 2021
Je n'ai rien dautre que mes mots, mon clavier, du papier et des livres pour me soutenir. Mais n'est-ce pas…
le chemin sur lequel je me suis engagée ? N'ai-je pas choisi de détourner le regard du bonheur et de la joie pour me tourner vers la douleur des autres ? Je savais que le chemin était risqué, mais je ne peux pas me laisser avaler. Je dois remonter et saisir mieux comment l'écriture peut me réengager dans la vie. Essai littéraire à la fois rigoureusement documenté et hautement personnel, Occuper les distances reprend les motifs de Tombée, roman d'Esther Laforce paru simultanément chez Leméac, dans un lumineux dialogue avec la ction