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Showing 4081 - 4100 of 8139 items
By K. K. Downing, Mark Eglinton. 2018
Memoir by the cofounder and former lead guitarist of heavy metal giants Judas PriestJudas Priest formed in the industrial city…
of Birmingham, England, in 1969. With its distinctive twin-guitar sound, studs-and-leather image, and international sales of over 50 million records, Judas Priest became the archetypal heavy metal band in the 1980s. Iconic tracks like "Breaking the Law," "Living after Midnight," and "You've Got Another Thing Comin'" helped the band achieve extraordinary success, but no one from the band has stepped out to tell their or the band's story until now.As the band approaches its golden anniversary, fans will at last be able to delve backstage into the decades of shocking, hilarious, and haunting stories that surround the heavy metal institution. In Heavy Duty, guitarist K.K. Downing discusses the complex personality conflicts, the business screw-ups, the acrimonious relationship with fellow heavy metal band Iron Maiden, as well as how Judas Priest found itself at the epicenter of a storm of parental outrage that targeted heavy metal in the '80s. He also describes his role in cementing the band's trademark black leather and studs image that would not only become synonymous with the entire genre, but would also give singer Rob Halford a viable outlet by which to express his sexuality. Lastly, he recounts the life-changing moment when he looked at his bandmates on stage during a 2009 concert and thought, "This is the last show." Whatever the topic, whoever's involved, K.K. doesn't hold back.By Julia Albain. 2012
When I was 22 I hopped a plane for New York City, off to pursue my destiny, sure that I'd…
never look back. This is my story of looking back. Of a journey that took on a whole new meaning and purpose. A year in New York City. A year of discovering the best and worst parts of myself. A year of learning the lessons that you can only learn the hard way.By Savannah Knoop. 2008
The JT LeRoy scandal is a story of our times. In January 2006, the New York Times unmasked Savannah Knoop…
as the face of the mysterious author JT LeRoy. A media frenzy ensued as JT's fans, mentors, and readers came to terms with the fact that the gay-male-ex-truck-stop-prostitute-turned literary-wunderkind was really a girl from San Francisco, whose sister-in-law wrote the books.Girl Boy Girl is the story of how Savannah Knoop led this bizarre double life for six years, trading a precarious existence as a college dropout for a life in which she was embraced by celebrities and artists--Carrie Fisher, Courtney Love, Mary Ellen Mark, Winona Ryder, Asia Argento, Sharon Olds, Gus Van Sant, Mike Pitt, Calvin Klein, and Shirley Manson, to name a few--and traveled the world. Telling her side of the story for the first time, Savannah reveals how being perceived as a boy gave her a sense of confidence and entitlement she never had before. Her love affair with Asia Argento is particularly wrenching, as they embark on an intimate relationship that causes more alienation than closeness.As Savannah and Laura struggle over control of the JT character, Savannah realizes the limits of the game - - and inadvertently finds herself through the adventure of being someone else.By Victoria Riskin. 2019
A Hollywood love story, a Hollywood memoir, a dual biography of two of Hollywood’s most famous figures, whose golden lives…
were lived at the center of Hollywood’s golden age, written by their daughter, an acclaimed writer and producer.Fay Wray was most famous as the woman—the blonde in a diaphanous gown—who captured the heart of the mighty King Kong, the twenty-five-foot, sixty-ton gorilla, as he placed her, nestled in his eight-foot hand, on the ledge of the 102-story Empire State Building, putting Wray at the height of New York’s skyline and cinematic immortality. Wray starred in more than 120 pictures opposite Hollywood's biggest stars—Spencer Tracy, Gary Cooper (The Legion of the Condemned, The First Kiss, The Texan, One Sunday Afternoon), Clark Gable, William Powell, and Charles Boyer; from cowboy stars Hoot Gibson and Art Accord to Ronald Colman (The Unholy Garden), Claude Rains, Ralph Richardson, and Melvyn Douglas. She was directed by the masters of the age, from Fred Niblo, Erich von Stroheim (The Wedding March), and Mauritz Stiller (The Street of Sin) to Leo McCarey, William Wyler, Gregory La Cava, “Wild Bill” William Wellman, Merian C. Cooper (The Four Feathers, King Kong), Josef von Sternberg (Thunderbolt), Dorothy Arzner (Behind the Make-Up), Frank Capra (Dirigible), Michael Curtiz (Doctor X), Raoul Walsh (The Bowery), and Vincente Minnelli.The book’s—and Wray’s—counterpart: Robert Riskin, considered one of the greatest screenwriters of all time. Academy Award–winning writer (nominated for five), producer, ten-year-long collaborator with Frank Capra on such pictures as American Madness, It Happened One Night, Mr. Deeds Goes to Town, Lost Horizon, and Meet John Doe, hailed by many, among them F. Scott Fitzgerald, as “among the best screenwriters in the business.” Riskin wrote women characters who were smart, ornery, sexy, always resilient, as he perfected what took full shape in It Happened One Night, the Riskin character, male or female—breezy, self-made, streetwise, optimistic, with a sense of humor that is subtle and sure.Fay Wray and Robert Riskin lived large lives, finding each other after establishing their artistic selves and after each had had many romantic attachments—Wray, an eleven-year-long difficult marriage and a fraught affair with Clifford Odets, and Riskin, a series of romances with, among others, Carole Lombard, Glenda Farrell, and Loretta Young.Here are Wray’s and Riskin’s lives, their work, their fairy-tale marriage that ended so tragically. Here are their dual, quintessential American lives, ultimately and blissfully intertwined.By Mary Finnigan. 2019
Ceci est la traduction française de Psychédélic Suburbia - traduit par Faubourg Psychédélique, écrit par Mary Finnigan, relatant sa relation…
avec le chanteur David Bowie et les premières étapes de sa carrière à Beckenham (banlieue sud de Londres) avant qu’il ne devienne une des pop stars mondiales le plus emblématiques.By Margaret Chanler Aldrich. 2018
First published in 1958, these are the memoirs of Margaret Chanler Aldrich, a descendant of the prominent Astor family. A…
nurse for the American Red Cross during the Spanish-American War, and later the Philippine-American War, Aldrich joined the woman’s suffrage movement and became notable as one of Carrie Chapman Catt’s capable officials in the campaign for suffrage in New York State.A fascinating autobiography!By Artemis Leontis. 2019
The first biography of a visionary twentieth-century American performer who devoted her life to the revival of ancient Greek cultureThis…
is the first biography to tell the fascinating story of Eva Palmer Sikelianos (1874–1952), an American actor, director, composer, and weaver best known for reviving the Delphic Festivals. Yet, as Artemis Leontis reveals, Palmer’s most spectacular performance was her daily revival of ancient Greek life. For almost half a century, dressed in handmade Greek tunics and sandals, she sought to make modern life freer and more beautiful through a creative engagement with the ancients. Along the way, she crossed paths with other seminal modern artists such as Natalie Clifford Barney, Renée Vivien, Isadora Duncan, Susan Glaspell, George Cram Cook, Richard Strauss, Dimitri Mitropoulos, Nikos Kazantzakis, George Seferis, Henry Miller, Paul Robeson, and Ted Shawn.Brilliant and gorgeous, with floor-length auburn hair, Palmer was a wealthy New York debutante who studied Greek at Bryn Mawr College before turning her back on conventional society to live a lesbian life in Paris. She later followed Raymond Duncan (brother of Isadora) and his wife to Greece and married the Greek poet Angelos Sikelianos in 1907. With single-minded purpose, Palmer re-created ancient art forms, staging Greek tragedy with her own choreography, costumes, and even music. Having exhausted her inheritance, she returned to the United States in 1933, was blacklisted for criticizing American imperialism during the Cold War, and was barred from returning to Greece until just before her death.Drawing on hundreds of newly discovered letters and featuring many previously unpublished photographs, this biography vividly re-creates the unforgettable story of a remarkable nonconformist whom one contemporary described as “the only ancient Greek I ever knew.”By Bob Kealing. 2017
“A persuasive argument that Presley’s “moonshot” to fame could not have happened without Florida. . . . Deftly captures a…
pre-Interstate Florida where an anonymous Presley would be traveling for grueling hours down every two-laner in the state in his signature automobile.”—Palm Beach Post “I don’t think there was a better time and place to be a teenager than in Florida in the 1950s. It was such a magical place. Elvis is part of what contributed to that excitement.”—Bob Graham, former Florida governor and United States senator “Kealing tells us the story of what happened when Elvis arrived in Florida and what role the Sunshine State played in his life and musical career. This is a critical era in the Elvis Saga.”—William McKeen, editor of Rock and Roll Is Here to Stay: An Anthology “A Florida-centric look at his 1956 breakout state for people who thought they knew everything about Elvis.”—Joel Selvin, author of Altamont: The Rolling Stones, the Hells Angels, and the Inside Story of Rock’s Darkest Day “Presents a great picture of what it was like to be a touring musician in the 1950s and also of Florida at the time and how the culture was changed by the shock of Elvis.”—Joy Wallace Dickinson, author of Remembering Orlando: Tales from Elvis to Disney It was his most electric and influential time as a live performer. The young and hungry Elvis burst onto stages large and small—sexy, controversial, brimming with talent and ambition. One lightning-hot year in Florida fueled his rise from novelty act to headlining megastar. Elvis Ignited tracks the rising star through his tours of Florida, from 1955 when Presley was an unknown to 1956 when Presley played more concerts in Florida than in any other state. In only fifteen months, Presley toured Florida four times, becoming the object of worship, scorn, and controversy. Struck by a new kind of music and performances so different from anything they had known before, Floridians saw how special Elvis was before the rest of the world caught on. Before their very eyes, he transformed from Hillbilly Cat to the King of Rock and Roll. Bob Kealing interviews people who saw the King up close, recalling the time-stands-still memories of hearing his iconic songs for the first time. He speaks with Floridians who helped Elvis along the way: the late Jim Kirk from Ocala, who offered Presley his first headlining opportunity; former governor and U.S. senator Bob Graham, who saw the young rockabilly god at the dawning of Elvis mania; Steve Binder, who produced Presley’s ’68 Comeback Special; and Country Music Hall of Famer Charlie Louvin, who opened for Presley in Florida. Kealing follows Elvis after his return from the Army to his homecoming TV special in Miami with Frank Sinatra and through the filming of Follow That Dream in Florida in 1961, offering unique insights into the singer’s relationship with co-star Anne Helm, his controversial manager Tom Parker, and the beginnings of his melancholy as a prisoner of fame. This book is a roadmap to Elvis’s time in the Sunshine State, a guide to the many small and large venues he played up and down the peninsula, and a spotlight on the people who witnessed, supported, and even opposed his meteoric rise to fame. It was a turning point in American music history; it was the arrival of rock and roll.By Tessa Fontaine. 2018
Tessa Fontaine’s astonishing memoir of pushing past fear, The Electric Woman, follows the author on a life-affirming journey of loss…
and self-discovery―through her time on the road with the last traveling American sideshow and her relationship with an adventurous, spirited mother. Turns out, one lesson applies to living through illness, keeping the show on the road, letting go of the person you love most, and eating fire: The trick is there is no trick. You eat fire by eating fire. Two journeys―a daughter’s and a mother’s―bear witness to this lesson in The Electric Woman. For three years Tessa Fontaine lived in a constant state of emergency as her mother battled stroke after stroke. But hospitals, wheelchairs, and loss of language couldn’t hold back such a woman; she and her husband would see Italy together, come what may. Thus Fontaine became free to follow her own piper, a literal giant inviting her to “come play” in the World of Wonders, America’s last traveling sideshow. How could she resist? Transformed into an escape artist, a snake charmer, and a high-voltage Electra, Fontaine witnessed the marvels of carnival life: intense camaraderie and heartbreak, the guilty thrill of hard-earned cash exchanged for a peek into the impossible, and, most marvelous of all, the stories carnival folks tell about themselves. Through these, Fontaine trained her body to ignore fear and learned how to keep her heart open in the face of loss. A story for anyone who has ever imagined running away with the circus, wanted to be someone else, or wanted a loved one to live forever, The Electric Woman is ultimately about death-defying acts of all kinds, especially that ever constant: good old-fashioned unconditional love.“Street provides a crucial critical and cultural service by not only studying Eastwood’s individual films in sharp detail but also…
by providing a close and serious analysis of the cultural and historic times of the films.”—Sam B. Girgus, author of Clint Eastwood’s America “By far the most comprehensive, sustained, and detailed discussion of the Dirty Harry phenomenon. A thorough and engaging account of how a fictitious renegade cop became an enduring icon of the angry conservative backlash that sought to halt 1960s liberalism in its tracks.”—Nick Heffernan, author of Culture, Environment and Ecopolitics Clint Eastwood’s Dirty Harry became the prototype for a new kind of movie cop—an antihero in pursuit of his own vision of justice. The Dirty Harry series helped cement Eastwood and his character, Harry Callahan, as central figures in 1970s and 1980s Hollywood cinema. In Dirty Harry’s America, Joe Street argues that the movies shed critical light on the culture and politics of the post-1960s era and locates San Francisco as the symbolic cultural battleground of the time. Across the entire series, conservative anger and moral outrage confront elitist liberalism and moral relativism. Paying particular attention the films' representation of crime, family and community, sexuality, and race, Street maintains that through referencing real events and political struggles, the films themselves became active participants in the culture wars. Unapologetic carrier of right and might, Harry Callahan becomes America’s Ur-conservative: “unbending, moral, incorruptible, and most important, always right.” Long after the series, Callahan’s legacy remains strong in American political discourse, cinema, and pop culture, and he continues to shape Eastwood’s later political and cinematic career.The toast of Christmas past is back and not a moment too soon! In The Dead Celebrity Christmas Cookbook, Frank…
DeCaro serves up culinary delights from Edmund Gwenn's Christmas Cup to Bing Crosby's Sugar Cookies and celebrates the best of the season's movies, TV specials, and music. Recipes from such late luminaries as Natalie Wood, Judy Garland, Burl Ives, Dinah Shore, and even Boris Karloff are featured in chapters saluting fabulous amusements like Miracle on 34th Street, Meet Me in St. Louis, Rudolph the Red-Nosed Reindeer, Pee-wee's Playhouse Christmas Special, and How the Grinch Stole Christmas. Plus recipes from singers like Eartha Kitt ("Santa Baby"), Elvis Presley ("Blue Christmas"), and John Lennon ("Happy Xmas (War is Over)") celebrate the best holiday platters.If you've ever fantasized about feasting on Frank Sinatra's Barbecued Lamb, lunching on Lucille Ball's "Chinese-y Thing," diving ever-so-neatly into…
Joan Crawford's Poached Salmon, or wrapping your lips around Rock Hudson's cannoli – and really, who hasn't? – hold on to your oven mitts! In The Dead Celebrity Cookbook: A Resurrection of Recipes by 150 Stars of Stage and Screen, Frank DeCaro—the flamboyantly funny Sirius XM radio personality best known for his six-and-a-half-year stint as the movie critic on The Daily Show with Jon Stewart—collects hundreds of recipes passed on from legendary stars of stage and screen, proving that before there were celebrity chefs, there were celebrities who fancied themselves chefs. Their all-but-forgotten recipes—rescued from out-of-print cookbooks, musty biographies, vintage magazines, and dusty pamphlets—suggest a style of home entertaining ripe for reexamination if not revival, while reminding intrepid gourmands that, for better or worse, Hollywood doesn't make celebrities (or cooks) like it used to.StarringFarrah Fawcett's Sausage and PeppersLiberace's Sticky Buns Bette Davis's Red Flannel Hash Bea Arthur's Good Morning Mushroom Tomato Toast Dudley Moore's Crème BrûléeGypsy Rose Lee's Portuguese Fish ChowderJohn Ritter's Famous Fudge Andy Warhol's Ghoulish Goulash Vincent Price's Pepper SteakJohnny Cash's Old Iron Pot Family-Style Chili Vivian Vance's Chicken Kiev Sebastian Cabot's Avocado Surprise Lawrence Welk's Vegetable Croquettes Ann Miller's Cheese SouffléJerry Orbach's TrifleTotie Fields's Fruit MellowIrene Ryan's Tipsy Basingstoke Klaus Nomi's Key Lime TartRichard Deacon's Bitter and BoozeAnd many other meals from breakfast to dessert.By Marianne Preger-Simon. 2019
Dancing with Merce Cunningham is a buoyant, captivating memoir of a talented dancer’s lifelong friendship with one of the choreographic…
geniuses of our time. Dancing with Merce Cunningham is a buoyant, captivating memoir of a talented dancer’s lifelong friendship with one of the choreographic geniuses of our time. Marianne Preger-Simon’s story opens amid the explosion of artistic creativity that followed World War II. While immersed in the vibrant arts scene of postwar Paris during a college year abroad, Preger-Simon was so struck by Merce Cunningham’s unconventional dance style that she joined his classes in New York. She soon became an important member of his brand new dance troupe—and a constant friend. Through her experiences in the Merce Cunningham Dance Company, Preger-Simon offers a rare account of exactly how Cunningham taught and interacted with his students. She describes the puzzled reactions of audiences to the novel non-narrative choreography of the company’s debut performances. She touches on Cunningham’s quicksilver temperament—lamenting his early frustrations with obscurity and the discomfort she suspects he endured in concealing his homosexuality and partnership with composer John Cage—yet she celebrates above all his dependable charm, kindness, and engagement. She also portrays the comradery among the company’s dancers, designers, and musicians, many of whom—including Cage, David Tudor, and Carolyn Brown—would become integral to the avant-garde arts movement, as she tells tales of their adventures touring in a VW Microbus across the United States. Finally, reflecting on her connection with Cunningham throughout the latter part of his career, Preger-Simon recalls warm moments that nurtured their enduring bond after she left the dance company and, later, New York. Interspersed with her letters to friends and family, journal entries, and correspondence from Cunningham himself, Preger-Simon’s memoir is an intimate look at one of the most influential companies in modern American dance and the brilliance of its visionary leader.By Richard Attenborough, John Coast. 1953
"If you know where to look, you can still discover and recognize what it was that intoxicating John Coast fifty…
years ago." -Sir David AttenboroughThis book is one of the great classics about Bali, now with dozens of illustrations and photographs.Dancing out of Bali is a fascinating personal account of a young Englishman who settled in a small house in Bali in the midst of the political turmoil that griped post-war Indonesia. There, he immersed himself in Balinese culture and made ambitious plans to bring a troupe of Balinese dancers and musicians to Europe and America. The book relates John Coast's daring and remarkable adventure that took him from revolution in Indonesia to the footlights of London and Broadway. Within a few weeks, the troupe had captured the hearts of audiences. Here are photographs of Bali and stories of the performer's magic island and of the enchanting dancers, including the beautiful 12-year-old Ni Gusti Raka. She became a star overnight and delighted audiences everywhere during the troupe's triumphant tour.It is also a story of Balinese culture and life in Bali-following the devastating Japanese occupation-of music and dancing in Bali, of many of the island's great performing dancers and musicians,By Halifu Osumare. 2017
Dancing in Blackness is a professional dancer's personal journey over four decades, across three continents and 23 countries, and through…
defining moments in the story of black dance in America. In this memoir, Halifu Osumare reflects on what blackness and dance have meant to her life and international career. Osumare's story begins in 1960s San Francisco amid the Black Arts Movement, black militancy, and hippie counterculture. It was there, she says, that she chose dance as her own revolutionary statement. Osumare describes her experiences as a young black dancer in Europe teaching "jazz ballet" and establishing her own dance company in Copenhagen. Moving to New York City, she danced with the Rod Rodgers Dance Company and took part in integrating the programs at the Lincoln Center. After doing dance fieldwork in Ghana, Osumare returned to California and helped develop Oakland’s black dance scene. Osumare introduces readers to some of the major artistic movers and shakers she collaborated with throughout her career, including Katherine Dunham, Pearl Primus, Jean-Leon Destine, Alvin Ailey, and Donald McKayle. Now a black studies scholar, Osumare uses her extraordinary experiences to reveal the overlooked ways that dance has been a vital tool in the black struggle for recognition, justice, and self-empowerment. Her memoir is the inspiring story of an accomplished dance artist who has boldly developed and proclaimed her identity as a black woman.By David Browne. 2019
"In what is the most comprehensive biography of the group to date, Browne compiles a fun and fast-paced music history....…
an authoritative chronicle." --Publishers WeeklyThe first and most complete narrative biography of Crosby, Stills, Nash and Young, by acclaimed music journalist and Rolling Stone senior writer David Browne Even in the larger-than-life world of rock and roll, it was hard to imagine four more different men. David Crosby, the opinionated hippie guru. Stephen Stills, the perpetually driven musician. Graham Nash, the tactful pop craftsman. Neil Young, the creatively restless loner. But together, few groups were as in sync with their times as Crosby, Stills, Nash and Young. Starting with the original trio's landmark 1969 debut album, the group embodied much about its era: communal musicmaking, protest songs that took on the establishment and Richard Nixon, and liberal attitudes toward partners and lifestyles. Their group or individual songs--"Wooden Ships," "Suite: Judy Blue Eyes," "After the Gold Rush," "For What It's Worth" (with Stills and Young's Buffalo Springfield), "Love the One You're With," "Long Time Gone," "Just a Song Before I Go," "Southern Cross"--became the soundtrack of a generation. But their story would rarely be as harmonious as their legendary and influential vocal blend. In the years that followed, these four volatile men would continually break up, reunite, and disband again--all against a backdrop of social and musical change, recurring disagreements and jealousies, and self-destructive tendencies that threatened to cripple them both as a group and as individuals. In Crosby, Stills, Nash and Young: The Wild, Definitive Saga of Rock's Greatest Supergroup, longtime music journalist and Rolling Stone writer David Browne presents the ultimate deep dive into rock and roll's most musical and turbulent brotherhood on the occasion of its 50th anniversary. Featuring exclusive interviews with David Crosby and Graham Nash along with band members, colleagues, fellow superstars, former managers, employees, and lovers-and with access to unreleased music and documents--Browne takes readers backstage and onstage, into the musicians' homes, recording studios, and psyches, to chronicle the creative and psychological ties that have bound these men together--and sometimes torn them apart. This is the sweeping story of rock's longest-running, most dysfunctional, yet pre-eminent musical family, delivered with the epic feel their story rightly deserves.By Quentin Reynolds. 1970
The thrilling story of Judge Samuel S. Leibowitz and the front page criminal cases that highlighted his career as the…
nation’s most famous trial lawyer.“Dramatic and exciting as they come…. All of the famous trials of the last quarter century are brought to life in this exciting book penned by a master writer. It is a raw and violent work and certainly tops in interest.”—LOS ANGELES Herald Express“Exciting reading is this record of a great lawyer. The stories recorded here, now within the framework of law and time, are even more fascinating than when they rated banner headlines in the daily press.”—CHICAGO Sun“This book is far more exciting than any detective story you are likely to encounter, for it is the real thing.”—CLEVELAND Press“COURTROOM is a book which will have many absorbed readers, and a book which should do much to correct any popular impression that may exist as to the probity of lawyers who practice at the criminal bar…breezy, fast moving, and frankly written.”—SAN FRANCISCO ChronicleBy Jonathan Rosenbaum. 2019
Eschewing the idea of film reviewer-as-solitary-expert, Jonathan Rosenbaum continues to advance his belief that a critic's ideal role is to…
mediate and facilitate our public discussion of cinema. Portraits and Polemics presents debate as an important form of cinematic encounter whether one argues with filmmakers themselves, on behalf of their work, or with one's self. Rosenbaum takes on filmmakers like Chantal Akerman, Richard Linklater, Manoel De Oliveira, Mark Rappaport, Elaine May, and Béla Tarr. He also engages, implicitly and explicitly, with other writers, arguing with Pauline Kael--and Wikipedia--over Jacques Demy, with the Hollywood Reporter and Variety reviewers of Jarmusch’s The Limits of Control, with David Thomson about James L. Brooks, and with many American and English film critics about misrepresented figures from Jerry Lewis to Yasujiro Ozu to Orson Welles. Throughout, Rosenbaum mines insights, pursues pet notions, and invites readers to join the fray.By Antonia Quirke. 2008
In this witty and bittersweet memoir, the film critic shares her misadventures as a lover of film stars who seeks…
movie romance in the real world. Antonia Quirke was ten years old when she first saw Marlon Brando in A Streetcar Named Desire. It was the first film she ever saw, and her reaction was so intense that her parents called an ambulance. So began her lifelong love of movies—an obsession that has brought as much drama and comedy to her actual life as she sees on screen. In Choking on Marlon Brando, Quirke offers a window into her life as a film critic, her unabashed infatuation with male screen idols, and her many real-life romances that never quite make the cut. We learn of her personal ad seeking Tom Cruise, and her bungled interview with Jeff Bridges; the writer boyfriend who never brushed his teeth, and the actor boyfriend whose family showed up nude to a party. Along the way, Quirke provides witty insight into the nature of celebrity, fandom, the movies we all love, and how different they are from reality. “Fans of snappy writing, movie actors and dead-end romance will find Quirke’s book a treat.” —Publishers WeeklyBy Billy Bryant. 2018
RECOLLECTIONS OF A FAMILY WHO LIVED THEIR LIVES AS SHOWBOAT ENTERTAINERS ON AMERICAN RIVERS.Children of the Ol’ Man River, which…
was first published in 1936, tells the colorful and witty life story of the Bryants, a poor family who found fortune aboard the Mississippi steamboat they built and performed on at the beginning of this century. In addition to chronicling his own family’s history, Bryant provides an excellent introduction to the importance and history of river travel and entertainment on the most famous of American rivers.For many years, colorful showboats traveled the Ohio and Mississippi rivers and their tributaries, bringing entertainment to eager audiences in communities large and small.Huntington was a regular stop for the showboats, which made their arrival known by the musical strains of a powerful steam calliope, audible for miles around. Hearing the music, people would make a beeline for the 10th Street river landing to have a look at the boat and see what time the show would start.Some of the boats were lavish floating palaces, while others were far from grand. Some traveled only for a summer season or two, others for years.Billy Bryant’s Showboat plied the inland waterways of the Ohio River watershed from before the First World War until 1942, bringing a blend of melodrama and vaudeville, laughter and therapeutic tears, into the lives of isolated people in rural communities along the way.