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The highly anticipated annual anthology of the best Canadian and international poetry. Each year, the best books of poetry published…
in English internationally and in Canada are honoured with the Griffin Poetry Prize, one of the world’s most prestigious and richest literary awards. Since 2001 this annual prize has tremendously spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets writing in English and works in translation. Each year The Griffin Poetry Prize Anthology features the work of the extraordinary poets shortlisted for the awards and introduces us to some of the finest poems in their collections.Disintegrate/dissociate: poems /
By Arielle Twist. 2019
In her debut collection of poetry, Arielle Twist unravels the complexities of human relationships after death and metamorphosis. She explores,…
with both rage and tenderness, the parameters of grief, trauma, displacement, and identity. Weaving together a past made murky by uncertainty and a present which exists in multitudes, Arielle Twist poetically navigates through what it means to be an Indigenous trans woman, discovering the possibilities of a hopeful future and a transcendent, beautiful path to regaining softness. 2019.Holy Wild
By Gwen Benaway. 2018
In her third collection of poetry, Holy Wild, Gwen Benaway explores the complexities of being an Indigenous trans women in…
expansive lyric poems. She holds up the Indigenous trans body as a site of struggle, liberation, and beauty. A confessional poet, Benaway narrates her sexual and romantic intimacies with partners as well as her work to navigate the daily burden of transphobia and violence. She examines the intersections of Indigenous and trans experience through autobiographical poems and continues to speak to the legacy of abuse, violence, and colonial erasure that defines Canada. Her sparse lines, interwoven with English and Anishinaabemowin (Ojibwe), illustrate the wonder and power of Indigenous trans womanhood in motion. Holy Wild is not an easy book, as Benaway refuses to give any simple answers, but it is a profoundly vibrant and beautiful work filled with a transcendent grace.Braille rainbow: poems /
By Mike Barnes. 2019
These poems, organized in four sections, engage first with infant appetites, others, and social justice, before turning inward to traverse…
the perilous heights and depths of the mind, drawing on Barnes' own experience of mental illness and his years of caring for his mother in her dementia. The latter half of the book addresses shifts in ways of thinking and feeling that allow contraries to meet and inform one another, and concludes with poems of peace and nourishing meditative connection. 2019.Resisting Canada: An Anthology of New Poetry
By Nyla Matuk. 2019
Resisting Canada gathers together poets for a conversation bigger than poetic trends. The book's organizing principle is Canada--the Canada that…
established residential schools; the Canada grappling with the Truth and Reconciliation Commission; the Canada that has been visible in its welcome of Syrian refugees, yet the not-always-tolerant place where the children of those refugees will grow up; the Canada eager to re-establish its global leadership on the environment while struggling to acknowledge Indigenous sovereignty on resource-rich land and enabling further colonization of that land. In the face of global conflicts due to climate change, scarcity, mass migrations, and the rise of xenophobic populisms, Canada still works with a surface understanding of its democratic values--both at their noblest and most deceptive. The work included in Resisting Canada--by celebrated poets such as Lee Maracle, Jordan Abel, Billy-Ray Belcourt, Louise Bernice Halfe, Michael Prior, and Leanne Betasamosake Simpson--addresses, among other things, Indigenous agency, cultural belonging, environmental anxieties, and racial privilege. These poems ask us to judge and resist a statecraft that refuses to acknowledge past and present wrongs. Think of Resisting Canada as a poetic letter to Canada's politicians and leaders.Not One of These Poems Is About You
By Teva Harrison. 2020
In this remarkable, frank, and gut-wrenching mix of words and images, Teva continues on her journey, grappling with what it…
means to live with metastatic breast cancer. She plunges deep into her inner world, shadowing the progression of the disease. Reality takes on sharp edges: the swell of cancer and its retreat with chemo. Her inner corporeal reality versus her outer manifestation of health, vitality, and femininity. Holding fast to the great love of her life, while preparing to leave him behind. Contemplating who she was before cancer, and who she is now.Starkly honest and wholly profound, Not One of These Poems Is About You distills life to its essence. Teva Harrison continues to gift the world with her clear-eyed insight and her open heart.The Beautiful Ones
By Prince. 2019
#1 NEW YORK TIMES BESTSELLER • The brilliant coming-of-age-and-into-superstardom story of one of the greatest artists of all time, in…
his own words—featuring never-before-seen photos, original scrapbooks and lyric sheets, and the exquisite memoir he began writing before his tragic deathNAMED ONE OF THE BEST MUSIC BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND THE GUARDIAN • NOMINATED FOR THE NAACP IMAGE AWARD Prince was a musical genius, one of the most beloved, accomplished, and acclaimed musicians of our time. He was a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of “Uptown” to the mythical landscape of Purple Rain to the psychedelia of “Paisley Park.” But his most ambitious creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, one of the greatest pop stars of any era. The Beautiful Ones is the story of how Prince became Prince—a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is the memoir Prince was writing before his tragic death, pages that bring us into his childhood world through his own lyrical prose. The second part takes us through Prince’s early years as a musician, before his first album was released, via an evocative scrapbook of writing and photos. The third section shows us Prince’s evolution through candid images that go up to the cusp of his greatest achievement, which we see in the book’s fourth section: his original handwritten treatment for Purple Rain—the final stage in Prince’s self-creation, where he retells the autobiography of the first three parts as a heroic journey. The book is framed by editor Dan Piepenbring’s riveting and moving introduction about his profound collaboration with Prince in his final months—a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he’d so carefully cultivated—and annotations that provide context to the book’s images. This work is not just a tribute to an icon, but an original and energizing literary work in its own right, full of Prince’s ideas and vision, his voice and image—his undying gift to the world.Voodoo Hypothesis
By Canisia Lubrin. 2017
Voodoo Hypothesis is a subversion of the imperial construct of "blackness" and a rejection of the contemporary and historical systems…
that paint black people as inferior, through constant parallel representations of "evil" and "savagery." Pulling from pop culture, science, pseudo-science and contemporary news stories about race, Lubrin asks: What happens if the systems of belief that give science, religion and culture their importance were actually applied to the contemporary "black experience"? With its irreverence toward colonialism, and the related obsession with post-colonialism and anti-colonialism, and her wide-ranging lines, deftly touched with an intermingling of Caribbean Creole, English patois and baroque language, Lubrin has created a book that holds up a torch to the narratives of the ruling class, and shows us the restorative possibilities that exist in language itself.NDN Coping Mechanisms: Notes from the Field
By Billy-Ray Belcourt. 2019
In the follow-up to his Griffin Poetry Prize–winning collection, This Wound is a World, Billy-Ray Belcourt writes using the modes…
of accusation and interrogation. He aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.In NDN Coping Mechanisms: Notes from the Field, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination.Crow Gulch
By Douglas Walbourne-Gough. 2019
Shortlisted, Derek Walcott Prize for Poetry and Raymond Souster AwardLonglisted, First Nation Communities READ AwardFrom the author: I cannot let…
the story of Crow Gulch — the story of my family and, subsequently, my own story — go untold. This book is my attempt to resurrect dialogue and story, to honour who and where I come from, to remind Corner Brook of the glaring omission in its social history.In his debut poetry collection, Douglas Walbourne-Gough reflects on the legacy of a community that sat on the shore of the Bay of Islands, less than two kilometres west of downtown Corner Brook.Crow Gulch began as a temporary shack town to house migrant workers in the 1920s during the construction of the pulp and paper mill. After the mill was complete, some of the residents, many of Indigenous ancestry, settled there permanently — including the poet's great-grandmother Amelia Campbell and her daughter, Ella — and those the locals called the "jackytars," a derogatory epithet used to describe someone of mixed French and Mi'kmaq descent. Many remained there until the late 1970s, when the settlement was forcibly abandoned and largely forgotten.Walbourne-Gough lyrically sifts through archival memory and family accounts, resurrecting story and conversation, to patch together a history of a people and place. Here he finds his own identity within the legacy of Crow Gulch and reminds those who have forgotten of a glaring omission in history.The Way Home
By David A. Neel. 2019
David Neel was an infant when his father, a traditional Kwakiutl artist, returned to the ancestors, triggering a series of…
events that would separate David from his homeland and its rich cultural traditions for twenty-five years. When the aspiring photographer saw a mask carved by an ancestor in a Texas museum, the encounter inspired him to return home and follow in his father’s footsteps. Drawing on memory, legend, and his own art, Neel recounts his struggle to reconnect with his culture and become an accomplished Kwakwa_ka_’wakw artist. His memoir is a testament to the strength of the human spirit to overcome great obstacles and to the power and endurance of Indigenous culture and art.Voices from the Skeena: An Illustrated Oral History
By Robert Budd, Roy Henry Vickers. 2019
The Skeena, second longest river in the province, remains an icon of British Columbia’s northwest. Called Xsien (“water of the…
clouds”) by the Tsimshian and Gitksan, it has always played a vital role in the lives of Indigenous people of the region. Since the 1800s, it has also become home to gold seekers, traders, salmon fishers and other settlers who were drawn by the area’s beauty and abundant natural resources. Voices from the Skeena will take readers on a journey inspired directly by the people who lived there. Combining forty illustrations with text selected from the pioneer interviews CBC radio producer Imbert Orchard recorded in the 1960s, the book follows the arrival of the Europeans and the introduction of the fur trade to the Omineca gold rush and the building of the Grand Trunk Pacific Railroad. Open the pages to meet Robert Cunningham, an Anglican missionary who would later become the founder of the thriving Port Essington. Here too is a man called Cataline, a packer for whom no settlement was too remote to reach, and the indominable Sarah Glassey, the first woman to pre-empt land in British Columbia. At the heart of these stories is the river, weaving together a narrative of a people and their culture. Pairing the stories with Roy Henry Vicker’s vibrant art creates a unique and captivating portrait of British Columbia that will appeal to art lovers and history readers alike.The Dyzgraphxst
By Canisia Lubrin. 2020
Canisia Lubrin returns with a mesmerizing new collection, the follow-up to her breakout book, Voodoo Hypothesis.The Dyzgraphxst presents seven inquiries…
into selfhood through the perennial figure Jejune. Polyvocal in register, the book moves to mine meanings of kinship through the wide and intimate reach of language across geographies and generations. Against the contemporary backdrop of intensified capitalist fascism, toxic nationalism, and climate disaster, the figure Jejune asks, how have I come to make home out of unrecognizability. Marked by and through diasporic life, Jejune declares, I was not myself. I am not myself. My self resembles something having nothing to do with me.MGM Style: Cedric Gibbons and the Art of the Golden Age of Hollywood
By Howard Gutner. 2019
MGM Style is an overview of the career and achievements of Hollywood’s most famous art director. Cedric Gibbons was the…
supervisor in charge of the art department at Metro-Goldwyn-Mayer film studios from its inception in 1924 until Gibbons chose to retire in 1956. Lavishly illustrated with over 175 pristine duotone photographs, the vast majority of which have never before been published, this is the first volume to trace Gibbons’ trendsetting career. At its height in the late 1930s and early 1940s, Gibbons was regularly acknowledged by his peers as having shaped the craft of art direction in American film; his work was recognized as representing the finest in motion picture sets and settings. Gibbons and his associates constructed the villages, towns, streets, squares and edifices that later appeared in hundreds of films, and whose mixed architecture stood in for army camps and the wild west, Dutch New York and Dickensian London, ancient China and modern Japan. Inspired by the work of Le Corbusier and the Bauhaus masters, as well as the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris and Frank Lloyd Wright’s experiments with open planning, Gibbons championed the notion that movie decor should move beyond the commercial framework of the popular cinemaTwo cheers for Hollywood: Joseph McBride on movies
By Joseph McBride. 2017
A rich, insightful, often amusing chronicle of McBride's decades of covering the American film industry and observing its decline from…
the challenging films of the 1960s to the juvenilia of today. This provocative collection brings together sixty-four pieces with commentaries on them, including a new monograph on the Coen Bros. and several other essays written for this book. 2017.Burning Sugar
By Cicely Belle Blain. 2020
The latest from Vivek Shraya's VS. Books: a poetic exploration of Black identity, history, and lived experience influenced by the…
constant search for liberation. In this incendiary debut collection, activist and poet Cicely Belle Blain intimately revisits familiar spaces in geography, in the arts, and in personal history to expose the legacy of colonization and its impact on Black bodies. They use poetry to illuminate their activist work: exposing racism, especially anti-Blackness, and helping people see the connections between history and systemic oppression that show up in every human interaction, space, and community. Their poems demonstrate how the world is both beautiful and cruel, a truth that inspires overwhelming anger and awe - all of which spills out onto the page to tell the story of a challenging, complex, nuanced, and joyful life. In Burning Sugar, verse and epistolary, racism and resilience, pain and precarity are flawlessly sewn together by the mighty hands of a Black, queer femme. This book is the second title to be published under the VS. Books imprint, a series curated and edited by writer-musician Vivek Shraya, featuring work by new and emerging Indigenous or Black writers, or writers of colour.Side Effects May Include Strangers (Hugh MacLennan Poetry Series #56)
By Dominik Parisien. 2020
Ask, Can we for a moment make of beauty / the measure of our pain? and I will answer. To…
be ill is to be a body bursting with strangers. A curiosity. A narrative to interpret. Dominik Parisien's debut collection is a poignant celebration of the complicated lived experience of disability, a challenge to the societal gaze, and a bold reconfiguration of the language of pain. A powerful contribution to the field of disability poetics, Side Effects May Include Strangers is an affecting look at the multitude of ways a body is both boundary and boundless. Parisien takes bpNichol's claim that "what is a poem is inside of your body" and localizes the inner and outer lives of disabled, queer, and aging bodies as points of meaning for issues of autonomy, disability, sexuality, and language. Balancing hope and uncertainty, anger and gratitude, these poems shift from medical practice to myth, from trauma to intergenerational friendship, in an unflinching exploration of the beauty and complexity of othered bodies.Bittersweet
By Natasha Ramoutar. 2020
Reflections on a reconstructed homeland and Scarborough. Bittersweet is an exciting, accomplished collection of poems evoking both a reconstructed homeland…
and Scarborough (Ontario). Using memory?intimate as well as collective?prompted by photographs, maps, language, and folklore, Ramoutar meditates on themes of obscured and suppressed history, time, and liminality. Her poems journey from home to home to home, from Toronto to Guyana to South Asia; and Scarborough remains omnipresent, with a mix of identities and a strong, active, and boisterous youthful presence.Phantompains
By Therese Estacion. 2021
Therese Estacion survived a rare infection that nearly killed her, but not without losing both her legs below the knees,…
several fingers, and reproductive organs. Phantompains is a visceral, imaginative collection exploring disability, grief and life by interweaving stark memories with dreamlike surrealism. Taking inspiration from Filipino horror and folk tales, Estacion incorporates some Visayan language into her work, telling stories of mermen, gnomes, and ogres that haunt childhood stories of the Philippines and, then, imaginings in her hospital room, where she spent months recovering after her operations. Estacion says she wrote these poems out of necessity: an essential task to deal with the trauma of hospitalization and what followed. Now, they are demonstrations of the power of our imaginations to provide catharsis, preserve memory, rebel and even to find self-love. Praise for Phantompains: "Phantompains is a text of rare power, birthing a brave new world flush with pain, lust, drugs and the uterus. Estacion's 'Eunuched Female' is a masterpiece: utterly indelible." —Tamara Faith Berger, author of Queen Solomon "I love Therese Estacion's book. I love its humour, clarity, irreverence, and rage. It's not a book about triumph (though she has triumphed), or perseverance (though she has persevered), or courage (though she has it). To me, it is a book about vision and reckoning, descent and return. Therese Estacion plunged into an abyss—found suffering, dehumanization, terror—and when she emerged, she chose to make radically confrontational art. Phantompains is the cosmic result of her dwelling, and her passage. In her words, "she became the subject"—I think she also became the seer." —Sara Peters, author of I Become a Delight to My EnemiesThis Red Line Goes Straight to Your Heart: A Memoir in Halves
By Madhur Anand. 2020
“Wondrously and elegantly written in language that astonishes and moves the reader…This is an important book: an emotional and intellectual…
tour de force.” —Jane Urquhart An experimental memoir about Partition, immigration, and generational storytelling, This Red Line Goes Straight to Your Heart weaves together the poetry of memory with the science of embodied trauma, using the imagined voices of the past and the vital authority of the present. We begin with a man off balance: one in one thousand, the only child in town whose polio leads to partial paralysis. We meet his future wife, chanting Hai Rams for Gandhiji and choosing education over marriage. On one side of the line that divides this book, we follow them as their homeland splits in two and they are drawn together, moving to Canada and raising their children in mining towns and in crowded city apartments. And when we turn the book over, we find the daughter's tale—we see how the rupture of Partition, the asymmetry of a father's leg, the virus of a mother's rage, makes its way to the next generation. Told through the lenses of biology, physics, history and poetry, this is a memoir that defies form and convention to immerse the reader in the feeling of what remains when we've heard as much of the truth as our families will allow, and we're left to search for ourselves among the pieces they've carried with them.