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Showing 1 - 20 of 28 items
By Simon Hay. 2011
Ghost stories are always in conversation with novelistic modes with which they are contemporary. This book examines examples fromSir Walter…
Scott, Charles Dickens, Henry James andRudyard Kipling, amongst others, to the end of the twentieth century, looking at how they address empire, class, property, history and trauma. "By Lisa Hopkins. 2005
Filmmakers have long been drawn to the Gothic with its eerie settings and promise of horror lurking beneath the surface.…
Moreover, the Gothic allows filmmakers to hold a mirror up to their own age and reveal society's deepest fears. Franco Zeffirelli's Jane Eyre, Francis Ford Coppola's Bram Stoker's Dracula, and Kenneth Branagh's Hamlet are just a few examples of film adaptations of literary Gothic texts. In this ground-breaking study, Lisa Hopkins explores how the Gothic has been deployed in these and other contemporary films and comes to some surprising conclusions. For instance, in a brilliant chapter on films geared to children, Hopkins finds that horror resides not in the trolls, wizards, and goblins that abound in Harry Potter, but in the heart of the family. Screening the Gothic offers a radical new way of understanding the relationship between film and the Gothic as it surveys a wide range of films, many of which have received scant critical attention. Its central claim is that, paradoxically, those texts whose affiliations with the Gothic were the clearest became the least Gothic when filmed. Thus, Hopkins surprises readers by revealing Gothic elements in films such as Sense and Sensibility and Mansfield Park, as well as exploring more obviously Gothic films like The Mummy and The Fellowship of the Ring. Written in an accessible and engaging manner, Screening the Gothic will be of interest to film lovers as well as students and scholars.By Eugene Stelzig, Johann Wolfgang van Goethe. 2019
Goethe is the most famous German author, and the poetic drama Faust, Part I (1808) is his best-known work, one…
that stands in the company of other leading canonical works of European literature such as Dante’s Inferno and Shakespeare’s Hamlet. This is the first new translation into English since David Constantine’s 2005 version. Why another translation when there are several currently in print? To invoke Goethe’s own authority when speaking of his favorite author, Shakespeare, Goethe asserts that so much has already been said about the poet-dramatist “that it would seem there’s nothing left to say,” but adds, “yet it is the peculiar attribute of the spirit that it constantly motivates the spirit.” Goethe’s great dramatic poem continues to speak to us in new ways as we and our world continually change, and thus a new or updated translation is always necessary to bring to light Faust’s almost inexhaustible, mysterious, and enchanting poetic and cultural power. Eugene Stelzig’s new translation renders the text of the play in clear and crisp English for a contemporary undergraduate audience while at the same time maintaining its leading poetic features, including the use of rhyme. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.By Scott Maisano, Rob Conkie. 2019
What kinds of critical insights are made possible only or especially via creative strategies? This volume examines how creative modes…
of writing might facilitate or inform new ways to critically engage with Shakespeare. Creative writing, demonstrated in a series of essays, reflections, stories and scenes, operates as a vehicle for exploring and articulating critical and theoretical ideas. In doing so, Shakespeare’s enduring creative and critical appeal is newly understood and critiqued.By Claire Cronin. 2020
Blue Light of the Screen is a memoir about the author's obsession with horror and the supernatural.Blue Light of the…
Screen is about what it means to be afraid -- about immersion, superstition, delusion, and the things that keep us up at night. A creative-critical memoir of the author's obsession with the horror genre, Blue Light of the Screen embeds its criticism of horror within a larger personal story of growing up in a devoutly Catholic family, overcoming suicidal depression, uncovering intergenerational trauma, and encountering real and imagined ghosts.As Cronin writes, she positions herself as a protagonist who is haunted by what she watches and reads, like an antiquarian in an M.R. James ghost story whose sense of reality unravels through her study of arcane texts and cursed archives. In this way, Blue Light of the Screen tells the story of the author's conversion from skepticism to faith in the supernatural.Part memoir, part ghost story, and part critical theory, Blue Light of the Screen is not just a book about horror, but a work of horror itself.By Christy Tidwell, Carter Soles. 2021
Ecohorror represents human fears about the natural world—killer plants and animals, catastrophic weather events, and disquieting encounters with the nonhuman.…
Its portrayals of animals, the environment, and even scientists build on popular conceptions of zoology, ecology, and the scientific process. As such, ecohorror is a genre uniquely situated to address life, art, and the dangers of scientific knowledge in the Anthropocene.Featuring new readings of the genre, Fear and Nature brings ecohorror texts and theories into conversation with other critical discourses. The chapters cover a variety of media forms, from literature and short fiction to manga, poetry, television, and film. The chronological range is equally varied, beginning in the nineteenth century with the work of Edgar Allan Poe and finishing in the twenty-first with Stephen King and Guillermo del Toro. This range highlights the significance of ecohorror as a mode. In their analyses, the contributors make explicit connections across chapters, question the limits of the genre, and address the ways in which our fears about nature intersect with those we hold about the racial, animal, and bodily "other."A foundational text, this volume will appeal to specialists in horror studies, Gothic studies, the environmental humanities, and ecocriticism.In addition to the editors, the contributors include Kristen Angierski, Bridgitte Barclay, Marisol Cortez, Chelsea Davis, Joseph K. Heumann, Dawn Keetley, Ashley Kniss, Robin L. Murray, Brittany R. Roberts, Sharon Sharp, and Keri Stevenson.By Charlotte Wood. 2015
'Savage: think Atwood in the outback' Paula Hawkins, author of The Girl on the Train'An unforgettable reading experience' Liane Moriarty,…
author of Big Little Lies'Ferocious... recalls the early Elena Ferrante' NPR'A masterpiece' Guardian'Devastating' EconomistShe hears her own thick voice deep inside her ears when she says, 'I need to know where I am.'The man stands there, tall and narrow, hand still on the doorknob, surprised.He says, almost in sympathy, 'Oh, sweetie. You need to know what you are.'"Two women awaken from a drugged sleep to find themselves imprisoned in a brokendownproperty in the middle of a desert.Strangers to each other, they have no idea where they are or how they came to be therewith eight other girls, their heads shaved, guarded by two inept yet vicious jailers.Doing hard labour under a sweltering sun, the prisoners soon learn what links them: ineach girl's past is a sexual scandal with a powerful man.They pray for rescue but as the hours turn into days and the days into weeks and months,it becomes clear only the girls can rescue themselves. Winner, 2016 Stella PrizeWinner, 2016 Indie Book of the Year AwardWinner, Fiction Book of the Year, 2016 Indie Book AwardWinner, 2016 Prime Minister's Literary Award for FictionWinner, Reader's Choice, 2016 ABIA Literary Fiction Book of the Year Shortlisted, 2016 Miles Franklin Literary AwardShortlisted, 2016 ABA Nielsen BookData Booksellers Choice AwardLonglisted, 2017 International Dublin Literary AwardBy David Thewlis. 2021
'A riotously good novel, witty and earnest, brimming with sharply drawn characters and creeping suspense. David Thewlis is a fabulous…
writer' Anna Bailey, Sunday Times bestselling author of Tall BonesCelebrated director Jack Drake can't get through his latest film (his most personal yet) without his wife Martha's support. The only problem is, she's dead...When Jack sees Betty Dean - actress, mother, trainwreck - playing the part of a crazed nun on stage in an indie production of The Devils, he is struck dumb by her resemblance to Martha. Desperate to find a way to complete his masterpiece, he hires her to go and stay in his house in France and resuscitate Martha in the role of 'loving spouse'.But as Betty spends her days roaming the large, sunlit rooms of Jack's mansion - filled to the brim with odd treasures and the occasional crucifix - and her evenings playing the part of Martha over scripted video calls with Jack, she finds her method acting taking her to increasingly dark places. And as Martha comes back to life, she carries with her the truth about her suicide - and the secret she guarded until the end.A darkly funny novel set between a London film set and a villa in the south of France.A mix of Vertigo and Jonathan Coe, written by a master storyteller.PRAISE FOR DAVID THEWLIS'S FICTION 'David Thewlis has written an extraordinarily good novel, which is not only brilliant in its own right, but stands proudly beside his work as an actor, no mean boast' Billy Connolly'Hilarious and horror-filled' Francesca Segal, Observer'A fine study in character disintegration... Very funny' David Baddiel, The Times'Exquisitely written with a warm heart and a wry wit... Stunning' Elle'Queasily entertaining' Financial Times'A sharp ear for dialogue and a scabrously satiric prose style' Daily Mail'Laugh-out-loud, darkly intelligent' Publishers Weekly'This is far more than an actor's vanity project: Thewlis has talent' KirkusBy Clive Barker. 1998
Here are the stories written on the Book of Blood. They are a map of that dark highway that leads…
out of life towards unknown destinations. Few will have to take it. Most will go peacefully along lamplit streets, ushered out of living with prayers and caresses. But for a few, the horrors will come, skipping, to fetch them off to the highway of the damned ...Gathered together for the first time in one volume, here are fifteen mind-shattering stories from the awesome imagination of World Fantasy Award winning author Clive Barker. They will take you to the brink - and beyond ...By S. T. Joshi, Howard Phillips Lovecraft. 2012
H. P. Lovecraft's "Supernatural Horror in Literature," first published in 1927, is widely recognized as the finest historical survey of…
horror literature ever written. The product of both a keen critical analyst and a working practitioner in the field, the essay affords unique insights into the nature, development, and history of the weird tale. Beginning with instances of weirdness in ancient literature, Lovecraft proceeds to discuss horror writing in the Renaissance, the first Gothic novels of the late 18th century, the revolutionary importance of Edgar Allan Poe, the work of such leading figures as Nathaniel Hawthorne, Ambrose Bierce, and William Hope Hodgson, and the four "modern masters"-Arthur Machen, Lord Dunsany, Algernon Blackwood and M. R. James. In this annotated edition of Lovecraft's seminal work, acclaimed Lovecraft scholar S. T. Joshi has supplied detailed commentary on many points. In addition, Joshi has supplied a comprehensive bibliography of all the authors and works discussed in the essay, with references to modern editions and critical studies. For this new edition, Joshi has exhaustively revised and updated the bibliography and also revamped the notes to bring the book in line with the most up-to-date scholarship on Lovecraft and weird fiction. The entire volume has also been redesigned for ease of reading and reference. This new electronic edition will be invaluable both to devotees of Lovecraft and to enthusiasts of the weird tale.By Bram Stoker. 2021
“In Dracula, we find a monster who takes away our agency, our choice—even as he consumes us. The fantasy of…
becoming a vampire is a myth of exceptionalism— nobody fantasizes about being the random peasant whom the titular Count devours. Instead, people are thrilled by the thought of turning into vampires themselves—becoming the most powerful consumer, the apex predator. And until we recognize that we have far more in common with prey than predator, we will always feel the vampire's pull. I hope Norton's vital new addition to the conversation about Stoker’s work will cause readers to look at this old story with new eyes: to question our preconceptions and refocus our own narrative lenses. Dracula remains evergreen, I'm afraid—because within our monsters... we may find ourselves.” —Kate Hamill (playwright/actor) This Norton Critical Edition includes: The first edition of the novel, published by Archibald Constable in London in 1897 and chosen by the editors in order to give readers—insofar as such a thing is possible—a more historically authentic reading experience than has been generally available. Arcane words and usages are footnoted at first appearance. Editorial matter by John Edgar Browning and David J. Skal. Eight background pieces, five of them new to the Second Edition, on Count Dracula specifically and vampires more generally; seven reviews and reactions to Dracula’s publication, five of them new to the Second Edition; and six selections, two of them new to and two others updated for the Second Edition, on Dracula’s many dramatic and filmic variations. Eleven critical essays on Dracula’s central themes, six of them new to the Second Edition. A selected bibliography. About the Series? Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.? “The notes in Dracula are exactly at the right level for students. The headnotes are extremely helpful. It really does [meet the needs of today's students]. It is my favorite NCE to teach.” —Carrie D. Shanafelt, Fairleigh Dickinson UniversityBy Jane Holland. 2022
'I absolutely love this book from start to finish...a really atmospheric read, and brilliant characters.' NetGalley Reader, *****1963. When Eleanor…
meets famous young poet, Lyndon Chance, he offers a way to flee her abusive father. In return, she must pretend to be Lyndon's wife. He takes her home to a Tudor manor on the Camel Estuary in Cornwall, where she finds herself in the middle of a feud between Lyndon and his twin brother, Oliver. It's soon clear that the old house hides many dark secrets. But could they be a threat to Eleanor?Now. Taylor has come to idyllic Cornwall to research for her Master's thesis, combining her love for conservation with a personal interest in Chance's poetry. Haunted by her own tragic past, Taylor finds Chance's notoriety fascinating. If only the poet's grandson, Julius, wasn't so determined to thwart her attempts to uncover his family secrets. As Eleanor realises she's out of her depth at Estuary House, drawn to Lyndon like a moth to a flame, Taylor and Julius must fight their own attraction - but could shadows from the past tear them all apart?A stunning and richly evocative timeslip, perfect for fans of Lucinda Riley, Santa Montefiore and Kate Morton.By Gemma Amor. 2022
A traumatised woman with amnesia finds her own dead body and sets out to uncover the truth of her demise…
in a race against time, sanity, crumbling realities and the ever-present threat of the Silhouette. ---What can you do when you&’re reeling from trauma but you&’ve tried it all? Counselling, yoga, pills, meditation, art, healthy living… none of it makes a dent. What&’s left?Magpie is out of ideas. She&’s desperate enough to try anything. Just when she thinks her life can get no worse, she discovers herself, or rather her own dead body, partially buried in the mudbank of a river. A man stands by, a familiar stranger. What does he want? And why can&’t she remember getting here? Why can&’t she remember anything?Unbeknownst to her, two pairs of eyes watch from behind an observation screen, in a room filled with computers and sensors. An experiment is unfolding, but is Magpie the subject, or practitioner? Reality becomes a slippery concept. And beyond the glass is something worse still: a hint of an outline, shaped in darkness…Magpie realises all too soon that her journey has transformed from healing to survival. She must become the hunter rather than the hunted, with her missing memories the prey.In turn brutal, beautiful and absolutely terrifying, Full Immersion is the latest speculative horror from Bram Stoker Award-nominated author, Gemma AmorFile Under: Horror Fantasy [ Silhouette | Suspension | Bristol | Motherhood ] **Content Warnings** suicidal ideation; post-natal depression; implied acts of violence towards a child; birth sceneBy Dara Downey. 2014
This book shows just how closely late nineteenth-century American women's ghost stories engaged with objects such as photographs, mourning paraphernalia,…
wallpaper and humble domestic furniture. Featuring uncanny tales from the big city to the small town and the empty prairie, it offers a new perspective on an old genre.By Anna Despotopoulou. 2011
This book is a collection of essays on ghostly fiction by Henry James. The contributors analyze James's use of the ghost story…
as a subgenre and the difficult theoretical issues that James's texts pose.By D. Felton. 1999
Stories of ghostly spirits who return to this world to warn of danger, to prophesy, to take revenge, to request…
proper burial, or to comfort the living fascinated people in ancient times just as they do today. In this innovative, interdisciplinary study, the author combines a modern folkloric perspective with literary analysis of ghost stories from classical antiquity to shed new light on the stories' folk roots. The author begins by examining ancient Greek and Roman beliefs about death and the departed and the various kinds of ghost stories which arose from these beliefs. She then focuses on the longer stories of Plautus, Pliny, and Lucian, which concern haunted houses. Her analysis illuminates the oral and literary transmission and adaptation of folkloric motifs and the development of the ghost story as a literary form. In her concluding chapter, the author also traces the influence of ancient ghost stories on modern ghost story writers, a topic that will interest all readers and scholars of tales of hauntings.By Jane Holland. 2022
'I absolutely love this book from start to finish...a really atmospheric read, and brilliant characters.' NetGalley Reader, *****1963. When Eleanor…
meets famous young poet, Lyndon Chance, he offers a way to flee her abusive father. In return, she must pretend to be Lyndon's wife. He takes her home to a Tudor manor on the Camel Estuary in Cornwall, where she finds herself in the middle of a feud between Lyndon and his twin brother, Oliver. It's soon clear that the old house hides many dark secrets. But could they be a threat to Eleanor?Now. Taylor has come to idyllic Cornwall to research for her Master's thesis, combining her love for conservation with a personal interest in Chance's poetry. Haunted by her own tragic past, Taylor finds Chance's notoriety fascinating. If only the poet's grandson, Julius, wasn't so determined to thwart her attempts to uncover his family secrets. As Eleanor realises she's out of her depth at Estuary House, drawn to Lyndon like a moth to a flame, Taylor and Julius must fight their own attraction - but could shadows from the past tear them all apart?A stunning and richly evocative timeslip, perfect for fans of Lucinda Riley, Santa Montefiore and Kate Morton.By Henry James. 2010
A long career in writing fiction allows an author many opportunities to change style and subjects; in a career of…
more than 50 years, Henry James remained ever alert for new combinations of characters, settings, and plots that would allow him to expand the possibilities of narrative fiction. From his early short stories and novels that often focused on encounters between Americans and Europeans to his complex explorations of consciousness and perspective, James consistently examined issues of great moral heft in his works.By Andrew Michael Hurley, Natasha Pulley, Laura Purcell, Kiran Millwood Hargrave, Jess Kidd, Imogen Hermes Gowar, Bridget Collins, Elizabeth Macneal. 2021
Eight bestselling authors. A dazzling new collection of original haunted tales. This is your indispensable companion to the long, dark…
nights this October. 'You won't find a more thrilling winter read this year, or a better line up of writers who have mastered the gothic and ghostly.' SARA COLLINS, Costa Award-winning author of The Confessions of Frannie Langton ______________Featuring new and original tales from: Bridget Collins Sunday Times bestselling author of The Binding | Imogen Hermes Gowar Sunday Times bestselling author of The Mermaid and Mrs Hancock | Kiran Millwood Hargrave Sunday Times bestselling author of The Mercies | Andrew Michael Hurley Sunday Times bestselling author of The Loney | Jess Kidd International award-winning author of Things in Jars | Elizabeth Macneal Sunday Times bestselling author of The Doll Factory | Natasha Pulley Sunday Times bestselling author of The Watchmaker of Filigree Street | Laura Purcell Award-winning author of The Silent Companions ______________Long before Charles Dickens and Henry James popularized the tradition, the shadowy nights of winter have been a time for people to gather together by the flicker of candlelight and experience the intoxicating thrill of a ghost story.Now eight bestselling, award-winning authors - all of them master storytellers of the sinister and the macabre - bring the tradition to vivid life in a spellbinding new collection of original spine-tingling tales.Taking you from the frosty Fens to the wild Yorkshire moors, to the snow-covered grounds of a haunted estate, to a bustling London Christmas market, these mesmerizing stories will capture your imagination and serve as your indispensable companion to the cold, dark nights. So curl up, light a candle, and fall under the spell of winters past . . .______________'Makes you feel oddly cosy, in the way only the best ghost stories can. Exquisitely crafted, I enjoyed every word.' FRANCINE TOON, Sunday Times bestselling author of Pine 'Brilliantly chilling . . . an absolute treat' ANNA MAZZOLA, author of The Unseeing 'Gorgeous . . . a book destined to be read and re-read' AMANDA MASON, author of The Wayward GirlsBy Joseph Lanza. 2019
When Tobe Hooper’s low-budget slasher film, The Texas Chainsaw Massacre, opened in theaters in 1974, it was met in equal…
measure with disgust and reverence. The film—in which a group of teenagers meet a gruesome end when they stumble upon a ramshackle farmhouse of psychotic killers—was outright banned in several countries and was pulled from many American theaters after complaints of its violence. Despite the mixed reception from critics, it was enormously profitable at the domestic box office and has since secured its place as one of the most influential horror movies ever made. In The Texas Chainsaw Massacre and Its Terrifying Times, cultural critic Joseph Lanza turns his attentions to the production, reception, social climate, and impact of this controversial movie that rattled the American psyche. Joseph Lanza transports the reader back to the tumultuous era of the 1970s defined by political upheaval, cultural disillusionment, and the perceived decay of the nuclear family in the wake of Watergate, the onslaught of serial killers in the US, as well as mounting racial and sexual tensions. The Texas Chainsaw Massacre and Its Terrifying Times sets the themes of the film against the backdrop of the political and social American climate to understand why the brutal slasher flick connected with so many viewers. As much a book about the movie as the moment, Joseph Lanza has created an engaging and nuanced work that grapples with the complications of the American experience.