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Showing 21 - 40 of 174 items
By Ted Harrison. 1982
À travers quatre histoires michi saagig nishnaabeg autour d'Amik, le castor, Leanne Betasamosake Simpson invite à repenser les barricades autochtones.…
Comme les barrages du castor, les barricades sont des lieux de résistance et de vie, gouvernés par la relation entre territoire, nations humaines et non-humaines. Là, dans cet espace, l'autrice invite à bâtir ensemble, dans le dialogue, la gentillesse et le souci de l'autre, un autre monde. Vibrant hommage à l'art de vivre et à la résurgence autochtoneBy Karen McBride. 2022
Depuis son retour à Spirit Bear Point, Hazel Ellis rêve sans cesse à une vieille corneille qui affirme vouloir l'aider,…
la sauver. Mais la sauver de quoi, exactement? Du deuil de son père, qu'elle ne parvient pas à faire malgré les deux années qui se sont écoulées depuis son décès? Mais cela suffit-il à justifier l'intervention de Nanabush, un Trickster, un conteur, un maître de la métamorphose, une mythique créature anishinabe?By Liz Howard. 2021
The latest from the author of the Griffin Poetry Prize Award-winning collection Infinite Citizen of the Shaking Tent . GRIFFIN…
POETRY PRIZE, FINALIST I have to believe my account will outpace its ending. The danger and necessity of living with each other is at the core of Liz Howard's daring and intimate second collection. Letters in a Bruised Cosmos asks who do we become after the worst has happened? Invoking the knowledge histories of Western and Indigenous astrophysical science, Howard takes us on a breakneck river course of radiant and perilous survival in which we are invited to “reforge [ourselves] inside tomorrow's humidex”. Everyday observation, family history, and personal tragedy are sublimated here in a propulsive verse that is relentlessly its own. Part autobiography, part philosophical puzzlement, part love song, Letters in a Bruised Cosmos is a book that once read will not soon be forgottenBy Shanika MacEachern, Breighlynn MacEachern. 2022
An educational and heartfelt retelling of the story of the Mi'kmaq and their traditional lands, Mi'kma'ki, for young readers, focused…
on the generational traumas of the Indian Residential School System."The story of the Mi'kmaw people is one that very few truly know, Ladybug. Even fewer understand what happened at the residential schools. It is a hard story to tell, but you must know the truth. Sit and I will tell you the story."When seven-year-old Muinji'j comes home from school one day, her Nana and Papa can tell right away that she's upset. Her teacher has been speaking about the residential schools. Unlike most of her fellow students, Muinji'j has always known about the residential schools. But what she doesn't understand is why the schools existed and why children would have died there. Nana and Papa take Muinji'j aside and tell her the whole story, from the beginning. They help her understand all of the decisions that were made for the Mi'kmaq, not with the Mi'kmaq, and how those decisions hurt her people. They tell her the story of her people before their traditional ways were made illegal, before they were separated and sent to reservations, before their words, their beliefs, and eventually, their children, were taken from them. A poignant, honest, and necessary book featuring brilliant artwork from Mi'kmaw artist Zeta Paul and words inspired by Muinji'j MacEachern's true story, Muinji'j Asks Why will inspire conversation, understanding, and allyship for readers of all ages.By Jocelyn Sioui. 2020
Il existe dans chaque famille des histoires qui laissent des traces pour des générations. Des micromythes qui ne sortent pas…
de la microcellule familiale. Qu'on entretient un peu comme... comme le feu d'un poêle à combustion lente : une bûche de temps en temps.Mononk Jules reconstitue le parcours de Jules Sioui, un Wendat qui a bousculé l'Histoire canadienne avant de sombrer dans un énorme trou de mémoire familial et historique. Dans sa tentative de comprendre comment s'écrit l'Histoire (ou comment elle ne s'écrit pas) l'auteur se retrouve, malgré lui, face à un colosse aux pieds d'argile. Comédien, dramaturge et marionnettiste, Jocelyn Sioui tire ici sur les petits et grands fils de l'histoire de cet énigmatique grand-oncle, héros autochtone du 20e siècle.By Danielle Daniel. 2018
Parfois je suis un renard rusé et astucieux. J'observe mon entourage. Puis, en un clin d'oeil, je disparais. Dans cette…
introduction enjouée aux animaux totémiques de la tradition anishinaabée, douze enfants s'identifient à différentes créatures comme un renard, un chevreuil, un castor ou un orignal. Années 1-3. Gagnant de Marilyn Baillie Picture Book Award. 2018. Titre uniforme: Sometimes I feel like a fox.By Gabrielle Grimard, Christy Jordan-Fenton, Margaret-Olemaun Pokiak-Fenton. 2013
Bestselling memoir Fatty Legs for younger readers. Olemaun is eight and knows a lot of things. But she does not…
know how to read. Ignoring her father’s warnings, she travels far from her Arctic home to the outsiders’ school to learn. The nuns at the school call her Margaret. They cut off her long hair and force her to do menial chores, but she remains undaunted. Her tenacity draws the attention of a black-cloaked nun who tries to break her spirit at every turn. But the young girl is more determined than ever to learn how to read. Based on the true story of Margaret Pokiak-Fenton, and complemented by stunning illustrations, When I Was Eight makes the bestselling Fatty Legs accessible to younger readers. Now they, too, can meet this remarkable girl who reminds us what power we hold when we can read.By Naomi Fontaine. 2019
Naomi Fontaine écrit une longue lettre à son amie Shuni, une jeune Québécoise venue dans sa communauté pour aider les…
Innus. Elle convoque l'histoire. Surgissent les visages de la mère, du père, de la grand-mère. Elle en profite pour s'adresser à Petit ours, son fils. Les paysages de Uashat défilent, fragmentés, radieux. Elle raconte le doute qui mine le coeur des colonisés, l'impossible combat d'être soi. Shuni, cette lettre fragile et tendre, dit la force d'inventer l'avenir, la lumière de la vérité. La vie est un cercle où tout recommence.By Anne Panasuk. 2021
Auassat – « les enfants », en innu – dévoile un chapitre ignoré de nos relations avec les Premières Nations,…
une histoire terrible qui explique les traumatismes transmis d’une génération à l’autre, jusqu’à aujourd’hui. Au début des années 1970, des enfants autochtones sont disparus après avoir été envoyés à l’hôpital pour y être soignés sans leurs parents. Certains, déclarés morts alors qu’ils ne l’étaient pas, ont été adoptés. Plusieurs ont perdu la vie sans que leurs proches en aient été avertis. Encore aujourd’hui, les familles cherchent ces enfants qui n’ont jamais été oubliés.By Joanne Robertson. 2020
A board book about the importance of Nibi, which means water in Anishinaabemowin (Ojibwe), and our role to thank, respect,…
love, and protect it. Written from an Anishinaabe water protector's perspective, the book is in dual language--English and Anishinaabemowin. Babies and toddlers can follow Nibi as it rains and snows, splashes or rows, drips and sipsBy Roland Viau. 2021
Une réponse à la grande énigme : pourquoi les populations autochtones d’Hochelaga ont-elles disparu entre l’arrivée de Cartier et celle…
de Champlain? Ce livre, qui prend souvent les allures d’une incomparable « enquête policière », constitue la première et remarquable synthèse de l’histoire de Montréal au XVIe siècle, à la fois savante et accessible. Un essai scientifique captivant pour qui s’intéresse aux communautés autochtones.By Whit Fraser. 2018
"A reporter's memoir recounting the remarkable events and the extraordinary people who spoke up across Canada's Northern Territories to challenge…
the colonial attitudes and policies of the past, bringing lasting change and the prospect of greater justice and equality to come"--Provided by publisher's website.By Christy Jordan-Fenton, Margaret-Olemaun Pokiak-Fenton. 2021
Bestselling memoir Fatty Legs for younger readers. Olemaun is eight and knows a lot of things. But she does not…
know how to read. Ignoring her father's warnings, she travels far from her Arctic home to the outsiders' school to learn. The nuns at the school call her Margaret. They cut off her long hair and force her to do menial chores, but she remains undaunted. Her tenacity draws the attention of a black-cloaked nun who tries to break her spirit at every turn. But the young girl is more determined than ever to learn how to read. Based on the true story of Margaret Pokiak-Fenton, and complemented by stunning illustrations, When I Was Eight makes the bestselling Fatty Legs accessible to younger readers. Now they, too, can meet this remarkable girl who reminds us what power we hold when we can readBy Aimée Craft, Luke Swinson. 2021
The first treaty that was made was between the earth and the sky. It was an agreement to work together.…
We build all of our treaties on that original treaty. On the banks of the river that have been Mishomis’s home his whole life, he teaches his granddaughter to listen—to hear both the sounds and the silences, and so to learn her place in Creation. Most importantly, he teaches her about treaties—the bonds of reciprocity and renewal that endure for as long as the sun shines, the grass grows, and the rivers flow. Accompanied by beautiful illustrations by Luke Swinson and an author’s note at the end, Aimée Craft affirms the importance of understanding an Indigenous perspective on treaties in this evocative book that is essential for readers of all ages.By Jesse Wente. 2021
"Unreconciled is one hell of a good book. Jesse Wente’s narrative moves effortlessly from the personal to the historical to…
the contemporary. Very powerful, and a joy to read."—Thomas King, author of The Inconvenient Indian and SufferanceA prominent Indigenous voice uncovers the lies and myths that affect relations between white and Indigenous peoples and the power of narrative to emphasize truth over comfort.Part memoir and part manifesto, Unreconciled is a stirring call to arms to put truth over the flawed concept of reconciliation, and to build a new, respectful relationship between the nation of Canada and Indigenous peoples. Jesse Wente remembers the exact moment he realized that he was a certain kind of Indian--a stereotypical cartoon Indian. He was playing softball as a child when the opposing team began to war-whoop when he was at bat. It was just one of many incidents that formed Wente's understanding of what it means to be a modern Indigenous person in a society still overwhelmingly colonial in its attitudes and institutions. As the child of an American father and an Anishinaabe mother, Wente grew up in Toronto with frequent visits to the reserve where his maternal relations lived. By exploring his family's history, including his grandmother's experience in residential school, and citing his own frequent incidents of racial profiling by police who'd stop him on the streets, Wente unpacks the discrepancies between his personal identity and how non-Indigenous people view him. Wente analyzes and gives voice to the differences between Hollywood portrayals of Indigenous peoples and lived culture. Through the lens of art, pop culture, and personal stories, and with disarming humour, he links his love of baseball and movies to such issues as cultural appropriation, Indigenous representation and identity, and Indigenous narrative sovereignty. Indeed, he argues that storytelling in all its forms is one of Indigenous peoples' best weapons in the fight to reclaim their rightful place.Wente explores and exposes the lies that Canada tells itself, unravels "the two founding nations" myth, and insists that the notion of "reconciliation" is not a realistic path forward. Peace between First Nations and the state of Canada can't be recovered through reconciliation--because no such relationship ever existed.By National Inquiry into Missing and Murdered Indigenous Women and Girls. 2019
The National Inquiry’s Final Report reveals that persistent and deliberate human and Indigenous rights violations and abuses are the root…
cause behind Canada’s staggering rates of violence against Indigenous women, girls and 2SLGBTQQIA people. The two volume report calls for transformative legal and social changes to resolve the crisis that has devastated Indigenous communities across the country.By Truth and Reconciliation Commission of Canada. 2015
The Final Report of Canada's Truth and Reconciliation Commission and its six-year investigation of the residential school system for Aboriginal…
youth and the legacy of these schools. This report, the summary volume, includes the history of residential schools, the legacy of that school system, and the full text of the Commission's 94 recommendations for action to address that legacy. This report lays bare a part of Canada's history that until recently was little-known to most non-Aboriginal Canadians. The Commission discusses the logic of the colonization of Canada's territories, and why and how policy and practice developed to end the existence of distinct societies of Aboriginal peoples. Using brief excerpts from the powerful testimony heard from Survivors, this report documents the residential school system which forced children into institutions where they were forbidden to speak their language, required to discard their clothing in favour of institutional wear, given inadequate food, housed in inferior and fire-prone buildings, required to work when they should have been studying, and subjected to emotional, psychological and often physical abuse. In this setting, cruel punishments were all too common, as was sexual abuse. More than 30,000 Survivors have been compensated financially by the Government of Canada for their experiences in residential schools, but the legacy of this experience is ongoing today. This report explains the links to high rates of Aboriginal children being taken from their families, abuse of drugs and alcohol, and high rates of suicide. The report documents the drastic decline in the presence of Aboriginal languages, even as Survivors and others work to maintain their distinctive cultures, traditions, and governance. The report offers 94 calls to action on the part of governments, churches, public institutions and non-Aboriginal Canadians as a path to meaningful reconciliation of Canada today with Aboriginal citizens.[...] je ne peux m’empêcher de me demander si l’omission de révéler et d’enseigner les horreurs commises par les ancêtres…
des Américains et des Canadiens caucasiens contre les peuples des Premières Nations d’Amérique du Nord [...] est une dissimulation intentionnelle ou une indication que ces personnes gardent toujours à l’esprit la notion que la vie d’une personne des Premières Nations n’a aucune valeur. » - Extrait de l’épilogue, Daniel Paul Première traduction en français du célèbre livre de Daniel Paul, We were not the savages (Fernwood Publishing). Paru pour la première fois en 1993, ce premier livre d’historiographie autochtone en est à sa 3e édition, et incorpore les recherches continues de l’auteur. Il montre clairement que les horreurs de l’histoire continuent de hanter les Premières Nations aujourd’hui... mais aussi tous.tes les Canadien.nes.By Kay Weisman. 2020
Discover the wonder of ancient sea gardens on the Northwest Coast Sea gardens have been created by First Peoples on…
the Northwest coast for more than three thousand years. These gardens consist of stone reefs that are constructed at the lowest tide line, encouraging the growth of clams and other marine life on the gently sloped beach. This lyrical story follows a young child and an older family member who set out to visit a sea garden early one morning, as the lowest tides often occur at dawn. After anchoring their boat, they explore the beach, discover the many sea creatures that live there, hear the sputtering of clams and look closely at the reef. They reflect on the people who built the wall long ago, as well as those who have maintained it over the years. After digging for clams, they tidy up the beach, then return home.An author’s note provides further information about sea gardens (also known as clam gardens), which yield a reliable food source and have been traditional places of learning. They have been found along the Pacific coast, from Alaska to British Columbia to Washington State, and some of these gardens are being restored today.The manuscript has been vetted and approved by the scientists of the Clam Garden Network and Kwaxsistalla Wathl’thla Clan Chief Adam Dick. Roy Henry Vickers, whose ancestry includes the Tsimshian, Haida and Heiltsuk First Nations, has created hauntingly beautiful images to accompany the text.Key Text Featuresauthor’s noteCorrelates to the Common Core State Standards in English Language Arts:CCSS.ELA-LITERACY.RI.K.2>With prompting and support, identify the main topic and retell key details of a text.CCSS.ELA-LITERACY.RI.K.6Name the author and illustrator of a text and define the role of each in presenting the ideas or information in a text.