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By Daniel F. Harrison. 2024
Few maritime landscapes in the Great Lakes remain so deeply and clearly inscribed by successive cultures as the St. Clair…
system—a river, delta, and lake found between Lake Huron and the Detroit River. The St. Clair River and its environs are an age-old transportation nexus of land and water routes, a strategic point of access to maritime resources, and, in many ways, a natural impediment to the navigation of the Great Lakes. From Indigenous peoples and European colonizers to the modern nations of Canada and the United States, this work traces the region’s transformation through culturally driven practices and artifacts of shipbuilding, navigation, place naming, and mapmaking. In this novel approach to maritime landscape archaeology, author Daniel F. Harrison unifies historiography, linguistics, ethnohistory, geography, and literature through the analysis of primary sources, material culture, and ecological and geographic data in a technique he calls "evidence-based storytelling." Viewed over time, the region forms a microcosm of the interplay of environment, culture, and technology that characterized the gradual shift from nature to an industrial society and a built environment optimized for global waterborne transport.By Scott M. Fitzpatrick, Jon M. Erlandson, Kristina M. Gill. 2024
Examining dynamic interactions between humans and island environments This volume explores the impacts humans have made on island and coastal…
ecosystems and the ways these environments have adapted to anthropogenic changes over the course of millennia. Case studies highlight how island populations developed social and political strategies to effectively manage their ecosystems, ensuring the long-term survival of their societies and the persistence of their cultural traditions. In case studies from islands in the Pacific, the Caribbean, and the Atlantic, contributors apply resilience theory, historical ecology, niche construction theory, and human behavioral ecology to foreground Indigenous resiliency and sustainability. Modern island and coastal societies face daunting challenges in the decades to come, including climate change, sea level rise, and the loss of habitable lands and heritage resources. Sustainability in Ancient Island Societies argues that the study of past human responses to such changes, especially practices rooted in Indigenous traditional ecological knowledge, can inform solutions to manage these threats today.Contributors: Rebecca Boger | Emira Ibrahimpasic | Frederique Valentin | Stuart Bedford | Davide Marco Zori | William Jeffery | Denise Elena | Edith Gonzalez | Mark Horrocks | Anaëlle Jallon | Sophia Perdikaris | Iarowoi Philip | Takaronga Kuautonga | Lindsey E. Cochran | Christopher Wolff | Todd Braje | Craig Shapiro | Allison Bain | Dr. Torben C. Rick | James Flexner | Tim Denham | Jon M. Erlandson | Robert Williams | Victor D. Thompson | Scott M. Fitzpatrick | Julie Field | Kristina M. Gill | Sandrine Grouard A volume in the series Society and Ecology in Island and Coastal Archaeology, edited by Victor D. Thompson and Scott M. FitzpatrickBy Eric H. Cline. 2024
In this gripping sequel to his bestselling 1177 B.C., Eric Cline tells the story of what happened after the Bronze…
Age collapsed—why some civilizations endured, why some gave way to new ones, and why some disappeared forever&“A landmark book: lucid, deep, and insightful. . . . You cannot understand human civilization and self-organization without studying what happened on, before, and after 1177 B.C.&”—Nassim Nicholas Taleb, bestselling author of The Black SwanAt the end of the acclaimed history 1177 B.C., many of the Late Bronze Age civilizations of the Aegean and Eastern Mediterranean lay in ruins, undone by invasion, revolt, natural disasters, famine, and the demise of international trade. An interconnected world that had boasted major empires and societies, relative peace, robust commerce, and monumental architecture was lost and the so-called First Dark Age had begun. Now, in After 1177 B.C., Eric Cline tells the compelling story of what happened next, over four centuries, across the Aegean and Eastern Mediterranean world. It is a story of resilience, transformation, and success, as well as failures, in an age of chaos and reconfiguration.After 1177 B.C. tells how the collapse of powerful Late Bronze Age civilizations created new circumstances to which people and societies had to adapt. Those that failed to adjust disappeared from the world stage, while others transformed themselves, resulting in a new world order that included Phoenicians, Philistines, Israelites, Neo-Hittites, Neo-Assyrians, and Neo-Babylonians. Taking the story up to the resurgence of Greece marked by the first Olympic Games in 776 B.C., the book also describes how world-changing innovations such as the use of iron and the alphabet emerged amid the chaos.Filled with lessons for today's world about why some societies survive massive shocks while others do not, After 1177 B.C. reveals why this period, far from being the First Dark Age, was a new age with new inventions and new opportunities.By Whitney Battle-Baptiste. 2011
Black feminist thought has developed in various parts of the academy for over three decades, but has made only minor…
inroads into archaeological theory and practice. Whitney Battle-Baptiste outlines the basic tenets of Black feminist thought and research for archaeologists and shows how it can be used to improve contemporary historical archaeology. She demonstrates this using Andrew Jackson‘s Hermitage, the W. E. B. Du Bois Homesite in Massachusetts, and the Lucy Foster house in Andover, which represented the first archaeological excavation of an African American home. Her call for an archaeology more sensitive to questions of race and gender is an important development for the field.By Leslie Bedford. 2014
Leslie Bedford, former director of the highly regarded Bank Street College museum leadership program, expands the museum professional’s vision of…
exhibitions beyond the simple goal of transmitting knowledge to the visitor. Her view of exhibitions as interactive, emotional, embodied, imaginative experiences opens a new vista for those designing them. Using examples both from her own work at the Boston Children’s Museum and from other institutions around the globe, Bedford offers the museum professional a bold new vision built around narrative, imagination, and aesthetics, merging the work of the educator with that of the artist. It is important reading for all museum professionals.By Rebecca Storey, Glenn R Storey. 2017
This volume compares two of the most famous cases of civilizational collapse, that of the Roman Empire and the Classic…
Maya world. First examining the concept of collapse, and how it has been utilized in the historical, archaeological and anthropological study of past complex societies, Storey and Storey draw on extensive archaeological evidence to consider the ultimate failure of the institutions, infrastructure and material culture of both of these complex cultures. Detailing the relevant economic, political, social and environmental factors behind these notable falls, Rome and the Classic Maya contends that a phenomenon of “slow collapse” has repeatedly occurred in the course of human history: complex civilizations are shown to eventually come to an end and give way to new cultures. Through their analysis of these two ancient case studies, the authors also present intriguing parallels to the modern world and offer potential lessons for the future.By Doris B. Ash. 2022
Reculturing Museums takes a unified sociocultural theoretical approach to analyze the many conflicts museums experience in the 21st century. Embracing…
conflict, Ash asks: What can practitioners and researchers do to create the change they want to see when old systems remain stubbornly in place?Using a unified sociocultural, cultural-historical, activity-theoretical approach to analyzing historically bound conflicts that plague museums, each chapter is organized around a central contradiction, including finances ("Who will pay for museums?"), demographic shifts ("Who will come to museums?"), the roles of narratives ("Whose story is it?"), ownership of objects ("Who owns the artifact?"), and learning and teaching ("What is learning and how can we teach equitably?"). The reculturing stance taken by Ash promotes social justice and equity, ‘making change’ first, within museums, called inreach, rather than outside the museum, called outreach; challenges existing norms; is sensitive to neoliberal and deficit ideologies; and pays attention to the structure agency dialectic.Reculturing Museums will be essential reading for academics, students, museum practitioners, educational researchers, and others who care about museums and want to ensure that all people have equal access to the activities, objects, and ideas residing in them.By J. M. Adovasio, Olga Soffer, Jake Page. 2007
Shaped by cartoons and museum dioramas, our vision of Paleolithic times tends to feature fur-clad male hunters fearlessly attacking mammoths…
while timid women hover fearfully behind a boulder. Recent archaeological research has shown that this vision bears little relation to reality. J. M. Adovasio and Olga Soffer, two of the world's leading experts on perishable artifacts such as basketry, cordage, and weaving, present an exciting new look at prehistory. With science writer Jake Page, they argue that women invented all kinds of critical materials, including the clothing necessary for life in colder climates, the ropes used to make rafts that enabled long-distance travel by water, and nets used for communal hunting. Even more important, women played a central role in the development of language and social life—in short, in our becoming human. In this eye-opening book, a new story about women in prehistory emerges with provocative implications for our assumptions about gender today.By Marcella Wells, Barbara H Butler, Judith Koke. 2013
Museum professionals' increased focus on visitors in recent years has been demonstrated by, among other things, the enhanced practice of…
evaluation and the development of interpretive plans. Yet too often, these efforts function independent of one another. This book helps museums integrate visitors' perspectives into interpretive planning by recognizing, defining, and recording desired visitor outcomes throughout the process. The integration of visitor studies in the practice of interpretive planning is also based on the belief that the greater our understanding, tracking, and monitoring of learners, the greater the impact museums will make on public understanding of the science and humanities disciplines. An approach that advocates thoughtful and intentional interpretive planning that constantly integrates visitor perspectives is the next step in working with, rather than for, our communities; a step toward truly becoming visitor-centered and impactful as essential learning institutions of the 21st century.By Gregory G White, Thomas F King. 2007
Governmental guidelines have forced a dramatic change in the practice of archaeological surveying in recent decades. In response to public…
and private development, surveying is needed to accurately inventory the cultural resources of a region and provide guidance for their preservation and management. Greg White and Tom King provide a handy introduction to students, field novices, and land managers on the strategies, methods, and logic of contemporary survey work. In addition to providing the legal and historical context for this endeavor the book provides a heavily illustrated, practical guide to conducting a survey to help beginners understand how it works in practice. This volume is perfect for an archaeological methods class, field school, or reference collection.This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth…
century. The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, ‘popular’ and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors. This book will be of particular interest to scholars of the histories of nineteenth-century art and culture.In Mythic Imagination and the Actor, Marissa Chibás draws on over three decades of experience as a Latinx actor, writer,…
filmmaker, and teacher to offer an approach to acting that embraces collective imagination, archetypal work, and the mythic. The book begins with a comparative analysis between method acting and mythic acting, encouraging actors to push past the limits of singular life experience and move to a realm where imagination and metaphor thrive. In the context of mythic acting, the book explores awareness work, solo performance creation, the power of archetypes, character building exercises, creating a body/text connection, and how to be the detective of your own process. Through this inclusive guide for a new age of diverse performers traversing gender, ability, culture, and race, readers are able to move beyond their limits to a deep engagement with the infinite possibilities of rich imagination. The final chapter empowers and motivates artists to live healthfully within the practice and create a personal artistic vision plan.Written for actors and students of acting, American Drama, and film and theatre studies, Mythic Imagination and the Actor provides practical exercises and prompts to unlock and interpret an actor’s deepest creative sources.By William Shakespeare. 1967
'The man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul' John DrydenAntonio, a…
Venetian merchant, wishes to help his friend get money to impress a rich heiress. But he is forced to borrow the sum from a cynical, abused Jewish moneylender, Shylock, and signs a chilling contract to honour the debt with a pound of his own flesh. An ambiguous, complex and controversial comedy, The Merchant of Venice explores prejudice, marriage, money and the true nature of justice in an unforgiving world.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by W. Moelwyn Merchant Introduction by Peter HollandBy Euripides. 1963
Medea/Hecabe/Electra/HeraclesFour devastating Greek tragedies showing the powerful brought down by betrayal, jealousy, guilt and hatredThe first playwright to depict suffering…
without reference to the gods, Euripides made his characters speak in human terms and face the consequences of their actions. In Medea, a woman rejected by her lover takes hideous revenge by murdering the children they both love, and Hecabe depicts the former queen of Troy, driven mad by the prospect of her daughter's sacrifice to Achilles. Electra portrays a young woman planning to avenge the brutal death of her father at the hands of her mother, while in Heracles the hero seeks vengeance against the evil king who has caused bloodshed in his family.Translated with an Introduction by PHILIP VELLACOTTBy Euripides. 1996
Alcestis/Medea/The Children of Heracles/Hippolytus'One of the best prose translations of Euripides I have seen' Robert FaglesThis selection of plays shows…
Euripides transforming the titanic figures of Greek myths into recognizable, fallible human beings. Medea, in which a spurned woman takes revenge upon her lover by killing her children, is one of the most shocking of all the Greek tragedies. Medea is a towering figure who demonstrates Euripides' unusual willingness to give voice to a woman's case. Alcestis is based on a magical myth in which Death is overcome, and The Children of Heracles examines conflict between might and right, while Hippolytus deals with self-destructive integrity. Translated by JOHN DAVIEBy William Shakespeare. 1969
'Language is his power. His characters are precisely the words they speak' A. S. Byatt A young man is condemned…
to death for breaking a law forbidding sex outside marriage. When his sister pleads with the Lord Angelo to save him, he offers her a bargain - her brother's life in exchange for her virginity. One of Shakespeare's most enigmatic plays, Measure for Measure is a morally complex drama of intricate moves and countermoves that explores falsehood, justice and humanity's best and basest instincts.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by J. M. NosworthyIntroduction by Julia BriggsBy William Shakespeare. 1967
'A supreme theatrical poem that has a language that eats into the soul' Michael Billington, GuardianShakeapeare's blood-soaked drama of murder,…
madness and the uncanny begins as Macbeth is promised a golden future as ruler of Scotland by supernatural forces. Spurred on by his wife, he murders the king to ensure his ambitions come true. But he soon learns the meaning of terror - killing once, he must kill again and again, while the dead return to haunt him. Macbeth is an anatomy of fear and a bleak portrayal of what some will do to achieve their desires.General Introduction by STANLEY WELLS Edited by GEORGE HUNTER Introduction by CAROL CHILLINGTON RUTTERBy Aristophanes. 2002
The Acharnians/The Clouds/Lysistrata'We women have the salvation of Greece in our hands'Writing at a time of political and social crisis…
in Athens, the ancient Greek comic playwright Aristophanes was an eloquent, yet bawdy, challenger to the demagogue and the sophist. In Lysistrata and The Acharnians, two pleas for an end to the long war between Athens and Sparta, a band of women on a sex strike and a lone peasant respectively defeat the political establishment. The darker comedy of The Clouds satirizes Athenian philosophers, Socrates in particular, and reflects the uncertainties of a generation in which all traditional religious and ethical beliefs were being challenged. Translated with an Introduction and Notes by Alan H. SommersteinBy Henrik Ibsen. 2014
Ibsen's greatest late plays in superb modern translations, part of the new Penguin Ibsen series. This volume includes The Master…
Builder, Little Eyolf, John Gabriel Borkman and When We Dead Awaken - Ibsen's last four plays, written in his old age in Oslo. In The Master Builder, a married, middle-aged architect becomes bewitched by a strange young woman who claims to have known him for years. A sudden death in Little Eyolf is the catalyst that drives a couple into a greater understanding of themselves. In John Gabriel Borkman, a banker recently released from prison must choose between his wife and her sister, while a sculptor on holiday is reunited with the woman who inspired his greatest art in When We Dead Awaken. The new Penguin series of Ibsen's major plays offer the best available editions in English, under the general editorship of Tore Rem. All the plays have been freshly translated by leading translators and are based on the definitive Norwegian edition of Ibsen's works. This volume includes an introduction by Toril Moi on the themes of death and human limitation in the plays, and additional editorial apparatus by Tore Rem. Henrik Ibsen (1828-1906) is often called 'the Father of Modern Drama'. Born in the small Norwegian town of Skien, he left Norway in 1864 for a twenty-one-year long voluntary exile in Italy and Germany. After successes with the verse dramas Brand and Peer Gynt, he turned to prose, writing his great twelve-play cycle of society dramas between 1877 and 1899. This included The Pillars of Society, A Doll's House, Ghosts, An Enemy of the People, The Wild Duck, Rosmersholm, The Lady from the Sea, Hedda Gabler, The Master Builder, Little Eyolf, John Gabriel Borkman, and, finally, When We Dead Awaken. Ibsen returned to Norway in 1891 and died there at the age of seventy-eight. Barbara J. Haveland and Anne-Marie Stanton-Ife are both freelance literary translators. Toril Moi is Professor of English, Theater Studies and Philosophy at Duke University. Her books include Henrik Ibsen and the Birth of Modernism (2006). Tore Rem is Professor of British literature at the University of Oslo and author of Henry Gibson/Henrik Ibsen (2006).By Henrik Ibsen. 1958
The four plays in this volume, written late in Ibsen's career as a dramatist, move away from his earlier preoccupation…
with people at odds with society to instead explore the inward struggle with their own thoughts, feelings and dreams. The Master Builder (1892) depicts a powerful man whose illusions collapse in the face of a young woman's courageous common sense. In Rosmersholm (1886), an idealist is forced to question his beliefs and confront terrible truths about the past, while Little Eyolf (1894) portrays a man's self-deception, which brings both tragic repercussions for his family and new hope for their future. And in John Gabriel Borkman (1896), a dying woman returns to reclaim the affections and loyalty of her nephew, resulting in a bitter struggle with her sister.