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Arts and entertainment, Drama
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Performance Art: Education and Practice is an introduction to performance art through activities and practice prompts that are framed by…
seminal moments in the history of the medium as well as the current theoretical discussions surrounding performance. The book begins by introducing the terminology related to performance art and its early history. The basic elements of performance, including the body, objects, space, the public, and the public sphere are approached through thematic and conceptual correlations such as objects as autobiography, body as an expression of gendered identity, performance and the everyday, the augmented body, the archive of performance, and public space as space for intervention. Case studies analysed in each chapter are accompanied by reflective questions and discussion topics. The book proposes a wide range of exercises and comprehensive practice prompts that aim to enhance performance skills, promote experimentation, and encourage an experiential understanding of the theory, history, and concepts relating to performance art. Performance Art: Education and Practice is addressed to students of Fine Arts and Performance Studies from beginner to intermediate level, performance and visual artists who are interested in expanding their knowledge base and creative range, and artist-teachers who are interested in developing their own curriculum and workshop content.
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Drama
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A confrontation between two widely dissimilar men leads to some wrenching personal revelations by both. An early one-act play by…
Albee, it was the first of his plays to be produced in New York
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Drama, European history, Poetry
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A vibrant collection of short plays bringing Irish history and culture alive through an extraordinary collage of documents, songs, poems,…
and texts.In Nine Irish Plays for Voices, award-winning poet Eamon Grennan delves deep into key Irish subjects—big, small, literary, historical, political, biographical—and illuminates them for today’s audiences and readers. These short plays draw from original material centering on important moments in Irish history and the formation of the Irish Republic, such as the Great Famine and the Easter Rising; the lives of Irish literary figures like Yeats, Joyce, and Lady Gregory; and the crucial and life-changing condition of emigration.The rhythmic, musical, and vivid language of Grennan’s plays incorporates traditional song lyrics, lines of Irish poetry, and letters and speeches of the time. The result is a dramatic collage that tells a story through the voices of characters contemporary to the period of the play’s subject. By presenting subjects through the dramatic rendering of the human voice, the plays facilitate a close, intimate relationship between players and the audience, creating an incredibly powerful connection to the past. Historical moments and literary figures that might seem remote to the present-day reader or audience become immediate and emotionally compelling.One of the plays, Ferry, is drawn entirely from the author’s imagination. It puts unnamed characters who come from the world of twentieth-century Ireland on a boat to the underworld with the philosopher Ludwig Wittgenstein. On their journey the five strangers, played by two voices, tell stories about their lives, raising the question of how language both captures and transforms lived experience. Addressing the Great Famine, Hunger uses documentary evidence to give audiences a dramatic feel for what has been a silent and traumatic element in Irish history. Noramollyannalivialucia: The Muse and Mr. Joyce is a one-woman piece that depicts James Joyce’s wife as an older woman sharing her memories and snippets from the works of her husband. Also included in this rich volume is the author’s adaptation of Synge’s Aran Islands, as well as Emigration Road, History! Reading the Easter Rising, The Muse and Mr. Yeats, The Loves of Lady Gregory, and Peig: An Ordinary Life.
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Classic fiction, Serious and literary fictionDrama
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"An absolutely dazzling entertainment. . . . Arousing on every level—political, erotic, intellectual, and above all, humorous." —Newsweek"The Book of…
Laughter and Forgetting calls itself a novel, although it is part fairy tale, part literary criticism, part political tract, part musicology, and part autobiography. It can call itself whatever it wants to, because the whole is genius." —New York TimesRich in its stories, characters, and imaginative range, The Book of Laughter and Forgetting is the novel that brought Milan Kundera his first big international success in the late 1970s. Like all his work, it is valuable for far more than its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed, and experienced.
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Journals and memoirs, Drama
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Une longue lettre d'amour à mon âme sœur qui me regarde avec nostalgie par-delà le temps et l’espace
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Drama, Criticism, General non-fiction
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Shakespeare and Cultural Appropriation pushes back against two intertwined binaries: the idea that appropriation can only be either theft or…
gift, and the idea that cultural appropriation should be narrowly defined as an appropriative contest between a hegemonic and marginalized power. In doing so, the contributions to the collection provide tools for thinking about appropriation and cultural appropriation as spectrums constantly evolving and renegotiating between the poles of exploitation and appreciation. This collection argues that the concept of cultural appropriation is one of the most undertheorized yet evocative frameworks for Shakespeare appropriation studies to address the relationships between power, users, and uses of Shakespeare. By robustly theorizing cultural appropriation, this collection offers a foundation for interrogating not just the line between exploitation and appreciation, but also how distinct values, biases, and inequities determine where that line lies. Ultimately, this collection broadly employs cultural appropriation to rethink how Shakespeare studies can redirect attention back to power structures, cultural ownership and identity, and Shakespeare’s imbrication within those networks of power and influence. Throughout the contributions in this collection, which explore twentieth and twenty-first century global appropriations of Shakespeare across modes and genres, the collection uncovers how a deeper exploration of cultural appropriation can reorient the inquiries of Shakespeare adaptation and appropriation studies. This collection will be of great interest to students and scholars in theatre and performance studies, Shakespeare studies, and adaption studies.
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Drama, Arts and entertainment
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Bestseller in the UK, Sunday Times, November 2019.The complete Fleabag. Every Word. Every Side-eye. Every Fox.Fleabag: The Scriptures includes new…
writing from Phoebe Waller-Bridge alongside the filming scripts and the never-before-seen stage directions from the Golden Globe, Emmy and BAFTA winning series. 'Perfect' Guardian'Perfect' Daily Telegraph'Perfect' Stylist 'Perfect' Independent'Perfect' Evening Standard 'Perfect' Metro'Perfect' Irish Times 'Perfect' RTE'Perfect' Spectator'Perfect' Refinery29'Perfect' Catholic Herald'Perfection' Financial Times***HAIRDRESSERNO.(pointing to Claire)That is EXACTLY what she asked for.FLEABAGNo it's not. We want compensation.HAIRDRESSERClaire?CLAIREI've got two important meetings and I look like a pencil.HAIRDRESSERNO. Don't blame me for your bad choices. Hair isn't everything.FLEABAGWow.HAIRDRESSERWhat?FLEABAGHair. Is. Everything. We wish it wasn't so we could actually think about something else occasionally. But it is. It's the difference between a good day and a bad day. We're meant to think that it is a symbol of power, a symbol of fertility, some people are exploited for it and it pays your fucking bills. Hair is everything, Anthony.
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Drama, Criticism
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This volume takes a deep dive into the philosophical hermeneutics of Shakespearean tradition, providing insight into the foundations, theories, and…
methodologies of hermeneutics in Shakespeare. Central to this research, this volume investigates fundamental questions including: what is philosophical hermeneutics, why philosophical hermeneutics, what do literary and cultural hermeneutics do, and in what ways can literary and cultural hermeneutics benefit the interpretation of Shakespearean plays? Hermeneutic Shakespeare guides the reader through two main discussions. Beginning with the understanding of "Philosophical Hermeneutics", and the general principles of literary and cultural hermeneutics, the volume includes philosophers such as Friedrich Ast, Daniel Friedrich Schleiermacher, and Wilhelm Dilthey, as well as Ludwig Wittgenstein, Martin Heidegger, Hans-Georg Gadamer, and more recently, Steven Connor. Part Two of this volume applies universal principles of philosophical hermeneutics to explicate the historical, philosophical, acquired, and applied literary interpretations through the critical practices of Shakespeare’s plays or their adaptations, including Henry V, The Merchant of Venice, Hamlet, and The Comedy of Errors. Aimed at scholars and students alike, this volume aims to contribute to contemporary understanding of Shakespeare and literature hermeneutics. Chapters 2, 5, and 6 of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. They have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. Funded by Guangdong University of Foreign Studies.
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Drama, History, Arts and entertainment
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This book lays bare the dialogue between Shakespeare and critics of the stage, and positions it as part of an…
ongoing cultural, ethical, and psychological debate about the effects of performance on actors and on spectators. In so doing, the book makes a substantial contribution both to the study of representations of theatre in Shakespeare’s plays and to the understanding of ethical concerns about acting and spectating—then, and now. The book opens with a comprehensive and coherent analysis of the main early modern English anxieties about theatre and its power. These are read against 20th- and 21st-century theories of acting, interviews with actors, and research into the effects of media representation on spectator behaviour, all of which demonstrate the lingering relevance of antitheatrical claims and the personal and philosophical implications of acting and spectating. The main part of the book reveals Shakespeare’s responses to major antitheatrical claims about the powerful effects of poetry, music, playacting, and playgoing. It also demonstrates the evolution of Shakespeare’s view of these claims over the course of his career: from light-hearted parody in A Midsummer Night’s Dream, through systematic contemplation in Hamlet, to acceptance and dramatization in The Tempest. This study will be of great interest to scholars and students of theatre, English literature, history, and culture.
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Historical fiction, Historical romanceHobbies and crafts, Drama
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'Evocative, chilling, compelling' TAMMY COHEN'Breathtakingly good' ABIR MUKHERJEE'Kept me guessing until the end. An absolute masterpiece' JENNIFER SAINT'A deliciously dark…
historical novel of thrilling originality' ESSIE FOX'Spellbinding, gripping, immersive and deliciously gothic' ERIN KELLYParis, 1750.In the midst of an icy winter, as birds fall frozen from the sky, chambermaid Madeleine Chastel arrives at the home of the city's celebrated clockmaker and his clever, unworldly daughter. Madeleine is hiding a dark past, and a dangerous purpose: to discover the truth of the clockmaker's experiments and record his every move, in exchange for her own chance of freedom.For as children quietly vanish from the Parisian streets, rumours are swirling that the clockmaker's intricate mechanical creations, bejewelled birds and silver spiders, are more than they seem.And soon Madeleine fears that she has stumbled upon an even greater conspiracy. One which might reach to the very heart of Versailles...A intoxicating story of obsession, illusion and the price of freedom.
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Classic fictionDrama
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In the kingdom of Illyria, a love triangle has everyone on edge. Orsino loves Olivia, a bereaved noblewoman who is…
in mourning for her dead brother. Olivia loves Cesario, who is actually a woman named Viola. Viola had dressed as a man in order to gain employment in Orsino's household. Viola, of course, falls in love with Orsino, and he has no knowledge of the true identity of his "male" servant, Cesario. A romantic romp full of tricks, twists, and happy reunions, this unabridged version of William Shakespeare's classic comedy was first published in England in 1623.
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Classic fictionDrama
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Othello, a general in the Venetian army, has married the lovely Desdemona, and Roderigo is not at all happy. He…
was hoping to woo Desdemona for himself. Roderigo's jealousy is all Iago, Roderigo's sneaky friend, needs, as he has his own reasons to be angry with Othello. By weaving an intricate web of deceit, infidelity, and envy, Iago is able to plant false suspicions and lead people to commit crimes that will destroy the relationships dearest to them. This is an unabridged version of one of William Shakespeare's most famous tragedies, first published in England in 1622.
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Classic fiction, Folklore, fables and fairy talesDrama
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King Lear is growing old, and in an effort to preempt an inheritance war, he decides to divide his kingdom…
between his three daughters while he is still living—dependent on which one loves him the most. Goneril and Regan tell him flattering lies, but the youngest, Cordelia, refuses to answer. Angered, Lear disowns Cordelia. He splits the kingdom between Goneril and Regan, who begin plotting against him. When it becomes clear that the daughters who claimed to love him the most are planning to betray him and that he has banished the one daughter who truly loved him, Lear goes mad and wanders out onto the heath. This is an unabridged version of one of William Shakespeare's most famous tragedies. Versions of the play were first published in 1608 and 1623.
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Classic fictionDrama
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Marcus Brutus, a Roman politician, considers Emperor Julius Caesar to be a friend, but a senator—Caius Cassius—convinces Brutus that Caesar…
has too much power. Brutus would rather Rome be a republic than an empire ruled by a tyrant, so he participates in a conspiracy to kill Caesar. Though Brutus believes his actions will benefit Rome, Caesar's murder brings about more bloodshed, including Brutus's own. The play examines friendship and patriotism, the succession of leadership, and the roles of fate and free will. Shakespeare wrote this drama, rooted in Roman history, in 1599; it was published in 1623, after Shakespeare's death. This is an unabridged edition of the tragic play.
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Classic fictionDrama
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A tempest shipwrecks Alonso, the king of Naples; Antonio, the duke of Milan; and several others on a small island…
in the Mediterranean. Little do they know that the storm was conjured by Prospero, the former duke of Milan, who lives in exile on the island with his daughter Miranda, his slave Caliban, and his spirit servant Ariel. As Prospero manipulates the events that take place on the island using his books and magic, William Shakespeare invites the reader to examine the playwright's powers in the theatrical world. The fantastical, romantic play—believed to be the last one Shakespeare wrote alone—was published in 1623, after his death. This unabridged version is taken from an edition published in 1863.
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General fictionDrama
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Lucentio comes to Padua to attend the university, but his attention is quickly captured by the lovely Bianca. He would…
do anything to marry her, including disguise himself as her Latin teacher. But a major obstacle stands in the way of Lucentio's intentions: Bianca's father will only allow Bianca to marry after her sister, Katherine, is married. Katherine is everything Bianca is not. She is ill-tempered, opinionated, and objects to the idea of marriage. When bold Petruchio arrives in Padua, however, he might just be the kind of suitor who could succeed in marrying Katherine. This is an unabridged version of English playwright William Shakespeare's romantic comedy, which was first published in 1623.
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Drama, Poetry
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Along with writing comedic and dramatic plays, William Shakespeare was also a master poet. Using the sonnet structure (three quatrains…
and a final couplet composed in iambic pentameter), he composed 154 poems covering timeless themes of love, beauty, and mortality. The poems' subjects—the Fair Youth, the Dark Lady, and the Rival Poet—have become nearly as famous as the sonnets themselves. While not the first to write poems in sonnet form, Shakespeare's sonnets are considered the most influential examples of this style. The sonnets were first published in a 1609 quarto; this is an unabridged collection of all of Shakespeare's iconic sonnets, including Sonnet 18 ("Shall I compare thee to a summer's day?"), Sonnet 116 ("Let me not to the marriage of true minds/ Admit impediments"), and Sonnet 130 ("My mistress' eyes are nothing like the sun").
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Classic fictionDrama
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For Romeo and Juliet, it's love at first sight. But there's a problem: Romeo belongs to the Montague family, while…
Juliet is a Capulet. In Verona, these noble families are constantly feuding. In fact, they hate each other so much that the prince of Verona has stepped in and declared death to anyone who disturbs the peace again. Forced to hide their love, the two secretly wed and plan to leave together. A string of miscommunication, however, may lead to a tragic end. This is an unabridged version of William Shakespeare's famous romantic tragedy, first published in England in 1599.
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Historical fictionDrama
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Trouble is brewing for King Edward IV. Edward's youngest brother, Richard, is jealous of Edward's power and influence. Richard will…
do anything to overthrow the king: He manipulates a noblewoman into marrying him. He arranges for his brother Clarence to be executed, then blames Clarence's death on King Edward. After Edward becomes ill and dies, Richard attains the throne through villainous means. But Richard's trail of deception, manipulation, and murder might eventually be the cause of his own downfall. This unabridged edition of the history play written by English playwright William Shakespeare was written around 1592 and first published in 1597.
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Historical fictionDrama
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The year is 1398, and the people of England are in a state of unrest. Richard II is not a…
popular king, as he puts his own interests before the interests of his people. Now he's gone a step too far; he has seized the lands and money of his dead uncle. Richard's cousin, Henry Bolingbroke, was meant to be the heir to this inheritance, and he is incensed that Richard has taken what is rightfully his. When Richard leaves for Ireland to fight a war, Henry takes advantage of his cousin's absence. He assembles an army and awaits Richard's return. A tale of rivalries and shifting power structures, this unabridged edition of the history play by English playwright William Shakespeare was written around 1595 and published in 1597.