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Showing 1 - 20 of 5523 items
By Shiri Pasternak, Kevin Walby, Abby Stadnyk. 2022
Canadian laws are just, the police uphold the rule of law and treat everyone equally, and without the police, communities…
would descend into chaos and disorder. These entrenched myths, rooted in settler-colonial logic, work to obscure a hard truth: the police do not keep us safe. This edited collection brings together writing from a range of activists and scholars, whose words are rooted in experience and solidarity with those putting their lives on the line to fight for police abolition in Canada. Together, they imagine a different world—one in which police power is eroded and dissolved forever, one in which it is possible to respond to distress and harm with assistance and care.By Tom Malleson and David Wachsmuth. 2011
In June 2010 activists opposing the G20 meeting held in Toronto were greeted with brutal and arbitrary state violence. Whose…
Streets? is a combination of testimonials from the front lines and analyses of the broader context, an account that both reflects critically on what occurred in Toronto and looks ahead to further building our capacity for resistance. Featuring reflections from activists who helped organize the mobilizations, demonstrators and passersby who were arbitrarily arrested and detained, and scholars committed to the theory and practice of confronting neoliberal capitalism, the collection balances critical perspective with on-the-street intensity. It offers vital insight for activists on how local organizing and global activism can come together.By Harry Glasbeek. 2024
In a series of illuminating essays, the renowned Harry Glasbeek unpacks how law has been used to ensure that workers'…
aspirations are kept in check. Law at Work uncovers how the legal system, through its structures and mechanisms, legitimizes and reinforces the exploitation of workers. Using historic and contemporary examples, Glasbeek illustrates how conscious manipulations of law are part and parcel of how law protects capitalists at the expense of workers. He proves how the very laws designed to safeguard rights and freedoms often act as invisible shackles, compelling readers to reflect on their own struggles as they navigate a world where the legal system fails to serve their interests. These manipulations are made to look innocent because the underlying structures and ideology which give rise to specific rules are not challenged or challengeable. This thought-provoking book is an indispensable resource for those seeking to understand the hidden dynamics of worker oppression, empowering readers to question prevailing narratives and envision a future where the law truly serves the interests of all.By Godfrey Garner, Maeghin Alarid-Hughes. 2021
Origins of Terrorism: The Rise of the World’s Most Formidable Terrorist Groups examines the roots of Islamic terrorism, it’s history,…
and some of the foundational figures in prominent terrorist organizations. Throughout, the book also addresses the use of terrorism, the "hows" and "whys" of terrorists’ goals, and their modus operandi.Historically, insurgency operations have formed the basis of a number of terrorist groups—resistance to western powers, particularly the United States, and what is viewed as their unwanted interference in regional affairs. Sections are devoted to individual terror organizations, including some of the most well-known and resilient global movements—Al Qaeda, ISIS, the Taliban, and Boko Haram, among others. Coverage details where and how they originated, who the principal organizers were, how these individuals worked—or didn’t work—together. In this, the authors look at the circumstances that allowed for these leaders, and their groups’, development and success. In this, the authors expose interesting, little-known stories and facts about the specific upbringing, family life, and personal narrative around these organizations’ founders, as well as ties to other terrorist founders and organizations. For example, the relationship between individuals such as Osama bin Laden and Musab al Zarkawi (aka Ahmad al-Khalayleh)—the founder of ‘Al Qaeda in Iraq’ (AQI), which became ISIS—is examined in detail, providing readers with some of the "stories behind the stories" to understand the prominent figures and underpinnings of major terrorist organizations’ philosophies, formation, and elements that have led to their staying power.Origins of Terrorism will be a valuable resource for security and intelligence professionals, terrorism researchers, and students, providing a unique perspective to understand terrorism and terror movements in considering counterterror efforts.In Mythic Imagination and the Actor, Marissa Chibás draws on over three decades of experience as a Latinx actor, writer,…
filmmaker, and teacher to offer an approach to acting that embraces collective imagination, archetypal work, and the mythic. The book begins with a comparative analysis between method acting and mythic acting, encouraging actors to push past the limits of singular life experience and move to a realm where imagination and metaphor thrive. In the context of mythic acting, the book explores awareness work, solo performance creation, the power of archetypes, character building exercises, creating a body/text connection, and how to be the detective of your own process. Through this inclusive guide for a new age of diverse performers traversing gender, ability, culture, and race, readers are able to move beyond their limits to a deep engagement with the infinite possibilities of rich imagination. The final chapter empowers and motivates artists to live healthfully within the practice and create a personal artistic vision plan.Written for actors and students of acting, American Drama, and film and theatre studies, Mythic Imagination and the Actor provides practical exercises and prompts to unlock and interpret an actor’s deepest creative sources.The first complete narrative of the pursuit & capture of SS Nazi officer and Holocaust architect Adolf Eichmann, by a…
New York Times–bestselling author.When the Allies stormed Berlin in the last days of the Third Reich, Adolf Eichmann shed his SS uniform and vanished. Following his escape from two American POW camps, his retreat into the mountains and out of Europe, and his path to an anonymous life in Buenos Aires, his pursuers are a bulldog West German prosecutor, a blind Argentinean Jew and his beautiful daughter, and a budding, ragtag spy agency called the Mossad, whose operatives have their own scores to settle (and whose rare surveillance photographs are published here for the first time).The capture of Eichmann and the efforts by Israeli agents to secret him out of Argentina to stand trial is the stunning conclusion to this thrilling historical account, told with the kind of pulse-pounding detail that rivals anything you’d find in great spy fiction.Includes Mossad’s Rare Surveillance PhotographsPraise for Hunting Eichmann“A fantastic true spy story.” —Associated Press“[Bascomb’s] work is well researched, including interviews with former Israeli operatives and El Al staff who participated in the capture, as well as Argentine fascists. This is a gripping read.” —Publishers Weekly“An outstanding account of a sustained and worthy manhunt.” —BooklistBy William Shakespeare. 1967
'The man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul' John DrydenAntonio, a…
Venetian merchant, wishes to help his friend get money to impress a rich heiress. But he is forced to borrow the sum from a cynical, abused Jewish moneylender, Shylock, and signs a chilling contract to honour the debt with a pound of his own flesh. An ambiguous, complex and controversial comedy, The Merchant of Venice explores prejudice, marriage, money and the true nature of justice in an unforgiving world.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by W. Moelwyn Merchant Introduction by Peter HollandBy Euripides. 1963
Medea/Hecabe/Electra/HeraclesFour devastating Greek tragedies showing the powerful brought down by betrayal, jealousy, guilt and hatredThe first playwright to depict suffering…
without reference to the gods, Euripides made his characters speak in human terms and face the consequences of their actions. In Medea, a woman rejected by her lover takes hideous revenge by murdering the children they both love, and Hecabe depicts the former queen of Troy, driven mad by the prospect of her daughter's sacrifice to Achilles. Electra portrays a young woman planning to avenge the brutal death of her father at the hands of her mother, while in Heracles the hero seeks vengeance against the evil king who has caused bloodshed in his family.Translated with an Introduction by PHILIP VELLACOTTBy Euripides. 1996
Alcestis/Medea/The Children of Heracles/Hippolytus'One of the best prose translations of Euripides I have seen' Robert FaglesThis selection of plays shows…
Euripides transforming the titanic figures of Greek myths into recognizable, fallible human beings. Medea, in which a spurned woman takes revenge upon her lover by killing her children, is one of the most shocking of all the Greek tragedies. Medea is a towering figure who demonstrates Euripides' unusual willingness to give voice to a woman's case. Alcestis is based on a magical myth in which Death is overcome, and The Children of Heracles examines conflict between might and right, while Hippolytus deals with self-destructive integrity. Translated by JOHN DAVIEBy William Shakespeare. 1969
'Language is his power. His characters are precisely the words they speak' A. S. Byatt A young man is condemned…
to death for breaking a law forbidding sex outside marriage. When his sister pleads with the Lord Angelo to save him, he offers her a bargain - her brother's life in exchange for her virginity. One of Shakespeare's most enigmatic plays, Measure for Measure is a morally complex drama of intricate moves and countermoves that explores falsehood, justice and humanity's best and basest instincts.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by J. M. NosworthyIntroduction by Julia BriggsBy William Shakespeare. 1967
'A supreme theatrical poem that has a language that eats into the soul' Michael Billington, GuardianShakeapeare's blood-soaked drama of murder,…
madness and the uncanny begins as Macbeth is promised a golden future as ruler of Scotland by supernatural forces. Spurred on by his wife, he murders the king to ensure his ambitions come true. But he soon learns the meaning of terror - killing once, he must kill again and again, while the dead return to haunt him. Macbeth is an anatomy of fear and a bleak portrayal of what some will do to achieve their desires.General Introduction by STANLEY WELLS Edited by GEORGE HUNTER Introduction by CAROL CHILLINGTON RUTTERBy Aristophanes. 2002
The Acharnians/The Clouds/Lysistrata'We women have the salvation of Greece in our hands'Writing at a time of political and social crisis…
in Athens, the ancient Greek comic playwright Aristophanes was an eloquent, yet bawdy, challenger to the demagogue and the sophist. In Lysistrata and The Acharnians, two pleas for an end to the long war between Athens and Sparta, a band of women on a sex strike and a lone peasant respectively defeat the political establishment. The darker comedy of The Clouds satirizes Athenian philosophers, Socrates in particular, and reflects the uncertainties of a generation in which all traditional religious and ethical beliefs were being challenged. Translated with an Introduction and Notes by Alan H. SommersteinBy Henrik Ibsen. 2014
Ibsen's greatest late plays in superb modern translations, part of the new Penguin Ibsen series. This volume includes The Master…
Builder, Little Eyolf, John Gabriel Borkman and When We Dead Awaken - Ibsen's last four plays, written in his old age in Oslo. In The Master Builder, a married, middle-aged architect becomes bewitched by a strange young woman who claims to have known him for years. A sudden death in Little Eyolf is the catalyst that drives a couple into a greater understanding of themselves. In John Gabriel Borkman, a banker recently released from prison must choose between his wife and her sister, while a sculptor on holiday is reunited with the woman who inspired his greatest art in When We Dead Awaken. The new Penguin series of Ibsen's major plays offer the best available editions in English, under the general editorship of Tore Rem. All the plays have been freshly translated by leading translators and are based on the definitive Norwegian edition of Ibsen's works. This volume includes an introduction by Toril Moi on the themes of death and human limitation in the plays, and additional editorial apparatus by Tore Rem. Henrik Ibsen (1828-1906) is often called 'the Father of Modern Drama'. Born in the small Norwegian town of Skien, he left Norway in 1864 for a twenty-one-year long voluntary exile in Italy and Germany. After successes with the verse dramas Brand and Peer Gynt, he turned to prose, writing his great twelve-play cycle of society dramas between 1877 and 1899. This included The Pillars of Society, A Doll's House, Ghosts, An Enemy of the People, The Wild Duck, Rosmersholm, The Lady from the Sea, Hedda Gabler, The Master Builder, Little Eyolf, John Gabriel Borkman, and, finally, When We Dead Awaken. Ibsen returned to Norway in 1891 and died there at the age of seventy-eight. Barbara J. Haveland and Anne-Marie Stanton-Ife are both freelance literary translators. Toril Moi is Professor of English, Theater Studies and Philosophy at Duke University. Her books include Henrik Ibsen and the Birth of Modernism (2006). Tore Rem is Professor of British literature at the University of Oslo and author of Henry Gibson/Henrik Ibsen (2006).By Henrik Ibsen. 1958
The four plays in this volume, written late in Ibsen's career as a dramatist, move away from his earlier preoccupation…
with people at odds with society to instead explore the inward struggle with their own thoughts, feelings and dreams. The Master Builder (1892) depicts a powerful man whose illusions collapse in the face of a young woman's courageous common sense. In Rosmersholm (1886), an idealist is forced to question his beliefs and confront terrible truths about the past, while Little Eyolf (1894) portrays a man's self-deception, which brings both tragic repercussions for his family and new hope for their future. And in John Gabriel Borkman (1896), a dying woman returns to reclaim the affections and loyalty of her nephew, resulting in a bitter struggle with her sister.By Friedrich Schiller. 1998
This dramatic story recounts Mary, Queen of Scots's remaining days held captive in Fotheringay Castle. In scenes alternating between Mary's…
prison and Elizabeth's court at Westminster, Schiller's play gradually builds a compelling picture of a tragic heroine rising above her suffering to gain in insight and spiritual depth. In contrast Elizabeth, in turmoil over the correct course of action for her country and trapped by the cruel demands of Realpolitik, can achieve worldly victory only at a terrible moral cost. Culminating in a fictitious meeting of the two women, Mary Stuart is a dramatic meditation on the nature of political power, but also a deeply moving human tragedy that captures the emotional essence of complex events.By William Shakespeare. 1996
A King and his lords form an austere academy, swearing to have no contact with women for three years. But…
when the Princess of neighbouring France arrives with her female attendants, their pledge is quickly placed under strain. Soon all are in smitten and confusion abounds, as each struggles to secretly declare his love in this comedy of deception, desire and mistaken identity.By William Shakespeare. 1967
'Cry havoc and let slip the dogs of war, That this foul deed shall smell above the earth With carrion…
men, groaning for burial'Fearful that Caesar will become a tyrant, his friends plot to assassinate him in order to save Rome. But the conspirators' high principles clash with personal malice and ambition, and as they vie to manipulate the mob, the nation is plunged into bloody civil war. A taut, profound drama exploring power and betrayal, Julius Caesar exposes the chasm between public appearance, political rhetoric and bitter reality.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by Norman Sanders Introduction by Martin WigginsBy Oscar Wilde. 2013
Beautiful, aristocratic, an adored wife and young mother, Lady Windermere is 'a fascinating puritan' whose severe moral code leads her…
to the brink of social suicide. The only one who can save her is the mysterious Mrs Erlynne whose scandalous relationship with Lord Windermere has prompted her fatal impulse. And Mrs Erlynne has a secret - a secret Lady windermere must never know if she is to retain her peace of mind.By Oscar Wilde. 2000
Lady Windermere's Fan/Salomé/A Woman of No Importance/An Ideal Husband/A Florentine Tragedy/The Importance of Being Earnest'To lose one parent may be…
regarded as a misfortune; to lose both looks like carelessness'The Importance of Being Earnest is a glorious comedy of mistaken identity, which ridicules codes of propriety and etiquette. Snobbery and hypocrisy are also laid bare in Lady Windermere's Fan, A Woman of No Importance and An Ideal Husband, while in Salomé and A Florentine Tragedy, Wilde uses historical settings to explore the complex relationship between sex and power. The range of these plays displays Wilde's delight in artifice, masks and disguises, and reveals the pretensions of the social world in which he himself played such a dazzling and precarious part.Edited with Introduction, Commentaries and Notes by Richard Allen CaveBy William Shakespeare. 1972
'The most perfect specimen of the dramatic art existing in the world' Percy Bysshe ShelleyShakespeare's bleak and brutal tragedy begins…
when an ageing king, seeking a successor, rejects the young daughter who loves him and misplaces his trust in her malevolent sisters. In return they strip him of his power and condemn him to a wretched wasteland of horror and insanity. Set in a pitiless universe, King Lear is a towering, elemental masterpiece of fierce poetry and vast imaginative scope.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by George HunterIntroduction by Kiernan Ryan