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Two-Way Mirror: The Life Of Elizabeth Barrett Browning
By Fiona Sampson. 2021
Finalist for the 2022 Plutarch Award Longlisted for the PEN/Jacqueline Bograd Weld Award for Biography A Washington Post Best Book…
of 2021 “An elegant act of rehabilitation.”—New York Times Book Review, Editors’ Choice A "nuanced and insightful" (New Statesman) portrait of Britain’s most famous female poet, a woman who invented herself and defied her times. "How do I love thee? Let me count the ways." With these words, Elizabeth Barrett Browning has come down to us as a romantic heroine, a recluse controlled by a domineering father and often overshadowed by her husband, Robert Browning. But behind the melodrama lies a thoroughly modern figure whose extraordinary life is an electrifying study in self-invention. Born in 1806, Barrett Browning lived in an age when women could not attend a university, own property after marriage, or vote. And yet she seized control of her private income, defied chronic illness and disability, became an advocate for the revolutionary Italy to which she eloped, and changed the course of cultural history. Her late-in-life verse novel masterpiece, Aurora Leigh, reveals both the brilliance and originality of her mind, as well as the challenges of being a woman writer in the Victorian era. A feminist icon, high-profile activist for the abolition of slavery, and international literary superstar, Barrett Browning inspired writers as diverse as Emily Dickinson, George Eliot, Rudyard Kipling, Oscar Wilde, and Virginia Woolf. Two-Way Mirror is the first biography of Barrett Browning in more than three decades. With unique access to the poet’s abundant correspondence, “astute, thoughtful, and wide-ranging guide” (Times [UK]) Fiona Sampson holds up a mirror to the woman, her art, and the art of biography itself.I Am Not Myself These Days: A Memoir (P. S. Ser.)
By Josh Kilmer-Purcell. 2006
“A glittering, bittersweet vision of an outsider who turned himself into the life and soul of the party. Kilmer-Purcell’s cast…
is part freak-show, part soap-opera, but his prose is graced with such insight and wit that the laughter is revelatory, and the tears—and there are tears to be shed along this extraordinary journey—are shed for people in whom everybody will find something of themselves. In a word, wonderful.” — Clive Barker“Absolutely hilarious and heartbreaking and heartfelt.” —Armistead Maupin, author of Tales of the CityThe New York Times bestselling, darkly funny memoir of a young New Yorker's daring dual life—advertising art director by day, glitter-dripping drag queen and nightclub beauty-pageant hopeful by night—was a smash literary debut for Josh Kilmer-Purcell, now known for his popular Planet Green television series The Fabulous Beekman Boys. His story begins here—before the homemade goat milk soaps and hand-gathered honeys, before his memoir of the city mouse’s move to the country, The Bucolic Plague—in I Am Not Myself These Days, with “plenty of dishy anecdotes and moments of tragi-camp delight” (Washington Post).The Secret of Chanel No. 5: The Intimate History of the World's Most Famous Perfume
By Tilar J. Mazzeo. 2010
“Who knew that such a tiny bottle housed so many secrets?” —Michael Tonello, author of Bringing Home the BirkinTilar J.…
Mazzeo, author of the New York Times bestseller The Widow Clicquot (an Amazon Best of the Month book in October 2008) returns with a captivating history of the world’s most famous, seductive, and popular perfume: Chanel No. 5. Mazzeo’s sweeping story of the iconic scent (known as “le monstre” in the fragrance industry) stretches from Coco Chanel’s early success to the rise of the seminal fragrance during the 1950s to the confirmation of its bestseller status in today’s crowded perfume market.“Here is the life of one of the 20th century’s most interesting and deeply complicated women, a fascinating cultural history, and the story of an extraordinary perfume.” —Chandler Burr, New York Times scent critic and author of The Perfect ScentThe Enemy of the People: A Dangerous Time to Tell the Truth in America
By Jim Acosta. 2019
A New York Times bestseller.From CNN’s veteran Chief White House Correspondent Jim Acosta, an explosive, first-hand account of the dangers he faces…
reporting on the current White House while fighting on the front lines in President Trump’s war on truth, featuring new material exclusive to the paperback edition. In Mr. Trump’s campaign against what he calls “Fake News,” CNN Chief White House Correspondent, Jim Acosta, is public enemy number one. From the moment Mr. Trump announced his candidacy in 2015, he has attacked the media, calling journalists “the enemy of the people.”Acosta presents a damning examination of bureaucratic dysfunction, deception, and the unprecedented threat the rhetoric Mr. Trump is directing has on our democracy. When the leader of the free world incites hate and violence, Acosta doesn’t back down, and he urges his fellow citizens to do the same.At Mr. Trump’s most hated network, CNN, Acosta offers a never-before-reported account of what it’s like to be the President’s most hated correspondent. Acosta goes head-to-head with the White House, even after Trump supporters have threatened his life with words as well as physical violence.From the hazy denials and accusations meant to discredit the Mueller investigation, to the president’s scurrilous tweets, Jim Acosta is in the eye of the storm while reporting live to millions of people across the world. After spending hundreds of hours with the revolving door of White House personnel, Acosta paints portraits of the personalities of Sarah Huckabee Sanders, Stephen Miller, Steve Bannon, Sean Spicer, Hope Hicks, Jared Kushner and more. Acosta is tenacious and unyielding in his public battle to preserve the First Amendment and #RealNews.America's Imagined Revolution: The Historical Novel of Reconstruction (Southern Literary Studies)
By Tomos Wallbank-Hughes. 2024
America’s Imagined Revolution explores the Reconstruction period after the Civil War to ask narratological, historiographical, and theoretical questions about how…
slave emancipation has (and has not) been theorized as revolution. Reading historical fiction by authors such as George Washington Cable, Albion Tourgée, Charles Chesnutt, Frances Harper, and W. E. B. Du Bois in dialogue with nineteenth-century historical writing—and the era’s legal, political, and print culture—Tomos Wallbank-Hughes excavates an evanescent form of historicist writing sensitive to the revolutionary changes that shaped life in the emancipation-era South.As an aesthetic form, the historical novel of Reconstruction poses questions about revolutionary experience in plantation societies, and in the process challenges critical assumptions about historical time in the nineteenth century: How do authors narrate epochal change that also feels like retrenchment? In what direction does history travel if it does not progress? What narratives of race, class, and region encompass both continued domination and ruptured power? By plumbing the situations that give it form, the historical novel of Reconstruction provides a window into the literary culture of the South’s long nineteenth century in which, rather than a storehouse of tradition, the region became a terrain for interpreting social revolution and uncovering slavery’s revolutionary afterlives.America’s Imagined Revolution offers a new interpretation of the literary and historiographical significance of the Reconstruction period and its relationship to American literary history.The Years with Ross
By James Thurber. 1957
From iconic American humorist James Thurber, a celebrated and poignant memoir about his years at The New Yorker with the…
magazine’s unforgettable founder and longtime editor, Harold Ross“Extremely entertaining. . . . life at The New Yorker emerges as a lovely sort of pageant of lunacy, of practical jokes, of feuds and foibles. It is an affectionate picture of scamps playing their games around a man who, for all his brusqueness, loved them, took care of them, pampered and scolded them like an irascible mother hen.” —New York TimesWith a foreword by Adam Gopnik and illustrations by James ThurberAt the helm of America’s most influential literary magazine from 1925 to 1951, Harold Ross introduced the country to a host of exciting talent, including Robert Benchley, Alexander Woollcott, Ogden Nash, Peter Arno, Charles Addams, and Dorothy Parker. But no one could have written about this irascible, eccentric genius more affectionately or more critically than James Thurber, whose portrait of Ross captures not only a complex literary giant but a historic friendship and a glorious era as well. "If you get Ross down on paper," warned Wolcott Gibbs to Thurber," nobody will ever believe it." But readers of this unforgettable memoir will find that they do.Offering a peek into the lives of two American literary giants and the New York literary scene at its heyday, The Years with Ross is a true classic, and a testament to the enduring influence of their genius.Knife: Meditations after an Attempted Murder
By Salman Rushdie. 2024
From internationally renowned writer and Booker Prize winner Salman Rushdie, a searing, deeply personal account of enduring—and surviving—an attempt on…
his life thirty years after the fatwa that was ordered against him.Speaking out for the first time, and in unforgettable detail, about the traumatic events of August 12, 2022, Salman Rushdie answers violence with art, and reminds us of the power of words to make sense of the unthinkable. Knife is a gripping, intimate, and ultimately life-affirming meditation on life, loss, love, art—and finding the strength to stand up again.Come, Tell Me How You Live: An Archaeological Memoir
By Agatha Christie Mallowan. 2012
Over the course of her long, prolific career, Agatha Christie gave the world a wealth of ingenious whodunits and page-turning…
locked-room mysteries featuring Miss Marple, Hercule Poirot, and a host of other unforgettable characters. She also gave us Come, Tell Me How You Live, a charming, fascinating, and wonderfully witty nonfiction account of her days on an archaeological dig in Syria with her husband, renowned archeologist Max Mallowan. Something completely different from arguably the best-selling author of all time, Come, Tell Me How You Live is an evocative journey to the fascinating Middle East of the 1930s that is sure to delight Dame Agatha’s millions of fans, as well as aficionados of Elizabeth Peters’s Amelia Peabody mysteries and eager armchair travelers everywhere.Critics, Monsters, Fanatics, & Other Literary Essays
By Cynthia Ozick. 2016
In a collection that includes new essays written explicitly for this volume, one of our sharpest and most influential critics…
confronts the past, present, and future of literary culture. If every outlet for book criticism suddenly disappeared — if all we had were reviews that treated books like any other commodity — could the novel survive? In a gauntlet-throwing essay at the start of this brilliant assemblage, Cynthia Ozick stakes the claim that, just as surely as critics require a steady supply of new fiction, novelists need great critics to build a vibrant community on the foundation of literary history. For decades, Ozick herself has been one of our great critics, as these essays so clearly display. She offers models of critical analysis of writers from the mid-twentieth century to today, from Saul Bellow, Bernard Malamud, and Kafka, to William Gass and Martin Amis, all assembled in provocatively named groups: Fanatics, Monsters, Figures, and others. Uncompromising and brimming with insight, these essays are essential reading for anyone facing the future of literature in the digital age.Sex with Shakespeare: Here's Much to Do with Pain, but More with Love
By Jillian Keenan. 2016
A provocative, moving, kinky, and often absurdly funny memoir about Shakespeare, love, obsession, and spankingWhen it came to understanding love,…
a teenage Jillian Keenan had nothing to guide her—until a production of The Tempest sent Shakespeare’s language flowing through her blood for the first time. In Sex with Shakespeare, she tells the story of how the Bard’s plays helped her embrace her unusual sexual identity and find a love story of her own.Four hundred years after Shakespeare’s death, Keenan’s smart and passionate memoir brings new life to his work. With fourteen of his plays as a springboard, she explores the many facets of love and sexuality—from desire and communication to fetish and fantasy. In A Midsummer Night’s Dream, Keenan unmasks Helena as a sexual masochist—like Jillian herself. In Macbeth, she examines criminalized sexual identities and the dark side of “privacy.” The Taming of the Shrew goes inside the secret world of bondage, domination, and sadomasochism, while King Lear exposes the ill-fated king as a possible sexual predator. Moving through the canon, Keenan makes it abundantly clear that literature is a conversation. In Sex with Shakespeare, words are love.As Keenan wanders the world in search of connection, from desert dictatorships to urban islands to disputed territories, Shakespeare goes with her —and provokes complex, surprising, and wildly important conversations about sexuality, consent, and the secrets that simmer beneath our surfaces.Wenngleich der Forschungsstand, wenn es sich um die intendierte Textaussage des Musil’schen Œuvre handelt, durch das Fehlen einer Opinio communis…
gekennzeichnet ist, tritt die vorliegende Studie den Beweis an, dass eine ebensolche freizulegen ist. In Musils Opus magnum laufen die konzeptionellen Fäden zusammen, die bereits in seinem ersten Roman angelegt sind. In seiner trieb-teleologischen Skepsis beschäftigte ihn die Realisierbarkeit eines neuen Menschentypus – eines Mannes ohne Eigenschaften –, dessen Zweck darin bestanden hätte, dem Zueilen auf den großen Weltuntergang etwas von seiner Dynamik zu nehmen und möglichen Großkonflikten so vorzubeugen. Denn die Freud’sche Triebskepsis, die Musil früh zu eigen war, wurde zu seinem treuen weltanschaulichen Begleiter und gewann von Werk zu Werk an geschichtlicher Schärfe.Some Writer!: The Story of E. B. White
By Melissa Sweet. 2016
6 Starred Reviews! New York Times Bestseller! A People Magazine Best Children&’s Book! A Washington Post Best Book! A Publishers…
Weekly Best Book! Boston Globe-Horn Book Nonfiction Award Honor recipient Caldecott Honor winner Sweet mixes White&’s personal letters, photos, and family ephemera with her own exquisite artwork to tell the story of this American literary icon. Readers young and old will be fascinated and inspired by the journalist, New Yorker contributor, and children&’s book author who loved words his whole life. This authorized tribute, a New York Times bestseller, includes an afterword by Martha White, his granddaughter.Cloudland Revisited: A Misspent Youth in Books and Film
By S. J. Perelman. 2024
Gathered for the first time: one of America's great humorists revisits the books and movies from his youth—often with some…
embarrassment—in this complete, 22-piece collectionFrom October 1948 to October 1953, The New Yorker published humorist S. J. Perelman&’s &“Cloudland Revisited&” series: 22 reviews of once-popular books and silent films whose expiration dates had passed. All but forgotten even at the time, they were nonetheless part of Perelman&’s youth and made an indelible mark on him.In the comic genius&’s biting satire they live once again:Gertrude Atherton&’s sensationalist fantasy Black OxenSax Rohmer&’s supervillain blockbuster The Mystery of Dr. Fu-Manchuthe &“underwater&” silent film adaptation of Twenty Thousand Leagues under the SeaEdgar Rice Burrough&’s 1914 novel Tarzan of the Apesand George Barr McCutcheon&’s 1901 historical fantasy novel Graustark—the Game of Thrones of its era—which launched numerous sequels and film adaptations The complete series is collected here for the first time. With self-deprecating humor and frequent embarrassment, Perelman reflects on how rereading and rewatching brings us in contact with how we, like an old book or film, have both changed and remained the same. This paperback includes a tribute to Perelman&’s art by another beloved New Yorker writer, Adam Gopnik.Crazy Like a Fox: The Classic Comedy Collection
By S. J. Perelman. 2024
A beloved classic returns: S. J. Perelman's own selection of the very best of his hilarious stories and sketchesPulitzer Prize–winning…
author Joshua Cohen (The Netanyahus) reintroduces America's zaniest humorist to a new generation of readersWhen asked about himself the writer Sidney Joseph Perelman once quipped, "before they made him, they broke the mold." Nowhere is S. J. Perelman's one-of-a-kind, madcap sensibility—his gift for wordplay, witticism, spoofery, and sheer nonsense—on better display than in his classic collection Crazy Like a Fox, here restored to print for the first time in decades.In a playful, loving tribute to the funny man, novelist Joshua Cohen—also an erudite wordsmith and punster—introduces Perelman&’s sui generis comic pieces to a new generation of readers, certain to fall in love with the writer whom The New York Times once noted for his ability &“to transform the common cliché or figure of speech into an exploding cigar.&” Included here are such beloved classics as:the Joycean virtuoso performance &“Scenario&”&“A Farewell to Omsk,&” Perelman's hilarious homage to Dostoevskyand &“Farewell, My Lovely Appetizer," his side-splitting send-up of the hardboiled detective fiction of Raymond ChandlerHere is Perelman's own selection of the very best of his inimitable humor, restored to print for the first time in decades.This book examines the work of Sindiwe Magona, one of South Africa’s most prolific and groundbreaking writers, widely recognized for…
highlighting the everyday experiences of women and the domestic side of apartheid. A pioneer among black African women writers, she is equally respected as storyteller, advocate for children’s education, activist for HIV/AIDS awareness, and champion of indigenous languages. In this book, Renée Schatteman contends that Magona’s most important contribution comes through her refusal to choose sides in the contentious debates that have polarized public discourse following apartheid. By straddling two (or more) sides of a controversy and challenging any who do harm to others (and to the nation), regardless of their position, she blurs distinctions that are assumed to be absolute, opens new avenues of understanding, and inspires alternative visions for the future. By occupying the space of paradox, she undermines the closed epistemological structures inherited from apartheid and champions the need for interdependence, truth-telling, and dialogue. Covering her creative production over three decades (which includes novels, autobiographies and biographies, short story collections, children’s books, and literature about HIV/AIDS), this book is an essential read for Magona enthusiasts as well as for researchers of African literature and postcolonial South Africa.The French philosopher-mystic-activist Simone Weil (1909–1943) has drawn both passionate admiration and scornful dismissal since her early death and the…
posthumous publication of her writings. She has also provoked an extraordinary range of literary writing focused on not only her ideas but also her person: novels, nonfiction, and especially poetry. Given the challenges of Weil’s ethic of self-emptying attention, what accounts for her appeal, especially among women writers?This book tells the story of some of Weil’s most dedicated—and at points surprising—literary conversation partners, exploring why writers with varied political and religious commitments have found her thought and life so resonant. Cynthia R. Wallace considers authors who have devoted decades of attention to Weil, such as Adrienne Rich, Annie Dillard, and Mary Gordon, and who have written poetic sequences or book-length verse biographies of Weil, including Maggie Helwig, Stephanie Strickland, Kate Daniels, Sarah Klassen, Anne Carson, and Lorri Neilsen Glenn. She illuminates how writing to, of, and in the tradition of Weil has helped these writers grapple with the linked harms and possibilities of religious belief, self-giving attention, and the kind of moral seriousness required by the ethical and political crises of late modernity. The first book to trace Weil’s influence on Anglophone literature, The Literary Afterlives of Simone Weil provides new ways to understand Weil’s legacy and why her provocative wisdom continues to challenge and inspire writers and readers.Asian American Fiction After 1965: Transnational Fantasies of Economic Mobility
By Christopher T. Fan. 2024
After the 1965 Immigration and Nationality Act loosened discriminatory restrictions, people from Northeast Asian countries such as South Korea, Taiwan,…
Japan, and eventually China immigrated to the United States in large numbers. Highly skilled Asian immigrants flocked to professional-managerial occupations, especially in science, technology, engineering, and math. Asian American literature is now overwhelmingly defined by this generation’s children, who often struggled with parental and social expectations that they would pursue lucrative careers on their way to becoming writers.Christopher T. Fan offers a new way to understand Asian American fiction through the lens of the class and race formations that shaped its authors both in the United States and in Northeast Asia. In readings of writers including Ted Chiang, Chang-rae Lee, Ken Liu, Ling Ma, Ruth Ozeki, Kathy Wang, and Charles Yu, he examines how Asian American fiction maps the immigrant narrative of intergenerational conflict onto the “two cultures” conflict between the arts and sciences. Fan argues that the self-consciousness found in these writers’ works is a legacy of Japanese and American modernization projects that emphasized technical and scientific skills in service of rapid industrialization. He considers Asian American writers’ attraction to science fiction, the figure of the engineer and notions of the “postracial,” modernization theory and time travel, and what happens when the dream of a stable professional identity encounters the realities of deprofessionalization and proletarianization. Through a transnational and historical-materialist approach, this groundbreaking book illuminates what makes texts and authors “Asian American.”Jump: Black Anarchism and Antiblack Carcerality
By Sam C. Tenorio. 2024
Asks how we can better understand a politics of refusalWriting a new story of Black politics, Jump emerges from the…
practice of enslaved Africans jumping overboard off their slavers’ ships. Reading against the narrative that depoliticizes and denigrates the leaps of the enslaved as merely suicidal symptoms of chattel slavery and the Middle Passage, Sam C. Tenorio demonstrates how bringing these jumps to bear on the foundations of Black politics allows us to rethink a politics of refusal.In a period of increasing political mobilization against police brutality and mass incarceration, Jump attends to the layers of confinement that constitute the racial and gendered hierarchies of the antiblack world. Centering radical acts too often relegated to the periphery of Black politics, Tenorio proposes a Black anarchist politics of refusal that helps us to think dissent anew.Tracing iterations of the jump through the carceral wake of the slave ship, Tenorio explores the voyages of the Black Star Line in defiance of the bordered authority of the nation state, the Watts Rebellion of 1965 against the property relation of ghettoization, and Assata Shakur’s abscondence from prison to Cuba. Ultimately, Tenorio argues that considering the jump as a progenitor of Black politics deepens and widens our conceptualization of the Black radical tradition and introduces a paradigm-shifting attention to Black anarchism.Frail Riffs: The Rules of the Game, Volume 4 (The Margellos World Republic of Letters #4)
By Michel Leiris. 2024
The fourth and final volume of Michel Leiris’s renowned autobiography, now available in English for the first time, translated by…
Richard Sieburth Ex-surrealist and maverick anthropologist Michel Leiris (1901–1990) crafted his multivolume autobiography over the course of thirty-five years, profoundly influencing generations of French writers, from Sartre and Beauvoir to Modiano and Ernaux. In this fourth and final volume, Richard Sieburth completes the project of bringing Leiris’s monumental experiment in self-portraiture into English. With wit and playfulness, Leiris assembled a scrapbook of fragments—journal extracts, travel notes, transcriptions of dreams, poems—to document the vagaries of a life committed to the difficult marriage of poetry and revolutionary politics, which he witnessed firsthand in Mao’s China, Castro’s Cuba, and on the Paris streets in May ’68. Frail Riffs is a jazz improvisation on the twilight of a life, at once a painstaking self-examination and a chronicle of a century. As Leiris wrote, it is "neither a private diary nor a formal work, neither an autobiographical narrative nor a work of the imagination, neither prose nor poetry, but all this at the same time. . . . A perpetual work in progress.&rdquoSound and Silence: My Experience with China and Literature (Sinotheory)
By Lianke Yan. 2024
Yan Lianke is a world-renowned author of novels, short stories, and essays whose provocative and nuanced writing explores the reality…
of everyday life in contemporary China. In Sound and Silence, Yan compares his literary project to a blind man carrying a flashlight whose role is to help others perceive the darkness that surrounds them. Often described as China’s most censored author, Yan reflects candidly on literary censorship in contemporary China. He outlines the Chinese state’s project of national amnesia that suppresses memories of past crises and social traumas. Although being banned in China is often a selling point in foreign markets, Yan argues that there is no requisite correlation between censorship and literary quality. Among other topics, Yan also examines the impact of American literature on Chinese literature in the 1980s and 1990s. Encapsulating his perspectives on life, writing, and literary history, Sound and Silence includes an introduction by translator Carlos Rojas and an afterword by Yan.