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Showing 1 - 10 of 10 items
By David Robertson. 2020
Acclaimed writer, David A. Robertson, delivers suspense, adventure, and humour in this stunningly illustrated graphic novel continuation of The Reckoner…
trilogy. Cole and Eva arrive in Winnipeg intent on destroying Mihko Laboratories. Their plans change when a new threat surfaces, and Cole has terrifying visions. Are these just troubled dreams or are they leading him to a terrifying truth? Will Eva be able to harness her powers to continue the investigation without him?By David Robertson. 2022
"With Cole barely clinging to life, Eva fearlessly takes the lead to investigate Mihko's horrific experiments. But where's Brady? After…
learning that Mihko reinstated the Reckoner Initiative, Cole and Eva confront Mihko head-on. But a vicious battle with Mihko's newest test subject leaves Cole close to death, and Eva must continue their investigation without him. With Brady missing and Cole in recovery, Eva is on her own. When Eva stumbles across Mihko's secret laboratory, she finds her worst nightmares come to life. What new terrors has Mihko created? And can Eva find Brady before it's too late?"--Back coverThe first title from The Armory, a new high-quality urban noir imprint edited by Kenji Jasper. “There’s a new player…
stepping into the street-lit spotlight, and he’s one to watch . . . Urban libraries have to get Got.” —Library Journal, Starred Review There’s a young man living in the infamous Crown Heights section of Brooklyn. He is an orphaned college student trying to get through his sophomore year at age twenty-three, years behind the traditional undergraduates. His two best friends, Will and Chief, are an ex-drug dealer and a computer hacker. And his boss, Tony Star, is the most dangerous man in Brooklyn, an arch-criminal with enterprises legal and illegal across New York City and beyond. Our young man’s job is to pick up the weekly take from Star’s establishments and deliver it to him at the end of a night. It’s one day’s work a week for the kind of pay the fortunate get in a year. The money covers his tuition and the small apartment he rents in Crown Heights. Life is simple. And simple means good. Then, everything falls out of balance. Someone decides to rob him for the week’s take, and leave him for dead. His boss, being generous, gives him until the end of the night to recover what’s been stolen. But as the night moves forward and people start dying, this young man begins to learn the hard way that his chosen way of life is nothing but an illusion.By Suzanne Scott. 2022
Contributions by Apryl Alexander, Alisia Grace Chase, Brian Faucette, Laura E. Felschow, Lindsay Hallam, Rusty Hatchell, Dru Jeffries, Henry Jenkins,…
Jeffrey SJ Kirchoff, Curtis Marez, James Denis McGlynn, Brandy Monk-Payton, Chamara Moore, Drew Morton, Mark C. E. Peterson, Jayson Quearry, Zachary J. A. Rondinelli, Suzanne Scott, David Stanley, Sarah Pawlak Stanley, Tracy Vozar, and Chris Yogerst Alan Moore and Dave Gibbons’s Watchmen fundamentally altered the perception of American comic books and remains one of the medium’s greatest hits. Launched in 1986—“the year that changed comics” for most scholars in comics studies—Watchmen quickly assisted in cementing the legacy that comics were a serious form of literature no longer defined by the Comics Code era of funny animal and innocuous superhero books that appealed mainly to children. After Midnight: “Watchmen” after “Watchmen” looks specifically at the three adaptations of Moore and Gibbons’s Watchmen—Zack Snyder’s Watchmen film (2009), Geoff Johns’s comic book sequel Doomsday Clock (2017), and Damon Lindelof’s Watchmen series on HBO (2019). Divided into three parts, the anthology considers how the sequels, especially the limited series, have prompted a reevaluation of the original text and successfully harnessed the politics of the contemporary moment into a potent relevancy. The first part considers the various texts through conceptions of adaptation, remediation, and transmedia storytelling. Part two considers the HBO series through its thematic focus on the relationship between American history and African American trauma by analyzing how the show critiques the alt-right, represents intergenerational trauma, illustrates alternative possibilities for Black representation, and complicates our understanding of how the mechanics of the show’s production can impact its politics. Finally, the book’s last section considers the themes of nostalgia and trauma, both firmly rooted in the original Moore and Gibbons series, and how the sequel texts reflect and refract upon those often-intertwined phenomena.By Philip Seaton and Takayoshi Yamamura. 2017
Contents tourism is tourism induced by the contents (narratives, characters, locations and other creative elements) of films, novels, games, manga,…
anime, television dramas and other forms of popular culture. Amidst the boom in global interest in Japanese popular culture, the utilization of popular culture to induce tourism domestically and internationally has been central to the "Cool Japan" strategy and, since 2005, government policy for local community revitalization. This book presents four main case studies of contents tourism: the phenomenon of "anime pilgrimage" to sites appearing in animated film; the travel behaviours and "pop-spiritualism" of female history fans to heritage sites; the collaboration between local community, fans and copyright holders that underpinned an anime-induced tourism boom in a small town north of Tokyo; and the large-scale economic impacts of tourism induced by NHK’s annual samurai period drama (Taiga Drama). It is the first major collection of articles published in English about media-induced tourism in Japan using the "contents tourism" approach. This book will be of particular interest to students and researchers of media and tourism studies in Asia. This book was previously published as a special issue of Japan Forum.By Lauren Clark. 2014
"This poetry anthology, edited by Miranda Paul, explores a wide range of ways to be grateful (from gratitude for a…
puppy to gratitude for family to gratitude for the sky) with poems by a diverse group of contributors, including Joseph Bruchac, Margarita Engle, Cynthia Leitich Smith, Naomi Shihab Nye, Charles Waters, and Jane Yolen." -- Provided by publisherBy Amiri Baraka. 2016
"Much of the novel is an expression of the intellectual and moral lost motion of the age...the special agony of…
the American Negro."--New York Times Book Review"A fevered and impressionistic riff on the struggles of blacks in the urban North and rural South, as told through the prism of The Inferno....Other writers addressed race more directly, but for all its linguistic slipperiness, Baraka's language conveys the feelings of fear, violation, and fury with a surprising potency. A pungent and lyrical portrait of mid-'60s black protest."--Kirkus ReviewsWith a new introduction by Woodie King Jr.This 1965 novel is a remarkable narrative of childhood and youth, structured on the themes of Dante's Inferno: violence, incontinence, fraud, treachery. With a poet's skill Baraka creates the atmosphere of hell, and with dramatic power he reconstructs the brutality of the black slums of Newark, a small Southern town, and New York City. The episodes contained within the novel represent both states of mind and states of the soul--lyrical, fragmentary, and allusive.By Barbara Robinson. 2004
The Herdman children create mayhem every year, so the town mayor cancels Halloween and trick-or-treating. Instead, the principal plans a…
safe, controlled holiday party at school, underestimating the Herdmans, who make their own plans. For grades 3-6. 2004By Barbara Robinson. 2005
The Herdmans are the worst kids in town, so when they take over the lead roles in the church's annual…
Christmas pageant, they cause quite a commotion. For grades 4-7. 1972