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Music, Sensation, and Sensuality (Critical and Cultural Musicology)
By Linda Phyllis Austern. 2002
Divided into three sections, Linda Phyllis Austern collects eighteen, cross-disciplinary essays written by some of the most important names in…
the field to look at this stimulating topic. The first section focuses on the cultural and scientific ways in which music and the sense of hearing work directly on the mind and body. Part Two investigates how music works on the socially constructed, representational or sexualized body as a means of healing, beautifying and maintaining a balance between the mental and physical. Finally, the book explores the action of music as it is heard and sensed by wider social units, such as the body politic, mass communication, from print to sound recording, and broadcast technologies.First Published in 1994. This is volume 3 of a 16-volume series providing comprehensive set of works from a full…
century of musical theatre in the United States of America. The work in this volume represents Italian opera in English though the works have British origins and strong French influences. This volume discusses various operatic interpretations of the Cinderella story, from its French operatic debut in 1810 to the most famous operas from Perrault and Rossini.Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity (Routledge Research in Music)
By Deniz Peters, Gerhard Eckel, Andreas Dorschel. 2012
In this book, scholars and artists explore the relation between electronic music and bodily expression from perspectives including aesthetics, philosophy…
of mind, phenomenology, dance and interactive performance arts, sociology, computer music and sonic arts, and music theory, transgressing disciplinary boundaries and established beliefs. The historic decoupling of action and sound generation might be seen to have distorted or even effaced the expressive body, with the retention of performance qualities via recoupling not equally retaining bodily expressivity. When, where, and what is the body expressed in electronic music then? The authors of this book reveal composers’, performers’, improvisers’ and listeners’ bodies, as well as the works’ and technologies’ figurative bodies as a rich source of expressive articulation. Bringing together humanities’ scholarship and musical arts contingent upon new media, the contributors offer inspiring thought and critical reflection for all those seriously engaged with the aesthetics of electronic music, interactive performance, and the body’s role in aesthetic experience and expression. Performativity is not only seen as being reclaimed in live electronic music, interactive arts, and installations; it is also exposed as embodied in the music and the listeners themselves.Ralph Ellison famously characterized ensemble jazz improvisation as “antagonistic cooperation.” Both collaborative and competitive, musicians play with and against one…
another to create art and community. In Antagonistic Cooperation, Robert G. O’Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O’Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O’Meally’s readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.We Gotta Get Out of This Place: The Soundtrack of the Vietnam War (Culture and Politics in the Cold War and Beyond)
By Craig Werner, Doug Bradley. 2015
&“The diversity of voices and songs reminds us that the home front and the battlefront are always connected and that…
music and war are deeply intertwined.&” —Heather Marie Stur, author of 21 Days to Baghdad For a Kentucky rifleman who spent his tour trudging through Vietnam&’s Central Highlands, it was Nancy Sinatra&’s &“These Boots Are Made for Walkin&’.&” For a black marine distraught over the assassination of Martin Luther King Jr., it was Aretha Franklin&’s &“Chain of Fools.&” And for countless other Vietnam vets, it was &“I Feel Like I&’m Fixin&’ to Die&” or the song that gives this book its title. In We Gotta Get Out of This Place, Doug Bradley and Craig Werner place popular music at the heart of the American experience in Vietnam. They explore how and why U.S. troops turned to music as a way of connecting to each other and the World back home and of coping with the complexities of the war they had been sent to fight. They also demonstrate that music was important for every group of Vietnam veterans—black and white, Latino and Native American, men and women, officers and &“grunts&”—whose personal reflections drive the book&’s narrative. Many of the voices are those of ordinary soldiers, airmen, seamen, and marines. But there are also &“solo&” pieces by veterans whose writings have shaped our understanding of the war—Karl Marlantes, Alfredo Vea, Yusef Komunyakaa, Bill Ehrhart, Arthur Flowers—as well as songwriters and performers whose music influenced soldiers&’ lives, including Eric Burdon, James Brown, Bruce Springsteen, Country Joe McDonald, and John Fogerty. Together their testimony taps into memories—individual and cultural—that capture a central if often overlooked component of the American war in Vietnam.Paused in Cosmic Reflection
By The Chemical Brothers. 2023
Paused in Cosmic Reflection is the definitive story of The Chemical Brothers. Told in the voices of Tom Rowlands and…
Ed Simons, with contributions from friends and collaborators, it is fully illustrated with 30 years of mind-bending visuals.Paused in Cosmic Reflection
By The Chemical Brothers. 2023
Paused in Cosmic Reflection is the definitive story of The Chemical Brothers. Told in the voices of Tom Rowlands and…
Ed Simons, with contributions from friends and collaborators, it is fully illustrated with 30 years of mind-bending visuals.La mujer que soy
By Britney Spears. 2023
La mujer que soy es una historia valiente y asombrosamente conmovedora sobre la libertad, la fama, la maternidad, la supervivencia,…
la fe y la esperanza. En junio de 2021, el mundo entero escuchó hablar a Britney Spears en una audiencia pública. El impacto que causó al compartir su voz, su verdad, fue innegable, y cambió el rumbo de su vida y el de la de infinidad de personas. La mujer que soy revela por primera vez la increíble peripecia vital y la fuerza interior de una de las mejores artistas de la historia de la música pop.Escritas con una franqueza y un humor extraordinarios, las impactantes memorias de Spears ilustran el poder imperecedero de la música y el amor, y la importancia de que una mujer, por fin, cuente su propia historia, en sus propios términos. La crítica ha dicho:«En sus memorias, Britney Spears se muestra más fuerte que nunca… La mujer que soy presenta su historia de una forma tan limpia, tan cándida, que parece diseñado para leerse en una sentada. Es casi imposible salir de esta historia sin empatizar con Spears y sentir una rabia inmensa en su nombre. El resentimiento que dirige hacia las terribles circunstanciasque ha sufrido a lo largo de más de una década se atenúa gracias a su constante e insistente optimismo».Leah Greenblatt, New York TimesThe metaphor of marriage often describes the relationship between poetry and music in both medieval and modern writing. While the…
troubadours stand out for their tendency to blur the distinction between speaking and singing, between poetry and song, a certain degree of semantic slippage extends into the realm of Italian literature through the use of genre names like canzone, sonetto, and ballata. Yet, paradoxically, scholars have traditionally identified a 'divorce' between music and poetry as the defining feature of early Italian lyric. Senza Vestimenta reintegrates poetic and musical traditions in late medieval Italy through a fresh evaluation of more than fifty literary sources transmitting Trecento song texts. These manuscripts have been long noted by musicologists, but until now they have been used to bolster rather than to debunk the notion that so-called 'poesia per musica' was relegated to the margins of poetic production. Jennings revises this view by exploring how scribes and readers interacted with song as a fundamentally interdisciplinary art form within a broad range of literary settings. Her study sheds light on the broader cultural world surrounding the reception of the Italian ars nova repertoire by uncovering new, diverse readers ranging from wealthy merchants to modest artisans.There is little question about the incredible power of Bruce Springsteen's work as a particularly transformative art, as a lyrical…
and musical fusion that never shies away from sifting through the rubble of human conflict. As Rolling Stone magazine's Parke Puterbaugh observes, Springsteen 'is a peerless songwriter and consummate artist whose every painstakingly crafted album serves as an impassioned and literate pulse taking of a generation's fortunes. He is the foremost live performer in the history of rock and roll, a self-described prisoner of the music he loves, for whom every show is played as if it might be his last.' In recent decades, Puterbaugh adds, 'Springsteen's music developed a conscience that didn't ignore the darkening of the runaway American Dream as the country greedily blundered its way through the 1980s' and into the sociocultural detritus of a new century paralysed by isolation and uncertainty. Bruce Springsteen, Cultural Studies, and the Runaway American Dream reflects the significant critical interest in understanding Springsteen's resounding impact upon the ways in which we think and feel about politics, religion, gender, and the pursuit of the American Dream. By assembling a host of essays that engage in interdisciplinary commentary regarding one of Western culture's most enduring artistic and socially radicalizing phenomena, this book offers a cohesive, intellectual, and often entertaining introduction to the many ways in which Springsteen continues to impact our lives by challenging our minds through his lyrics and music.Please Kill Me: The Uncensored Oral History of Punk
By Legs McNeil, Gillian McCain. 2014
The twentieth anniversary edition of the &“utterly and shamelessly sensational&” history of punk music—featuring new photos and an afterword by…
the authors (Newsday). A contemporary classic, Please Kill Me is the definitive oral history of the most nihilistic of all pop movements. Iggy Pop, Lou Reed, Richard Hell, the Ramones, and scores of other punk figures lend their voices to this decisive account of that explosive era. Editors Legs McNeil and Gillian McCain—two of punk music&’s greatest chroniclers—follow the movement from its roots in the 1960s underground of New York City, to its arrival in the UK with bands like The Sex Pistols and The Clash, to its unlikely emergence as a global cultural force whose impact is still felt today.Humane Music Education for the Common Good (Counterpoints: Music and Education)
By Iris M. Yob and Estelle R. Jorgensen. 2020
Why teach music? Who deserves a music education? Can making and learning about music serve the common good? A collection…
of essays considers the answers.In Humane Music Education for the Common Good, scholars and educators from around the world offer unique responses to the recent UNESCO report titled Rethinking Education: Toward the Common Good. This report suggests how, through purpose, policy, and pedagogy, education can and must respond to the challenges of our day in ways that respect and nurture all members of the human family.The contributors use this report as a framework to explore the implications and complexities that it raises. The book begins with analytical reflections on the report and then explores pedagogical case studies and practical models of music education that address social justice, inclusion, individual nurturance, and active involvement in the greater public welfare. The collection concludes by looking to the future, asking what more should be considered, and exploring how these ideals can be even more fully realized. This volume boldly expands the boundaries of the UNESCO report to reveal new ways to think about, be invested in, and use music education as a center for social change both today and going forward.Tin Pan Alley: An Encyclopedia of the Golden Age of American Song
By David A. Jasen. 2012
For nearly a century, New York's famous "Tin Pan Alley" was the center of popular music publishing in this country.…
It was where songwriting became a profession, and songs were made-to-order for the biggest stars. Selling popular music to a mass audience from coast-to-coast involved the greatest entertainment media of the day, from minstrelsy to Broadway, to vaudeville, dance palaces, radio, and motion pictures. Successful songwriting became an art, with a host of men and women becoming famous by writing famous songs.Leonard Bernstein: A Guide to Research (Routledge Music Bibliographies)
By Paul Laird. 2015
The Blues Encyclopedia
By Edward Komara. 2004
The Blues Encyclopedia is the first full-length authoritative Encyclopedia on the Blues as a musical form. While other books have…
collected biographies of blues performers, none have taken a scholarly approach. A to Z in format, this Encyclopedia covers not only the performers, but also musical styles, regions, record labels and cultural aspects of the blues, including race and gender issues. Special attention is paid to discographies and bibliographies.Miles Davis (Impact Biographies)
By Franklin Watts, George R. Crisp. 1997
People whose power, influence, or perseverance have changed the world are the subjects of these candid biographies, which stress the…
impact of these individuals on the course of 20th-century events. Each book includes a bibliography and an index. Trumpeter, bandleader, and composer Miles Davis greatly influenced the course of jazz from the late 1940s until his death in 1991. He used his thoughtful, economical trumpet style to forge a stunning variety of new sounds. This frank, mesmerizing biography takes the reader inside the dazzling world of Miles Davis: his relationships with other jazz masters, his impact on jazz styles and innovations; and his recurrent health and drug problems.The Modern Percussion Revolution: Journeys of the Progressive Artist (Routledge Research in Music)
By Kevin Lewis, Gustavo Aguilar. 2014
More than eighty years have passed since Edgard Varèse’s catalytic work for percussion ensemble, Ionisation, was heard in its New…
York premiere. A flurry of pieces for this new medium dawned soon after, challenging the established truths and preferences of the European musical tradition while setting the stage for percussion to become one of the most significant musical advances of the twentieth century. This 'revolution', as John Cage termed it, was a quintessentially modernist movement - an exploration of previously undiscovered sounds, forms, textures, and styles. However, as percussion music has progressed and become woven into the fabric of Western musical culture, several divergent paths, comprised of various traditions and a multiplicity of aesthetic sensibilities, have since emerged for the percussionist to pursue. This edited collection highlights the progressive developments that continue to investigate uncharted musical grounds. Using historical studies, philosophical insights, analyses of performance practice, and anecdotal reflections authored by some of today's most engaged performers, composers, and scholars, this book aims to illuminate the unique destinations found in the artistic journey of the modern percussionist.Israel, with its highly heterogeneous immigrant society, offers to the observer a fascinating instance of multifaceted performance practice. Within a…
relatively limited area, there are numerous musical traditions and styles which encompass sacred and secular, old and new, folk and sophisticated forms. The ten contributions included in these issues of Musical Performance represent a discussion of the most significant traditions that were established during the period before 1948: the search for the establishment of a new and typically Israeli art and folk music; the attitude of the protagonists of this tendency toward the old exiled traditional heritage of the Jewish people, and the struggle of the immigrants after the creation of the State of Israel to ensure the survival of their musical tradtions as well as to cope with the new physical and cultural environment. Altogether the general scope of these contributions correspond to a large extent to major events which marked the mMusic, Sexuality and the Enlightenment explains how Mozart's music for Le nozze di Figaro, Don Giovanni and Così fan tutte…
'sounds' the intentions of Da Ponte's characters and their relationships with one another. Mozart, by way of the infinitely generative and beautiful logic of the sonata principle, did not merely interpret Da Ponte's characterizations but lent them temporal, musical forms. Charles Ford's analytic interpretation of these musical forms concerns processes and structures in detail and at medium- to long-term levels. He addresses the music of a wide range of arias and ensembles, and develops original ways to interpret the two largely overlooked operatic genres of secco recitative and finales. Moreover, Ford presents a new method by which to relate musical details directly to philosophical concepts, and thereby, the music of the operas to the inwardly contradictory thinking of the European Enlightenment. This involves close readings of late eighteenth-century understandings of 'man' and nature, self and other, morality and transgression, and gendered identities and sexuality, with particular reference to contemporary writers, especially Goethe, Kant, Laclos, Rousseau, Sade, Schiller, Sterne and Wollstonecraft. The concluding discussion of the implied futures of the operas argues that their divided sexualities, which are those of the Enlightenment as a whole, have come to form our own unquestioned assumptions about gender differences and sexuality. This, along with the elegant and eloquent precision of Mozart's music, is why Figaro, Giovanni and Così still maintain their vital immediacy for audiences today.An Imperishable Heritage: A Study of Selected Works
By Stephen Town. 2012
The rehabilitation of British music began with Hubert Parry and Charles Villiers Stanford. Ralph Vaughan Williams assisted in its emancipation…
from continental models, while Gerald Finzi, Edmund Rubbra and George Dyson flourished in its independence. Stephen Town's survey of Choral Music of the English Musical Renaissance is rooted in close examination of selected works from these composers. Town collates the substantial secondary literature on these composers, and brings to bear his own study of the autograph manuscripts. The latter form an unparalleled record of compositional process and shed new light on the compositions as they have come down to us in their published and recorded form. This close study of the sources allows Town to identify for the first time instances of similarity and imitation, continuities and connections between the works.