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Showing 1 - 20 of 1306 items
By Lorraine Carpenter. 2011
Over a decade after the release of their first album, The Dears have weathered the indie fringes, the collapse of…
the music industry as we knew it and the near implosion of the band itself, with their creative vision and gang dynamic intact. The Dears: Lost in the Plot looks at how The Dears survived the fallout, and helped launch the acclaimed mid-aughts music scene in their hometown of Montréal. The Dears: Lost in the Plot is the first book in Invisible Publishing’s new Bibliophonic series. The Bibliophonic Series is a catalogue of the ongoing history of contemporary music. Each book is a time capsule, capturing artists and their work as we see them, providing a unique look at some of today’s most exciting musicians.By Daniel Albright, Russell A. Berman, Charlotte M. Cross. 2000
The original essays in this collection chronicle the transformation of Arnold Schoenberg's works from music as pure art to music…
as a vehicle of religious and political ideas, during the first half of the twentieth century. This interdisciplinary volume includes contributions from musicologists, music theorists, and scholars of German literature and of Jewish studies.The Language of the Modes provides a study of modes in early music through eight essays, each dealing with a…
different aspects of modality. The volume codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. For many music students and listeners, the "language of the modes" is a deep mystery, accustomed as we are to centuries of modern harmony. Wiering demystifies the modal world, showing how composers and performers were able to use this structure to create compelling and beautiful works. This book will be an invaluable source to scholars of early music and music theory. in early music through eight essays, each dealing with a different aspects of modality. It codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. This book will be an invaluable source to scholars of early music.By David Kidger. 2005
This key text will be the first full-length research tool on Adrian Willaert, the Renaissance composer of motets and madrigals…
who came to prominence in the first part of the sixteenth century, and should prove invaluable to researchers and students.By Joseph Auner, Judy Lochhead. 2002
What is postmodern music and how does it differ from earlier styles, including modernist music? What roles have electronic technologies…
and sound production played in defining postmodern music? Has postmodern music blurred the lines between high and popular music? Addressing these and other questions, this ground-breaking collection gathers together for the first time essays on postmodernism and music written primarily by musicologists, covering a wide range of musical styles including concert music, jazz, film music, and popular music. Topics include: the importance of technology and marketing in postmodern music; the appropriation and reworking of Western music by non-Western bands; postmodern characteristics in the music of Górecki, Rochberg, Zorn, and Bolcom, as well as Björk and Wu Tang Clan; issues of music and race in such films as The Bridges of Madison County, Batman, Bullworth, and He Got Game; and comparisons of postmodern architecture to postmodern music. Also includes 20 musical examples.By R. Larry Todd. 2008
When R. Larry Todd’s biography, Mendelssohn: A Life in Music, appeared in 2003, it won acclaim from several critics as…
a definitive biography. In researching Mendelssohn’s life over the last two and a half decades, Todd uncovered much new information about the composer and his music, his family and his peers, and his complex reception history. Now, as we approach the 2009 bicentenary of Mendelssohn’s birth, the author has chosen and compiled fifteen essays written between 1980 and 2005, including five previously unpublished, that examine several aspects of the composer whom Goethe and Heine likened to a second Mozart. Mendelssohn Essays explores Mendelssohn’s precocity, his musical impressions of British culture, the role of the visual in his music, his compositional response to Bach’s St. Matthew Passion, and incomplete drafts from his musical estate of three instrumental works. In addition, a group of three essays focuses on the music of Mendelssohn’s sister Fanny Hensel, perhaps the most gifted woman composer of the century, and a significant, complex figure in the formation of the Mendelssohnian style.By Sebastian D. G. Knowles. 1999
The contributors to this volume investigate several themes about music's relationship to the literary compositions of James Joyce: music as…
a condition to which Joyce aspired; music theory as a useful way of reading his works; and musical compositions inspired by or connected with him.By Kevin Holm-Hudson. 2002
In this book, the glory days of progressive rock are relived in a series of insightful essays about the key…
bands, songwriters and songs that made prog-rock such an innovative style.First Published in 1996. William and Philip Hayes, father and son, between them occupied the Heather Chair of Music at…
the University of Oxford for over half a century (1741-97). Although they lived and worked largely outside the mainstream of London's cosmopolitan musical life, their outlook was surprisingly broad. The present study reveals them to have been two of the most important provincial musicians of their age, who as composers contributed to all the main genres of the time except opera.By Peter Blake. 1996
The story of modern architecture is told here through the lives and works of three men who changed the face…
of the cities we live in. Le Corbusier gave to modern design a sure and brilliant sense of form; Mies brought an almost Gothic discipline of structure; and Wright heralded a new and dramatic concept of space and freedom. Through this triple focus, Peter Blake provides a perspective on the entire range of twentieth-century architecture. 129 photographs and 22 drawingsBy Ken Bloom. 2007
The Routledge Guide to Broadway is the second title in our new student reference series. It will introduce the student…
to the Broadway theater, focusing on key performers, writers, directors, plays, and musicals, along with the theaters themselves, key awards, and the folklore of Broadway.Broadway is the center of American theater, where all the great plays and musicals make their mark. Students across the country in theater history, performance, and direction/production look to Broadway for their inspiration. While there are illustrated coffee table type books on Broadway, there are few that offer a comprehensive look at the key figures and productions of the last two centuries. The Routledge Guide to Broadway offers this information in an easy-to-use, inexpensive format that will appeal to students, professors, and theatrical professionals.By Roland Jackson. 2013
Performance practice is the study of how music was performed over the centuries, both by its originators (the composers and…
performers who introduced the works) and, later, by revivalists. This first of its kind Dictionary offers entries on composers, musiciansperformers, technical terms, performance centers, musical instruments, and genres, all aimed at elucidating issues in performance practice. This A-Z guide will help students, scholars, and listeners understand how musical works were originally performed and subsequently changed over the centuries. Compiled by a leading scholar in the field, this work will serve as both a point-of-entry for beginners as well as a roadmap for advanced scholarship in the field.First Published in 1994. This is volume 7 of a 16-volume series providing comprehensive set of works from a full…
century of musical theatre in the United States of America. The contents of this volume represent the most ubiquitous, yet probably the least well documented or described forms of musical theatre in the United States during the nineteenth century. Alfred B. Sedgwick, this volume's focus, was one of the most prolific published authors of playlets with music – especially popular with middle-class families whose ancestors had emigrated from the British Isles.By John C. Dressler. 2012
William Alwyn: A Research and Information Guide is a catalogue, discography and annotated bibliography of the nearly 500 works of this twentieth-century…
British composer. It will be invaluable to twentieth-century British composer researchers and aficionados, music history courses, and film music courses.By Linda Phyllis Austern. 2002
Divided into three sections, Linda Phyllis Austern collects eighteen, cross-disciplinary essays written by some of the most important names in…
the field to look at this stimulating topic. The first section focuses on the cultural and scientific ways in which music and the sense of hearing work directly on the mind and body. Part Two investigates how music works on the socially constructed, representational or sexualized body as a means of healing, beautifying and maintaining a balance between the mental and physical. Finally, the book explores the action of music as it is heard and sensed by wider social units, such as the body politic, mass communication, from print to sound recording, and broadcast technologies.First Published in 1994. This is volume 3 of a 16-volume series providing comprehensive set of works from a full…
century of musical theatre in the United States of America. The work in this volume represents Italian opera in English though the works have British origins and strong French influences. This volume discusses various operatic interpretations of the Cinderella story, from its French operatic debut in 1810 to the most famous operas from Perrault and Rossini.By Deniz Peters, Gerhard Eckel, Andreas Dorschel. 2012
In this book, scholars and artists explore the relation between electronic music and bodily expression from perspectives including aesthetics, philosophy…
of mind, phenomenology, dance and interactive performance arts, sociology, computer music and sonic arts, and music theory, transgressing disciplinary boundaries and established beliefs. The historic decoupling of action and sound generation might be seen to have distorted or even effaced the expressive body, with the retention of performance qualities via recoupling not equally retaining bodily expressivity. When, where, and what is the body expressed in electronic music then? The authors of this book reveal composers’, performers’, improvisers’ and listeners’ bodies, as well as the works’ and technologies’ figurative bodies as a rich source of expressive articulation. Bringing together humanities’ scholarship and musical arts contingent upon new media, the contributors offer inspiring thought and critical reflection for all those seriously engaged with the aesthetics of electronic music, interactive performance, and the body’s role in aesthetic experience and expression. Performativity is not only seen as being reclaimed in live electronic music, interactive arts, and installations; it is also exposed as embodied in the music and the listeners themselves.Ralph Ellison famously characterized ensemble jazz improvisation as “antagonistic cooperation.” Both collaborative and competitive, musicians play with and against one…
another to create art and community. In Antagonistic Cooperation, Robert G. O’Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O’Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O’Meally’s readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.By Craig Werner, Doug Bradley. 2015
&“The diversity of voices and songs reminds us that the home front and the battlefront are always connected and that…
music and war are deeply intertwined.&” —Heather Marie Stur, author of 21 Days to Baghdad For a Kentucky rifleman who spent his tour trudging through Vietnam&’s Central Highlands, it was Nancy Sinatra&’s &“These Boots Are Made for Walkin&’.&” For a black marine distraught over the assassination of Martin Luther King Jr., it was Aretha Franklin&’s &“Chain of Fools.&” And for countless other Vietnam vets, it was &“I Feel Like I&’m Fixin&’ to Die&” or the song that gives this book its title. In We Gotta Get Out of This Place, Doug Bradley and Craig Werner place popular music at the heart of the American experience in Vietnam. They explore how and why U.S. troops turned to music as a way of connecting to each other and the World back home and of coping with the complexities of the war they had been sent to fight. They also demonstrate that music was important for every group of Vietnam veterans—black and white, Latino and Native American, men and women, officers and &“grunts&”—whose personal reflections drive the book&’s narrative. Many of the voices are those of ordinary soldiers, airmen, seamen, and marines. But there are also &“solo&” pieces by veterans whose writings have shaped our understanding of the war—Karl Marlantes, Alfredo Vea, Yusef Komunyakaa, Bill Ehrhart, Arthur Flowers—as well as songwriters and performers whose music influenced soldiers&’ lives, including Eric Burdon, James Brown, Bruce Springsteen, Country Joe McDonald, and John Fogerty. Together their testimony taps into memories—individual and cultural—that capture a central if often overlooked component of the American war in Vietnam.