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Showing 1 - 5 of 5 items
Verrechtlichungsprozesse von Literatur stellen als Kollisionsfall von Kunstfreiheit und allgemeinem Persönlichkeitsrecht nicht nur für die Jurisprudenz eine Herausforderung dar. Auch…
die Fiktionstheorie findet im besonderen Redestatus und den Fiktionslizenzen der Literatur ein reiches Feld. Die vorliegende Studie widmet sich systematisch anhand tatsächlich verhandelter Fälle und mit Blick auf neuere Fiktionsansätze der Frage, ob fiktionalen Texten Persönlichkeitsrechtsverletzungen angelastet werden können. Hierfür wird ausgehend von der Referenzstruktur fiktionaler Literatur untersucht, in welchen Fällen sich Elemente in der Darstellung literarischer Figuren auf reale Personen beziehen lassen und infolgedessen justiziabel werden können.By Larry McMurtry. 2000
Larry McMurtry, the preeminent chronicler of the American West, celebrates the best of contemporary Western short fiction, introducing a stellar…
collection of twenty stories that represent, in various ways, the coming-of-age of the legendary American frontier.Featuring a veritable Who's Who of the century's most distinctive writers, this collection effectively departs from the standard superstars of the Western genre. McMurtry has chosen a refreshing range of work that, when taken as a whole, depicts the evolution and maturation of Western writing over several decades. The featured tales are not so concerned with the American West of history and geography as they are with the American West of the imagination—one that is alternately comic, gritty, individual, searing, and complex. Including authors such as Jack Kerouac, Wallace Stegner, Raymond Carver, Annie Proulx, and Diana Ossana, this collection captures the real Western canon like no other.By Andrija Matić. 2024
Aldous Huxley’s Short Fiction analyzes Huxley’s short stories within a modernist context, highlighting that he shared more characteristics with distinguished modernists…
than is usually believed. The book also explores other features of Huxley’s short stories, focusing on themes such as consumerism, mainstream education, shallow intellectualism, women’s emancipation, toxic masculinity, and sensational journalism, themes that correspond with both Huxley’s time and our world, and position him among the most prophetic authors of the twentieth century. This study demonstrates that Huxley’s short fiction can provide answers to questions that remain confusing or partially explained in the research on Huxley’s work. It illustrates the constants and changes in Huxley’s opinions on organized religion, mysticism, and the relation between sexuality and spirituality, while also clarifying Huxley’s political opinion, which is often misunderstood due to his advocacy of pacifism. Finally, the in-depth interpretations of Huxley’s short stories reveal the dynamics of his literary style, especially his complex humor and irony, areas he developed more than any other modernist author of short fiction.By Carmen Callil, Colm Toibin. 2011
For Colm Toíbín and Carmen Callil there is no difference between literary and commercial writing - there is only the…
good novel: engrossing, inspirational, compelling. In their selection of the best 200 novels written since 1950, the editors make a case for the best and the best-loved works and argue why each should be considered a modern classic. Enlightening, often unexpected and always engaging this tour through the world of fiction is full of surprises, forgotten masterpieces and a valuable guide to what to read next. Authors in the collection include Agatha Christie, Georgette Heyer, Daphne du Maurier, Patrick Hamilton, Carson McCullers, J. D. Salinger, Bernard Malamud; Flannery O'Connor, Mulk Raj Anand, Raymond Chandler, L. P. Hartley, Amos Tutuola, Sylvia Townsend Warner, Samuel Beckett, Patricia Highsmith, Chinua Achebe, Isak Dineson, Alan Sillitoe, Ivy Compton-Burnett, Grace Paley, Harper Lee, Olivia Manning and Mordecai Richler.By Gillian Flynn. 2009
THE BESTSELLING PHENOMENON 'Eerily macabre... Wonderful' Guardian'A nerve-fraying thriller' New York Times'Every bit as horribly fascinating as In Cold Blood'…
Daily MailLibby Day was seven when her family was murdered: she survived by hiding in a closet - and famously testified that her older brother Ben was the killer. Twenty-five years later the Kill Club - a secret society obsessed with notorious crimes - gets in touch with Libby to try to discover proof that may free Ben. Almost broke, Libby agrees to go back to her hometown to investigate - for a fee. But when Libby's search uncovers an unimaginable truth, she finds herself right back where she started: on the run from a killer. THE ORIGINAL #1 BESTSELLER, BY THE AUTHOR OF GONE GIRL 'I would rather read her than just about any other crime writer' Kate Atkinson'Gillian Flynn is the real deal: a sharp, acerbic and compelling storyteller' Stephen King'An extraordinarily good writer' Observer