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Grotesque Tenderness (Hugh MacLennan Poetry Series #48)
By Daniel Cowper. 2019
Afraid to be alone / we met by lamplight, trading stories: // Sin of Man was one, // Age of…
Science, another. More // prayers than answers. Daniel Cowper's debut poetry collection, Grotesque Tenderness, speaks for an unrooted age, for unrooted people. In these poems, city-dwellers long to ally themselves with some sympathetic culture or the evolutionary logic of nature, but those alliances remain conditional, ambiguous, or dangerous. A tsunami smashes a harbour city into “tide-rows of burning debris”; children chase snakes in summer meadows. The primordial past spins off “rogue by-products and flawed replicas,” while lonely office workers get high on back porches and drink themselves to sleep. The musical and kinetic energy of Grotesque Tenderness is driven by our urge to understand pain and our hunger to reach an imperfect reconciliation with the problems of guilt and suffering. But in the tradition of William Blake, these poems affirm again and again that “the lit / world goes on living” and life justifies itself through its own workings. From elegant lyrics of alienation and heartbreak to long-form mythopoeia and lament, these poems approach beauty, ugliness, even criminality in a spirit of wonder and vulnerability.Blitzkrieg and Jitterbugs: College Life in Wartime, 1939-1942 (Footprints Series #28)
By Elizabeth Hillman Waterston. 2012
Elizabeth Hillman enrolled at McGill University the week World War II began. As a freshman writing for the McGill Daily,…
she covered torchlight football parades and dances at the Ritz Carleton hotel while elsewhere the paper reported U-boats torpedoing convoys and war planes plummeting into the British channel. Blitzkrieg and Jitterbugs draws on her journal entries, articles from the Daily, and headlines from the Montreal Gazette to paint a vivid picture of day-to-day life on campus, alongside the civilian wartime experience in Canada. Part memoir, part history, the book touches on important feminist issues of the day, provides historical detail on both McGill University and Canada's participation in World War II, and is punctuated with candid glimpses into both the social and intellectual aspects of university life during a three-year tenure at McGill. Charmingly written with subtle ironies, Blitzkrieg and Jitterbugs includes photos collected from scrapbooks, albums, and the McGill archives to vividly highlight aspects of wartime life as experienced far from the battlefields.Memories, Myths, and Dreams of an Ojibwe Leader (Rupert's Land Record Society Series #21)
By Jennifer Brown, A. Irving Hallowell, William Berens. 2009
Because the elderly chief wanted his visitor to understand the Ojibwe world, and because Hallowell was deeply interested in his…
subject matter and was such a good listener, Berens freely related his dreams and other stories about encounters with powerful beings. The fact that he also shared traditional myths in summer, when Ojibwe people thought it dangerous to discuss such things, shows the depth of his relationship with Hallowell. Berens' reminiscences and story and myth texts are unparalleled as sources for the life, experiences, and outlook of this important Ojibwe leader, and for the insights they provide into the history and culture of his people. Rooted in the collaboration between Berens as steward of his oral traditions and Hallowell as creator and guardian of their written versions, Memories, Myths, and Dreams of an Ojibwe Leader draws the reader into the world - and world view - of Chief Berens, showing how an Aboriginal Christian of the early twentieth century could simultaneously take part in "modern" and "traditional" Ojibwe life.Particles: Particles (Hugh MacLennan Poetry Series #43)
By Michael Penny. 2011
Michael Penny addresses his poems directly to the reader, challenging you to satisfy your need to investigate and understand the…
sensory and intellectual assumptions we use to make sense of our world. Balanced between abstract metaphysical challenges and the concrete and commonplace, Penny's poetry considers a range of topics, including cars, bruises, lotteries, pine needles, and dogs, infusing each with strangeness and unexpected intrigue. A lively and surprising collection, Particles joins together inner and outer space and suggests that you might not know what you think you know.Small Fires (Hugh MacLennan Poetry Series #36)
By Kelly Norah Drukker. 2016
We come / to kneel at the doorway, / to peer into that kind of / dark. To think our…
way / backwards, listening. Tracing a series of journeys, real and imagined, Kelly Norah Drukker’s Small Fires opens with a section of poems set on Inis Mór, a remote, Irish-speaking island off the west coast of County Galway, where the poet-as-speaker discovers the ways in which remnants of the island’s early Christian monastic culture brush up against island life in the twenty-first century. Also present is a series of poems set in the Midi-Pyrénées and in the countryside around Lyon. Linked to the shorter poems in the collection by landscape, theme, and tone is a set of longer narrative poems that give voice to imagined speakers who are, each in a different way, living on the margins. The first describes a young emigrant woman’s crossing from Ireland to Canada in the early twentieth century, where she must sacrifice her tie to the land for the uncertain freedom of a journey by sea, while a second depicts the lives of silk workers living under oppressive conditions in Lyon in the 1830s. In detailed and musical language, the poems in Small Fires highlight aspects of landscape and culture in regions that are haunted by marginal and silenced histories. The collection concludes with a long poem written as a response to American writer Paul Monette’s autobiographical work Borrowed Time: An AIDS Memoir.Delivering the News (Hugh MacLennan Poetry Series #47)
By Thomas O'Grady. 2019
War, Pestilence, Famine, Death. Was I deaf / to the headline roar of my unwieldy load? Engaging with the inevitability…
of change and flux, Thomas O'Grady's poems grapple with themes of death and rebirth, of loss and resiliency, of ebb and flow within nature and within individual lives and romantic and domestic relationships. Bookended by the springtime of “Controlled Burn” and its mirror, the wistfully autumnal “Magritte,” the collection follows multiple arcs within and across poems and longer sequences. Part I, "Seeing Red," grounds the poems in the rural landscapes, shorescapes, and streetscapes of the poet's childhood on Prince Edward Island, leading O'Grady home as he returns to “the heartening blaze / of red that frames the doors, // the eaves, the corner trim / of every outlying / Island barn and shed.” Part II, “The Wide World,” comprises poems prompted by more cosmopolitan landscapes, both literal and figurative, and inspired by the graphic arts, jazz music, classical mythology, and other writers. A later sequence of eight poems reflects O'Grady's Irish heritage within the social fabric of PEI. Through precise and steadying language, Delivering the News reflects the capacity of poetry both to acknowledge and to mitigate life's mutability.Palilalia (Hugh MacLennan Poetry Series #19)
By Jeffery Donaldson. 2008
Palilalia is disordered speech. According to the Oxford English Dictionary, this lesser known vocal tic is "an involuntary repetition of…
words, phrases or sentences." Sister to echolalia (repeating what others say), and distant cousin to the more forbidding coprolalia (the involuntary use of obscene language), palilalia can feel, on the one hand, like an affliction to be suppressed, and on the other, like a kind of meditative mantra that focuses and intensifies your thought. "Your repetitious tics," the ghost of the poet's mentor, Northrop Frye, tells him, are " the ecstatic rhapsodist's / St. Vitus Dance, slangster's whizzle / and conjuration, philologist's hullabaloo." It isn't a question of how to stop them, but of finding how far they will take you. Jeffery Donaldson offers poems about Tourette's Syndrome, about his loves and blessings, about the erotic life as flavoured by all these, and about the grace of a stillness in the midst of so much mental noise. Paul Val�ry said that a poem is never finished, only abandoned. All poets have palilalia, or should have....Cast from Bells: Cast From Bells (Hugh MacLennan Poetry Series #43)
By Suzanne Hancock. 2010
Balancing the bells of the past with the personal life of the present, these poems offer an intimate look at…
a woman leaving her husband. Against the backdrop of history, honest glimpses of a relationship's ruin reveal surprising connections between the exalted and mundane. Cast from Bells tells a story about people and things dividing and uniting, and the sounds and spaces between bells and bullets.The tragic fate of the lost Franklin expedition (1845-48) is a well-known part of exploration history, but there has always…
been a gap in the story - a personal account that begs to be told. In As affecting the fate of my absent husband, Erika Behrisch Elce has collected the poignant letters of Sir John Franklin's wife, Jane, which provide a vital new perspective on the tragedy. From her optimistic requests to whaling ships to her persistent demands for Admiralty aid, Lady Franklin played a crucial role in the search for her husband. Her correspondence with British prime ministers, members of Parliament, lords of the Admiralty, and a US president presents a private, domestic side to a national tragedy and sheds new light on what Sir John Franklin's disappearance meant to England, its public, and its sense of itself as an imperial power. With comprehensive annotations, a descriptive timeline, and an introduction that outlines the significance of Lady Franklin's contribution to the "Arctic debate," As affecting the fate of my absent husband is a convincing portrait of the surprisingly disruptive effects - on both the public consciousness and the government bureaucracy - of a single, eloquent, voice of dissent. As affecting the fate of my absent husband is essential reading not only for anyone interested in Victorian adventure and the Arctic but as an introduction to one of the most fascinating women of the nineteenth century.Seeking Our Eden: The Dreams and Migrations of Sarah Jameson Craig
By Joanne Findon. 2015
Although few nineteenth-century rural Canadian women could read and write well, Sarah Jameson Craig (1840-1919) was not only literate but…
eloquent. Unlike many women writers of her time, Craig lived at the bottom of the economic ladder. Nevertheless, she dared to dream the utopian dreams more commonly associated with educated women from the middle and upper classes. Craig vividly documented her attempt to run away at age fifteen, her plans to found a utopian colony based on alternative medicine and women’s dress reform, and her lifelong crusade for women's equality. Quoting liberally from Sarah Craig's unpublished diaries and memoir, Seeking Our Eden sets Craig's life writing within the context of her early days in New Brunswick, her later migrations to New Jersey and then westward to Saskatchewan and British Columbia, and the American-based reform and utopian movements that stirred her imagination. Convinced that the tight corsets and long skirts demanded by conventional fashion undermined the fight for women's equality, Craig wore the "reform dress" - a short dress over trousers - despite society's disapproval, and rejected opiate- and alcohol-based medicines in favour of the water cure. Even today, when the way women dress remains an issue, and skepticism about conventional medicine still fuels alternative health movements, Sarah Craig's early feminist voice from the margins of Canada continues to be relevant and compelling.Does objectivity exist in the news media? In The Invention of Journalism Ethics, Stephen Ward argues that given the current…
emphasis on interpretation, analysis, and perspective, journalists and the public need a new theory of objectivity. He explores the varied ethical assertions of journalists over the past few centuries, focusing on the changing relationship between journalist and audience. This historical analysis leads to an innovative theory of pragmatic objectivity that enables journalists and the public to recognize and avoid biased and unbalanced reporting. Ward convincingly demonstrates that journalistic objectivity is not a set of absolute standards but the same fallible but reasonable objectivity used for making decisions in other professions and public institutions. Considered a classic in the field since its first publication in 2004, this second edition includes new chapters that bring the book up to speed with journalism ethics in the twenty-first century by focusing on the growing dominance of online journalism and calling for a radical approach to journalism ethics reform. Ward also addresses important developments that have occurred in the last decade, including the emergence of digital journalism ethics and global journalism ethics.Global Journalism Ethics
By Stephen J.A. Ward. 2010
Stephen Ward argues that present media practices are narrowly based within the borders of single country and thus unable to…
successfully inform the public about a globalized world. Presenting an ethical framework for work in multimedia, the author extends John Rawl's theories of justice and the human good to redefine the aims for which journalism should strive and then applies this new foundation to issues such as the roles of patriotism and objectivity in journalism. An innovative argument that presents a necessary corrective to contemporary media practices, Global Journalism Ethics is a theoretically rich study for journalists on the air, in print, and on the internet.Rules of the Kingdom (Hugh MacLennan Poetry Series #39)
By Julie Paul. 2017
A lapsed religion still emits / faint signals; God, / in his satellite dish, / groans / moving on. To…
seek belonging, to strain against the familiar – these are the polarities many of us live between, feeling the pull of each desire. Offering a particular history, an intimate vantage point from within the various kingdoms we inhabit, Julie Paul’s The Rules of the Kingdom is an exploration of this struggle on a personal level and a universal one. Broken into five sections, the book examines the human struggle to find meaning, comfort, and a sense of home. In “Settlers’ Descendant Reclaims the Past,” the poems consider rural life, both the specific and the collective, including a village’s destruction by fire. In “Weight of the Word” the focus turns to family of origin, religion, and rites of passage. Poems take a familial tack again in “Cleavage,” wherein Paul dives into the waters of motherhood, and they drift into further intimacy in “The World’s Smallest Republic,” a series of poems about sex, love, and marriage. Finally, the poems in the fifth section, “Next Time the World Will Burn,” explore our place in the twenty-first century and offer some idiosyncratic suggestions on how to live. At turns humorous, playful, contemplative, and coy, the poems in The Rules of the Kingdom question the vagaries of faith and family but ultimately celebrate life and love.But for Now: But For Now (Hugh MacLennan Poetry Series #27)
By Gordon Johnston. 2013
From "Anna's Lovers" Our houses glow both from within and on the outside: their night lights and an almost perfect…
and wintry moon. The phrase "but for now" means among other things "making do," as if we had to settle for the bare minimum. In But for Now, Gordon Johnston presents poems where the mortal world is more than enough because there is more to it than the merely mortal and where it is possible to hear beyond the outmoded clanking of inherited religious vocabularies. These poems find moments of grace in chance occurrences and through a wide range of styles and methods, they choreograph the random casual events of our existence. Northrop Frye famously asked, "Where is here?" These poems instead ask, "When is now?" Engaged with worlds of waiting and of doing, with enduring and healing, But for Now celebrates music and noise, speech and silence, and asserts that for all the darkness at the edges, there is something shining at the centre of the painting.Look Here Look Away Look Again (Hugh MacLennan Poetry Series #46)
By Edward Carson. 2019
an orientation of thought in thinking how a / thought begins and then travels on to arrive / at another…
place connected and like-minded A work of art is never entirely present in itself but rather is always at large in the mind of the viewer. So it is that a painting needs to know the simplest question those viewing it are asking themselves. From the intimate starting point of observer and observed, Carson's seductive, exhilarating new collection turns poetry and paintings, making and representation, language and thought on their heads. "What happens when we experience a work of art? The poems in Edward Carson's stunningly original collection explore the intricate patterns of communication and response that unfold when we look at paintings, respond to music, read poems. Rather than simply cataloguing the works' contents, Carson recreates their dynamics and takes us inside them. The wonderful phrase he applies to a Miró painting, ‘a rhetoric / of exuberant spaces,' is descriptive of Look Here Look Away Look Again itself, and it is matched by a rhetoric of exuberant language that takes such supposedly unpoetic words as ‘phenotype,' ‘quantum,' or ‘algorithm' and brings them to life. At the same time, Carson revitalizes that time-worn form, the sonnet sequence – for that is what this collection is, when you ‘look again' – and weaves it together with recurrent twilit glimpses of birds, moon, and stars. Readers of Look Here Look Away Look Again will be looking in delight, again and again." John Reibetanz, award-winning poet, author of By HandBury My Heart at Wounded Knee is Dee Brown's eloquent, fully documented account of the systematic destruction of the American…
Indian during the second half of the nineteenth century. Using council records, autobiographies, and firsthand descriptions, Brown allows the great chiefs and warriors of the Dakota, Ute, Sioux, Cheyenne, and other tribes to tell us in their own words of the battles, massacres, and broken treaties that finally left them demoralized and defeated. A unique and disturbing narrative told with force and clarity, Bury My Heart at Wounded Knee changed forever our vision of how the West was really won. [This text is listed as an example that meets Common Core Standards in English language arts in grades 9-10 at http://www.corestandards.org.]The Danger Model (Hugh MacLennan Poetry Series #51)
By Madelaine Caritas Longman. 2019
Is the self inside the body / or is it the body / or can it leave? "How can you…
ask a question that you live inside?" Madelaine Caritas Longman's debut is an affecting, intelligent engagement with the often-paradoxical pursuit of self-coherence and self-presence. These prose poems, haiku, and experiments with language and form not only examine the individual search for identity but call into question the concept itself. Inhabiting contexts as diverse as the medical system, performance art, queer adolescence, and Talmudic debate, The Danger Model considers what it means to be a "self." Searching for answers in Internet forums, the work of Portuguese poet Fernando Pessoa, and the films and installations of Japanese artist Yayoi Kusama, Longman brings attention to the lived experience of mental and physical illness and attempts to make meaning out of it. Disarmingly candid, intellectually rigorous, and surprisingly funny, these poems explore the luxury and burden of subjectivity by showing us what it is like to struggle to attach oneself to the world through specific desires and needs. Provocatively realistic but also hopeful, The Danger Model is an investigation of how we come to recognize - or not recognize - ourselves and each other.Rail (Hugh MacLennan Poetry Series #43)
By Miranda Pearson. 2019
Tracks and ley-lines pull us, carry us / past Lindisfarne - or an imagined glimpse / drifting holy in the…
distance, / another reality running through it. A rail is a track, a support, and a barrier. In this collection, spanning the personal and the political, Kentish pathways lead to London, to Yorkshire, to Faroe, then circle back to the west coast of Canada. An appeal, a railing against, these poems reach for beauty and compassion amidst uneasy global upheaval. Miranda Pearson considers family ties and threads between adult and child, cross-pollinating and subverting credos from Bloomsbury to Brexit, Whitechapel to West Vancouver, the Bible to punk. The long poem "Abacus" explores dyscalculia and ways that numbers and their associations can be a rich source of memory. It also delves into resulting anxieties - navigations and compensations made in response to a learning difference. Through imagery heavily influenced by visual art, other poems in Rail focus on geological elements: how parts fit and dislodge, erode and compress. Ceramics and gemstones, ice and rock are fault lines and stepping stones that act as envoys between the human and the natural world. A tension exists here between art and nature, between art objects and the violent history of colonial curation. Rail tracks the cascade of this duality. Exploring a diasporic connection between England and Canada, Rail is a journey along the brink between high and low culture, balancing on the edge of the awkward and the elegant.Ganymede's Dog (Hugh MacLennan Poetry Series #50)
By John Emil Vincent. 2019
Took all this time to actually in fact bite our own tail to learn that that hurts; I guess it…
was worth it. / Developed a taste for tails. The prose poems of Ganymede's Dog startle myths back to life, whether Ganymede's abduction by Zeus in the form of an eagle, his abduction by a century's worth of Budweiser labels, Sophocles's boozy boy-chasing, or the dancing plague of 1518. John Emil Vincent teases his materials into surreal, joyous, dirty, sometimes gruesome animation. His revelations arrive in the guise of other characters, and throughout, there are dogs. Dog-themed philosophy, dog-headed saints, dog-worshipping island rituals, and just plain dogs invite the reader to puppy-pile with Petronius, Catherine the Great, and Saint Christopher in a sapiosexual orgy with autocorrect handling the towels. Deeply infused with gay culture and mythology, Ganymede's Dog is a collection of smart, knowing, allusive, often ironic poems that ponder the boundaries of legend and the privileges of youth and beauty.Tablature (Hugh MacLennan Poetry Series #31)
By Bruce Whiteman. 2015
From the "rubble [that] is the order of the day" in the opening poem to the longing for a "radiant…
happy ending" in the book's final line, Tablature is a book of poems that traverses a great swath of the heart's experience in compelling and lucid poetic language. Bruce Whiteman's first book of poems in traditional lined form in thirty years is by turns learned and allusive, and emotionally expressive and despairing. These poems engage three large and powerful subjects: the landscapes we see and abide in, music that is comforting and a guide to hearing the poem's compulsions, and love - erotic, domestic, and enduring. Whiteman is keenly observant of the natural world of birds and trees, of rocks and water, alive to the pressures and hurts of daily life, and above all to the ways in which music rescues us from dependency and pulls us back from a "cultivated hysteria." If there is an "intimate / apocalypse," there is also "radiant hope." The poems in Tablature capture readers with their singular music and their bright and unblinking takes on the quotidian challenges of living a life. These are poems of a highly tuned sensibility matched by a sweetness of language.