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French Individualist Poetry 1686-1760: An Anthology
By Robert Finch, Eugène Joliat. 1971
This anthology has a double aim: to present a body of poetry, none of it easily available, some of it…
never before reproduced, and to point up a particular trend, until now nearly lost sight of in the maze of generalizations about eighteenth-century French poetry. This trend, called individualist, in contradistinction to the academic and universalist trends of the century, has been chosen since it is the least known and most original of the three. The individualist poets are avowed moderns, and their attitude toward poetry and their concept of its nature often anticipate attitudes held by our poets of our own time. There has not been available to this point a sufficiently representative body of poems by these poets, a gap that Professors Finch and Joliat have attempts to fill with their anthology. Readers will find the notes to the poems especially useful, since many of them provide out-of-the-way background material and, as well, offer new insights into the poetry of the individualist poets as a group.Vanity Fair's Writers on Writers
By Graydon Carter, David Friend. 2016
A collection of beloved authors on beloved writers, including Martin Amis on Saul Bellow, Truman Capote on Willa Cather, and…
Salman Rushdie on Christopher Hitchens, as featured in Vanity Fair What did Christopher Hitchens think of Dorothy Parker? How did meeting e.e. cummings change the young Susan Cheever? What does Martin Amis have to say about how Saul Bellow's love life influenced his writing? Vanity Fair has published many of the most interesting writers and thinkers of our time. Collected here for the first time are forty-one essays exploring how writers influence one another and our culture, from James Baldwin to Joan Didion to James Patterson. From the Trade Paperback edition.The First World War in German Narrative Prose
By Charles N. Genno, Heinz Wetzel. 1980
This collection of eight essays in honour of the distinguished Canadian Germanist G.W. Field treats themes in German narrative prose…
of the First World War, the pre-war era, and the earliest of the Weimar Republic. The aim of the book is not to present a comprehensive study of the field, but rather to shed new light on specific problems. The essays are organized in the historical sequence of the events and situations to which they are related. The topics include discussions of the concept of war as presented by Robert Musil in Der Mann hone Eigenschaften; the treatment of war as a catalyst by the Expressionist writers Carl Sternheim and Leonhard Frank; the preservation of values in the face of war as dealt in Hesse's Demian; and an exploration of the effects of war on the individual and social values in the works of Salomo Friedländer and Alfred Döblin. An essay on H.G. Well's Mr. Britling Sees It Through helps to clarify the ways in which the reaction of German writers to the war may be viewed as specifically German by providing an outsider's point of view. The final chapter, a survey of the most recent literature on the topic, shows how much World War I lives on in the minds of German writers as the great turning point in German political and cultural history.Inscribed Power: Amulets and Magic in Early Spanish Literature
By Ryan D. Giles. 2017
In Inscribed Power, Ryan D. Giles explores the function of amuletic prayers, divine names, and incantation formulas that were inscribed…
and printed on parchment, paper and other media, and at the same time inserted into classic literary works in Spain. Giles’ insightful analysis of the intersection between amulets and literary texts offers fresh and original interpretations of well-known texts such as the Poema de mío Cid, the Libro de Alexandre, the Libro de buen amor, Celestina, Lazarillo de Tormes, and the Buscón. Inscribed Power is a fascinating work that highlights specific amuletic texts that were used to heal, protect, or otherwise provide a blessing or curse to discover how their powers could influence fictional lives at different moments in the development of Spanish literature.Paul Claudel's 'Le Soulier de satin': A Stylistic, Structuralist, and Psychoanalytic Interpretation
By Joan S. Freilich. 1973
Claudel's most important work, Le Soulier de satin, has confused and puzzled readers since it first appeared. Joan S. Freilich's…
intensive examination of Claudel's imagery combined stylistic , structuralist, and psychoanalytic analyses. These are new methods that have been developed over the past two decades and are based on an examination of the text from the reader's point of view. This is a radical break with conventional literary studies which examine literature biographically or comparatively, i.e., focusing on the relationship of the text to other works written by the same or different authors, to the author's life and historical setting, or to various linguistic norms. Recent stylistic studies have as their point of departure the reader's perception of certain elements of style as unpredictable, and thus 'marked,' in an otherwise unmarked context; such studies seek to determine which of these 'stylistic devices' are present within a given text and what their effect is on the reader's response to the work. Structuralist analyses involve the identification and description of the basic system of concepts around which the literary text is constructed. This fundamental system, or structure, is the source of the reader's sense that the text is a coherent whole, but it is itself an abstraction and can be perceived only through one or more of the variants through which it is actualized in the text. Finally, the psychoanalytic interpretation of a literary work attempts to elucidate the most fundamental effective concepts conveyed through the text, concepts which evoke corresponding emotional responses in the reader and which, although often unrecognized, are thus responsible for much of his interest in, and appreciation of, the work. Stylistic and structuralist methods have been used together in recent years, but this study of the Soulier de satin represents the first time that psychoanalytic interpretation has been included as part of a stylistic and structuralist analysis in which the focus throughout is on the relationship of the text to the reader and the point of departure is the reader's response to the work. Furthermore, most Claudelian criticism has been vague and general in nature but this work is specific and represents an unusual and unique contribution.The Transformation Process in Joyce's Ulysses
By Elliott B. Gose. 1980
James Joyce gave a life to Ulysses which is still felt today, after the shock of its realism and the…
dislocation of its techniques have been absorbed into the traditions they helped to establish. This study demonstrates the sources of that life, how Joyce's characters go through the conflicts he himself experienced and how Joyce was concerned not only with the grotesque potential of life but also with its comic dimension, attempting to transmit that 'feeling of joy' which he adopted early as his artistic commitment. Joyce's belief in the malleability and resilience of man's physical and spiritual nature attracted him to the transformation process as a technique for fiction and as an expression of his belief that we need to be linked with both our higher and lower natures, that the soul is transformed by its immersion in the life of the body. Integrating the views of Giorgano Bruno and Sigmund Freud into his thought and art, Joyce balanced the grotesque and the comic, the realistic and the idealistic, the psychological and the spiritual. Professor Gose traces in detail the development of the two important transformation processes in which Joyce involved Stephen Dedalus and Leopold Bloom. He also demonstrates Joyce's conception of the artist as necessarily involved in such a process himself. Joyce understood the psychopathology of everyday life; he also came to value and make a central concern of his art mankind's residence in the matrix of the bodily functions. Grotesque physical transformations are an important part of Ulysses. In the Nighttown episode Joyce combined the grotesque with the comic to purge Bloom's emotions, and the reader's. Essential as purging was to Joyce, however, he used it only as a preparation for the joyful affirmation of the last two episodes. Joyce reconciles his reader to the comedy of life by providing a cosmic view of our connection with the stars and our own corpuscles, with an eternal process in which our spirits naturally progress through all the forms of the universe. Elliott Gose offers a brilliant interpretation of this high and humane vision, and the transformation processes through which it is expressed.The Sixth Sense: Individualism in French Poetry, 1686-1760
By Robert Finch. 1966
It has long been the custom to condemn eighteenth-century French poetry outright as generally unworthy of attention. However, in keeping…
with a recent change of attitude towards this vast and diverse body of literature, Professor Finch here undertakes to isolate a certain group of poets, belonging to the first half of the century, who may appropriately be called individualistes and who are in various ways characteristic of a definite and important trend of their time. The authors he has chosen were selected from the larger group of individualists because each provides, in addition to his poems, a complete statement of his own conception of poetry and of that conception which is common to the group as a whole. Since the works treated are comparatively unfamiliar the author has considered them from a historical and an analytical as well as a critical point of view. In addition he has devoted three special chapters to a literary historian (Evrard Titon du Tillet) and to three critical theorists (Jean-Baptiste Dubos, Yves-Marie André, and Charles Batteux) whose contemporary writings, while they may or may not have influenced the poets here examined, support, reflect, or confirm their ideas and practice. Texts of these poets are not easily available and the numerous representative quotations from the poems given in this book will be welcomed by the reader.Ecologues, Epitaphs and Sonnets
By Barnabe Googe, Judith Kennedy. 1989
When at the age of twenty-three Barnabe Googe allowed the publication of his Ecologues, Epitaphs, and Sonnets, he became the…
first English author to publish personal poetry during his lifetime. His ecologues are, with Barclay's, the first examples of the form in English, anticipating in several respects Spenser's Shepheardes Calendar. He was the first writer to introduce into English literature Montemayor's pastoral romance Diana, later an important source for Sidney, Spenser, and Shakespeare. His short lyrics, many of them occasional, provides an image of the society of the time, and have been admired by modern critics as representative of the native plain style. The small volume of 1563 was last edited by Edward Arber in 1871. In this new edition Judith Kennedy offers a modernized text, with introduction, commentary, and textual apparatus. The volume has been designed for students with little knowledge of the period, offering them a readable text and inviting investigation into other aspects of the period and the ways in which it relates to later Elizabethan literature. For scholars, the textual appendix provides the necessary assurances of the reliability of the text; the network of literary and personal associations explored in the introduction and notes will also be of considerable interest.Translating Heidegger
By Miles Groth. 2017
Despite Martin Heidegger’s influence on twentieth-century philosophy, understanding his way of thinking is difficult if one relies solely on the…
English translations of his work. Since Gilbert Ryle misjudged his work in a 1929 review of Sein und Zeit, Heidegger’s philosophy has remained an enigma to many scholars who cannot read the original German texts. In Translating Heidegger, Groth points to mistranslations as the root cause of misunderstanding Heidegger. Translators have not achieved clarity regarding Heidegger’s fundamental words, an understanding of which is crucial to gaining access to his thought. Having been mistranslated from the ancient Greek into Latin and then into modern European languages, Heidegger’s philosophies have largely been obscured for two millennia. In this unique study, Groth examines the history of the first English translations of Heidegger’s works and reveals the elements of Heidegger’s philosophy of translation, showing it at work in Heidegger’s radical translation of Parmenides, Fragment VI.Literary / Liberal Entanglements: Toward a Literary History for the Twenty-First Century
By Corrinne Harol, Mark Simpson. 2017
In Literary/Liberal Entanglements, Corrinne Harol and Mark Simpson bring together ten essays by scholars from a wide range of fields…
in English studies in order to interrogate the complex, entangled relationship between the history of literature and the history of liberalism. The volume has three goals: to investigate important episodes in the entanglement of literary history and liberalism; to analyze the impact of this entanglement on the secular and democratic projects of modernity; and thereby to reassess the dynamics of our neoliberal present. The volume is organized into a series of paired essays, with each pair investigating a concept central to both literature and liberalism: acting, socializing, discriminating, recounting, and culturing. Collectively, the essays demonstrate the vivid capacity of literary study writ large to reckon with, imagine, and materialize durative accounts of history and politics. Literary/Liberal Entanglements models a method of literary history for the twenty-first century.The Rhetoric of Valéry's Prose Aubades
By Ursula R. Franklin. 1979
While Paul Valéry's lyric poetry, as well as his dialogues, dramatic work, and critical prose, have preoccupied his critics, his…
prose poems have been virtually ignored and his position in the tradition of the genre has remained unacknowledged. This study demonstrates the significance of Valéry as a prose poet and of the form and its evolution in the poet's oeuvre. The close textual reading and analysis concentrate on Valéry's prose aubades – the prose poems, poetic prose fragments, and sequences celebrating the emergence of the self and its world at dawn. The theme of dawn pervades Valéry's poetry from the opening chord of Charmes to those Notebooks which he kept from almost half a century and which are the source of so much of his poetry. This book shows how the moment and theme of dawn have also inspired the greater part of Valéry's prose poems and poetic prose fragments. Critics have begun to show interest in the break-up of traditional genres and in the emergence of the fragment as a new literary form. But Valéry's position in this development has so far escaped critical inquiry, as have his prose poems in general. Professor Franklin redresses the balance with rigor, poise, and elegance. She shows how Valéry's artistic progression from the traditional prose poem to the fragment, the evolution of the recueil to the sequence, represents a development very similar to that manifests in another new prose form, the new nouveau roman. It is a brilliant analysis of a neglected aspect of Valéry's work and a thoughtful interpretation of Valéry's thought and poetics as a whole.The Letters of Vincent van Gogh: A Critical Study
By Patrick Grant. 2014
When he died at the age of thirty-seven, Vincent van Gogh left a legacy of over two thousand artworks, for…
which he is now justly famous. But van Gogh was also a prodigious writer of letters—more than eight hundred of them, addressed to his parents, to friends such as Paul Gauguin, and, above all, to his brother Theo. His letters have long been admired for their exceptional literary quality, and art historians have sometimes drawn on the letters in their analysis of the paintings. And yet, to date, no one has undertaken a critical assessment of this remarkable body of writing—not as a footnote to the paintings but as a highly sophisticated literary achievement in its own right. Patrick Grant’s long-awaited study provides such an assessment and, as such, redresses a significant omission in the field of van Gogh studies. As Grant demonstrates, quite apart from furnishing a highly revealing self-portrait of their author, the letters are compelling for their imaginative and expressive power, as well as for the perceptive commentary they offer on universal human themes. Through a subtle exploration of van Gogh’s contrastive style of thinking and his fascination with the notion of imperfection, Grant illuminates gradual shifts in van Gogh’s ideas on religion, ethics, and the meaning of art. He also analyzes the metaphorical significance of a number of key images in the letters, which prove to yield unexpected psychological and conceptual connections, and probes the relationships that surface when the letters are viewed as a cohesive literary product. The result is a wealth of new insights into van Gogh’s inner landscape.The Undiscovered Country: Essays in Canadian Intellectual Culture
By Ian Angus. 2013
In this sequence of essays, Ian Angus engages with themes of identity, power, and the nation as they emerge in…
contemporary English Canadian philosophical thought, seeking to prepare the groundwork for a critical theory of neoliberal globalization. The essays are organized into three parts. The opening part offers a nuanced critique of the Hegelian confidence and progressivism that has come to dominate Canadian intellectual life. Through an analysis of the work of several prominent Canadian thinkers, among them Charles Taylor and C. B. Macpherson, Angus suggests that Hegelian frames of reference are inadequate, failing as they do to accommodate the fact of English Canada’s continuing indebtedness to empire. The second part focuses on national identity and political culture, including the role of Canadian studies as a discipline, adapting its critical method to Canadian political culture. The first two parts culminate in the positive articulation, in Part 3, of author’s own conception, one that is at once more utopian and more tragic than that of the first two parts. Here, Angus develops the concept of locative thought—the thinking of a people who have undergone dispossession, “of a people seeking its place and therefore of a people that has not yet found its place.”Goodlands: A Meditation and History on the Great Plains
By Frances W Kaye. 2011
Amer-European settlement of the Great Plains transformed bountiful Native soil into pasture and cropland, distorting the prairie ecosystem as it…
was understood and used by the peoples who originally populated the land. Settlers justified this transformation with the unexamined premise of deficiency, according to which the Great Plains region was inadequate in flora and fauna and the region lacking in modern civilization. Drawing on history, sociology, art, and economic theory, Frances W. Kaye counters the argument of deficiency, pointing out that, in its original ecological state, no region can possibly be incomplete. Goodlands examines the settlers' misguided theory, discussing the ideas that shaped its implementation, the forces that resisted it, and Indigenous ideologies about what it meant to make good use of the land. By suggesting methods for redeveloping the Great Plains that are founded on native cultural values, Goodlands serves the region in the context of a changing globe.Wild Words: Essays on Alberta Literature
By Donna Coates, George Melnyk. 2009
As the first collection of literary criticism focusing on Alberta writers, Wild Words establishes a basis for identifying Alberta fiction,…
poetry, drama, and nonfiction as valid subjects of study in their own right. By critically situating and assessing specific Alberta authors according to genre, this volume continues the work begun with Melnyk's Literary History of Alberta.Patience and Fortitude
By Scott Sherman. 2015
A riveting investigation of a beloved library caught in the crosshairs of real estate, power, and the people's interests--by the…
reporter who broke the story In a series of cover stories for The Nation magazine, journalist Scott Sherman uncovered the ways in which Wall Street logic almost took down one of New York City's most beloved and iconic institutions: the New York Public Library. In the years preceding the 2008 financial crisis, the library's leaders forged an audacious plan to sell off multiple branch libraries, mutilate a historic building, and send millions of books to a storage facility in New Jersey. Scholars, researchers, and readers would be out of luck, but real estate developers and New York's Mayor Bloomberg would get what they wanted. But when the story broke, the people fought back, as famous writers, professors, and citizens' groups came together to defend a national treasure. Rich with revealing interviews with key figures, Patience and Fortitude is at once a hugely readable history of the library's secret plans, and a stirring account of a rare triumph against the forces of money and power.From the Hardcover edition.Microdramas: Crucibles for Theater and Time
By John H. Muse. 2017
In Microdramas, John H. Muse argues that plays shorter than twenty minutes deserve sustained attention, and that brevity should be…
considered a distinct mode of theatrical practice. Focusing on artists for whom brevity became both a structural principle and a tool to investigate theater itself (August Strindberg, Maurice Maeterlinck, F. T. Marinetti, Samuel Beckett, Suzan-Lori Parks, and Caryl Churchill), the book explores four episodes in the history of very short theater, all characterized by the self-conscious embrace of brevity. The story moves from the birth of the modernist microdrama in French little theaters in the 1880s, to the explicit worship of speed in Italian Futurist synthetic theater, to Samuel Beckett’s often-misunderstood short plays, and finally to a range of contemporary playwrights whose long compilations of shorts offer a new take on momentary theater. Subjecting short plays to extended scrutiny upends assumptions about brief or minimal art, and about theatrical experience. The book shows that short performances often demand greater attention from audiences than plays that unfold more predictably. Microdramas put pressure on preconceptions about which aspects of theater might be fundamental and about what might qualify as an event. In the process, they suggest answers to crucial questions about time, spectatorship, and significance.Pivotal Voices, Era of Transition: Toward a 21st Century Poetics
By Rigoberto Gonzalez. 2017
Pivotal Voices, Era of Transition gathers Rigoberto González’s most important essays and book reviews, many of which consider the work…
of emerging poets whose identities and political positions are transforming what readers expect from contemporary poetry. A number of these voices represent intersectional communities, such as queer writers of color like Natalie Díaz, Danez Smith, Ocean Vuong, and Eduardo C. Corral, and many writers, such as Carmen Giménez Smith and David Tomás Martínez, have deep connections to their Latino communities. Collectively, these writers are enriching American poetry to reflect a more diverse, panoramic, and socially conscious literary landscape. Also featured are essays on the poets’ literary ancestors—including Juan Felipe Herrera, Alurista, and Francisco X. Alarcón—and speeches that address the need to leverage poetry as agency. This book fills a glaring gap in existing poetry scholarship by focusing exclusively on writers of color, and particularly on Latino poetry. González makes important observations about the relevance, urgency, and exquisite craft of the work coming from writers who represent marginalized communities. His insightful connections between the Latino, African American, Asian American, and Native American literatures persuasively position them as a collective movement critiquing, challenging, and reorienting the direction of American poetry with their nuanced and politicized verse. González’s inclusive vision covers a wide landscape of writers, opening literary doors for sexual and ethnic minorities.The Year’s Work in the Punk Bookshelf, Or, Lusty Scripts
By Brian James Schill. 2017
This is the story of the books punks read and why they read them. The Year’s Work in the Punk…
Bookshelf challenges the stereotype that punk rock is a bastion of violent, drug-addicted, uneducated drop outs. Brian James Schill explores how, for decades, punk and postpunk subculture has absorbed, debated, and reintroduced into popular culture, philosophy, classic literature, poetry, and avant-garde theatre. Connecting punk to not only Hegel, Nietzsche, and Freud, but Dostoevsky, Rimbaud, Henry Miller, Kafka, and Philip K. Dick, this work documents and interprets the subculture’s literary history. In detailing the punk bookshelf, Schill contends that punk’s literary and intellectual interests can be traced to the sense of shame (whether physical, socioeconomic, cultural, or sexual) its advocates feel in the face of a shameless market economy that not only preoccupied many of punks’ favorite writers but generated the entire punk polemic.Cuentos
By Charles Perrault.
Un gato que se las trae; Pulgarcito, un niño tan pequeño como valeroso; una Caperucita Roja que se deja engañar…
ingenuamente; la hermosa Cenicienta y sus envidiosas hermanastras... son los principales personajes cuyas aventuras y desventuras se narran en estos cuentos inmortales.