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Novel Judgements: Legal Theory as Fiction
By William P. MacNeil. 2012
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Legal storiesHistory, Laws and statutes, Anthologies, Criticism
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Novel Judgements is a book about nineteenth century Anglo-American law and literature. But by redefining law as legal theory, Novel…
judgements departs from ‘socio-legal’ studies of law and literature, often dated in their focus on past lawyering and court processes. This texts ‘theoretical turn’ renders the period’s ‘law-and-literature’ relevant to today’s readers because the nineteenth century novel, when "read jurisprudentially", abounds in representations of law’s controlling concepts, many of which are still with us today. Rights, justice, law’s morality; each are encoded novelistically in stock devices such as the country house, friendship, love, courtship and marriage. In so rendering the public (law) as private (domesticity), these novels expose for legal and literary scholars alike the ways in which law comes to mediate all relationships—individual and collective, personal and political—during the nineteenth century, a period as much under the Rule of Law as the reign of Capital. So these novels pass judgement—a novel judgement—on the extent to which the nineteenth century’s idea of law is collusive with that era’s Capital, thereby opening up the possibility of a new legal theoretical position: that of a critique of the law and a law of critique.What's Left of Me is Yours
By Stephanie Scott. 2020
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General fiction, Multi-cultural fiction, Family stories, Legal stories, Serious and literary fiction, RomanceArts and entertainment, Food and drink, Death and bereavement, Family and relationships, General non-fiction, Laws and statutes, Anthologies, Asian travel and geography, True crime
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A BOOK OF THE YEAR FOR THE DAILY MAIL AND WOMAN AND HOMEA New York Times 'Editor's Pick'One of the…
Observer's Ten Best Debut Novelists of 2020Shortlisted for the Author's Club First Novel AwardLonglisted for the Jhalak PrizeLonglisted for the CWA John Creasy New Blood Dagger'Enrapturing... This richly imagined novel considers the many permutations of love and what we are capable of doing in its name' New York Times'A brilliant debut' Louise Doughty, author of Apple Tree Yard'You'll have the heart rate of an Olympic hurdler' Sunday Express'I read it with my heart in my throat' Sara Collins, author of The Confessions of Frannie Langton 'An exquisitely crafted masterpiece you'll be pressing into the hands of others' Woman & Home 'An intoxicatingly atmospheric mystery' Daily Mail'Dark, addictive and eye-opening, this is a brilliant debut' StylistA gripping debut set in modern-day Tokyo and inspired by a true crime, What's Left of Me Is Yours follows a young woman's search for the truth about her mother's life - and her murder.In Japan, a covert industry has grown up around the wakaresaseya (literally "breaker-upper"), a person hired by one spouse to seduce the other in order to gain the advantage in divorce proceedings.When Sato hires Kaitaro, a wakaresaseya agent, to have an affair with his wife, Rina, he assumes it will be an easy case. But Sato has never truly understood Rina or her desires and Kaitaro's job is to do exactly that - until he does it too well.While Rina remains ignorant of the circumstances that brought them together, she and Kaitaro fall in a desperate, singular love, setting in motion a series of violent acts that will forever haunt her daughter Sumiko's life.Told from alternating points of view and across the breathtaking landscapes of Japan, What's Left of Me Is Yours explores the thorny psychological and moral grounds of the actions we take in the name of love, asking where we draw the line between passion and possession.Novel Judgements: Legal Theory as Fiction
By William P. MacNeil. 2012
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Legal storiesHistory, Laws and statutes, Anthologies, Criticism
Synthetic audio, Automated braille
Novel Judgements is a book about nineteenth century Anglo-American law and literature. But by redefining law as legal theory, Novel…
judgements departs from ‘socio-legal’ studies of law and literature, often dated in their focus on past lawyering and court processes. This texts ‘theoretical turn’ renders the period’s ‘law-and-literature’ relevant to today’s readers because the nineteenth century novel, when "read jurisprudentially", abounds in representations of law’s controlling concepts, many of which are still with us today. Rights, justice, law’s morality; each are encoded novelistically in stock devices such as the country house, friendship, love, courtship and marriage. In so rendering the public (law) as private (domesticity), these novels expose for legal and literary scholars alike the ways in which law comes to mediate all relationships—individual and collective, personal and political—during the nineteenth century, a period as much under the Rule of Law as the reign of Capital. So these novels pass judgement—a novel judgement—on the extent to which the nineteenth century’s idea of law is collusive with that era’s Capital, thereby opening up the possibility of a new legal theoretical position: that of a critique of the law and a law of critique.