Service Alert
Website maintenance April 24 10pm ET
On Wednesday April 24 at 10pm ET the CELA website will be unavailable for about 15 minutes for planned maintenance.
On Wednesday April 24 at 10pm ET the CELA website will be unavailable for about 15 minutes for planned maintenance.
Showing 1 - 20 of 71 items
By Tomi Ungerer. 2002
"Tomi Ungerer est Alsacien, comme vous-mêmes êtes Breton, Parisien, Basque, Ch'timi ou Berrichon. Ça paraît simple, et pourtant c'est très…
compliqué. Car après la guerre de 1870, l'Alsace a été annexée par l'Allemagne. Après la victoire de 1918, elle est redevenue française. Mais suite à la débâcle de 1940, elle est redevenue allemande. Et en 1945, française à nouveau. Tomi a huit ans quand la Seconde Guerre mondiale éclate. Du jour au lendemain, il doit changer de nom, parler allemand, écrire en gothique, faire un dessin raciste pour son premier devoir nazi. Il obéit, il s'adapte. Il devient un caméléon : Français sous son toit, Allemand à l'école, Alsacien avec les copains. Heureux, quoi qu'il arrive. À la maison, sa mère, fantasque, chaleureuse et rusée, veille. Elle l'encourage à dessiner et à écrire, à rire et à faire rire, à déployer tous ses talents. Toute sa vie, elle a conservé les cahiers, les croquis, les devoirs, le journal intime de son fils, les affiches de l'époque. Ce sont ces archives incomparables qui ponctuent et réveillent les souvenirs de guerre de Tomi Ungerer. " -- 4e de couvBy Heather Morris. 2020
Sous un ciel de plomb, des prisonniers défilent à l'entrée du camp dAuschwitz. Bientôt, ils ne seront plus que des…
numéros tatoués sur le bras. C'est Lale, un déporté, qui est chargé de cette sinistre tâche. Il travaille le regard rivé au sol pour éviter de voir la douleur dans les yeux de ceux qu'il marque à jamais. Un jour, pourtant, il lève les yeux sur Gita et la jeune femme devient sa lumière dans ce monde d'une noirceur infinie. Ils savent d'emblée qu'ils sont faits l'un pour l'autre. Mais dans cette prison où l'on se bat pour un morceau de pain et pour sauver sa vie, il n'y a pas de place pour l'amour. Ils doivent se contenter de minuscules moments de joie, qui leur font oublier le cauchemar du quotidien. Mais Lale a fait une promesse : un jour, ils seront libres, deux jeunes gens heureux de vivre ensemble. Deux personnes plus fortes que l'horreur du mondeBy Joseph Roth, Michael Hofmann. 2015
In 64 short essays written between 1919 and 1939, author and journalist Joseph Roth evokes life between the wars in…
his travels through hotels from Germany and Austria to Albania and the Soviet Union. UnratedBy Stephen Crane, J. C. Levenson. 1996
More than one hundred works of the nineteenth-century author and reporter Stephen Crane (1871-1900). Includes five novellas; dispatches from Asbury…
Park, New Jersey, and New York state; war reports from Greece during the Greco-Turkish wars and from Cuba during the Spanish-American War; and poetry. 1984By Charles Bukowski. 2015
Collection of previously unpublished correspondence by the author of Pulp (DB 40326) and The Pleasures of the Damned (DB 66380),…
discussing the art of creation with publishers, editors, friends, and peers. Shares the joys and tribulations of not only writing, but writing for publication. 2015By Aranka Siegal. 2003
Author recounts her experiences as a young Jewish girl during Hitler's rise to power. Recalls being trapped in Ukraine while…
visiting her grandmother, returning to her family in Hungary, and being forcibly moved to an Auschwitz ghetto. Describes the many wartime restrictions. For grades 6-9. Newbery Honor Book. 1981By Victoria Hanley. 2008
Presents creative-writing tips and exercises, from freewriting to understanding the elements of fiction. Provides examples for character development, motivation, and…
perspective. Assesses difficult aspects of writing fiction, such as creating the setting and mood, and infusing your style and voice into the story. For junior and senior high readers. 2008Writing coach offers a humorous four-week guide to penning a first draft, from creating a realistic schedule and developing plot,…
setting, and characters to polishing the manuscript into publication-worthy form. Includes do's and don'ts, encouraging anecdotes, and creativity exercises. 2004By Petie Kladstrup. 2002
Les vignobles faisaient partie des grandes richesses de la France et furent d'abondance pillées par les troupes allemandes d'occupation. L'ouvrage…
raconte comment les vignerons tentèrent de protéger leurs trésors des convoitises nazies. Élaboré à partir de nombreux témoignages, le récit d'épisodes dramatiques dans l'histoire du vin et de sa production. [SDMBy Maurice Rajsfus. 2002
Un récit en deux temps: le port obligatoire de l'étoile jaune, imposé en 1942 aux Juifs de la zone occupée…
par la Gestapo mais appliqué par les policiers français; l'arrestation de l'auteur et de sa famille et leur déportation à AuschwitzBy Donald Margulies. 1998
In Collected Stories, playwright Donald Margulies explores the vexed emotional and legal question of a writer's right to create art…
from the biographical material of another person's life--particularly when that other person is also a writer. Meditating upon the recent, real-life conflict between poet Stephen Spender and novelist David Leavitt, Margulies has created two of the most vivid and moving fictional characters of his career: Ruth Steiner, an aging, highly regarded author who never wrote about her youthful affair with real-life poet Delmore Schwartz, and Debra Messing, a student of Steiner's who, after publishing a much-praised first short-story collection under Steiner's direction, follows up with a novel that draws upon the Schwartz affair.By Maria Jolas, Nathalie Sarraute. 1963
Nathalie Sarraute's stunning debut--vignettes of "inner movements"--foreshadowed the rise of the nouveau roman. Hailed as a masterpiece by Jean Genet,…
Marguerite Duras, and Jean-Paul Sartre, Tropisms is considered one of the defining texts of the nouveau roman movement. Nathalie Sarraute has defined her work as the "movements that are hidden under the commonplace, harmless instances of our everyday lives." Like figures in a grainy photograph, Sarraute's characters are blurred and shadowy, while her narrative never develops beyond a stressed moment. Instead, Sarraute brilliantly finds and elaborates subtle details--when a relationship changes, when we fall slightly deeper into love, or when something innocent tilts to the smallest degree toward suspicion.By Jacques Chessex, Donald Wilson. 1973
Praise for A Jew Must Die:"Chessex, our new Flaubert, has no equal when describing horror without flinching, screaming sotto voce…
and exploring guilt in taut prose."--Le Nouvel Observateur"A masterpiece. Beauty of the world, ubiquity of evil, God's silence, it's all there, delivered like a slap to the face."--Le Point"A great author explores a nightmare not as anachronistic as it might appear."--L'HebdoA novel based on a true story.On April 16, 1942, a handful of Swiss Nazis in Payerne lure Arthur Bloch, a Jewish cattle merchant, into an empty stable and kill him with a crowbar. Europe is in flames, but this is Switzerland, and Payerne, a rural market town of butchers and bankers, is more worried about unemployment and local bankruptcies than the fate of nations across the border. Fernand Ischi, leader of the local Nazi cell, blames it all on the town's Jewish population and wants to set an example, thinking the German embassy would be grateful. Ischi's dream of becoming the local gauleiter is shattered, however, when the milk containers used to dissimulate Bloch's body parts is discovered floating in a lake nearby, leading to his arrest.Jacques Chessex, winner of the prestigious Prix Goncourt, is one of Switzerland's greatest authors. He knew the murderers, went to school with their children, and has written a terse, implacable story that has awakened memories in a country that seems to endlessly rediscover dark areas of its past.By Laura Marris, Christophe Boltanski. 2017
In Paris’s exclusive Saint-Germain neighborhood is a mansion. In that mansion lives a family. Deep in that mansion. The Bolts…
are that family, and they have secrets. The Safe House tells their story. When the Nazis came, Étienne Boltanski divorced his wife and walked out the front door, never to be seen again during the war. So far as the outside world knew, the Jewish doctor had fled. The truth was that he had sneaked back to hide in a secret crawl space at the heart of the house. There he lived for the duration of the war. With the Liberation, Étienne finally emerged, but he and his family were changed forever—anxious, reclusive, yet proudly eccentric. Their lives were spent, amid Bohemian disarray and lingering wartime fears, in the mansion’s recesses or packed comically into the protective cocoon of a Fiat. That house (and its vehicular appendage) are at the heart of Christophe Boltanski’s ingeniously structured, lightly fictionalized account of his grandparents and their extended family. The novel unfolds room by room—each chapter opening with a floorplan— introducing us to the characters who occupy each room, including the narrator’s grandmother--a woman of “savage appetites”--and his uncle Christian, whose haunted artworks would one day make him famous. “The house was a palace,” Boltanski writes, “and they lived like hobos.” Rejecting convention as they’d rejected the outside world, the family never celebrated birthdays, or even marked the passage of time, living instead in permanent stasis, ever more closely bonded to the house itself. The Safe House was a literary sensation when published in France in 2015 and won the Prix de Prix, France’s most prestigious book prize. With hints of Oulipian playfulness and an atmosphere of dark humor, The Safe House is an unforgettable portrait of a self-imprisoned family.By Laura Marris, Christophe Boltanski. 2017
In Paris’s exclusive Saint-Germain neighborhood is a mansion. In that mansion lives a family. Deep in that mansion. The Bolts…
are that family, and they have secrets. The Safe House tells their story. When the Nazis came, Étienne Boltanski divorced his wife and walked out the front door, never to be seen again during the war. So far as the outside world knew, the Jewish doctor had fled. The truth was that he had sneaked back to hide in a secret crawl space at the heart of the house. There he lived for the duration of the war. With the Liberation, Étienne finally emerged, but he and his family were changed forever—anxious, reclusive, yet proudly eccentric. Their lives were spent, amid Bohemian disarray and lingering wartime fears, in the mansion’s recesses or packed comically into the protective cocoon of a Fiat. That house (and its vehicular appendage) are at the heart of Christophe Boltanski’s ingeniously structured, lightly fictionalized account of his grandparents and their extended family. The novel unfolds room by room—each chapter opening with a floorplan— introducing us to the characters who occupy each room, including the narrator’s grandmother--a woman of “savage appetites”--and his uncle Christian, whose haunted artworks would one day make him famous. “The house was a palace,” Boltanski writes, “and they lived like hobos.” Rejecting convention as they’d rejected the outside world, the family never celebrated birthdays, or even marked the passage of time, living instead in permanent stasis, ever more closely bonded to the house itself. The Safe House was a literary sensation when published in France in 2015 and won the Prix de Prix, France’s most prestigious book prize. With hints of Oulipian playfulness and an atmosphere of dark humor, The Safe House is an unforgettable portrait of a self-imprisoned family.By Peter Turchi. 2004
In Maps of the Imagination, Peter Turchi posits the idea that maps help people understand where they are in the…
world in the same way that literature, whether realistic or experimental, attempts to explain human realities. The author explores how writers and cartographers use many of the same devices for plotting and executing their work, making crucial decisions about what to include and what to leave out, in order to get from here to there, without excess baggage or a confusing surplus of information. Turchi traces the history of maps, from their initial decorative and religious purposes to their later instructional applications. He describes how maps rely on projections in order to portray a three-dimensional world on the two-dimensional flat surface of paper, which he then relates to what writers do in projecting a literary work from the imagination onto the page.By Riyukta Raghunath. 2020
This book offers a comprehensive Possible Worlds framework with which to analyse counterfactual historical fiction. Counterfactual historical fiction is a literary…
genre that comprises narratives set in worlds whose histories run contrary to the history of our world, usually speculating on what would have happened had a significant historical event (such as a war) turned out differently. The author develops a systematic critical approach based on a customised model of Possible Worlds Theory supplemented by cognitive concepts that account for the different processes that readers go through when they read counterfactual historical fiction, a genre which relies heavily on pre-existing knowledge about history and culture. This book will be of interest to anyone working with Possible Worlds, including within the fields of philosophy, literary studies, stylistics, cognitive poetics, and narratology.By Josh Neufeld, Brooke Gladstone. 2021
New York Times Bestseller With a New Afterword “A comic book with zest and brains—one that just might help a…
reader understand the brave new world.” —The New Yorker A million listeners trust NPR’s Brooke Gladstone to guide them through the complexities of the modern media. Bursting onto the page in vivid comics by acclaimed artist Josh Neufeld, this brilliant radio personality guides us through two millennia of media history, debunking the notion that “The Media” is an external force beyond our control and equipping us to be savvy consumers and shapers of the news. An invaluable introduction to how the media works from one of the acknowledged masters of the industry, this tenth anniversary edition brings the story up to date, with new illustrations and an afterword that offers a deep examination of the rise of social media and the public’s responsibility in a time of division and disinformation.By Guillermo Cabrera Infante. 1995
Dos libros experimentales reunidos en un volumen en el que brilla el inigualable talento lúdico de Guillermo Cabrera Infante En…
este volumen conviven dos libros próximos en el tiempo de Guillermo Cabrera Infante: la colección de artículos y ensayos O, publicada originalmente en 1975, y el libro de piezas experimentales Exorcismos de esti(l)o, aparecido en 1976. En el primero, el autor despliega su peculiar ingenio creador, en ocasiones satírico y burlón, para describir facetas de su cotidianidad y de la vida contemporánea, haciendo referencia a protagonistas tan diversos como su inigualable gato Offenbach y los miembros de la policía secreta. En Exorcismos, una colección repleta de saber clásico y sarcásticas investigaciones literarias, brilla el talento lúdico del Cabrera Infante, así como su obsesión por las sorpresas del lenguaje, plasmada en una serie de retruécanos, juegos de palabras multilingües e ingeniosas manipulaciones tipográficas que evocan a e.e. cummings y al OuLiPo. La crítica ha dicho:«Guillermo Cabrera Infante era un grandísimo escritor.»Mario Vargas Llosa «Uno de los mayores y mejores renovadores de la prosa en castellano, un clásico de vanguardia.»Fernando Savater «Su talento verbal era extraordinario, tanto de viva voz como por escrito, aunque esto último lo sepa cualquiera que haya leído sus libros.»Javier Marías «Cabrera Infante trajo al sector desarraigado a la fuerza de Cuba las virtudes de la parodia, la sátira y el humor.»José Miguel Oviedo, Letras LibresBy Ida Simons. 2014
It is the middle of the roaring twenties, and Gittel is living The Hague with her parents, whose blazing rows…
are the traditional preserve of Sundays and public holidays. What luck, then, that Gittel is Jewish, and must submit to "the double helping of public holidays that is the lot of Jewish families".After every matrimonial slanging match, Gittel's mother runs off to her parents' home in Antwerp - with her daugher in tow. Much to her delight, Gittel makes the acquaintance of the well-to-do Mardell family, who allow her to practise on their Steinway. Gittel feels that she is taken seriously by Mr Mardell, the head of the household, and by thirty-year-old Lucie, whom she adores. When these friendships turn out to be nothing but an illusion, Gittel learns her first lessons about trust and betrayal. Her second comes soon after, when her father, whose talents for business leave much to be desired, attempts to make a quick killing in Berlin on the eve of the Wall Street Crash.Though this intimate portrayal of familial strife is set in the shadow of the Holocaust, Simons says little about the horror that awaits her characters, yet she succeeds in giving the reader the sense that the novel is about more than a young girl's loss of innocence. In a fluid, almost casual style, she has written a masterly and timeless ode to a relatively carefree interlude in a dark and dramatic period.Translated from the Dutch by Liz Waters