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Goodbye, My Havana: The Life and Times of a Gringa in Revolutionary Cuba
By Anna Veltfort. 2019
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LGBTQ+ fictionBiography, History
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An eyewitness account of idealism, self-discovery, and loss under one of the twentieth-century's most repressive political regimes Set against a…
backdrop of world-changing events during the headiest years of the Cuban Revolution, Goodbye, My Havana follows young Connie Veltfort as her once relatively privileged life among a community of anti-imperialist expatriates turns to progressive disillusionment and heartbreak. The consolidation of Castro's position brings violence, cruelty, and betrayal to Connie's doorstep. And the crackdown that ultimately forces her family and others to flee for their lives includes homosexuals among its targets—Connie's coming-of-age story is one also about the dangers of coming out. Looking back with a mixture of hardheaded clarity and tenderness at her alter ego and a forgotten era, with this gripping graphic memoir Anna Veltfort takes leave of the past even as she brings neglected moments of the Cold War into the present.Novel Judgements: Legal Theory as Fiction
By William P. MacNeil. 2012
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Legal storiesHistory, Laws and statutes, Anthologies, Criticism
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Novel Judgements is a book about nineteenth century Anglo-American law and literature. But by redefining law as legal theory, Novel…
judgements departs from ‘socio-legal’ studies of law and literature, often dated in their focus on past lawyering and court processes. This texts ‘theoretical turn’ renders the period’s ‘law-and-literature’ relevant to today’s readers because the nineteenth century novel, when "read jurisprudentially", abounds in representations of law’s controlling concepts, many of which are still with us today. Rights, justice, law’s morality; each are encoded novelistically in stock devices such as the country house, friendship, love, courtship and marriage. In so rendering the public (law) as private (domesticity), these novels expose for legal and literary scholars alike the ways in which law comes to mediate all relationships—individual and collective, personal and political—during the nineteenth century, a period as much under the Rule of Law as the reign of Capital. So these novels pass judgement—a novel judgement—on the extent to which the nineteenth century’s idea of law is collusive with that era’s Capital, thereby opening up the possibility of a new legal theoretical position: that of a critique of the law and a law of critique.Repentance
By Eloísa Díaz. 2021
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General fiction, Mysteries and crime stories, Family stories, Multi-cultural fiction, LGBTQ+ fiction, Serious and literary fiction, Police procedural fiction, Suspense and thrillersFood and drink, Family and relationships, Death and bereavement, General non-fiction, History, Politics and government, Travel and geography
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A FINANCIAL TIMES 'SUMMER BOOKS OF 2021' PICK'An accomplished, inventive detective novel thrumming with tension and family secrets' Sanaë Lemoine,…
author of The Margot Affair'An astonishingly assured first novel, both funny and moving'The Times Crime Club'Very impressive... Repentance is an evocative crime thriller with a likeable, self-aware protagonist, but also skilfully explores the darkest period in Argentina's modern history'Financial Times'A powerful crime novel ... Opening old historical wounds that still strongly affect Argentinian society, this is a tale with many layers, many of them painful to evoke and a strong depiction of a country and a period that still simmers between the pages of history books and the crime novel is a perfect way of lancing the boil. Recommended'Maxim Jakubowski, Crime Time BUENOS AIRES, 1981.Argentina is in the grip of a brutal military dictatorship.Inspector Joaquín Alzada's work in the Buenos Aires police force exposes him to the many realities of life under a repressive regime: desperate people, terrified people and - worst of all - missing people.Personally, he prefers to stay out of politics, enjoying a simple life with his wife Paula. But when his revolutionary brother Jorge is disappeared, Alzada will stop at nothing to rescue him.TWENTY YEARS LATER...The country is in the midst of yet another devastating economic crisis and riots are building in the streets of Buenos Aires. This time Alzada is determined to keep his head down and wait patiently for his retirement. But when a dead body lands in a skip behind the morgue and a woman from one of the city's wealthiest families goes missing, Alzada is forced to confront his own involvement in one of the darkest periods in Argentinian history - a time ofcollective horror and personal tragedy.Alternating between two key moments in the life of a man and his country, Repentance is a noir with a difference, featuring an unforgettable character on a quest to solve a case that offers both a painful reminder of all he has lost and a last chance at redemption.Novel Judgements: Legal Theory as Fiction
By William P. MacNeil. 2012
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Legal storiesHistory, Laws and statutes, Anthologies, Criticism
Synthetic audio, Automated braille
Novel Judgements is a book about nineteenth century Anglo-American law and literature. But by redefining law as legal theory, Novel…
judgements departs from ‘socio-legal’ studies of law and literature, often dated in their focus on past lawyering and court processes. This texts ‘theoretical turn’ renders the period’s ‘law-and-literature’ relevant to today’s readers because the nineteenth century novel, when "read jurisprudentially", abounds in representations of law’s controlling concepts, many of which are still with us today. Rights, justice, law’s morality; each are encoded novelistically in stock devices such as the country house, friendship, love, courtship and marriage. In so rendering the public (law) as private (domesticity), these novels expose for legal and literary scholars alike the ways in which law comes to mediate all relationships—individual and collective, personal and political—during the nineteenth century, a period as much under the Rule of Law as the reign of Capital. So these novels pass judgement—a novel judgement—on the extent to which the nineteenth century’s idea of law is collusive with that era’s Capital, thereby opening up the possibility of a new legal theoretical position: that of a critique of the law and a law of critique.