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Showing 1 - 15 of 15 items
By Joan Mari Irigoien Aranberri. 2013
?Hamzak, beraz, leherketa hura zuen jada buruan: izango ez zuen, bada, puntuari begira zegoela musika hura etorri bazitzaion, bamm bamm-bamm?…
musika hura, bai, gorputzean ere sentitzen zuena, bere gorputza zuhaitz bat balitz bezala, zainak adartzat zituena eta bere bihotz hura fruitutzat; bihotz hura, soka bakarreko lautak bezala, bamm-bamm-bamm egiten zuena, sistoleak eta diastoleak bat eginik; musika hura, segundo gutiren buruan erabateko bakera eraman zuena: BAMMM!? Hari bi nobela bakar berean: batetik, Bereibarko familia bat (Gipuzkoa eta Bizkaia arteko alegiazko herria) bizibidez eskopeta-lantegi bat daukana; bestetik, Balad al Xams-eko (Ekialde Hurbileko balizko herrialdea) beste familia bat, gerra ahaztu baten ondorioak nozitu beharko dituena; modu paraleloan kontatzen zaizkigu batzuen nahiz besteen pozak eta nekeak, eguneroko kontu xeheak eta Historia markatzen duten gertakari handiak, XX. mendeko bigarren erdian hasi eta gaur arte. Hari biek, halabeharrez, bat egiten duten arte. Ez da ohikoa arma trafikoa gaitzat hartzea eleberri batean; irakurlearen gogo-bihotzak inarrosteko asmo osoz egin du Joan Mari Irigoienek, eta helburu horri begira erabili bere artearen tresna guztiak. Hiru ezaugarriok nabarmendu daitezke egilearen lanean: hizkuntzaren erabilera zaindu eta ederra, hainbat istorio sortu eta kateatzeko fabulazio-ahalmen itzela, eta gure gizarteko gai minberak ukitzeko kontzientzia etikoa.By Karlos Linazasoro Izagirre. 2014
1000 aforismo ondu ditu Karlos Linazasorok liburu honetarako. Genero berezia da aforismoa: itxuraz sinple, baina ondo egiteko trebetasun aparta behar…
duena, tolosarrak erakusten duena bezalakoa. Gogoeta txundigarriak, poesia printzak, mikroipuinak, adar jotzeak, paradoxak eta bestelakoak aurkituko ditugu pasarte laburrotan, guztiak ere egileak ohi duen zorroztasunez eta ironiaz landuak.By Ana Jaka García. 2014
?Sos bat bera ere ez niola pasako esan nion. Beti berdin. Faena kaskarra antzeko esaldiekin errematatzen du aldiro: emadazu zerbait,…
larri nabil, lana kobratu bezain pronto itzuliko dizut. Erromantikoa gizona! Pelikuletan bezala. Normalean, ondo aukeratzen zuen unea: larrua jo eta berehala, egin berri duzuna maitasuna dela sinesteko gogorik handiena daukazunean. Prakak jantzi izan balitu sikiera... Baina goiko aldetik janzten hasia zegoen, bere hankatxo meheak airean, zigarreta ahoan, ilea nahasita, begi-zulo handiekin eta asebeteta utzia nuela pentsatzeko urduriegi.?Emakume zakar eta zabar samarra da Olga, ez lanik, ez dirurik, gaztarotik urruntzen eta etorkizunik gabeko harreman erdipurdiko batean kateatua dagoena. Pisukidea du Dani, etxetik ihes egin eta zerbitzari gisa lan egiten duen gaztetxoa. Eta hiruki atipikoa osatzera dator Mikel, bizimodu normalagoa daraman adin ertaineko gizasemea, baina iraganetik dakarren zamatik askatu ezin duena. Pertsonaien harremanetan, haien psikologian eta sentimenduetan oinarrituriko eleberria dugu hau, baina ez inola ere sentimentala eta gozoa. Adiskidetasunaren balioa, leialtasunaren zentzua, bikotekide bati zer eskatzen ahal diogun, diruak eta diru ezak sortzen dizkiguten katramilak? horra orri hauetan topa daitekeen koktelaren zenbait osagai.By Iban Zaldua Gonzalez. 2014
Ipuin liburu sendo eta mardul bat prestatu du Zalduak, bere azken urteetako lanaren emaitza. Estilo, gai eta luzera desberdineko 38…
ipuin bildu ditu guztira, hiru parte nagusi eta eranskin batean. Zalduak ohi duen maisutasuna, zorroztasuna, fikziorako asmamen izugarria eta zirti-zarta banatutako ironia-dosiak topatuko ditu irakurleak bertan. Ipuinen artean badira fantastikoak eta erralistak, metaliteratura lantzen dutenak, eguneroko bizitzaren ifrentzua erakusten dutenak eta azkenaldiko gure panorama politikoa erretratatzen dutenak.By John Andueza Altuna. 2014
Donostiako Bilintx institutura itzuli da John Andueza Larunbatean Bukowskin nobela arrakastatsuaren ondoren; oraingoan, DBHko 4. mailako abenturak kontatzen dizkigu. Danel…
eta Ximon lagunak dira protagonistak, baita Ximonen andregaia Amaia, eta gelako tribu guztietako ikasleak ere: apatxeak, komantxeak, txerokiak, txeieneak, moikanoak eta baita payuk despistaturen bat ere. Ikasketa-amaierako bidaia egiteko asmoa dute, eta horretarako dirua lortzeko hainbat ekintza antolatuko dituzte. Baina ezusteko batek planak guztiz aldarazi beharko dizkiete.By Ana Malagon Zaldua. 2014
Bakardadearen mapa moduko bat da liburu hau, Iban Zalduak hitzaurrean dioenez. Frustrazioaren koordenadak erakusten dizkigu bere orrietan, insatisfazioaren eta inkomunikazioaren…
kartografia. 162 mikroipuin idatzi ditu egileak, inoiz orria gainditu gabe, eta neurri murritz horretan unibertso pertsonal bat eraiki du: hiritarra, gaurkoa, gure egunerokotasunari ironiazko begirada bat eskaintzen diona. Haurtzaroa ageri da kontakizunotan, ez idealizatua baizik porrot txikiz osatua; heriotza ez tragikoa baizik eta ia etxekoa, misteriotsu baina aldi berean irrigarria; maitasun ez poz betezko baizik ahitua, askotan jaio orduko usteldua. Idazkera sobrio eta zehatza darabil Malagonek, apaingarriei eta enfasiei ihes egiten diena, eta ?bistan denez? luzamendutan galtzen ez dena.By Unai Elorriaga Lopez de Letona. 2006
Aurreko bere bi liburu arrakastatsuen ondoren (Sprako tranbia eta Van?t Hoffen ilea), nobela berri batekin dator Unai Elorriaga (Algorta, 1973):…
Vredaman. Aita ospitalean gaixo eta ama hura zaintzen dauzkalako osaba-izekoen etxera bidaltzen duten haurra; golf-klub baten barruan errugbi-zelai klandestino bat margotu nahi duten bi lagun; urtetan arkitekto baten andregai izan baina inoiz ezkondu ez zen emakume adindua; aitite gizon inportantea zela jakin eta haren arrastoaren atzetik dabilen gaztea. Elkarrekin nahasten diren hainbat istorio daude liburu honetan, pertsonaia ameslari, xelebre edo maitagarriz beteak, bakoitza bere estilo eta hizkera berezian kontatua: haurraren sinpletasun magikoa, atso-agureen berritsukeria patxadatsua, alprojen elkarrizketa zoroak? Jolasetik asko du eleberri honek, baina jolasetik harago gizatasun-taupadak ere nabarmenduko ditu irakurleak, amaierara hurbildu ahala emozioan goraka doan kontakizun biribil eta gozagarri honetan.By Brahma Kumari Pari. 2018
この本では、ホログラフィック宇宙の説明に基づいています: 1. 神からの導き、 2. 梵天 クマリス の知識, 3.量子力学 (この本では何も量子力学に反している)、 4. 研究, 5.著者の経験、6。チャクラとオーラ、7の知識。古代ヒンドゥー教のテキストなど 説明があります, この電子書籍について, について: 1. ホログラフィック宇宙の様々な部門と性質。 2. どのようにすべての世界ドラマ (アカシックレコード)…
ごとに発生します。 3. どのように人々は、世界の2つの種類に住んでいる, 現実の世界とホログラフィックの世界, 同時に. 4. ホログラムフィルムに参加しています。 5. 様々な種類の世界が存在する。 6. どのように量子エネルギーは、ホログラム宇宙を介して物理的な体と物理世界を具体化. 7. どのように作成プロセスは、渦とチャクラを介して行われます。 8. 臨死体験 9. 宇宙意識。 10. 微妙な次元、ホログラフィックボディおよび微妙なボディがいかに作成されるか。 11. どのようにオーラが経験中に使用されます。 12. どのように異なる密度の量子エネルギーは、私たちが住んでいるために現実の世界の異なる種類を具体化. 13. 世界が変身したときのホログラフィック宇宙の変化 14. 梵天 クマリス の瞑想と知識。By Edited by Michael Emmerich. 2011
A dual-language edition of Japanese stories—many appearing in English for the first time This volume of eight short stories, with…
parallel translations, offers students at all levels the opportunity to enjoy a wide range of contemporary literature without having constantly to refer back to a dictionary. The stories—many of which appear here in English for the first time—are by well-known writers like Haruki Murakami and Banana Yoshimoto, as well as emerging voices like Abe Kazushige, Ishii Shinji, and Kawakami Hiromi. From the orthodox to the cutting-edge, they represent a range of styles and themes, showcasing the diversity of Japanese fiction over the past few decades in a collection that is equally rewarding for beginning, intermediate, and advanced students of English or Japanese. Complete with notes, the stories make excellent reading in either language.Japan is the only country in the world where women writers laid the foundations of classical literature. The Kagero Diary…
commands our attention as the first extant work of that rich and brilliant tradition. The author, known to posterity as Michitsuna’s Mother, a member of the middle-ranking aristocracy of the Heian period (794–1185), wrote an account of 20 years of her life (from 954–74), and this autobiographical text now gives readers access to a woman’s experience of a thousand years ago. The diary centers on the author’s relationship with her husband, Fujiwara Kaneie, her kinsman from a more powerful and prestigious branch of the family than her own. Their marriage ended in divorce, and one of the author’s intentions seems to have been to write an anti-romance, one that could be subtitled, “I married the prince but we did not live happily ever after.” Yet, particularly in the first part of the diary, Michitsuna’s Mother is drawn to record those events and moments when the marriage did live up to a romantic ideal fostered by the Japanese tradition of love poetry. At the same time, she also seems to seek the freedom to live and write outside the romance myth and without a husband. Since the author was by inclination and talent a poet and lived in a time when poetry was a part of everyday social intercourse, her account of her life is shaped by a lyrical consciousness. The poems she records are crystalline moments of awareness that vividly recall the past. This new translation of the Kagero Diary conveys the long, fluid sentences, the complex polyphony of voices, and the floating temporality of the original. It also pays careful attention to the poems of the text, rendering as much as possible their complex imagery and open-ended quality. The translation is accompanied by running notes on facing pages and an introduction that places the work within the context of contemporary discussions regarding feminist literature and the genre of autobiography and provides detailed historical information and a description of the stylistic qualities of the text.By Gaye Rowley, G. G. Rowley. 2000
Yosano Akiko (1878–1942) has long been recognized as one of the most important literary figures of prewar Japan. Her renown…
derives principally from the passion of her early poetry and from her contributions to 20th-century debates about women. This emphasis obscures a major part of her career, which was devoted to work on the Japanese classics and, in particular, the great Heian period text The Tale of Genji. Akiko herself felt that Genji was the bedrock upon which her entire literary career was built, and her bibliography shows a steadily increasing amount of time devoted to projects related to the tale. This study traces for the first time the full range of Akiko’s involvement with The Tale of Genji. The Tale of Genji provided Akiko with her conception of herself as a writer and inspired many of her most significant literary projects. She, in turn, refurbished the tale as a modern novel, pioneered some of the most promising avenues of modern academic research on Genji, and, to a great extent, gave the text the prominence it now enjoys as a translated classic. Through Akiko’s work Genji became, in fact as well as in name, an exemplum of that most modern of literary genres, the novel. In delineating this important aspect of Akiko’s life and her bibliography, this study aims to show that facile descriptions of Akiko as a “poetess of passion” or “new woman” will no longer suffice.By エディトーリアルカリブダス. 2021
By オーウェン・ジョーンズ. 2022
Japanese for Busy People is the most popular Japanese language textbook series in the world. Japanese for Busy People series…
is one of the most comprehensive series containing texts, workbooks and teacher&’s manuals for all three volumes. Audio recordings for the dialogues and listening exercises are now available as free download from kodansha.us. Teacher&’s Manual provides specific suggestions for teachers on how to use the main text in a classroom setting and how to coordinate it with the workbook. CAN-DO section is useful in creating lesson plan and measuring learners&’ mastery level. It also contains a Japanese translation of all of the key components of the main text, such as culture notes, notes on Japanese grammar, and active communication. This first of three volumes introduces "survival Japanese" — the absolute minimum amount of Japanese needed to live in Japan. Thus, the vocabulary and grammatical items it introduces are limited to about a third of what is typically introduced in a first-year course. In addition, the book features notes on Japanese culture intended to expand the learner&’s understanding of Japan, its customs and people. Japanese for Busy People I is available in two formats: romanized and kana. The Romanized Version uses romanized Japanese throughout, with kana in the Opening Dialogues of each lesson. The Kana Version — exposing students to hiragana and katakana from the very beginning — uses only kana.The content of the two books is otherwise exactly the same. The companion volume, Japanese for Busy People 1: The Workbook for the Revised 4th Edition contains a variety of illustrated exercises for mastering the basic sentence patterns presented in the main text.The Teacher&’s Manual provides specific suggestions for teachers on how to use Japanese for Busy People Book II in a…
classroom setting and how to coordinate it with the workbook. CAN-DO section is useful in creating lesson plan and measuring learners&’ mastery level. It also contains a Japanese translation of all of the key components of the main text, such as culture notes, notes on Japanese grammar, and active communication.