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Showing 1 - 20 of 62 items
The gold-bug: and other tales and poems
By Edgar Allan Poe. 1963
Little you
By Richard Van Camp, Julie Flett. 2013
Bruiser
By Neal Shusterman. 2011
Award-winning author Shusterman delivers a suspenseful and chilling psychological thriller about friendship, family, and the sacrifices we make for the…
people we love. Some violence. For high school and adult readersThe road back to Sweetgrass: a novel
By Linda LeGarde Grover. 2014
Dale Ann, Theresa, and Margie, are American Indian women coming of age in the 1970's. They navigate love, economic hardship,…
loss, and changing family dynamics on Mozhay Point reservation. When Theresa meets Michael Washington, he introduces her to his father, Zho Wash, and the three women begin looking at their people's history. UnratedManikanetish
By Naomi Fontaine. 2021
Walking the Choctaw road: Stories from the Heart and Memory of the People
By Tim Tingle, Norma Howard. 2003
Twelve traditional stories reflecting the history and beliefs of the Choctaw nation spanning almost two centuries of tribal life. "Saltypie"…
is Tingle's own story of his family's close bond with his blind grandmother. For grades 6-9 and older readers. 2003Turtle Island: tales of the Algonquian nations
By Jane Louise Curry, James Watts. 1999
Collection of twenty-seven tales with an introduction to Algonquian Indian culture; describes variations among the group's numerous tribes, which are…
found in the eastern United States and Canada. The title story recounts how a turtle's back became the Earth's foundation after a great flood. For grades 4-7. 1999Blue dawn, red earth: new Native American storytellers
By Clifford E. Trafzer. 1996
Thirty short stories by Native Americans from different tribal groups. Original tales created from personal experiences, like being sent to…
a government boarding school or moving away from the reservation. Other selections are based on traditional themes involving ghosts or people especially attuned to natureSomeday: A Native American Drama
By Drew Hayden Taylor. 2015
Someday is a powerful play by award-winning playwright Drew Hayden Taylor. The story in Someday, though told through fictional characters…
and full of Taylor's distinctive wit and humour, is based on the real-life tragedies suffered by many Native Canadian families.Anne Wabung's daughter was taken away by children's aid workers when the girl was only a toddler. It is Christmastime 35 years later, and Anne's yearning to see her now-grown daughter is stronger than ever.When the family is finally reunited, however, the dreams of neither women are fulfilled.The setting for the play is a fictional Ojibway community, but could be any reserve in Canada, where thousands of Native children were removed from their families in what is known among Native people as the "scoop-up" of the 1950s and 1960s. Someday is an entertaining, humourous, and spirited play that packs an intense emotional wallop.A boy called Slow: the true story of Sitting Bull
By Joseph Bruchac, Rocco Baviera. 1994
In the 1830s, parents in the Lakota Sioux tribe gave their children childhood names like Runny Nose and Hungry Mouth.…
Later when the child had grown and proven himself, he earned a new name. Returns Again named his boy Slow because he never did anything quickly. Slow hated his name and tried hard to earn a better one. At fourteen, Slow had a chance to show his bravery and was named Sitting Bull. For grades K-3Hiawatha: messenger of peace
By Dennis Brindell Fradin, Dennis B Fradin, Arnold Jacobs. 1992
In this biography the author shows what Hiawatha's life might have ben like by drawing on what is actually known…
about the Iroquois people during the fifteenth century. He distinguishes fact from legend as he tells of the adult Hiawatha's role as a peace-maker and one of the founders of the Iroquois Federation--aspects of which were incorporated into the U.S. Constitution. For grades 2-4 and older readersThe double life of Pocahontas
By Ed Young, Jean Fritz. 1983
A biography of the famous American Indian princess emphasizes her lifelong admiration of John Smith and the difficulties she faced…
as an Indian princess married to an Englishman. For grades 4-7 to share with older readersSingle white female
By John Lutz. 2011
After a messy breakup, Allie Jones posts an ad for a roommate. Hedra Carlson seems like the perfect match. But…
when Hedra starts interfering with Allie's life and imitating Allie's looks and mannerisms, Allie realizes danger is closer than she ever imagined. Basis for 1992 movie. Violence, strong language, and some explicit descriptions of sex. 1990You will know the truth: A Thriller
By Leslie T Thornton, Leslie Thornton. 2021
DC Public Defender Nicki Jo Lewis is assigned a gruesome murder case. The further she digs into the case, the…
more secrets she encounters, including ones that lead to the back doors of the White House. Violence, strong language, and some descriptions of sex. 2021Back in the Beforetime: Tales of the California Indians
By Jane Louise Curry. 1987
In Absentia
By Morris Panych. 2012
Four seasons after her husband Tom's disappearance, Colette remains emotionally paralyzed, isolated in a country cottage. She waits in anguish,…
not knowing whether he is dead or alive, but clinging to hope. A young stranger in a jean jacket waves to her from the frozen lake - a sign? She emerges to give him her husband's parka - strangely, the boy has a likeness to Tom.What is the stranger's connection to her geologist husband, kidnapped more than a year before by leftist guerrillas in Colombia? How does this slyly seductive young stranger happen to show up at her home in rural Ontario, thousands of miles away? He seems to know more about Colette than he should, and as he slowly insinuates himself into her life, Colette's attentive sister, Evelyn, and her helpful neighbor Bill become increasingly alarmed.Part mystery, part moving story of vanished love, In Absentia explores the notion of disappearance, articulated in very personal terms. Through the tough, time-shifting action of the play, Colette reflects on her marriage and past love, offering rich associative memories while also uncovering the hidden and inaccessible - that which is made to disappear from view.Guilt and grief, infidelity and infertility, loss and longing are the deeper subjects Panych explores here. At the same time, the play examines the desire to make connections in life - thoughts to deeds, intentions to outcomes - in scenes often enlivened by the playwright's trademark humor.Cast of 3 men and 2 women.Fugitive Kind
By Tennessee Williams, Allean Hale. 2001
Social outcasts, misfit survivors, dangerous passions—Tennessee Williams fleshed out the characters and themes that would dominate his later work in…
Fugitive Kind, one of his earliest plays. Fugitive Kind, one of Tennessee Williams's earliest plays, is one of his richest in dramatic material. Written in 1937 when the playwright was still Thomas Lanier Williams, Fugitive Kind introduces the character who will inhabit most of his later plays: the marginal man or woman who, through no personal fault, is a misfit in society but who demonstrates an admirable will to survive. Signature Tennessee Williams' characters, situations, and even the title (which was used as The Fugitive Kind for the 1960 film based on Orpheus Descending) have their genesis here. At age twenty-six, Williams was still learning his craft and this, his second full-length play, shows his debt to sources as diverse as thirties gangster films (The Petrified Forest, Winterset) and Romeo and Juliet. Fugitive Kind, with its star-crossed lovers and big city slum setting, takes place in a flophouse on the St. Louis waterfront in the shadow of Eads Bridge, where Williams spent Saturdays away from his shoe factory job and met his characters: jobless wayfarers on the dole, young writers and artists of the WPA, even gangsters and G-men. Fugitive Kind was also Williams's second play to be produced by The Mummers, a St. Louis theatre group devoted to drama of social protest. Called "vital and absorbing" by a contemporary review in The St. Louis Star-Times, this play reveals the young playwright's own struggle between his radical-socialist sympathies and his poetic inclinations, and signals his future reputation as our most compassionate lyric dramatist.Spring Storm
By Tennessee Williams, Dan Isaac. 1999
"A crucible of so many elements that would later shape and characterize Williams's work."--World Literature Today When Tennessee Williams read…
Spring Storm aloud to his playwriting class at the University of Iowa in 1938, he was met with silence and embarrassment. His professor, the renowned E. C. Mabie, remarked as he got up and dismissed the seminar, "Well, we all have to paint our nudes!" Tom's earlier comment in his journal that the play "is well-constructed, no social propaganda, and is suitable for the commercial stage" seems accurate enough in 1999, but woefully naive deep in the Depression when the play's sexual explicitness--particularly its matter-of-fact acceptance of a woman's right to her own sexuality--would have been seen as not only shocking but also politically radical. Spring Storm would later be disavowed by the author as "simply a study of Sex--a blind animal urge or force (like the regenerative force of April) gripping four lives and leading them into a tangle of cruel and ugly relations." But the solid and deft characterizations of the four young people whose lives intertwine--the sexually alive Heavenly Critchfield, her earthy lover Dick Miles, Heavenly's wealthy but tongue-tied admirer Arthur Shannon, and the repressed librarian Hertha Nielson who loves Arthur--are archetypes of characters we will meet again and again in the Williams canon. Epic in scope, a bit melodramatic in execution, tragic in outcome, Spring Storm created a wave of excitement among theatre insiders when it was given a staged reading at The Ensemble Studio Theatre's Octoberfest '96. This edition has been prepared, with an illuminating introduction, by Dan Isaac, who initiated the Octoberfest production.Clothes for a Summer Hotel: Play
By Tennessee Williams. 1983
This late play by Tennessee Williams explores the troubled relationship between F. Scott and Zelda Fitzgerald. The late Tennessee Williams's…
Clothes for a Summer Hotelmade its New York debut in 1980. Here Scott and Zelda Fitzgerald, often seen as symbols of the doomed youth of the jazz age, become two halves of a single creative psyche, each part alternately feeding and then devouring the other. Set in Highland Hospital near Asheville, North Carolina, where Zelda spent her last confinement, this "ghost play" begins several years after Scott's death of a heart attack in California. But the past is "still always present" in Zelda, and Williams's constant shifting of chronology and mixing of remembrance with ghostly re-enactment suggest that our real intimacy is with the shadow characters of our own minds. As Williams said in the Author's Note to the Broadway production: "Our reason for taking extraordinary license with time and place is that in an asylum and on its grounds liberties of this kind are quite prevalent: and also these liberties allow us to explore in more depth what we believe is truth of character." Williams poses the inevitable, unanswerable questions: Did Scott prevent Zelda from achieving an independent creativity? Did Zelda's demands force Scott to squander his talents and turn to alcohol? Whose betrayal--emotional, creative, sexual--destroyed the other? But he poses these questions in a new way: in the act of creation, Zelda and Scott are now aware of their eventual destruction, and the creative fire that consumed two artists combines symbolically with the fire that ended Zelda's life.Now the Cats With Jeweled Claws & Other One-Act Plays
By Tennessee Williams, Thomas Keith. 1982
"The peak of my virtuosity was in the one-act plays--like firecrackers in a rope." --Tennessee Williams This new collection of…
fantastic, lesser-known one-acts contains some of Williams's most potent, comical and disturbing short plays?Upper East Side ladies dine out during the apocalypse in Now the Cats With Jeweled Claws, while the poet Hart Crane is confronted by his mother at the bottom of the ocean in Steps Must Be Gentle. Five previously unpublished plays include A Recluse and His Guest, and The Strange Play, in which we witness a woman's entire life lived within a twenty-four-hour span. This volume is edited, with an introduction and notes, by the editor, acting teacher, and theater scholar Thomas Keith.