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Sounds of Vacation: Political Economies of Caribbean Tourism
By Timothy Rommen, Jocelyne Guilbault. 2019
The contributors to Sounds of Vacation examine the commodification of music and sound at popular vacation destinations throughout the Caribbean…
in order to tease out the relationships between political economy, hospitality, and the legacies of slavery and colonialism. Drawing on case studies from Barbados, the Bahamas, Guadeloupe, Saint Martin, and Saint Lucia, the contributors point to the myriad ways live performances, programmed music, and the sonic environment heighten tourists' pleasurable vacation experience. They explore, among other topics, issues of authenticity in Bahamian music; efforts to give tourists in Barbados peace and quiet at a former site of colonial violence; and how resort soundscapes extend beyond music to encompass the speech accents of local residents. Through interviews with resort managers, musicians, and hospitality workers, the contributors also outline the social, political, and economic pressures and interests that affect musical labor and the social encounters of musical production. In so doing, they prompt a rethinking of how to account for music and sound's resonances in postcolonial spaces. Contributors. Jerome Camal, Steven Feld, Francio Guadeloupe, Jocelyne Guilbault, Jordi Halfman, Susan Harewood, Percy C. Hintzen, Timothy RommenThe Making of a Reform Jewish Cantor: Musical Authority, Cultural Investment
By Judah M. Cohen. 2019
The Making of a Reform Jewish Cantor provides an unprecedented look into the meaning of attaining musical authority among American…
Reform Jews at the turn of the twenty-first century. How do aspiring cantors adapt traditional musical forms to the practices of contemporary American congregations? What is the cantor's role in American Jewish religious life today? Judah M. Cohen follows cantorial students at the School of Sacred Music, Hebrew Union College, over the course of their training, as they prepare to become modern Jewish musical leaders. Opening a window on the practical, social, and cultural aspects of aspiring to musical authority, this book provides unusual insights into issues of musical tradition, identity, gender, community, and high and low musical culture.Musicians' Migratory Patterns: The African Drum As Symbol In Early America (CMS Cultural Expressions in Music)
By Christopher Johnson. 2020
Musicians’ Migratory Patterns: The African Drum as Symbol in Early America questions the ban that was placed on the African…
drum in early America. It shows the functional use of the drum for celebrations, weddings, funerals, religious ceremonies, and nonviolent communication. The assumption that "drums and horns" were used to communicate in slave revolts is undone in this study. Rather, this volume seeks to consider the "social place" of the drum for both blacks and whites of the time, using the writings of Europeans and colonial-era Americans, the accounts of African American free persons and slaves, the period instruments, and numerous illustrations of paintings and sculpture. The image of the drum was effectively appropriated by Europeans and Americans who wrote about African American culture, particularly in the nineteenth century, and re-appropriated by African American poets and painters in the early twentieth century who recreated a positive nationalist view of their African past. Throughout human history, cultural objects have been banned by one group to be used another, objects that include books, religious artifacts, and ways of dress. This study unlocks a metaphor that is at the root of racial bias—the idea of what is primitive—while offering a fresh approach by promoting the construct of multiple-points-of-view for this social-historical presentation.The Flyer Vault: 150 Years of Toronto Concert History
By Daniel Tate, Rob Bowman. 2019
A visual tour de force showcasing Toronto’s vast concert history. “The Flyer Vault book helps bottle the lore, bringing me…
a little bit closer to my Toronto and its shows that have only grown in renown.” — Danko Jones, musician “These pages will take you on a musical magical mystery tour of Toronto’s important place in concert history. Reading The Flyer Vault creates a rush just like the one you get when the house lights go down!” — Dan Kanter, multi-platinum-selling songwriter/producer “Not sure there’s ever been anything like this...The graphics are fascinating, the script is comprehensive. It’s staggering what’s been unleashed from the Vault.” — Gary Topp, legendary Toronto concert promoter Duke Ellington. Johnny Cash. David Bowie. Nirvana. Bob Marley. Wu-Tang Clan. Daft Punk. These are just some of the legendary names that played Toronto over the last century. Drawing from Daniel Tate’s extensive flyer collection, first archived on his Flyer Vault Instagram account, Tate and Rob Bowman have assembled a time capsule that captures a mesmerizing history of Toronto concert and club life, running the gamut of genres from vaudeville to rock, jazz to hip-hop, blues to electronica, and punk to country.The Flyer Vault: 150 Years of Toronto Concert History traces seminal live music moments in the city, including James Brown’s debut performance in the middle of a city-wide blackout, a then-unknown Jimi Hendrix backing up Wilson Pickett in 1966 — the year a new band from London named Led Zeppelin performed in Toronto six times — and the one and only show by the Notorious B.I.G., which almost caused a riot in the winter of 1995. Complementing the book’s flyers is the story of the music, highlighting such iconic venues as Massey Hall, the Concert Hall/Rock Pile/Club 888, and the BamBoo, alongside lesser-known but equally important clubs such as Industry Nightclub and the Edge.PEOPLE Prince
By The Editors of PEOPLE. 2001
Over Here, Over There: Transatlantic Conversations on the Music of World War I
By William Brooks, Christina Bashford, Gayle Magee. 2019
During the Great War, composers and performers created music that expressed common sentiments like patriotism, grief, and anxiety. Yet music…
also revealed the complexities of the partnership between France, Great Britain, Canada, and the United States. At times, music reaffirmed a commitment to the shared wartime mission. At other times, it reflected conflicting views about the war from one nation to another or within a single nation.Over Here, Over There examines how composition, performance, publication, recording, censorship, and policy shaped the Atlantic allies' musical response to the war. The first section of the collection offers studies of individuals. The second concentrates on communities, whether local, transnational, or on the spectrum in-between. Essay topics range from the sinking of the Lusitania through transformations of the entertainment industry to the influenza pandemic.Contributors: Christina Bashford, William Brooks, Deniz Ertan, Barbara L. Kelly, Kendra Preston Leonard, Gayle Magee, Jeffrey Magee, Michelle Meinhart, Brian C. Thompson, and Patrick WarfieldFelice Giardini and Professional Music Culture in Mid-Eighteenth-Century London explores Giardini’s influence on British musical life through his multifaceted career…
as performer, teacher, composer, concert promoter and opera impresario. The crux of the study is a detailed account of Giardini’s partnership with the music seller/publisher John Cox during the 1750s, presented using new biographical information which contextualizes their business dealings and subsequent disaccord. The resulting litigation, the details of which have only recently come to light, is explored here via a complex set of archival materials. The findings offer new information about the economics of professional music culture at the time, including detailed figures for performers’ fees, the printing and binding of music scores, the charges arising from the administration of concerts and operas, the sale, hire and repair of various instruments and the cost of what today we would call intellectual property rights. This is a fascinating study for musicologists and followers of Giardini, as well as for readers with an interest in classical music, social history and legal history.Music, Life and Changing Times: Volume 1 (Music, Life and Changing Times)
By Jenny Doctor, Sophie Fuller. 2019
At this book's core is a critical edition of letters exchanged over 50 years between Anglo-Irish composer Elizabeth Maconchy (1907-1994)…
and the Welsh composer Grace Williams (1906-1977). These two innovative and talented women are highly regarded for their music, their professional activities, and their roles in British musical life. The edition comprises around 353 letters from 1927 to 1977, none of which have been published before, along with scholarly introductions and contextualisation. Interwoven commentaries, in tandem with carefully constructed appendices, frame the letter texts. Moreover, the commentaries and introductory essays highlight and track the development of important themes and issues that characterise the study of twentieth-century British music today. This edition presents a dialogue, through both sides of a unique correspondence, offering an alternative commentary on musical and cultural developments of this period.Why Bob Dylan Matters, Revised Edition
By Richard F. Thomas. 2017
“The coolest class on campus” – The New York TimesWhen the Nobel Prize for Literature was awarded to Bob Dylan…
in 2016, a debate raged. Some celebrated, while many others questioned the choice. How could the world’s most prestigious book prize be awarded to a famously cantankerous singer-songwriter who wouldn’t even deign to attend the medal ceremony?In Why Bob Dylan Matters, Harvard Professor Richard F. Thomas answers this question with magisterial erudition. A world expert on Classical poetry, Thomas was initially ridiculed by his colleagues for teaching a course on Bob Dylan alongside his traditional seminars on Homer, Virgil, and Ovid. Dylan’s Nobel Prize brought him vindication, and he immediately found himself thrust into the spotlight as a leading academic voice in all matters Dylanological. Today, through his wildly popular Dylan seminar—affectionately dubbed "Dylan 101"—Thomas is introducing a new generation of fans and scholars to the revered bard’s work. This witty, personal volume is a distillation of Thomas’s famous course, and makes a compelling case for moving Dylan out of the Rock & Roll Hall of Fame and into the pantheon of Classical poets. Asking us to reflect on the question, "What makes a classic?", Thomas offers an eloquent argument for Dylan’s modern relevance, while interpreting and decoding Dylan’s lyrics for readers. The most original and compelling volume on Dylan in decades, Why Bob Dylan Matters will illuminate Dylan’s work for the Dylan neophyte and the seasoned fanatic alike. You’ll never think about Bob Dylan in the same way again.Speech and Song at the Margins of Global Health tells the story of a unique Zulu gospel choir comprised of…
people living with HIV in South Africa, and how they maintained healthy, productive lives amid globalized inequality, international aid, and the stigma that often comes with having HIV. By singing, joking, and narrating about HIV in Zulu, the performers in the choir were able to engage with international audiences, connect with global health professionals, and also maintain traditional familial respect through the prism of performance. The focus on gospel singing in the narrative provides a holistic viewpoint on life with HIV in the later years of the pandemic, and the author’s musical engagement led to fieldwork in participants’ homes and communities, including the larger stigmatized community of infected individuals. This viewpoint suggests overlooked ways that aid recipients contribute to global health in support, counseling, and activism, as the performers set up instruments, waited around in hotel lobbies, and struck up conversations with passersby and audience members. The story of the choir reveals the complexity and inequities of global health interventions, but also the positive impact of those interventions in the crafting of community.Long Walk Home: Reflections on Bruce Springsteen
By Richard Russo, Eric Alterman, David L. Ulin, Paul Muldoon, Wesley Stace, Elijah Wald, Daniel Wolff, Peter Ames Carlin, Regina Barreca, Greil Marcus, Kenneth Womack, Jim Cullen, Dermot Bolger, Deepa Iyer, Jefferson Cowie, A. O. Scott, Joel Dinerstein, Nancy Bishop, Gillian G. Gaar, Louis Masur, Natalie Adler, Martyn Joseph, Lauren Onkey, Colleen Sheehy, Frank Stefanko, Irwin Streight, Wayne Swan. 2019
Bruce Springsteen might be the quintessential American rock musician but his songs have resonated with fans from all walks of…
life and from all over the world. This unique collection features reflections from a diverse array of writers who explain what Springsteen means to them and describe how they have been moved, shaped, and challenged by his music. Contributors to Long Walk Home include novelists like Richard Russo, rock critics like Greil Marcus and Gillian Gaar, and other noted Springsteen scholars and fans such as A. O. Scott, Peter Ames Carlin, and Paul Muldoon. They reveal how Springsteen’s albums served as the soundtrack to their lives while also exploring the meaning of his music and the lessons it offers its listeners. The stories in this collection range from the tale of how “Growin’ Up” helped a lonely Indian girl adjust to life in the American South to the saga of a group of young Australians who turned to Born to Run to cope with their country’s 1975 constitutional crisis. These essays examine the big questions at the heart of Springsteen’s music, demonstrating the ways his songs have resonated for millions of listeners for nearly five decades. Commemorating the Boss’s seventieth birthday, Long Walk Home explores Springsteen’s legacy and provides a stirring set of testimonials that illustrate why his music matters.Destructive Desires: Rhythm and Blues Culture and the Politics of Racial Equality
By Robert J. Patterson. 2019
Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has…
yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists—Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton—to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.Phonographic Memories: Popular Music and the Contemporary Caribbean Novel (Critical Caribbean Studies)
By Njelle W. Hamilton. 2019
Phonographic Memories is the first book to perform a sustained analysis of the narrative and thematic influence of Caribbean popular…
music on the Caribbean novel. Tracing a region-wide attention to the deep connections between music and memory in the work of Lawrence Scott, Oscar Hijuelos, Colin Channer, Daniel Maximin, and Ramabai Espinet, Njelle Hamilton tunes in to each novel’s soundtrack while considering the broader listening cultures that sustain collective memory and situate Caribbean subjects in specific localities. These “musical fictions” depict Caribbean people turning to calypso, bolero, reggae, gwoka, and dub to record, retrieve, and replay personal and cultural memories. Offering a fresh perspective on musical nationalism and nostalgic memory in the era of globalization, Phonographic Memories affirms the continued importance of Caribbean music in providing contemporary novelists ethical narrative models for sounding marginalized memories and voices. Njelle W. Hamilton's Spotify playlist to accompany Phonographic Memories: https://spoti.fi/2tCQRm8Culturally Responsive Choral Music Education visits the classrooms of three ethnically diverse choral teacher-conductors to highlight specific examples of ways…
that culturally responsive teaching (CRT) can enrich choral music education. Principles of CRT are illustrated in contrasting demographic contexts: a choir serving a sizeable immigrant Hispanic population, a choir with an African American classroom majority, and a choir comprised of students who identify with eighteen distinct ethnicities. Additionally, portraits of nine ethnically diverse students illuminate how CRT shaped their experiences as members of these choral ensembles. Practical recommendations are offered for developing a culturally responsive classroom environment.Yo
By Elton John. 2019
La primera y única autobiografía de Elton John. Un retrato sincero, alegre y profundo del compositor y cantante con la…
más larga y exitosa trayectoria musical de la historia. Reginald Dwight, su verdadero nombre, fue un chico tímido con gafas a lo Buddy Holly que creció en Pinner, un pequeño municipio a las afueras de Londres, y soñaba en convertirse en una estrella del pop. Con solo veintitrés años dio su primer concierto en Estados Unidos, ante un público sorprendido por su insólito aspecto: un mono amarillo chillón, una camiseta estampada de estrellas y un par de botas aladas. Elton John había llegado y el mundo de la música jamás volvería a ser el mismo. Su vida está repleta de momentos dramáticos, desde el rechazo que sufrieron sus primeros trabajos con su colaborador y letrista Bernie Taupin hasta la locura que le envolvió cuando era una superestrella que dominaba las listas de ventas, pasando por su flirteo con el suicidio en la piscina de su residencia en Los Ángeles, por la noche en que bailó con la reina de Inglaterra en el castillo de Windsor, por su amistad con John Lennon, Freddie Mercury y George Michael, o por su decisión de montar una fundación contra el sida. Mientras tanto, Elton escondía una adicción que lo atrapó durante más de una década. En Yo, Elton también escribe de manera inspiradora sobre su proceso de rehabilitación y cómo cambió de vida, sobre cómo encontró el amor en los brazos de David Furnish y se convirtió en padre. Su voz en este libro es cálida, modesta y franca, y nos habla de su música y de las personas que entraron en su vida, de sus pasiones y de sus errores. Esta historia permanecerá contigo para siempre, de la mano de una leyenda viva. «Lo mejor del rock and roll es que alguien como yo puede convertirse en una estrella.»A(l)ma libre
By Lidia Rauet. 2019
A(l)ma libre es el primer instapoemario de Lidia Rauet. Un libro de reflexiones y poemas a través de los cuales…
podrás conocer mejor el mundo de Lidia. Fui tan frágil como un cristal a punto de estallar.Aprendí a estar sola, y eso me hizo no volver a estarlo nunca más.Descubrí en mi misma el impulso que nos da alas para volar. Amarme a mí misma fue el principio de esta historia.Estás a punto de conocer mis miedos, mis barreras, mis logros.Estás a punto de descubrir mi verdad.Country Music: An Illustrated History
By Ken Burns, Dayton Duncan. 2019
The rich and colorful story of America's most popular music and the singers and songwriters who captivated, entertained, and consoled…
listeners throughout the twentieth century--based on the upcoming eight-part film series to air on PBS in September 2019This gorgeously illustrated and hugely entertaining history begins where country music itself emerged: the American South, where people sang to themselves and to their families at home and in church, and where they danced to fiddle tunes on Saturday nights. With the birth of radio in the 1920s, the songs moved from small towns, mountain hollers, and the wide-open West to become the music of an entire nation--a diverse range of sounds and styles from honky tonk to gospel to bluegrass to rockabilly, leading up through the decades to the music's massive commercial success today.But above all, Country Music is the story of the musicians. Here is Hank Williams's tragic honky tonk life, Dolly Parton rising to fame from a dirt-poor childhood, and Loretta Lynn turning her experiences into songs that spoke to women everywhere. Here too are interviews with the genre's biggest stars, including the likes of Merle Haggard to Garth Brooks to Rosanne Cash. Rife with rare photographs and endlessly fascinating anecdotes, the stories in this sweeping yet intimate history will captivate longtime country fans and introduce new listeners to an extraordinary body of music that lies at the very center of the American experience.Blues Legacy: Tradition and Innovation in Chicago (Music in American Life #489)
By David Whiteis. 2019
Chicago blues musicians parlayed a genius for innovation and emotional honesty into a music revered around the world. As the…
blues evolves, it continues to provide a soundtrack to, and a dynamic commentary on, the African American experience: the legacy of slavery; historic promises and betrayals; opportunity and disenfranchisement; the ongoing struggle for freedom. Through it all, the blues remains steeped in survivorship and triumph, a music that dares to stare down life in all its injustice and iniquity and still laugh--and dance--in its face. David Whiteis delves into how the current and upcoming Chicago blues generations carry on this legacy. Drawing on in-person interviews, Whiteis places the artists within the ongoing social and cultural reality their work reflects and helps create. Beginning with James Cotton, Eddie Shaw, and other bequeathers, he moves through an all-star council of elders like Otis Rush and Buddy Guy and on to inheritors and today's heirs apparent like Ronnie Baker Brooks, Shemekia Copeland, and Nellie "Tiger" Travis. Insightful and wide-ranging, Blues Legacy reveals a constantly adapting art form that, whatever the challenges, maintains its links to a rich musical past.Somatechnics and Popular Music in Digital Contexts (Pop Music, Culture and Identity)
By Laura Glitsos. 2019
This book is a celebration and explication of the body in the world and the ways that our body situates…
our consciousness as a lived formation, one which is oriented by the experience of music listening. The book examines the relationship between bodies, technics, and music, using the theoretical tools of somatechnics. Somatechnics calls for a recognition of the body in the world as an artefact wrapped up, entangled and produced by the materialities of that world. It traverses discussions on materiality, live music, touchscreen media, the personal computer, and new modes of listening such as virtual reality technologies. Finally, the book looks at music itself as a kind of technology that generates new modes of bodily being.The Little Book of Speaking Up: Find Your Voice in 5 Minutes a Day—with 65 Whole-Body Exercises
By Jutta Ritschel. 2019
What is your voice saying about you? Your unique voice—its volume, tone, and pitch—is the invisible key to a good…
first impression. But stress can cause your voice to falter—right when you need to speak up! Now, breath therapist and music teacher Jutta Ritschel offers 65 easy exercises to keep your voice always well-tuned—whether you’re rehearsing a speech or performance, or simply seeking your most confident self. Stretch like a cat: Free tense muscles, widen your rib cage, and breathe deeply.Read aloud: Practice expressing emotion!Befriend your voice: Hear the difference between how you sound to yourself and to others. Most important of all, you’ll learn to find comfort in silence—and hear your inner voice before you speak.